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Ryan Rodgers, contemporary, nude, signed acrylic on metal, 100 x 100cm, unframed

Ryan Rodgers, contemporary, nude, signed acrylic on metal, 100 x 100cm, unframed

GEYGER, ERNST MORITZ (1861-1941) "Der Bogenschütze" Bronze, dunkelbraun patiniert, schwarzer Marmor, auf der Plinthe bezeichnet "E. M. Geyger fec." verso "Akt. Ges.: Gladenbeck. Berlin".. über einem rechteckigen Sockel leicht naturalistische Plinthe mit vollplastischer Darstellung eines Männerakts, den Bogen spannend und einen Helm tragend, H: 41 cm. (mit Sockel) Bogen gebrochen anbei. GEYGER, ERNST MORITZ (1861-1941) "The Archer".Bronze, dark brown patina, black marble, inscribed on the plinth "E. M. Geyger fec." verso "Akt. Ges.: Gladenbeck. Berlin"... above a rectangular plinth slightly naturalistic plinth with fully plastic representation of a male nude, stretching the bow and wearing a helmet, h: 41 cm. (with plinth) bow broken enclosed.

Pop Art Richard Lindner (1901 Hamburg - 1978 New York)5 Farblithographien. (Inkl. 1 Doublette.) 1971. Je auf unterschiedlichen Velin. Blattmaße von 36,7 x 25,8 cm bis 48,8 x 33,8 cm. Je signiert. 1 Arbeit nummeriert, 1 römisch nummeriert, 2 bezeichnet "e.a." und 1 mit handschriftlicher Widmung. - Kanten teils etwas angestoßen. 1 Blatt verso mit Spuren der ehemaligen Montierung. Insgesamt gut. Ausgezeichnete Drucke mit breitem Rand. Enthält: - Striptease - Nude-Art I - The Snake - Untitled I (Starwoman) (2x). - Hg. von der Edition manus presse, Ostfildern 1971. - 5 colour lithographs. (Incl. 1 doublet.) Each on different wove paper. Each signed. 1 work numbered, 1 roman numbered, 2 inscribed "e.a." and 1 with handwritten dedication. - Edges partly a little bit bumped. 1 sheet with traces of former mounting on verso. All in all good. Excellent impressions with wide margins. - With works as listed above.

Twelve large nude study's (Glasgow School of Art on labels)

VINCENT BUTLER (1933-2017) A nude bronze female figure, modelled standing, incised signature and dated 1987, upon onyx base, 29cm high Condition Report:Available upon request

LALIQUE PARFUM, FLACON COLLECTION Limited Edition 'Les Muses' (1994) Perfume, 60ml bottle with four frosted glass panels, depicting partially nude maidens, numbered C0033 to side and signed 'Lalique France' to base, 13cm high, within original packaging Condition Report:Available upon request

Solid Bronze Art Nouveau Mythical nude elf figure letter seal. [6cm high]

Trevor Stubley, 'Reclining Nude', watercolour and pastel, signed lower right, details verso, 25 x 44; together with monochrome drawing. (2)

Various Teawares, including Paragon, Royal Albert Imari, Copeland Spode, Coalport and others; together with a pair of Royal Doulton Vases decorated with Autumn leaves, a Sitzendorf model of a farrier, Sylvac vases, figure of a nude etc. (4 boxes)

An Art Nouveau Bronze Desk Seal, modelled as a nude maiden, signed in the cast RUBIN, 12cm longGenerally good condition throughout - with one or two very minor dents to the seal platform.

THÉODORE GÉRICAULT (1794-1824)Étude d'ensemble pour le Radeau de la Méduse (recto); Étude d'homme allongé, le bras gauche levé (verso) plume en encre brune, lavis brun, rehauts de blanc (insolé)pen and brown ink, brown wash, heightened with white (darkened paper)20 x 27 cm (7 7/8 x 10 5/8 in)Footnotes:西奧多·席里柯(1794-1824)美杜莎之筏(正面); 一个躺着的男人，左臂抬起(反面)羽毛笔，棕色油墨，棕色水洗，白色亮出被烘托ProvenanceHippolyte Walferdin (1795-1880), Paris, déjà en 1845; sa vente, Paris, Hôtel Drouot, 12-16 avril 1880 no 292 ('Étude pour la Méduse. Dessin à l'encre rehaussé de blanc. Au dos: Étude également pour la composition de la Méduse') (80 francs avec les lots 91 et 93).Avec Claude Aubry, Paris, en 1964.ExpositionsParis, Galerie Aubry, Géricault, 1964, no 77, ill.Los Angeles, County Museum of Art et autres lieux, Géricault, 1971-1972, no 81, ill. (recto).Paris, Didier Imbert Fine Art, '20 ans de Passion' Alain Delon, Dessins, Printemps 1990, no 43, ill. (recto et verso). Lyon, Musée des Beaux-Arts, Géricault. La folie d'un monde, 2006, no 79, repr. p. 149 (recto).BibliographieC. Blanc, Histoire des peintres français au XIXe siècle, Paris, 1845, vol. I, pp. 427-428 et 442.C. Clément, in Gazette des Beaux-Arts, 1867, dessins no 104.C. Clément, Géricault. Étude biographique et critique avec le catalogue raisonné de l'œuvre du maître, Paris, 1868 et 1879, dessins no 115.R. Rey, 'Géricault ou l'archange aboli', Les Nouvelles littéraires, 12 novembre 1964, p. 8, ill. (verso).J. Fischer, 'Géricault in French Private Collections', The Connoisseur, janvier 1965, p. 52.L. Eitner, 'Reversals of Direction in Géricault's Compositional Subjects', dans Stil und Überlieferung in der Kunst des Abendlandes, Berlin, 1967, vol. III, p. 133, note 19.L. Eitner, Géricault's Raft of the Medusa, Londres, 1972, no 20, pp. 149-150, fig. 18 (recto) et 60 (verso).L. Eitner, Supplément au catalogue raisonné de l'œuvre de Géricault par C. Clément, Paris, 1973, supplément, no 406, p. 466.L. Eitner, Géricault. His Life and Work, Londres, 1983, pp. 173, 343, note 102. P. Grunchec, dans cat. exp. Master Drawings by Géricault, New York, Pierpont Morgan Library et autres lieux, 1985-1986, p. 153, sous no 80, ill. (verso).G. Bazin, Théodore Géricault. Étude critique, documents et catalogue raisonné, Paris, 1994, vol. VI (Le Radeau de la Méduse et les Monomanes), nos 1964 et 1981, pp. 19, 23, 116-117 et 124, ill. (recto et verso).T. Buck, Géricaults Floss der Medusa 1819-2019, Würzburg, 2019, p. 38, fig. 16.La dizaine d'études d'ensemble connues aujourd'hui pour le Radeau de la Méduse permet de suivre étape par étape l'élaboration du chef-d'œuvre de Géricault et les changements successifs de la composition (voir, en particulier, Bazin, op. cit., nos 1925, 1927, 1928, 1940, 1948, 1952, 1958, 1960, 1961, 1967 et 1968). Le dessin de la collection Delon marque un moment important dans la réalisation de la toile du Louvre achevée en 1819: Géricault a, par rapport aux études d'ensemble précédentes, resserré le cadrage pour ne représenter, au premier plan, que le radeau lui-même, insistant ainsi sur l'aspect dramatique de la scène. La composition semble fixée et ne va plus être radicalement modifiée. Certaines des figures clés (le père tenant le corps de son fils à gauche, le cadavre vu de dos juste à côté, les deux hommes agenouillés, les bras levés, vers le centre...) sont déjà représentées quasiment telles qu'elles apparaitront sur le tableau. Surtout, c'est le premier dessin où apparaît la figure de l'homme monté sur une barrique et agitant une chemise pour alerter le bateau passant au loin. Au verso est une étude pour un homme nu, vu de dos, allongé et cherchant à se relever, préparatoire à la figure tout à droite du tableau du Louvre, près de la barrique où est l'homme debout agitant sa chemise. Trois autres études pour cette figure sont connues, deux, qui la montrent également nue, au musée des Beaux-Arts de Rouen (Bazin, op. cit., nos 1979 et 1980), sans doute réalisées avant la feuille de la collection Delon et une autre au Musée Magnin de Dijon qui correspond exactement à la position du personnage dans la toile du Louvre (Bazin, op. cit., no 1981). L'homme y est vêtu d'un pantalon retroussé aux genoux.Nous remercions Philippe Grunchec pour avoir confirmé l'attribution du dessin sur la base d'une photographie.The ten or so compositional studies known today for the Raft of the Medusa make it possible to follow the development of Géricault's masterpiece step by step and the successive changes in the composition (see, in particular, Bazin, op. cit. nos. 1925, 1927, 1928, 1940, 1948, 1952, 1958, 1960, 1961, 1967 and 1968). The drawing in the Delon collection marks an important moment in the production of the Louvre painting, completed in 1819: here Géricault has, in comparison with the previous overall studies, tightened the framing to show only the raft itself in the foreground, thus emphasising the dramatic aspect of the scene. By this point, the composition is broadly established and will not change radically. Some of the key figures (the father holding his son's body on the left, the corpse seen from behind just to the side, the two men kneeling with their arms raised towards the centre, etc.) are depicted almost as they will appear in the finished painting. Above all, this is the first drawing in which the figure of the man mounted on a barrel, waving a shirt to alert the passing ship in the distance, appears. On the verso there is a study for a nude man, seen from behind, lying down and attempting to stand up. This is a preparatory sketch for the figure on the far right of the painting in the Louvre, near the barrel where the man standing and waving his shirt is. Three other studies for this figure are known: two, which also show him naked, in the Musée des Beaux-Arts, Rouen (Bazin, op. cit., nos. 1979 and 1980), probably made before the sheet in the Delon collection and another in the Musée Magnin in Dijon which corresponds exactly to the position of the figure in the Louvre painting (Bazin, op. cit., no. 1981). The man is dressed in trousers rolled up to his knees.We are grateful to Philippe Grunchec for confirming the attribution of the drawing on the basis of a photograph.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, but a later impression of New Hollstein's fifth state (of eight) on laid paper with small indistinct watermark, possibly an armorial device, sheet 178 x 130 mm (7 x 5 1/8 in), trimmed within the platemark, two repaired tears in the upper right quadrant, other small nicks and surface dirt (unframed)Literature:Bartsch 194; New Hollstein 233 v/viii

Andrea Sacchi (c.1599-1661), Follower of.Study of the head and torso of a male nudeBlack chalk, heightened with white, on grey-brownish oatmeal laid paper without watermark, sheet 155 x 180 mm (6 1/8 x 7 1/8 in), inscribed with French attribution in pencil verso (unframed)Provenance:Albert van Loock (1917-2011) [Lugt 3751]Private collection, LondonTogether with another drawing:Parma School (16th century)Two puttoRed chalk on cream laid paper without watermark, sheet 120 x 105 mm (4 3/4 x 4 1/8 in), ink inscription to lower right corner, small repairs, surface dirt and damp-stains (unframed)

δ Damien Hirst (b.1965)Nude Flies, 2016, from The CurrencyEnamel paint on paper, 2016, signed, titled, dated, and with the image number in pencil verso, published by Heni Editions, London, with the Hirst holographic security seal and the artist's blindstamp, on handmade wove paper with the Hirst watermark, in the original black presentation box and cardboard sleeve, the full sheet printed to the edges, sheet 215 x 300mm (8 1/2 x 11 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Maurice Mann, nude life study, coloured pastels on black board, 60cm x 31cm, framedAll in good untouched original condition, original frame and backing board

Bernard Cathelin (1919 - 2004), nude figure, lithograph, signed in pencil, no. 45/50, image 17cm x 23cm, mountedEven paper discolouration

Attributed Anatoily Demenko (Ukraine b.1979) nude bathers on the beach, oil on canvas, signed and inscribed verso, 60cm x 80cm, framed Very good bright condition, frame has a few light dents or abrasions on the edge

Pre-Raphaelite School, circle of Edward Burne Jones, fine sanguine chalk nude study, tondo, unsigned, 12cm across

James Lawrence Isherwood F.R.S.A., F.I.A.L. (British 1917-1989) "Nude Nadia" Signed, titled on verso, oil on board.34.5 x 24.5cm (framed 44 x 34cm)This painting is illustrated on page 112 of Isherwood (Anyone Can Paint - But Not Like Me!) by Stephen Eckersley, published 2009.Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately reframed but not glazed. The frame has some minor knocks and losses commensurate with age.

A patinated bronze female nude figure, with indistinct signature and foundry stamp, also marked 1/8, length 45cmGood condition

A Joseph Barbetta Capodimonte Italian Flavia figurine of a partially nude woman. Signed ‘Barbetta’ to base with Flavia and crown market to underside. Height 31cm.

L. Hill (British, twentieth century), female nude study, oil on board, signed lower right, 55 x 41cm, with geometric abstract study to the reverse.

A Chinese School oil on board of a nude lady, signed lower right, ??? Shai, within a silver frameApprox. 52cm across x 63cm down.

After Antoine Calbet. Sleeping nude, coloured mezzotint, 26cm x 31cm, and another - a pair. (2)

Charlotte van Pallandt (1898-1997), 'Staande met gekruiste armen', ca. 1952-53 or 1958, H 21 cm, The standing nude female figure shown with her arms crossed, on a low base, signed with the artist's initials ‘CP’ to the top of the base.

Kees Verkade (1941-2020), 1989, Netherlands, H 31 cm, Provenance: Property of a Dutch noble family. Untitled, brown patinated bronze, showing two nude female figures resting their heads on each other's shoulders, their arms spread, on a shaped square and concave base, signed ‘K. Verkade 89’ and stamped with the Venturi foundry mark and edition number ‘2/6’.

Keith Vaughan (British, 1912-1977)Torso of a Male Nude signed with initials and numbered '4/9 KV' (on the figure's right leg)bronze with a dark brown patina on a wood and marble base20.3 cm. (8 in.) high (excluding the base)Conceived in 1962Footnotes:ProvenanceAcquired by the present owner circa 1989Private Collection, U.K.The present cast belongs to one of only two bronze editions by Vaughan, the other edition being a stooping figure.We are grateful to Gerard Hastings and Anthony Hepworth for their assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

HOFMANN, Ludwig von (1861 Darmstadt - 1945 Pillnitz) Handzeichnung - stehender weiblicher Akt mit ApfelKohlezeichnung. Monogrammiert.60,5 x 47 cm. Gerahmt & hinter Glas83 x 63 cm. Bezeichnet, Passepartout, neuwertiger verglaster Rahmen Partiell wellig, am oberen Rand eine kleine Ecke eingerissen, oben und seitlich am Rand je ein Riss.Hofmann, Maler, Grafiker, Zeichner, Illustrator und Kunsthandwerker. Studierte an den Akademien in Dresden und Karlsruhe. Schüler von Ferdinand Keller. Seit 1890 freischaffend in Berlin tätig. 1894-1900 meist in Rom ansässig. Mitglied der Berliner Sezession. 1903 Professor an der Akademie in Weimar, 1916-1931 an der Akademie in Dresden * Partnerauktion Bergmann.Literatur : Thieme-Becker (1907-1950), Benezit (2006), Schweers (1994), Mülfarth (1987), De Gruyter (2012). HOFMANN, Ludwig von (1861 Darmstadt - 1945 Pillnitz) Hand drawing - standing female nude with appleCoal drawing. Monogrammed.60.5 x 47 cm. Framed & behind glass83 x 63 cm.Marked, mount, as new glazed frame Partially wavy, a small corner torn at the top edge, a tear each at the top and side of the edge.Hofmann, painter, graphic artist, draftsman, illustrator and craftsman. Studied at the academies in Dresden and Karlsruhe. Pupil of Ferdinand Keller. From 1890 worked as a freelance artist in Berlin. 1894-1900 mostly resident in Rome. Member of the Berlin Secession. 1903 Professor at the Academy in Weimar, 1916-1931 at the Academy in Dresden * Partner auction Bergmann.Literature : Thieme-Becker (1907-1950), Benezit (2006), Schweers (1994), Mülfarth (1987), De Gruyter (2012).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FIDUS, (1868 Lübeck - 1948 Woltersdorf) Großes Jugendstil-Konvolut mit Werken von FidusVerschiedene Drucktechniken. Teils handsigniert. Mappe: 49 x 35 cm. Großes Fidus-Konvolut in Original-Leinwandmappe des Mappenwerkes "Tänze von Fidus", darin: 9 Lichtdrucke und Zinkdrucke zu Polka und Walzer, und 4-seitigem typografischem Textblatt von Fidus, je minimal stockfleckig; 12 (Jugend-)Kunstdrucke: "Kalte Schauer", "Zwielicht", "Der gestiefelte Riese", 2x "Träumerei", 2x "Lenzweben", "Abendschauer", 2x "Eisläuferin", "Zur Brautinsel" und 1x ohne Titel; 7 Lichtdrucke: "Drogoc (Frauenakt mit Schlange)", "Drachenforscher", "Frühlingsodem", "Beethoven", "Prometheus", "Manfred Kyber" und 1x ohne Titel; 6 Heliogravüren: 2x "Frühmesse", "Lauental", "Allumarmung", "Meeresmittagweiten" und 1x ohne Titel, Lithografie "Tanz auf dem Schneeglöckchen", handsignierte Heliogravure "Als ich die weißen Schleier sah [...]" mit Widmung "Martin Haller zum 19. Lenzing 47", 2 handkolorierte Lichtdrucke mit Tuschmonogramm, davon 1 mit Widmung in Tusche "Frau Elsa Heil! Und zur Erinnerung an den 12. Ernting 1917 Fidus", Lichtdruck mit handschriftlichem Titel "Durchbrechender Michael" und Tuschsignatur, Lichtdruck mit Widmung "Frau Elsa zum Jul!1919 Fidus" und Lichtdruck mit Widmung "Der Künstlerin ein Formenspiel! Dem Volke immer Sinn und Ziel! Jul 1919 Fidus" Teils stockfleckig und griffspurig. (Eigentl. Hugo Höppener) - deutscher Maler, Illustrator und bedeutender Vertreter der Lebensreform. FIDUS, (1868 Lübeck - 1948 Woltersdorf) Large Art Nouveau volume with works by FidusVarious printing techniques. Partly signed by hand. Folder: 49 x 35 cm. Large Fidus convolute in original canvas portfolio of the portfolio work "Dances of Fidus", in it: 9 collotype and zinc prints to polka and waltz, and 4-page typographic text sheet by Fidus, each minimally foxed; 12 (youth) art prints: "Kalte Schauer", "Zwielicht", "Der gestiefelte Riese", 2x "Träumerei", 2x "Lenzweben", "Abendschauer", 2x "Eisläuferin", "Zur Brautinsel" and1x untitled; 7 collotype prints: "Drogoc (female nude with snake)", "Drachenforscher", "Frühlingsodem", "Beethoven", "Prometheus", "Manfred Kyber" and 1x untitled; 6 heliogravures: 2x "Frühmesse", "Lauental", "Allumarmung", "Meeresmittagweiten" and 1x untitled, lithograph "Tanz auf dem Schneeglöckchen", signed heliogravure "Als ich die weißen Schleier sah [....]" with dedication "Martin Haller zum 19. Lenzing 47", 2 hand-colored heliogravures with ink monogram, 1 of which with dedication in ink "Frau Elsa Heil!". And in memory of the 12th Ernting 1917 Fidus", collotype with handwritten title "Breaking through Michael" and ink signature, collotype with dedication "Frau Elsa zum Jul!1919 Fidus" and collotype with dedication "Der Künstlerin ein Formenspiel! To the people always sense and goal! Jul 1919 Fidus" Partly foxing and traces of handling. (Eigentl. Hugo Höppener) - German painter, illustrator and important representative of the Lebensreform. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BRÜNING, Max(1887 Delitzsch - 1968 Lindau) Weiblicher Akt vor ovalem SpiegelRadierung in Sepia. Bleistiftsignatur.Platte: 33,8 x 16,8 cm. Gerahmt & hinter Glas59 x 39 cm. Deutscher Maler und Grafiker, persönlicher Zeichenlehrer des Kronprinzen Wilhelm (ab 1919 Wilhelm von Preußen). Bei einem Bombenangriff auf Berlin im Jahr 1943 wurden ca. 300 seiner Radierplatten vernichtet, die in der Kunstkupferstecherei Schütz verwahrt waren. BRÜNING, Max(1887 Delitzsch - 1968 Lindau) Female nude before oval mirrorEtching in sepia. Pencil signature.Plate: 33.8 x 16.8 cm. Framed & behind glass59 x 39 cm. German painter and graphic artist, personal drawing teacher of Crown Prince Wilhelm (from 1919 Wilhelm of Prussia). During a bombing raid on Berlin in 1943, about 300 of his etching plates were destroyed, which were stored in the Kunstkupferstecherei Schütz.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WENK-WOLFF, Uwe(*1929 Mannheim) Weiblicher Akt mit KrebsFarbradierung. Bleistiftsignatur. Exemplar: 14/30.Druckplatte: 34 x 21 cm. Gerahmt & hinter Glas44 x 40 cm. Deutscher Maler, Grafiker, Bildhauer und Zeichner. WENK-WOLFF, Uwe(*1929 Mannheim) Female Nude with CancerColor etching. Pencil signature. Copy: 14/30.Print plate: 34 x 21 cm. Framed & behind glass44 x 40 cm. German painter, graphic artist, sculptor and draftsman.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KRESSEL, Diether(1925 Düsseldorf - 2015 Hamburg) 3 mystisch-fantasievolle Werke mit Akten2 Farbradierungen auf Bütten, 1 handkolorierte Lithografie. Je mit Bleistiftsignatur.Max. 80 x 60 cm. Weiblicher Akt mit Fuchspelz, Exemplar: 34/100, [19]76, Druckplatte: 59,3 x 39,3 cm, Blatt: 73,6 x 53 cm, oberer Randbereich etwas verschmutzt | "Das Aktfoto", Exemplar: 2/100, [19]87, Druckplatte: 54 x 31,5 cm, Blatt: 76 x 50,5 cm | Weiblicher Akt im Spiegel, kolorierte Lithografie, Exemplar: 87/200, Blatt: 52 x 68 cm, Randbereich minimal knickspurig Deutscher Maler, Illustrator und Grafiker. "[...] Dafür erzählen seine Bilder Geschichten, die im Kopf des Betrachters entstehen. Es sind Erzählungen mit offenem Ausgang, in dem auch Alltägliches eine eigentümliche Magie entfaltet und mitunter subtile erotische Elemente auftauchen, die nie eindeutig, sondern vielmehr beiläufig sind, aber gerade deshalb Wirkung zeigen: elegante Damenschuhe etwa, oder auch ein herumliegender Slip" (Zitat aus Hamburger Abendblatt, 08.01.2015). KRESSEL, Diether(1925 Düsseldorf - 2015 Hamburg) 3 mystical-fantasy works with nudes2 color etchings on laid paper, 1 hand-colored lithograph. Each with pencil signature.Max. 80 x 60 cm. Female Nude with Fox Fur, copy: 34/100, [19]76, printing plate: 59,3 x 39,3 cm, sheet: 73,6 x 53 cm, upper margin somewhat soiled | "The Nude Photo", copy: 2/100, [19]87, printing plate: 54 x 31.5 cm, sheet: 76 x 50.5 cm | Female Nude in a Mirror, colored lithograph, copy: 87/200, sheet: 52 x 68 cm, marginal area minimally creased German painter, illustrator and graphic artist. "[...] For this, his pictures tell stories that arise in the mind of the viewer. They are open-ended narratives, in which even everyday things unfold a peculiar magic and sometimes subtle erotic elements emerge, which are never explicit, but rather incidental, but just therefore show effect: elegant women's shoes, for example, or even a slip lying around" (quote from Hamburger Abendblatt, 08.01.2015).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MCCARTAN, Edward (nach)(1879 Albany - 1947 New Rochelle) Große Gartenbronze: Diana mit JagdhundBronze grünlich patiniert. Bezeichnet. 156,5 x 92 x 80 cm. Fast lebensgroße Aktfigur der weit ausschreitenden Göttin, die in aparter Geste ihren Bogen hält, während der Windhund an der Leine voranstürmt. Neuzeitlicher Guss nach dem 1923 entstandenen Original, das heute im Metropolitan Museum New York steht Amerikanischer Bildhauer, Schüler am Pratt-Institute Brooklyn und der Art Students League of New York. 1907-10 in Paris, ab 1914 Lehrer am Beaux-Arts Institute of Design New York.Shipping not available MCCARTAN, Edward (after)(1879 Albany - 1947 New Rochelle) Large Garden Bronze: Diana with Hunting DogBronze greenish patinated. Inscribed. 156.5 x 92 x 80 cm.Almost life-size nude figure of the wide striding goddess, who holds her bow in a distinctive gesture, while the greyhound rushes forward on a leash. Modern casting after the 1923 original, which is now in the Metropolitan Museum New York American sculptor, student at the Pratt Institute Brooklyn and the Art Students League of New York. 1907-10 in Paris, from 1914 teacher at the Beaux-Arts Institute of Design New York.Shipping not available*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Badende nach FalconetGalvanoplastik, bronzefarben patiniert. H 61 cm. 14 kg. Auf dem Rundsockel stehender Frauenakt beim Prüfen des Badewassers Patina etwas fleckig. Um 1750 schuf der Hofbildhauer Falconet die Mätresse des Königs Ludwig XV. derart lebensnah, dass es zum Skandal kam. Heute steht die Figur im Louvre. Bathing after FalconetGalvanoplastic, bronze patina. H 61 cm. 14 kg. Nude woman standing on the round base while checking the bath water Patina somewhat spotted. About 1750, the court sculptor Falconet created the mistress of King Louis XV so true to life that it came to scandal. Today the figure stands in the Louvre. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRICK, Julius (?)(1884 Stuttgart - 1964) Badende SchönheitHolz. "ÉÁK J.F" monogrammiert mit Datum "1938", auf der Standfläche undeutlicher Schriftzug. H 63 cm. 1,8 kg. Vor dem fallengelassenen Tuch sich wohlig streckender Frauenakt Kratzer im Inkarnat, Haarrisse im Sockel. Wenn Julius Frick, dann: Bildhauer, Maler und Grafiker in Stuttgart, Lehre als Holz- und Steinbildhauer, dann Schüler von Donndorf und Habich an Akademie Stuttgart. Literatur : Vollmer. FRICK, Julius (?)(1884 Stuttgart - 1964) Bathing BeautyWood. "ÉÁK J.F" monogrammed with date "1938", indistinct writing on the base. H 63 cm. 1.8 kg. Before the dropped cloth pleasantly stretching female nude Scratches in the incarnate, hairline cracks in the base. If Julius Frick, then: sculptor, painter and graphic artist in Stuttgart, apprenticeship as a wood and stone sculptor, then student of Donndorf and Habich at Stuttgart Academy. Literature : Vollmer. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SCHMIDT-FELLING, MädchenaktGoldfarbene Bronze, Serpentin-Sockel. Bezeichnet. H 24 / 35 cm. Im Schreiten auf die Schlange tretende junge Frau, wobei sie mit visionärem Blick einen Arm emporstreckt Attribut in der Hand fehlt, Patina leicht fleckig. SCHMIDT-FELLING, Nude girlGold bronze, serpentine base. Inscribed. H 24 / 35 cm. Walking on the snake stepping young woman, stretching up one arm with visionary look Attribute in hand missing, patina slightly stained. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROUSSEAU, Iris(* 1942 München) Liegende ("Camille")Bronze patiniert. Bezeichnet mit Nr. 3, Klebeetikett der Künstlerin. 17 x 26 x 8 cm. Auf dem Bauch liegender Akt einer jungen Frau, deren Haare das Gesicht verdecken Künstlerin in Winsen/Luhe. ROUSSEAU, Iris(* 1942 Munich) Lying ("Camille")Bronze patinated. Inscribed with No. 3, adhesive label of the artist. 17 x 26 x 8 cm. Nude lying on her stomach of a young woman whose hair hides the face Artist in Winsen/Luhe. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DUCHAMP-VILLON, Raymond(1876 Damville - 1918 Cannes) Sitzender Frauenakt ("Femme assise")Bronze patiniert, weiße Marmor-Plinthe. Nach 1985. Bezeichnet, Gießermarke Royal Art Collection mit Zählung "22/299". H 47 / 51 cm. 16 kg. Limitierte spätere Ausführung des auf einer Stele sitzenden Frauenaktes in figurinenhafter Formgebung Etwas korrodiert, gering berieben. Schüler von Rodin, später von Maillol. Seine Plastik "Femme assise" zählt neben der ebenfalls 1914 entstandenen Skulptur "Le cheval" zu seinen Hauptwerken. Literatur : Thieme/Becker. DUCHAMP-VILLON, Raymond(1876 Damville - 1918 Cannes) Sitting female nude ("Femme assise")Bronze patinated, white marble plinth. After 1985. inscribed, foundry mark Royal Art Collection with count "22/299". H 47 / 51 cm. 16 kg. Limited later version of the female nude sitting on a stele in figurine-like design Slightly corroded, slightly rubbed. Pupil of Rodin, later of Maillol. His sculpture "Femme assise" is one of his major works, along with the sculpture "Le cheval", also created in 1914. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Mädchenbüste mit RoseUngemarkt. 1. H. 20. Jh. Heller Ton, dunkelgrün glasiert mit metallischem Schimmer. H 35 cm. 3,9 kg. Vollplastisches Hüftbildnis eines weiblichen Halbakts mit einer vor der Brust gehaltenen Rose Partiell Glasur bestoßen, am Stand ein feiner Brandriss. Girl bust with roseUnmarket. 1st h. 20th c. Hell clay, dark green glazed with metallic shimmer. H 35 cm. 3.9 kg. Fully sculpted hip portrait of a female semi-nude with a rose held in front of the breast Partially bumped glaze, at the stand a fine fire crack. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 figürliche FayencenOtto Birk, Nagy Keramik. Reliefmarke. Steingut gegossen, weiß glasiert. Figurengruppe eines Bauernpaars (H 33 cm), Badende (H 34,5 cm), liegender weiblicher Halbakt (L 28,5 cm) 3 figural faiencesOtto Birk, Nagy ceramics. Relief mark. Poured stoneware, glazed white. Figure group of a peasant couple (H 33 cm), bather (H 34.5 cm), lying female semi-nude (L 28.5 cm) .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

"Die Badende"Aelteste Volkstedter. Blaumarke, ab 1915, 1 Schleifstrich. Bezeichnet "Falconet 1764". Biskuit, weiß. H 67 cm. Große Biskuitplastik eines Frauenaktes mit Tuch. Nach der 1757 geschaffenen Plastik "Baigneuse" des französischen Bildhauers Etienne Maurice Falconet (1716-1791) Unterseitig feiner Brandriss. "The bather"Oldest Volkstedter. Blue stamp, from 1915, 1 grinding stroke. Inscribed "Falconet 1764". Biscuit, white. H 67 cm. Large bisque sculpture of a female nude with cloth. After the sculpture "Baigneuse" created in 1757 by the French sculptor Etienne Maurice Falconet (1716-1791) Underneath fine burn crack. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

"Schaumgeborene Venus"Metzler & Ortloff. Stempelmarke, um 1970. Weiß. H 34,5 cm. Auf einer hohen Welle liegender Frauenakt Beide Hände restauriert. "Foamborn Venus"Metzler & Ortloff. Stamped mark, circa 1970. White. H 34.5 cm. Nude woman lying on a high wave Both hands restored. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Seltene Jugendstil-Vase mit Blaumalerei. Pirkenhammer. Stempelmarke, um 1900.Unterglasurblaue Malerei, Goldstaffage. H 52 cm. Balustervase mit zylindrischem Hals, sechspassigem Rand und sechs kleinen Handhaben. Über einem unterglasurblau und reliefgold gemalten Ornamentband die umlaufende Darstellung eines auf einer von Irispflanzen umstandenen Raseninsel liegenden Frauenaktes, begleitet von einem flötespielenden Amorknaben und einer kleinen Elfe. Rand goldretuschiert.Rare Art Nouveau vase with blue painting. Pirkenhammer. stamped mark, circa 1900.Underglaze blue painting, gold staffage. H 52 cm. Baluster vase with cylindrical neck, six-pass rim and six small handles. Above an underglaze blue and relief gold painted ornamental band the circumferential depiction of a female nude lying on a lawn island surrounded by iris plants, accompanied by a flute-playing cupid boy and a small elf. Rim gold retouched.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

"Die Badende". Meissen. Prägeschwerter, Jahreszeichen 1958, 1. Wahl. Modell-Nr.: H. 229. Entwurf: 1958. ROST, Otto(1887 Keuern – 1970 Döbeln) Böttger-Steinzeug. H 63 cm. Kniender Frauenakt mit Badetuch. Shipping not available."The bather". Meissen. Prägeschwerter, year mark 1958, 1st choice. Model no.: H. 229. design: 1958. ROST, Otto(1887 Keuern - 1970 Döbeln) Böttger stoneware. H 63 cm.Kneeling female nude with bath towel. Shipping not available..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

"Zwei gute Freunde"Hutschenreuther. Löwenmarke, ab 1955. Bezeichnet. WERNER, Carl(1895 Rudolstadt - 1980) Unterglasurbemalung. H 25 cm, L 31,5 cm. Auf einem Rasensockel kniender Akt einer jungen Frau, einem Rehkitz Blumen fütternd "Two good friends"Hutschenreuther. Lion brand, from 1955. marked. WERNER, Carl(1895 Rudolstadt - 1980) Underglaze painting. H 25 cm, L 31.5 cm. On a lawn base kneeling nude of a young woman, feeding a fawn flowers .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

"Nocturno"Hutschenreuther. Löwenmarke, ab 1955. Undeutlich bezeichnet. Entwurf: 1940-1951. WERNER, Carl(1895 Rudolstadt - 1980) Polychrom bemalt. H 36 cm. Vor einem Reh stehender Frauenakt, eine Querflöte spielend "Nocturno"Hutschenreuther. Lion mark, from 1955. indistinctly marked. Design: 1940-1951. WERNER, Carl(1895 Rudolstadt - 1980) Painted polychrome. H 36 cm. Female nude standing in front of a deer, playing a flute *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

RUSSISCHER MALER 20. JAHRHUNDERT, Liegender weiblicher AktÖl auf Platte. Kyrillisch signiert. 41 x 47 cm. Gerahmt56 x 62 cm. Expressionistisch gemalte Szene in einem weitgehend leeren Atelier-Interieur mit einer Motiv-Reduzierung und einer Auflösung der traditionellen Perspektive. Breiter profilierter Silber-Rahmen * Partnerauktion Bergmann. RUSSIAN PAINTER 20th CENTURY, Recumbent female nudeOil on panel. Signed in Cyrillic. 41 x 47 cm. Framed56 x 62 cm. Expressionist painted scene in a largely empty studio interior with a motif reduction and a dissolution of the traditional perspective. Wide profiled silver frame * Partner auction Bergmann. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BECK, Franz(1893 - 1983) FrauenaktAquarell. Rechts unten signiert. Passepartoutausschnitt 50 x 36 cm. Gerahmt & hinter Glas67 x 57 cm. Weiblicher Torso in rötlichen Farben Leichte Altersspuren. BECK, Franz(1893 - 1983) Nude womanWatercolor. Signed lower right. Passepartout cut 50 x 36 cm. Framed & behind glass67 x 57 cm. Female torso in reddish colors Slight signs of age. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BOULIER, Lucien(1882 - 1963) OdaliskeÖl/Malkarton. Rechts unten signiert. 61 x 38 cm. Gerahmt69 x 46 cm. Stehende nackte Frau im hellen Licht neben einer Vase an einer Wand BOULIER, Lucien(1882 - 1963) OdalisqueOil/painted cardboard. Signed lower right. 61 x 38 cm. Framed69 x 46 cm. Standing nude woman in bright light next to a vase on a wall .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GAD, Mogens zugeschrieben Drei GrazienÖl/Leinwand. Unsigniert, verso auf Keilrahmen bezeichnet. 1. H. 20. Jh. 58 x 71 cm. Gerahmt67 x 80 cm. Drei nackte Frauen in hellem Licht vor dunklem Hintergrund Wenn M. Gad, dann: Dänischer Maler (1887 Kopenhagen - 1931). GAD, attributed Three GracesOil / canvas. Unsigned, inscribed on verso on stretcher. 1st h. 20th c. 58 x 71 cm. Framed67 x 80 cm. Three nude women in bright light against a dark background If M. Gad, then: Danish painter (1887 Copenhagen - 1931). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SCHONER, Engelbert(1906 Neuhaus am Rennweg - 1977 Weimar) Liegender AktPastell. Links unten signiert. 49 x 44 cm. Auf einem Bett liegende nackte Frau Knicke. Maler in Weimar, studierte an der Kunstschule Weimar bei Olbricht, Meisterschüler von Klemm. Literatur : Vollmer. SCHONER, Engelbert(1906 Neuhaus am Rennweg - 1977 Weimar) Recumbent NudePastel. Signed lower left. 49 x 44 cm. Nude woman lying on a bed Knicks. Painter in Weimar, studied at the Weimar Art School with Olbricht, master student of Klemm. Literature : Vollmer. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

RIEMERSCHMID, Rudolph(1873 München - 1953 ebd.) Stehender Akt in LandschaftPastell. Rechts monogrammiert, verso bezeichnet. 61 x 50 cm. Gerahmt & hinter Glas76 x 64 cm. Nackte Frau mit weißem Tuch an einem Bach zwischen Bäumen Bildnismaler in München, Schüler der Akademie Karlsruhe bei Fehr, Mitglied der Münchner Secession und des Bundes. Arbeitete für die "Jugend". Literatur : Thieme/Becker. RIEMERSCHMID, Rudolph(1873 Munich - 1953 ibid.) Standing nude in landscapePastel. Monogrammed on the right, inscribed on the verso. 61 x 50 cm. Framed & behind glass76 x 64 cm. Nude woman with white cloth at a stream between trees Picture painter in Munich, student of the Karlsruhe Academy with Fehr, member of the Munich Secession and the Bund. Worked for the "Youth". Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Weiblicher AktÖl/Malkarton. Unsigniert, verso Studie einer niederländischen Kopie des 17. Jh. mit undeutlicher Bleistftsignatur. Um 1920. 48,5 x 34 cm. Gerahmt56 x 43 cm. Ölskizze einer jungen stehenden Frau im hellen Licht Leichte Altersspuren. Female nudeOil/painted cardboard. Unsigned, verso study of a Dutch copy of the 17th century with indistinct pencil signature. Circa 1920. 48.5 x 34 cm. Framed56 x 43 cm. Oil sketch of a young standing woman in bright light Slight signs of age. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Deutschland um 1900: RückenaktÖl/Malkarton. Rechts unten undeutlich signiert. 24 x 15,5 cm. Gerahmt40,5 x 32 cm. Mit dem Rücken zum Betrachter stehende nackte Frau vor einem Spiegel Leichte Altersspuren. Germany circa 1900: back nudeOil/painted cardboard. Signed indistinctly on the lower right. 24 x 15.5 cm. Framed40.5 x 32 cm. With his back to the viewer standing naked woman in front of a mirror Slight signs of age. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEYER, Omer van der(* 1910 Leuven) Liegender AktÖl/Leinwand. Unsigniert, verso signiert. 58 x 70 cm. Gerahmt61,5 x 73,5 cm. Auf einem dunkelgrün bezogenen Möbel liegende nackte Frau mit Blick zur Seite Ein sehr kleiner Defekt. Belgischer Maler, studierte in Brüssel, später Lehrer an der Akademie ebd. Literatur : https://www.simonis-buunk.de/kuenstler/omer-van-de-weyer/kunstwerke-zu-verkaufen/2924/. WEYER, Omer van der(* 1910 Leuven) Recumbent NudeOil / canvas. Unsigned, signed on verso. 58 x 70 cm. Framed61.5 x 73.5 cm. Nude woman lying on a dark green upholstered furniture, looking to the side A very small defect. Belgian painter, studied in Brussels, later teacher at the Academy ibid Literature : https://www.simonis-buunk.de/kuenstler/omer-van-de-weyer/kunstwerke-zu-verkaufen/2924/. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MERKER, Max(1861 Weimar - 1928 ebd.) "Frühling an der Ilm"Öl/Malkarton. Links unten signiert, verso Landschaft mit Akt. 31 x 29 cm. Gerahmt40 x 38 cm. Blick über den Fluss zu einem großen Fachwerkgebäude vor einer Kirche Altersspuren. Landschaftsmaler in Weimar, Schüler von Hagen, Struys und Friedrich. Literatur : Thieme/Becker. MERKER, Max(1861 Weimar - 1928 ibid.) "Frühling an der Ilm"Öl/Malkarton. Signed lower left, verso landscape with nude. 31 x 29 cm. Framed40 x 38 cm. View across the river to a large half-timbered building in front of a church Traces of age. Landscape painter in Weimar, student of Hagen, Struys and Friedrich. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Miniatur um 1800: DamenporträtVerso bezeichnet. Verglaste Gouache, ebonisierter Holzrahmen. Ø 5,5 cm, Rahmen 11 x 11 cm. Bildnistondo der jungen Madame Paget Moutillard im roten Kleid mit zartem Spitzentuch Minimale Alters-/Gebrauchsspuren. Miniature around 1800: Portrait of a ladyVerso inscribed. Glazed gouache, ebonized wood frame. Ø 5.5 cm, frame 11 x 11 cm. Picture nude of the young Madame Paget Moutillard in red dress with delicate lace cloth Minimal signs of age / wear. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 Badepuppen L 31/35/38 cm. 1 blonder und 2 schwarzhaarige Nacktfrösche, sogenannte "Frozen Charlottes", 1x rosa getönt. Alle bekleidet 1x Ohr mit kleiner Restaurierung.Provenienz : Sammlungsnachlass aus Nordrhein-Westfalen.3 bath dolls L 31/35/38 cm. 1 blond and 2 black-haired nude frogs, so-called "Frozen Charlottes", 1x pink tinted. All dressed 1x ear with small restoration.Provenance : Collection estate from North Rhine-Westphalia.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

5 Ganzbiskuit-PüppchenUngemarkt.L 8,5 - 17 cm. Alle mit festem Kopf, gemalten Augen und modellierten Haaren. 4x mit modellierter Kleidung, 1x nackt Teils kleine Bestoßungen, 1x Defekt am Hut.5 whole bisque dollsUnmarket.L 8.5 - 17 cm.All with fixed head, painted eyes and modeled hair. 4x with modeled clothing, 1x nude Partly small bumps, 1x defect on hat.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.