1963 Morris Minor 1000 ConvertibleMake: MorrisModel: Minor 1000Year: 1963Mileage: 0VIN: MA255D101671Configuration: Right Hand DriveRegistration: 518XKKTransmission: ManualThis 1,098cc Morris Minor convertible celebrated its 40th birthday by receiving quite a lot of attention at the well-known Minor specialist Charles Ware's Morris Minor Centre Ltd in Bath during 2003. This included body work and a new beige hood and frame, plus MoT repairs. The work came to just over £2721.59, and was in addition to 2001 body and mechanical jobs by Charles Ware totalling £2877. While its unclear exactly how many miles ago all this was, an MoT from 2004 lists the mileage as 87,178. The odometer records the 2021 total as just over 99,000, so only around 12,000 miles have been covered since then. The folder of paperwork includes assorted old MoTs and bills, with most of them from the 21st century.
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1972 Morris 6 CWT VanMake: Morris Model: 6 CWT VanYear: 1972Mileage: 0VIN: MAU5325068Configuration: Right Hand DriveRegistration: DJU549KTransmission: manualThis Morris pick-up was purchased as a project by the vendor four years ago. It has since been fitted with a new diff and he advises that 99% of the welding required has been completed. It comes only with a current V5 and MoT history dating from 2006 to 2017 when last issued.
1970 Morris Minor 1098Make: Contact AuctioneerModel: Contact AuctioneerYear: 0Mileage: 0VIN: MA2S5D1242961Configuration: Right Hand DriveRegistration: HTW 327HTransmission: Contact AuctioneerDescribed by our vendor as an unrestored example that will run and drive but requires restoration. Three registered owners, the last recorded since 1987. Has older style V5. The mileage is recorded at 41,000.
20 various pill boxes, some enamelled some porcelain, including The Royal Collection, Museum Collections William Morris, etc. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
Three framed pictures to include limited edition 469/500 signed in pen E. R. Sturgeon print entitled ‘Edgbaston Old Church’, signed watercolour by Julienne Lindon-Morris ‘Eastleigh Martin, Nr snow’, watercolour figures in rural setting before mountainous background. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
Porzellanmanufaktur Allach - Moriskentänzer "Burgunder", Modell 4 von Richard Förster sowie ein Nymphenburger Schäferhund, Modell 398 Porzellanfigur "Burgunder", Modell 4, Künstler Richard Förster, glasiertes weißes Porzellan. Kostümierte Tänzerfigur in burgundischer Tracht und Kopfbedeckung, im Ausfallschritt und mit vorgebeugtem Oberkörper. Diese Figur wurde nur 1942 produziert, bekannt sind 770 gefertigte Modelle. Am Körper und an den Händen sehr detailliert ausgeführt, auf der Unterseite mit Pressmarke "SS Allach", Höhe 22 cm, die Spitze des rechten Schnabelschuhes ist abgebrochen, sonst guter Zustand. Dazu ein liegender Schäferhund, Porzellanmanufaktur Nymphenburg, gestempelt und gemarkt, Modell 398 von Theodor Kärner, hintere liegende Pfote restauriert/geklebt, sonst guter Zustand. Zustand: II -Porcelain manufactory Allach – a Morris dancer "The Burgunder Jester", model 4 by Richard Förster and a sheepdog, model 398, Nymphenburg Porzellanfigur "Burgunder", Modell 4, Künstler Richard Förster, glasiertes weißes Porzellan. Kostümierte Tänzerfigur in burgundischer Tracht und Kopfbedeckung, im Ausfallschritt und mit vorgebeugtem Oberkörper. Diese Figur wurde nur 1942 produziert, bekannt sind 770 gefertigte Modelle. Am Körper und an den Händen sehr detailliert ausgeführt, auf der Unterseite mit Pressmarke "SS Allach", Höhe 22 cm, die Spitze des rechten Schnabelschuhes ist abgebrochen, sonst guter Zustand. Dazu ein liegender Schäferhund, Porzellanmanufaktur Nymphenburg, gestempelt und gemarkt, Modell 398 von Theodor Kärner, hintere liegende Pfote restauriert/geklebt, sonst guter Zustand. Condition: II -
NO RESERVE Tichborne Claimant's Defence Counsel.- A thunderbolt for Kenealy! : Juggler, mountebank, and patriot!!! With a report of his trial for torturing his illegitimate child, his sentence, &c., the amount of his fees for his defence of Orton; his treatment of Mrs. Orton, 8pp., some spotting, lightly browned, folded, as issued, 8vo, [E. Morris], 1875.⁂ Rare. The eccentric and erratic Edward Vaughan Hyde Kenealy came to public prominence in 1873 when he became counsel for Arthur Orton, the Tichborne Claimant.
NO RESERVE Freeman (M.B.) The Unicorn Tapestries, New York, 1976 § Parry (Linda) William Morris and the Arts and Crafts Movement: A Design Source Book, 1989 § Heal (Sir Ambrose) The London Furniture Makers...1660-1840, reprint, 1988 § Whistler (Laurence) The Image on the Glass, 1975, illustrations, original cloth or boards with dust-jackets, the first rubbed and slightly frayed at edges; and c.20 others on the arts, 8vo & 4to (c.25)
CHISWICK PRESS - FLORENCE PAGETMORRIS (WILLIAM) An Address Delivered... at the Distribution of Prizes to Students of the Birmingham Municipal School of Art, 1898; Art and the Beauty of the Earth, 1898; Some Hints on Pattern Designing, 1899; Architecture and History, and Westminster Abbey, 1900; Art and Its Producers, and the Arts & Crafts of Today, 1901, 5 works in 1 vol., bound in green crushed morocco by Florence Paget (signed 'F.P. 1907' in gilt at rear), sides with wide borders of three gilt double rules containing flowering vines and tulips with 12 open flowers, spine with five raised bands and six compartments, one lettered in gilt, the other five with similar gilt motif as covers, binding edges with a single gilt fillet rule, green morocco gilt turn-ins with further rules and flowers at corners, g.e., 8vo, Chiswick PressFootnotes:A FINE ARTS AND CRAFTS BINDING BY FLORENCE PAGET.Paget was a pupil of Douglas Cockerell, and exhibited at the Arts and Crafts Exhibition Society in 1899. In 1902 she was chosen to bind the copy of the Form and Order of Service which King Edward VII used at his Coronation, and which is in the Royal Collection. According to Sarah Prideaux in Modern Bookbindings, she did 'good honest work of a comparatively simple nature', and Marianne Tidcombe refers to Paget's 'tastefully designed gold-tooled bindings', illustrating an example of her work on a Vale Press volume (Marianne Tidcombe, Women Bookbinders, 1996, pp.162-63).Provenance: Helen of Greece and Denmark, bookplate as Queen Helen the Queen Mother of Roumania.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
![CHISWICK PRESS[MORRIS (WILLIAM) and EIRIKR MAGNUSSON, translators]. The Story of Gunnlaug the Worm-Tongue and Raven the Skald](https://cdn.globalauctionplatform.com/5329f428-b57e-403c-aeba-ad3b00cf838d/0ad5b81d-edd3-4269-b28a-ad4a00b042d9/468x382.jpg)
CHISWICK PRESS[MORRIS (WILLIAM) and EIRIKR MAGNUSSON, translators]. The Story of Gunnlaug the Worm-Tongue and Raven the Skald. Even as Ari Thirgilson the Learned/the Priest/hath Told it, LIMITED TO 75 COPIES, THIS A PRESENTATION COPY TO WILLIAM DE MORGAN, inscribed 'from Jane Morris in memory of Kelmscott' on front free endpaper, printed in Gothic letter, light offsetting from first and last pages onto facing blank, untrimmed in original holland-backed boards, slight wear to spine ends, housed in red morocco-backed slipcase with gilt-lettered spine, 4to, Chiswick Press for William Morris, 1891Footnotes:'IN MEMORY OF KELMSCOTT': PRESENTATION COPY TO WILLIAM DE MORGAN, TOUCHINGLY INSCRIBED BY JANE MORRIS.The Story of Gunnlaug the Worm-Tongue was translated from the Icelandic by Eirikr Magnusson and William Morris. In addition to translating it, Morris also designed a new typeface which he thought suitable for the tone of the work. However, after a small print run, he abandoned the idea as the typeface was proving so hard to read. He also left spaces at the beginning of each chapter for the intended initial letters, but on the whole these were never supplied.Provenance: William de Morgan, inscribed to him by Jane Morris; C.G. Stirling, ownership inscription on front paste-down. Stirling was the husband of A.M.W. Stirling (1865-1965), author, sister of the painter Evelyn De Morgan, and founder of the De Morgan Centre for the Study of 19th Century Art and Society in Wandsworth.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DOVES PRESSMILTON (JOHN) Paradise Lost; Paradise Regain'd, together 2 vol., each limited to 300 copies on paper, from editions limited to 325, marginal glosses and portions of text printed in red, hand-painted initials in red and blue by Edward Johnston and Graily Hewitt, a little very light foxing at edges of first and last few leaves, bound in richly decorated tawny morocco gilt by THE DOVES PRESS BINDERY (signed on rear turn-ins 'The Doves Bindery 19 C-S 06 [-08]'), sides with an all-over interweaving floral pattern within an outer border containing quotations from the text, gilt tooled and lettered spines with repeated floral tool, morocco turn-ins with gilt trefoil in corners, g.e., very skilfully rebacked retaining the original spines, preserved in red velvet-lined morocco solander box with volume separator, 4to, Hammersmith, Doves Press, 1902-1905Footnotes:A 'BREATHTAKING MASTERPIECE' IN A FINE DOVES PRESS BINDING. 'Johnston's red initial letters, often lying outside the text area to the Left, were quite unconventional and they can still carry the force of invention. Mr. Ronald Briggs wrote recently of Johnston's opening to the first book of the Doves Press 'Paradise Lost': 'The elements of this masterpiece are utterly simple and purely typographic, but the first glimpse of it as the page is turned is breathtaking'... The book in which the initials are drawn rather than printed give special pleasure; and of them one thinks first of 'Paradise Lost' where each book of the Poem, apart from the complex opening Mr. Briggs mentioned, has drawn initials' (Colin Franklin, The Private Presses, p.107).The present volumes were bound in 1906 and 1908 respectively, presumably on commission or for a private collector. Although signed 'C-S', the bindings are likely to have been finished by Charles McLeish, their intricate designs showing the influence of William Morris and contrasting with the simplicity of the typography.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
DOVES PRESSThe English Bible, Containing the Old Testament & the New Translated Out of the Original Tongues by Special Command of His Majesty King James the First 5 vol., ONE OF 500 COPIES ON PAPER, PRESENTATION COPY FROM EMERY WALKER TO PHILIP WEBB, inscribed in each volume 'to Philip Webb/ from Emery Walker/ June 13. 1903 [-Oct. 15 1904 (volumes 2-3); Sept. 16 1905 (volumes 4-5)]' and in volume 1 only 'from Emery Walker given to me/ Wilfrid Scawen Blunt in memory/ of Philip Webb. June 1915', printed by T.J. Cobden-Sanderson and Emery Walker with initials by Edward Johnston printed in red, untrimmed in original limp vellum by the Doves Bindery, gilt lettered spines, some slight soiling and discolouration as usual, a little browning to bottom edges, cream cloth slipcases, Hammersmith, Doves Press, 1903-1905Footnotes:FINE ASSOCIATION COPY OF THE DOVES PRESS BIBLE - EACH VOLUME INSCRIBED ON COMPLETION BY EMERY WALKER TO 'THE FATHER OF ARTS AND CRAFTS ARCHITECTURE', PHILIP WEBB.The English Bible is the only folio printed by Cobden Sanderson and Emery Walker at the Doves Press. Described by Colin Franklin as the Press's 'magnum opus' (The Private Presses), it was printed using the font designed by Walker, the matrices, punches and type of which were later infamously thrown into the Thames from Hammersmith Bridge by Cobden-Sanderson, following the bitter dispute between the two printers. Walker had very close ties with Philip Webb, his house in Chiswick still containing furniture and glass by Webb, who had been a partner in Morris & Co. along with William Morris, Burne-Jones and Dante Gabriel Rossetti.Provenance: Philip Webb, inscribed to him by Emery Walker on fly-leaf of each volume; Wilfrid Scawen Blunt, inscription below Emery Walker's on fly-leaf of volume 1.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
GOLDEN COCKEREL PRESSCOPPARD (A.E.) Clorinda Walks in Heaven, NUMBER 19 OF 20 COPIES SIGNED BY THE AUTHOR, from an edition limited to 690, INSCRIBED on the front free endpaper 'For J.R.T. Morris/ With best wishes/ A.E. Coppard', and with a quatrain by Thomas Hardy in Coppard's hand below, untrimmed in original linen-backed boards with paper spine label, some browning to spine ends, 1922; Adam & Eve & Pinch Me, FIRST EDITION, one of 340 copies in orange boards from an edition limited to 550, first gathering slightly loose, stain to upper cover, spine faded, slipcase, 1921, 8vo, Waltham St. Lawrence, Golden Cockerel Press (2)Footnotes:The rare first and fourth books produced by the fledgling Golden Cockerel Press, and the first two books of stories published by Coppard.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
GREGYNOG PRESSWYNNE (ELLIS) Gweledigaetheu y bardd cwsc: Visions of the Sleeping Bard, number 60 of 175 copies, text in Welsh and English, wood-engraved frontispiece by Blair Hughes-Stanton, original red morocco-backed patterned cloth by the Gregynog Bindery, 4to, 1940--EURIPIDES. The Plays, translated by Gilbert Murray, 2 vol., number 366 of 500 copies, titles in terracotta and black, wood-engraved illustrations by R.A. Maynard and Horace Walter Bray after Greek vase paintings, original russet linen, gilt, uncut, folio, 1931--HABERLY (LOYD) Anne Boleyn and Other Poems, number 122 of 17 copies, printed in red and black with title-page and initials in red and green, original brown morocco with gilt device on upper cover, small 4to, 1934--GREVILLE (FULKE, Baron BROOKE) Caelica, edited by Una Ellis-Fermor, number 157 of 225 copies, original dark green morocco-backed striped boards gilt, 8vo, 1936--OMAR KHAYYAM. [Rubaiyat in Welsh] Penillion... gan John Morris-Jones, number 37 of 285 copies, printed in blue and black, 10 wood-engravings by R.A. Maynard, original two-tone buckram, 4to 1928, Newtown, Gregynog Press; and 2 others, by Christina Rossetti and Salvador de Madariaga (8)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
KELMSCOTT PRESS - BINDINGMORRIS (WILLIAM) The Story of the Glittering Plain or the Land of Living Men, one of 250 copies on paper, printed in Troy type in red and black, 23 wood-engraved illustrations by A. Leverett after Walter Crane, wood-engraved title, borders, half borders, ornaments and initial letters after Morris, ELABORATE INLAID BLUE MOROCCO BINDING by Riviere & Son (signed on front turn-in), probably by De Sauty, sides with elaborate gilt mosaic-style tooling enclosed by very wide borders and circular centrepieces with pomegranate and foliage design composed of maroon, red, tan and green inlays and pointille, spine in 6 compartments, 4 gilt lettered and the others with similar pomegranate and foliage inlaid design, green watered silk endpapers, blue and tan morocco gilt turn-ins with pomegranates at corners and ornate borders. t.e.g., others uncut, preserved in silk and felt-lined black straight-grained morocco fitted case (gilt ruled, rubbed at extremities), 4to (294 x 216mm.), Hammersmith, Kelmscott Press, 1894Footnotes:A MAGNIFICENTLY SUMPTUOUS RIVIERE BINDING, PROBABLY FINISHED BY ALFRED DE SAUTY.The Story of the Glittering Plain, in many ways a precursor to Brave New World and modern-day fantasy literature, was first published by the Press two years earlier, in 1892. Walter Crane had been commissioned to produce the illustrations for that edition, but took so long that Morris became impatient and published it without the intended wood-engravings. Crane did finally complete his illustrations, and Morris published the present edition, which was to be the artist's only work for Kelmscott.Alfred De Sauty (1870-1949) was the subject of an essay by Marianne Tidcombe entitled 'The Mysterious Mr. De Sauty', published in For the Love of the Binding. Studies in Bookbinding History Presented to Mirjam Foot (2000), pp.329-336. She notes that 'the first non-trade bookbinder, T. J. Cobden-Sanderson, emerged in the 1880's... he was followed by hundreds of women, but only two male binders of any significance: Douglas Cockerell and Alfred De Sauty'. Inspired by seeing illustrations of the bindings of Cobden-Sanderson in an issue of The Studio, he soon found work at the Hampstead Bindery and Guild of Women Binders, and may also have trained under P. A. Savoldelli at Riviere. De Sauty was responsible for some of the best designs of the two binderies, and carried out all the stages of the craft himself, from sewing to the designing and exceptionally delicate tooling of the covers. The present example bears similarities to another in the Catalogue of the Broxbourne Library (no.110), and to others where the use of pointille is prominent.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
KELMSCOTT PRESSMORRIS (WILLIAM) and A.J. WYATT, translators. The Tale of Beowulf, one of 300 copies on Perch paper, from an edition limited to 308, printed in red and black with text in Troy type and glossary etc. in Chaucer type, wood-engraved title, facing page with full woodcut border, decorative page borders throughout and large initials, designed by Morris, without Note to Reader slip, untrimmed in original limp vellum with khaki-coloured silk ties, gilt lettered spine, covers slightly soiled and bowed (as usual), 4to, Hammersmith, Kelmscott Press, 1895Footnotes:'The first and the best poem of the English race, [with] no author but the people' (William Morris). The work was one of Morris's favourites and the translation - 'done out of the Old English tongue by William Morris & A.J. Wyatt' - took over two years.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
KELMSCOTT, MORRIS and BURNE-JONESMORRIS (WILLIAM) The Art and Craft of Printing: A Note...on his Aims in Founding the Kelmscott Press, limited to 210 copies, printed in red and black, illustrations, untrimmed in original holland-backed boards, slightly soiled, 8vo, New Rochelle, Elston Press, 1902--BURNE-JONES (EDWARD) The Beginning of the World. Twenty-Five Pictures..., edited by Georgina Burne-Jones, wood-engraved illustrations, publisher's green holland-backed boards, folio, Chiswick Press for Longmans, Green, 1902--MORRIS (MAY) William Morris. Artist Writer Socialist, 2 vol., portrait, fine and untrimmed in publisher's holland-backed boards, 8vo, Oxford, Basil Blackwell, 1936--MORRIS (WILLIAM) Under an Elm-Tree; or, Thoughts in the Country-Side, 16pp., unopened, stitched and unbound as issued, 16mo, Aberdeen, James Leatham, 1891; A Book of Verse, number 245 of 300 copies, facsimile of the illuminated manuscript, with separate pamphlet of 'Notes', original cloth gilt, housed in cloth solander box, 4to, Scholar Press, 1980--WALSDORF (JOHN J.) William Morris in Private Press and Limited Editions: A Descriptive Bibliography of Books by and about William Morris 1891-1981, illustrations, publisher's cloth-backed boards, slipcase, 8vo, Phoenix, Arizona, The Oryx Press, 1983; and 4 others (11)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
BAYNE COLLECTION – LITERATURE, SCIENCE & THE ARTSCollection of over 100 autograph letters, postcards and cut signatures, assembled by author, journalist and editor Peter Bayne and his daughter Clotilda, including: writers such as Tennyson (correcting an assumption made by Bayne '...Lady Clare's first thoughts when she learns that she is not Lady Clare is for her lover... She is not calling her mother a beggar but herself...' with annotation by Bayne dated May 1890, and another note thanking him for '...your Days of Jezebel...'), Thomas Hardy (to Mrs Leslie Thomson thanking her for her letter, with autograph envelope), Matthew Arnold (two-page manuscript beginning 'From the poetry of Wordsworth we experience two prime effects...' titled in another hand 'Inscription', with printed proof, three letters and a note), William Bell Scott (manuscript poems 'The Falling Leaf', 'Left Alone' and 'Morning', signed, on a bifolium, with another letter on the sale of his house in Chelsea), Anthony Trollope (two, regarding the publication of Baynes' article on Cobden), George Bernard Shaw (typed letter, signed, praising Clotilda Marson's husband), John Masefield (postcard and proof sheets of several poems with letter from Constance Masefield), Edmund Gosse, Samuel Smiles, Austin Dobson, Elihu Burritt; various editors including Richard H. Hutton, editor of the Spectator (3), W.J. Stead of the Pall Mall Gazette, Sidney Lee (DNB), William Blackwood (Blackwood's Magazine); Michael Faraday (note 'with M Faradays Compliments'), Francis Darwin (son of Charles, refusing an invitation), psychiatrist George Henry Savage ('...I do not like the notion of secret remedies...'), physicians Hermann von Helmholtz and Sir Henry Thompson; artists Alma Tadema and Philip Burne-Jones (2), one regarding William Morris ('...when he was very vigorously working for the Society for the Preservation of Ancient Buildings... he made a rule that he would never put a window into an ancient church...'); other figures including Sir Frederick Roberts (in the third person, on the pacification of India and justifying British rule ('...to transform rebels & dacoits into peaceable subjects of Her Majesty the Queen... It has been necessary to protect the villagers from their own people...'), Millicent Fawcett (2), Philippa Garrett Fawcett, Ray Strachey; various scholars, headmasters, bishops and clergy; with a small group of seven cut signatures, certificate granting Peter Bayne the Royal Victorian Order, Fourth Class, signed 'George R.I.' and 'Elizabeth R', May 1937, four French valentines (two cut paper, two printed on fabric), etc., usual dust staining and marks, many with remains of guard where previously attached to album leaf, 8vo and 4to, nineteenth and early twentieth centuriesFootnotes:The present collection was assembled by Peter Bayne (1830-1896), prolific Scottish journalist and author. Initially wishing to enter the church, respiratory problems made preaching impossible, so he turned to writing. He contributed to magazines such as the Edinburgh Magazine and succeeded Hugh Miller as editor of Witness and later the ill-fated Dial, which proved to be a massive financial failure. For a short time he edited the Weekly Review, the organ of the English Presbyterian Church, and for over twenty years was a regular writer for the Christian World. Through his collected essays he enjoyed some success in Scotland and America and, addition to this, he was the author of several works of English history under the pseudonym Ellis Brandt. His many essays in literary criticism put him in correspondence with the great literary figures of the day such as Browning, Carlyle and Ruskin, who were keen to correct his errors and praise his writing in equal measure, as the following lots demonstrate. After Bayne's death in 1896, the collection was inherited by his son Ronald (d.1922) whose widow, according to a note (a photocopy of which is included in this lot) passed it to his sister Clotilda Marson. When the letters were removed from the original album is not known but it has remained in the family until now.For further information on this lot please visit Bonhams.com
Assorted volumes to include Maybury Morris Limited Editions 'Heaven-Born in Burma The daily Round' Folio Hadspen 'Heaven-Born in Burma' Volume II 'Flight of the Heaven Board' (signed by the Author) 'Heaven-Born in Burma Volume III 'Swan-song of the Heaven Born' (signed by the Author), all three limited editions with dust jacketsBetjeman, John 'Summoned by Bells', illustrated by Hugh Casson, John Murray 1989, dust jacket not price clippedFleming, Peter 'One's Company - A Journey to China', Jonathan Cape 1934, photographic illustrations, green cloth with red blind stamped titles'Brazilian Adventure' Jonathan Cape, 10th impression 1934, photographic illustrations, pictorial clothVolumes relating to CanadaCrime Collection....Agatha Christie, three volumes, Hamlyn, 1969Durrell, Lawrence 'Mount Olive', 4th impression 1960, yellow cloth, dust jacket, back stripped chipped with some loss but not price clippedOther volumes
MANSFELD, Richard(1959 Coswig - 2018 Dresden) Große abstrakte Komposition Öl/Leinwand. Rechts oben signiert. Datiert: 1998. 182 x 125 cm (aufgerollt). Richard Mansfeld war Autodidakt und freischaffender Maler, Grafiker und Aktionskünstler in Dresden. Er erhielt 1991 das Stipendium der Philip Morris Kunstförderung und 1993 das Frankreichstipendium des Landes Sachsen. Er arbeitete in der International Art Commune Straumar/Irland und in Paris. 1997 schuf er das Wandbild für die Stadtsparkasse Dresden und errichtete 2000 Fassadeninstallationen am Neuen Sächsischen Kunstverein in Dresden. Seine Werke waren in Ausstellungen in Deutschland, Italien, Frankreich, Island und der Schweiz zu sehen und sind zum Teil im Besitz der Staatlichen Kunstsammlungen Dresden, der Deutschen Bücherei Leipzig oder der Brandenburgische Kunstsammlungen Cottbus.
MANSFELD, Richard(1959 Coswig - 2018 Dresden) "Die holde Susi" Öl/Leinwand. Rechts oben signiert, verso betitelt. Datiert: 1999. 80 x 65 cm. Richard Mansfeld war Autodidakt und freischaffender Maler, Grafiker und Aktionskünstler in Dresden. Er erhielt 1991 das Stipendium der Philip Morris Kunstförderung und 1993 das Frankreichstipendium des Landes Sachsen. Er arbeitete in der International Art Commune Straumar/Irland und in Paris. 1997 schuf er das Wandbild für die Stadtsparkasse Dresden und errichtete 2000 Fassadeninstallationen am Neuen Sächsischen Kunstverein in Dresden. Seine Werke waren in Ausstellungen in Deutschland, Italien, Frankreich, Island und der Schweiz zu sehen und sind zum Teil im Besitz der Staatlichen Kunstsammlungen Dresden, der Deutschen Bücherei Leipzig oder der Brandenburgische Kunstsammlungen Cottbus.
MANSFELD, Richard(1959 Coswig - 2018 Dresden) "Anales Ornament" Tusche und Aquarell auf Papier. Tuschsignatur, verso betitelt und datiert. [19]95. 61 x 86 cm. Richard Mansfeld war Autodidakt und freischaffender Maler, Grafiker und Aktionskünstler in Dresden. Er erhielt 1991 das Stipendium der Philip Morris Kunstförderung und 1993 das Frankreichstipendium des Landes Sachsen. Er arbeitete in der International Art Commune Straumar/Irland und in Paris. 1997 schuf er das Wandbild für die Stadtsparkasse Dresden und errichtete 2000 Fassadeninstallationen am Neuen Sächsischen Kunstverein in Dresden. Seine Werke waren in Ausstellungen in Deutschland, Italien, Frankreich, Island und der Schweiz zu sehen und sind zum Teil im Besitz der Staatlichen Kunstsammlungen Dresden, der Deutschen Bücherei Leipzig oder den Brandenburgischen Kunstsammlungen Cottbus.
A mid Victorian 'Geometric gothic' carved solid oak chair after an 1862 design by John Pollard Seddon (1827-1906)made by Doveston, Bird and HullWith moulded and chamfered frames, the leather upholstery embossed with rosette trelliswork, the splat comprising panels of various proportions, the central tablet flanked to each end by a quatrefoil above a cusped pointed arch, surmounted by a chevron-cut frieze, with conforming trefoil pierced outswept Y-form arms each carved with a leaf wrapped crocket terminal, above a channelled seat frame, terminating in tapering square section legs, stamped: 'DOVESTON, BIRD AND HULL MANUFACTURERS', 58cm wide x 53cm deep x 108cm high, (22 1/2in wide x 20 1/2in deep x 42 1/2in high)Footnotes:ProvenanceThe present lot was purchased by the current owner and vendor on 5 May 2012 from The Fine Art Society, New Bond Street. A copy of this invoice, numbered 32375, is available to view online. A closely comparable version of this J. P. Seddon chair was exhibited in the Medieval Court of the London International Exhibition in 1862. Whilst the design itself is in the reserve collection of the Victoria and Albert Museum, London and appears illustrated in J. Cooper, Victorian and Edwardian Furniture and Interiors, 1987, fig. 220, p. 104. The original chair itself also appears in the foreground of a stereoscopic slide showing the Morris, Marshall, Faulkner & Co. stand at the 1862 International Exhibition, which likewise features in J. Cooper, Ibid, fig. 221, p. 104. A related ebony armchair, also dated circa 1862 and designed by John Pollard Seddon, sold Christie's, London, 7 November 2002, 20th Century Decorative Arts including late 19th Century Design, lot 10. Added to this, an almost identical example to this Christie's model is illustrated in J. Cooper, Victorian and Edwardian Furniture and Interiors, 1987, fig. 227, p. 105.Further LiteratureOfficial Catalogue of the International Exhibition, 1862, London, p. 34, Class XXX, No. 5815. William Burges, The Gentleman's Magazine and Historical Review, CCXIII, October 1862.Michael Whiteway & Charlotte Gere, Nineteenth Century Design, 1986 illus. p. 84.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A vibrant Gavin Morton Donegal carpetearly 20th centurybased on an 1899 design by Gavin Morton and G. K. Robertson, the royal blue field having an all over design of angular vines and bold palmettes in colours interspersed by boisterous floral sprigs framed by a wide ivory border of similar design,560cm x 360cm approximatelyFootnotes:A follower of William Morris, Morton collaborated with fellow artist and renowned architect C.F.A. Voysey, and later G.K. Robertson. Their designs have been lauded as some of the finest examples from the Arts and Crafts and Art Nouveau design movements. They replaced the more 'orientalist' design motifs with the flowers and vines of Art Nouveau, as well as typical Celtic motifs.Throughout his career, Morton's designs were exhibited in Dublin and London and were frequently published in international magazines, as well as displayed in Morton & Co.'s global showrooms. The carpets were purchased by Queen Victoria, King Edward, the Governor General of Canada's residence, and the White House in Washington, D.C.For similarly designed carpets, please refer to Malcolm Haslam, Arts & Crafts Carpets, London, 1991, figs. 67, 68, 69 and 70.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Melvin H. Bierman Enola Gay signed FdI Postcard Robert Morris First Superintendent of Finance under the Articles of Confederation postmark Memphis TN Oct 11, 1981. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Sgt A Wiles, Sgt R. Morris, Sgt J. Marriner, Cpt C. S. Hyde-Smith, Sgt M. Webb, Sgt A Gater-Smith, M. W. Sutcliffe signed Middle Wallop Army Air Day 26th July 1969 FDC. Flown in Westland Scout Helicopter XP857 from Larkhill to London Battersea. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Family group: Seven: Lieutenant V. H. Mederson, Royal Naval Volunteer (Wireless) Reserve, a veteran of the Great War, who went on to serve as a Petty Officer Telegraphist at Fort St. Angelo, Malta during the Second War British War and Victory Medals (L.Z6726 V. H. Mederson. Sig. R.N.V.R.); 1939-45 Star; Atlantic Star; Defence and War Medals 1939-45; Royal Naval Volunteer (Wireless) Reserve L.S. & G.C., G.VI.R., 1st issue (512 V. H. Mederson. P.O. Tel. R.N.V.(W.)R.); with Second War enclosure slip and R.N.V.W.R. lapel badge, nearly extremely fine, scarce Imperial Service Medal, G.V.R., 2nd issue (Nathaniel William Mederson.) in case of issue, with Home Office, Whitehall, transmittal slip, addressed to recipient and dated, 27 October 1927, good very fine (8) £240-£280 --- Victor Harold Mederson was born in Southwick, Sussex in April 1899. He was the son of N. W. Mederson, and joined the Royal Naval Volunteer Reserve as an Ordinary Seaman in June 1917. Mederson served as a Signaller during the Great War with H.M. Ships Apollo and Loyal, and was Shore Demobilised in September 1919. Mederson served during the Second War with the Royal Naval Volunteer (Wireless) Reserve, and was appointed Warrant Telegraphist in December 1940. His service during the Second War included at H.M.S. Royal Arthur (Training Establishment, Skegness) and at Fort St. Angelo, Malta. Mederson advanced to Temporary Lieutenant in September 1945 (awarded the L.S. & G.C. in October 1946). After the war he resided at 23 Rosslyn Road, Shoreham by Sea, Sussex, and died in Worthing in February 1986. In 1932 the Admiralty formed the Royal Naval Wireless Auxiliary Reserve. Its members were civilian auxiliary reservists who provided their own equipment, were not provided with any uniform but who were taught Naval Operating procedures. Having no legal foundation, members of the R.N.W.A.R. were told in time of war that they were to hold themselves in readiness for service ashore or afloat but that they were not subject to a general mobilisation. On 1 January 1939 the R.N.W.A.R. were officially reconstituted as the Wireless Section of the R.N.V.R. and became subject to provisions of that unit and on 5 January 1939 the Admiralty Board created the Royal Naval Volunteer (Wireless) Reserve - composed initially of existing members of the R.N.W.A.R. - the newly constituted Wireless Section of the R.N.V.R. Although the formation of the R.N.W.A.R. is mentioned in The Naval Long Service Medals, by Captain Kenneth Douglas-Morris, no mention is made in the chapter dealing with the Royal Naval Volunteer (Wireless) Reserve L.S. & G.C. of any specific medals to the R.N.W.A.R. It was stated that, ‘Since former members of the R.N.W.A.R. were not fully qualified ‘Reservists’ within the meaning of the ‘Naval Forces Act, 1903’, they were unable to count their ‘auxiliary’ time towards the Royal Naval Volunteer (Wireless) Reserve Long Service and Good Conduct Medal.’ The Royal Naval Volunteer (Wireless) Reserve Long Service and Good Conduct Medal was issued up until 1957 when the unit was disbanded, and was awarded for 12 years’ service. Only around 200 were issued. Nathaniel William Mederson was born in Layham, Suffolk in 1867, and was the father of V. H. Mederson. He served as a Preventive Officer, Waterguard Department, Customs and Excise, in London. Mederson died in Worthing, Sussex in 1953.
Royal Navy L.S. & G.C., V.R., narrow suspension, engraved naming (Morris. Leary. Boatmn. H.M. Coast Gd.) very fine £100-£140 --- Morris Leary joined the Royal Nay on 28 April 1845, and was promoted Able Seaman on 7 June 1848. He served in H.M.S. Neptune during the Baltic Campaign, and subsequently in H.M.S. Leopard during the Crimean War, being advanced Leading Seaman on 14 December 1854. He transferred to the Coast Guard on 30 January 1857, and was awarded his Long Service and Good Conduct Medal in June 1875. Advanced Commissioned Boatman on 26 August 1875, he was shore pensioned on 31 August 1876, after more than 30 years’ service. Sold with copied record of service and medal roll extracts.
Naval Engineers’ Good Conduct Medal 1842-46 (Mr. William Dunkin, First Class Engineer) with loop and small ring suspension, an 1875 restrike, good very fine, rare £400-£500 --- Provenance: Spink, December 1986. Only seven Naval Engineers’ Good Conduct Medals were awarded during the medal’s short existence 1842-46. William Dunkin was awarded his Naval Engineers’ Good Conduct Medal in 1842, whilst serving as First Class Engineer in H.M.S. Gleaner. For further information on the recipient, and this medal, see Naval Medals 1793-1856 by Captain K. J. Douglas-Morris. Note: The recipient’s original medal, sold at Glendining’s in November 1933, formed part of the Captain K. J. Douglas-Morris Collection of Naval Medals. Both the original medal, and the later striking offered here, are identically named, and both are illustrated in Naval Medals 1793-1856 by Captain K. J. Douglas-Morris.
A Great War ‘Battle of Bourlon Wood 1917’ D.C.M. group of three awarded to Lance-Corporal Fred Morris, 17th (Glamorgan Bantams) Battalion, Welsh Regiment, one of four D.C.M.s for Bourlon Wood to this battalion which ‘ceased to exist’ following the action Distinguished Conduct Medal, G.V.R. (25788 Pte. F. Morris. 17/Welsh R.); British War and Victory Medals (25788 Pte. F. Morris. Welsh R.) mounted for display, small edge bruise to the first, otherwise nearly extremely fine (3) £900-£1,200 --- D.C.M. London Gazette 28 March 1918: ‘For conspicuous gallantry and devotion to duty. Though wounded, he carried on with another wounded man after the remainder of the team had been wiped out in the early stages of an attack. He kept his gun in action till all his ammunition was expended, and so enabled his platoon to withstand a heavy counter-attack.’ Fred Morris was a native of Pontypridd and his award was announced in the South Wales Echo under the banner ‘D.C.M. for Pontypridd Lad - Lance-Corporal F. Morris, Welsh Regiment, son of Mr and Mrs Fred Morris, 50, Coedpenmaen-road, Pontypridd, has been awarded the D.C.M. for gallantry in action at Bourlon Wood. He enlisted in January, 1915, and has been at the front two years. He has been wounded twice. Before enlisting he was employed as a collier at the Dowlais Colliery, Abercynon.’ He died of influenza on 2 April 1919. The 17th (Glamorgan Bantams) Battalion, Welsh Regiment, was part of the 40th (Bantam) Division, composed entirely of men who were below the regulation height of 5 feet 3 inches and who had volunteered to join up and fight. The 17th Battalion was so decimated at Bourlon Wood, with the loss of 18 officers and 301 other ranks, that they were officially declared as having ‘ceased to exist’ from 26 November 1917. Sold with comprehensive research.
Nelson Testimonial Medal 1844, by E. Avern, 60mm, pewter, the obverse featuring a bust of Nelson facing left, enclosed by a garter, ‘England Expects Every Man Will do His Duty’; the reverse featuring a view of the Column in Trafalgar Square, with the National Gallery and the Church of St. Martin-in-the-Fields in the background, ‘To Commemorate the Opening of the Nelson Testimonial in Trafalgar Squ.’, the exergue dated ‘21 October 1844’, pierced for ring suspension as usual (Ref: Hardy 97, M.H. 531) numerous shallow edge cuts on obverse, otherwise very fine or better, the high relief portrait particularly clear, a pleasing example overall and extremely rare £400-£500 --- These Testimonial Medals were presented to 357 Greenwich Pensioners who had served at all four of Nelson’s major actions - St. Vincent (39), Nile (35), Copenhagen (45), and Trafalgar (238) - along with a gratuity of ten shillings in a ceremony at Greenwich Hospital on 2 April 1845. The cost of the medals was provided by the Testimonial Committee of the Parishioners of St. Martin’s-in-the-Fields who had originally intended to use the funds for a special ceremony on the completion of the Column (at the time known as ‘Nelson’s Testimonial’ on 1-2 November 1843, at which a number of the pensioners were to be present. This had to be cancelled due to inclement weather and then a second public ceremony, to be held on the Queen’s birthday, 24 May 1844, was also cancelled due to the entreaties of local tradesmen. Captain Douglas-Morris knew of only one Testimonial Medal paired with a Naval General Service, and of fewer than ten single examples. For further information, see his Naval Medals 1793-1856, pp. 49-53, from where it is clear that very few of these medals - despite the number apparently presented - seem to have survived.
A rare Second War ‘cloak and dagger’ D.S.M. group of six awarded to Leading Telegraphist W. H. Diggins, Royal Navy, for his gallantry aboard H.M. Submarine Regent during her daring enterprise in entering into the port of Kotor to try and embark His Britannic Majesty’s Envoy-Extraordinary and Minister Plenipotentiary accredited to the Government of Yugoslavia, and in remaining there for nine hours though surrounded by large forces of the Italian army and subjected to attacks from the air; he was subsequently Mentioned in Despatches, having been recommended for a Second Award Bar to his D.S.M., for his services in H.M. Submarine Ultor in the Mediterranean War Patrols of 1943 Distinguished Service Medal, G.VI.R. (JX.137576 W. H. Diggins. L.Tel. H.M.S. Regent.); 1939-45 Star; Atlantic Star; Africa Star; Defence and War Medals 1939-45, with M.I.D. oak leaf, good very fine (6) £1,800-£2,200 --- Provenance: Captain K. J. Douglas-Morris Collection, Dix Noonan Webb, October 1996. D.S.M. London Gazette 30 September 1941: ‘For daring, enterprise and coolness in taking H.M. Submarine Regent into the port of Kotor to try and embark His Britannic Majesty’s Envoy-Extraordinary and Minister Plenipotentiary accredited to the Government of Yugoslavia and in keeping her there for nine hours though surrounded by large forces of the Italian army.’ M.I.D. London Gazette 8 February 1944. The Recommendation, originally for a Second Award Bar to his DS.M., states: ‘As Petty Officer Telegraphist he has maintained not only the wireless equipment but the Radar set and has displayed energy and initiative in so doing, materially assisting the Commanding Officer in three night attacks. By his cheerfulness he has set a good example to the Ship’s Company.’ A most unusual award of the D.S.M. for a ‘cloak and dagger’ action, and especially interesting as it was an attempt to rescue a British Senior Diplomat from falling into enemy hands. The Diplomat concerned was Ronald Ian Campbell (later Sir, K.C.M.G., C.B.), the British Minister to Yugoslavia. When the Germans and Italians were overwhelming Yugoslavia in the Spring of 1941, Mr Campbell and his staff were cut off and unable to get away. It was decided to try to embark them in a British submarine and, accordingly Lieutenant-Commander H. C. Browne took H.M. Submarine Regent into the Adriatic. Having passed through two minefields which the Italians regarded as impassable, he steamed boldly into the harbour of Kotor, better known as Cattaro, to bring off the British Minister and his staff. Moving into port just after dawn, the Captain soon learned that the Italian army had reached the coast and were already in occupation of the town. This unexpected move by the Italians placed the Regent in jeopardy, but the Captain did not waver. Having been sent to effect the rescue of Mr Campbell, he was determined to do everything possible to bring him off, so he detailed an officer to go ashore. With the utmost coolness this officer went to the Senior Italian naval officer in charge of the port and explained that the Regent had come to evacuate the British Diplomatic Staff, whereupon he was permitted to go off in search of Mr Campbell while an Italian Army Staff officer went on board the Regent to act as hostage until he returned. Throughout the morning the Regent lay in harbour flying her biggest White Ensign. Around her was the Italian army with enough gun-power to blot her out of existence. For hour after hour the Regent lay there, flying the flag in the face of her enemies, while the officer strove to find Mr Campbell and conduct him back to the boat; unhappily he failed to make contact. The afternoon was advanced when two Italian dive bombers suddenly swooped down on the Regent and dropped several bombs which all missed. As they flew over, they opened fire on the conning-tower with their machine-guns wounding the Captain, the First Lieutenant and a Petty Officer. Captain Browne wasted no time. Diving without delay and carrying his Italian hostage with him, he escaped from the harbour, after remaining in the midst of the enemy for nine hours, picked his way safely through the minefields again and returned to his base. Awards for this episode included a D.S.O. for Captain Browne, two D.S.C.’s, three D.S.M.’s and one Bar to the D.S.M. The Submarine Regent was sunk by a mine off Monopoli in the South Adriatic on 18 April 1943. Diggins was obviously not aboard as he later served as a Petty Officer Telegraphist aboard the Submarine Ultor and was Mentioned in Despatches for her Mediterranean War Patrols, during which she bombarded Salina Island in the Liparis on 13 June 1943, and sank the Italian Torpedo Boat Lince, near the Gulf of Taranto on 28 August 1943. Sold together with an H.M. Submarines Naval Cap Tally; cloth insignia; and copied research.
The Naval General Service Medal Roll 1793-1840, compiled by Captain K. J. Douglas-Morris Privately printed, London, 1982, 453pp, number 19 of the de-luxe specially bound limited edition of 250 and signed and dated by the compiler, on original blue boards, in slip case, excellent condition £60-£80
A scarce ‘Baltic 1919’ M.S.M. group of five awarded to Chief Blacksmith W. J. C. Coleman, Royal Navy, a veteran of the Battle of the Falklands, 8 December 1914, he went on to serve during the blockade of the Königsberg in the Rufiji River in East Africa in April 1915 and during operations in the Dardanelles 1914-15 Star (346033 J. C. Coleman. Blk. R.N.); British War and Victory Medals (346033 W. J. C. Coleman. Blk.1. R.N.); Royal Navy L.S. & G.C., G.V.R., 1st issue (346033. W. J C. Coleman, Blksth. H.M.S. Curlew.); Royal Naval Meritorious Service Medal, G.V.R., 1st issue (346033. W. J. C. Coleman. Blksmth. “Delhi” Baltic 1919.) mounted for display, lacquered, contact marks, nearly very fine (5) £500-£700 --- Provenance: Captain K. J. Douglas-Morris Collection, Dix Noonan Webb, October 1996. M.S.M. London Gazette 8 March 1920. The following details are taken from Admiralty recommendations for honours: ‘Meritorious service in connection with repairs to Fleet Auxiliaries, construction of seaplane base and aerodrome at Biviko during the period July to December 1919.’ William James Clarence Coleman was born in Falmouth in December 1883. A Blacksmith by trade in civilian life, he continued his career when joining the Royal Navy on 14 April 1903, being ranked as a Blacksmith’s Mate. Coleman served with the armoured cruiser H.M.S. Cornwall, January 1914 - March 1917 and was promoted to Blacksmith in August 1914. He was serving in Cornwall at the Battle of the Falklands on 8 December 1914, when his ship sank the German light cruiser Leipzig - after suffering 18 hits herself. Coleman was later present for the blockade of the German light cruiser Königsberg in the Rufiji River in East Africa in April 1915, and he went on to see service in the Dardanelles from May 1915, and then in the Far East from the end of that year. After a period ashore based at Vivid II, his next seagoing appointment was on the light cruiser H.M.S. Curlew, January 1918 - May 1919, during which time he was awarded the long service medal. Coleman then served on the light cruiser H.M.S. Delhi, May 1919 - June 1921, taking part in the British campaign in the Baltic against Bolshevik forces. For his services in the campaign Coleman was awarded the Royal Navy M.S.M. He was promoted to Chief Blacksmith in April 1924 and was pensioned ashore on 15 April 1925.
Queen’s South Africa 1899-1902, 3 clasps, Cape Colony, Transvaal, Wittebergen (1130 Corl. D. Morris, R: Welsh Fus:) edge bruising, nearly very fine £100-£140 --- Daniel Morris was born in Mold, Flintshire, and attested for the Royal Welsh Fusiliers on 13 August 1885, aged 19. He was promoted Corporal in 1890 and Lance Sergeant in 1892, a rank he held until discharge in July 1902. His intended place of residence on discharge was Vicarage Hill, Rhostyllen, Wrexham. Also awarded the India General Service Medal with clasp Hazara 1891; and the King’s South Africa Medal with both date clasps.
Australian Red Wine12 bottles Hardys 1853 HRB Shiraz 2018; Grant Burge Shadrach Cabernet Sauvignon 2016; Chapel Hill Cabernet Sauvignon 2018; Casella 1919 Cabernet Sauvignon 2016; Casella 1919 Cabernet Sauvignon 2015; Bird In Hand Nest Egg Cabernet Sauvignon 2015; Summer Road Grenache 2019; De Bortoli Villages Pinot Noir 2019; Grigori Family Reserve Cabernet Sauvignon 2016; Morris Rutherglen Tawny; Stanton & Killeen Rutherglen Muscat 12YO;Stanton & Killeen Grand Rutherglen Topaque
Australian Dessert Wine12 bottles (50cl) Morris Rutherglen Rare Muscat (2 bottles); Morris Rutherglen Classic Tawny (2 bottles); Morris Rutherglen Classic Muscat; Morris Rutherglen Rare Topaque; Morris Rutherglen Rare Tawny (2 bottles); De Bortoli Black Noble 10 YO; De Bortoli Show Liqueur Muscat; De Bortoli VAT5 Botrytis Semillon 2017; Stanton & Killeen Topaque
ROLAND MORRIS. Two books by Roland Morris, HMS Colossus, being a signed copy. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
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