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Lot 93
EARLY 20TH CENTURY SCHOOLS pencil or chalk studies - male nude 29 x 16.5cms; 'Paris' dressed in armour with spear 32.5 x 24.5cms; nude male in throwing pose, 27 x 19cms, standing male nude with arms clasped above head, 30 x 15cms, mounts all inscribed 'Christopher Wood' (4)Provenance: Estate of Prof. Ritchie Ovendale, Aberystwyth. All bear labels verso - ex collection sister of Christopher Wood, ex. Stanhope Shelton Pictures.Comments: two drawings with minor creases
Lot 94
‡ FRANCIS RUDOLPH (British-Latvian, 1921-2005) two conte sketches - semi-nude males, one standing and one seated, signed (one signed 'Rudolphs Peders), dated 1958, 40 x 26cms and 38 x 22cms (2)Comments: slight foxing, one with pinholes to cornerProvenance: Estate of Prof. Ritchie Ovendale, Aberystwyth.
![Japanese hand carved box wood netsuke sculpture of a nude mermaid sat upon a shell. Signed by the artist. [4.5cm in length]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/0dc95629-0e67-40d3-9be8-afa701630bf6/468x382.jpg)
![A Vintage nude lady sculpture signed A. Boucher. Stamped O. Tupton to back [29cm high]](https://cdn.globalauctionplatform.com/70b6caf8-1ef8-4fbc-92cc-afa500c23caa/2aff4561-8f75-464c-8ed5-afa70164cd4d/468x382.jpg)
Lot 2516
Josep Maria Subirachs i Sitjar - a late 20th century Spanish patinated cast bronze sculpture, modelled as a textured plinth surmounted by a female nude torso, a mould of a head, a goblet and set square, bearing cast signature, limited edition number '1/9' and 'Parellada', height 35cm, width 36cm. Provenance: from the estate of Jeannette and Wilfred Cass, Cass House, Goodwood, Chichester.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2528
South African School - a late 20th century terracotta head and shoulders portrait bust of a nude female, height 44cm, raised on a concrete plinth. Provenance: from the estate of Jeannette and Wilfred Cass, Cass House, Goodwood, Chichester.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 289
JOSEF LORENZL (Austria, 1892 - 1950) - a fine Art Deco rose-tinted mirror-backed clock. The 15 cm circular dial with white-metal Arabic numeral chapter ring, and signed ARMSTRONG - MANCHESTER lower centre. The cloud-form mirror mounted on an oval walnut base surmounted with a gilt-bronze nude female figure, signed to the base 'Lorenzl'. The base raised on two bronze step-feet. (The clock 30 x 30 cm and the figure 21 cm high). (A/F clock face with 2 cm crack running upwards from the barrel. Clock not running).
Lot 2297
A collection of vintage clothing to include an Yves Saint Laurent (variation) coral skirt suit, comprising a double breasted jacket with matching below knee pencil skirt French size 36, (cotton, rayon viscose) a Thierry Mugler pink silk bandeau mini dress with overlaid black velvet cross over trim, with bow to reverse, size 38 (some small marks) a nude tone bustier, size 38, a Lou Barok Paris boucle jacket and matching skirt, multi colour yarns on cream ground, comprising a mini dress with scoop neck with slip pockets with gilt and cream buttons, full length zip closure to reverse, French size T 2, along with a matching cropped jacket also button details, French size T1, wool with silk lining, a Gianni Versace red one shoulder long line evening dress, size 4 (some pulls) a matching cream crop top and skirt set by Moschino uk size 8, a black Herve Leger Couture black halter neck bandage dress French size M, together with a navy blue Barbara Bui Paris, belted shift dress, wool, French size 36, a pair of black Moschino Couture trousers, uk size 8, Amanda Wakeley London blue pinstripe min bandeau dress, size 6/8, a silk beaded Aftershock mini shirt and a Ted Baker 1950's style rose print dress with underskirt, and a black wide leather belt with jewelled buckle 9one gem detached) (1 box) further details: wear and tear, some marks and pulls commensurate with wear
Lot 98
Albert Henry Collings - Seated Female Nude, watercolour, signed and dated 1914, 21cm x 17.5cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 145
A 19TH CENTURY COPELAND PARIAN FIGURE SABRINA, modelled by W. Calder Marshall, depicting a female nude seated by water, impressed Copeland to rear and indistinct printed poem to the interior, height 30cm, together with an unidentified 19th century Parian figure, possibly modelled as Spring, unmarked, height 33.5cm (2) (Condition Report: Sabrina has a light firing crack across her lower ankle, otherwise in good condition, the unmarked figure has a number of chips to the flowers in her hands, firing crack around the top of one arm, losses to the leaves / petals of the flower on the base)
Lot 299
GRAHAM BENTON R.B.S.A (BRITISH 1934-2022) FOUR NUDE FEMALE FIGURE STUDIES, signed and dated '07 bottom right, watercolour / gouache on paper, largest size approximately 11cm x 17cm, together with 'Clodgy' a mixed media landscape by the same hand, signed, titled and dated 17.8.83, approximate size 14cm x 16cm (Artist resale rights apply) (5)
Lot 90
MANOLO HUGUÉ (Barcelona, 1872 - Caldas de Montbui, Barcelona, 1945)."Female nude".Charcoal on paper.Signed in the lower right-hand corner.Size: 25 x 18 cm; 31,5 x 26 cm (frame).Manuel Martínez Hugué, Manolo Hugué, trained at the Escuela de la Lonja in Barcelona. In 1900 he moved to Paris, where he lived for ten years. There he worked on the design of jewellery and small sculptures, influenced by the work of his friend, the sculptor and goldsmith Paco Durrio. Between 1910 and 1917, devoted entirely to sculpture, he worked in Ceret, where he brought together a heterogeneous group of artists including Juan Gris, Joaquín Sunyer and, once again, Picasso. During these years he held exhibitions in Barcelona, Paris and New York. In 1932 he was appointed a member of the Royal Academy of Fine Arts of San Jorge in Barcelona. In Hugué's work, what is essential is the relationship with nature, taking into account the human figure as an integrated element in it. In his artistic production, Mediterranean tradition, Greek classicism and archaism, and the art of ancient Egypt and Mesopotamia coexist with the European avant-garde, which he assimilated and knew at first hand, specifically Matisse's Fauvism and Cubism. Works by Hugué are housed in the MACBA, the Georges Pompidou Centre in Paris, the Museo Nacional de Arte de Cataluña and the Museo Nacional Centro de Arte Reina Sofía, among many others.
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