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Lot 466
Georges CRETEN (1887-1966), charcoal drawing Nude, signed and dated 1929 with auction catalogueGeorges CRETEN (1887-1966), houtskooltekening Naakt, getekend en gedateerd 1929 met veilingcatalogus71 x 52 cm provenance: work from the Galerie ‘Le Centaure’ exhibition 1930 (n°40), auction Palais des Beaux-Arts October 1979provenance: werk uit de Galerie 'Le Centaure' exposition 1930 (n°40), veiling Palais des Beaux-Arts oktober 1979
Lot 1167
Salvador DALI (1904-1989), etching drypoint Nude with Guitar from the Guillaume Apollinaire's 'Poemes Secrets' cycle, 1967, numeberd 110/145 and signedSalvador DALI (1904-1989), drogenaald ets Naakt met gitaar uit de cyclus 'Poemes Secrets' van Guillaume Apollinaire, 1967, genummerd 110/145 en gesigneerd36 x 26 cm
Lot 1149
Alison Rosen (Sheffield Artist), Abstract Study of Nude Seated Lady, oil on canvas, dated 2002, signed verso, 120 x 60cm, together with one other oil on canvas by A .Rosen 'Oasis' 2002 signed verso 80 x 80cm; Ken Hutchinson, Watercolour Acrylic, A pair of Study's of Heaventree of Stars I - II, signed bottom right, 16 x 13, together with a still life by K Hutchinson and one other picture (6).
Lot 222
Stanley Rickard (1928-2022) - Three oil paintings - Still life with fruit in a pottery comport, signed and dated '04, canvas, 16ins x 14.75ins, standing nude female, unsigned, card, 10.5ins x 5.75ins, and a still life with pottery figure and rose, signed and dated '04, canvas, 7ins x 9ins, all framed
![Watercolour ''Lady in the Nude'', unsigned.[80x64cm]](https://cdn.globalauctionplatform.com/ba3c5216-7a4e-4fec-bbb6-b27d00d7e451/6e02085c-0433-4bb0-91bd-b28000f9cf36/468x382.jpg)
Lot 1410
An Art Deco pottery figure by Sibylle May for Arthur Goldscheider's art movement 'La Stele et L'Évolution', 1920s, modelled as a craquelure glazed female nude seated on a mottled green and blue glazed plinth draped with gilt enriched folds of fabric, incised signature and impressed factory mark, height 33cm.
Lot 1824
An Orrefors Thousand Windows pattern glass vase, designed by Simon Gate, engraved mark to base 'GA 395/9', height 15.5cm, a Simon Gate vase of flared wrythen shape, height 18cm, a Kosta optic moulded flared circular bowl by Warff, diameter 21cm, and a mix of mostly Scandinavian glass vases, including an Orrefors example engraved with a female nude, height 25.5cm, a Kosta vase by Warff of rectangular shape cut with two rows of abstract diamonds, height 20.5cm, and a number of Strömbergshyttan pieces. Provenance: from the collection of John and Poppy Stallebrass.
Lot 1129
Frederick ROBERTS JOHNSON (1900-1986) Six Original Works Two portrait studies, pastel and charcoal, together with a pastel study of a female nude in repose, initialled RJ, 45.5cm x 58.5cm and three further female portrait studies (6)Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Lot 1114
Frederick ROBERTS JOHNSON (1900-1986) Seven Works Mixed media on paper or canvas, including a kneeling nude, portraits and two studies of Polperro, one in watercolour on canvas, 78cm x 61cm.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Lot 286
Lalique Petite Nue Antheia Ambre Nude Statuette in frosted amber glass, limited edition numbered 063 of 999. Features an etched signature and a Lalique backstamp, LCS 2007. Measures 5"H and includes its original box, measuring 6.75"L x 4.5"W x 3.25"H. A stunning representation of Lalique's refined artistry and elegance. Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
Lot 15
American, 1925-2021NudeInscribed Goulet at the baseStone14 1/2 x 8 x 6 inches (36.8 x 20.3 x 15.2cm)(With Base 19 x 8 x 6 inches)Overall in good condition with no apparent issues.Overall in good condition with no apparent issues.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 14
French, b. 1925Standing NudeWoodSigned on the base80 x 21 x 12 inches (203.2 x 53.3 x 30.5cm)In stable condition with wood cracks throughout the sculpture inherent to the nature of the materials used. Some wood loss around the head and the feet.In stable condition with wood cracks throughout the sculpture inherent to the nature of the materials used. Some wood loss around the head and the feet.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 394
IN THE MANNER OF DEMETRE H. CHIPARUS (ROMANIAN, 1886-1947), ART DECO GILT SPELTER FIGURE, 1920-40 modelled as a semi-nude young lady with hoop, raised on a tapered square section alabaster base, the underside of one foot signed 'J'26.5cm high Overall, this lot is in good condition, showing no signs of repair. There is some minor chips to the lacquer on the back, and back of the legs. Both are now pictured.
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