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Four female nude line drawings in red & black ink, each signed “Kersen”; a female nude pencil study inscribed verso “Peter Harris”; a watercolour nude study inscribed “12.3. 84 II”; & a black & white etching by Gerard Bellaart of a sphinx, signed in pencil “Bellaart”; all loose, contained in an A3 folio.
An Istvan Komaromy lampwork glass figure,mid-20th century, depicting a stylised nude dancer, with her arms raised,23.5cm highCondition ReportNo chips, cracks or restoration. There is a black line to the rear of the foot where it joins the base, this is a result of manufacturing and is not a crack.
* JACK MORROCCO DA (SCOTTISH b. 1953), NUDE WITH RED DRAPE oil on canvas, signed, titled label verso image size 62cm x 47cm, overall size 82cm x 66cm Framed. Label verso: Thompson's Gallery, Marylebone, London. Note: An exceptional and relatively large example by one of Scotland's most successful contemporary artists. Jack Morrocco's work rarely appears at auction but in the Scottish Contemporary Art Auction of 17th March 2022 lot 41 "Nude Kneeling" (a 35 x 30cm oil on board, by Jack Morrocco) sold for £2200 (hammer).
Ca. 1-200 AD. A cast bronze statuette of goddess Venus standing with her weight on her right leg, the left leg bent at the knee and slightly advanced, leaning into her right hip, her slender torso nude; her both arms bent; her head turned to her right, her gaze slightly downturned; her hair arranged in an intricate coiffure and topped with a stephane. Venus was the god of love, beauty, desire, sex, fertility, prosperity, and victory. She was an especially important god for the Romans as she was also the mother of Aeneas, their mythical ancestor. For a comparable example, see The Walters Art Museum, Accession Number: 54.949.Size: L:65.7mm / W:33.9mm ; 48.83gProvenance: Private London collector, acquired on the Austrian Art market; formerly in an old USA collection, formed since the 1970s.
Ca. 400 BC. A large and impressive red-figure painted terracotta vessel, standing on a pedestal foot, having two opposing handles at the shoulder, and two additional handles arising from the shoulder and extending over the top of the decorated rim. The scene on side A shows a seated youth at center, clad in a mid thigh-length, short-sleeved garment, holding a rounded shield and two spears in his right hand, his left holds a footed kantharos, extending it towards a standing maenad, clad in full-length draped garment. She holds a wreath in her extended right hand, over the youth, and signifying victory. Her left hand casually holds a hydria by the handle, presumably she is about to fill the victor’s cup with wine. Behind the seated youth is another youth, similarly dressed and also wielding a spear and shield. Above the central figure is a long-horn cattle skull hanging on the wall. A band of key design borders below and a band of palmettes above. The neck bears a standing figure of the winged Nike, also a symbol of victory, extending a diadem to a seated youth, wearing lower body draperie, nude chested and holding a thin staff. Palmette designs adorn the areas under the handles. Side B shows two standing figures, a nude youth with draped shawl, holding a thyrsus. Opposing him is a meanad, clad in a sleeveless, full-length draped garment, extending an offering on a platter to the youth. She also clutches a thrysus in the right hand. The neck area is intricately decorated with a filler design of blooms and vines. A very beautifully painted and fine example with some restoration. Accompanied by a TL test from Ralf Kotalla laboratory, Germany, confirming age and authenticity. Item comes with a professional historical report from Ancient Report Specialists. Size: L:506mm / W:299mm ; 4KgProvenance: Collection of Edmund Bourke, MD., Yonkers, NY. Acquried Arte Primitivo, auct 48, lot 66, 2008, ex. Ancient Art International, Fl., Ex. Brockway collection. Exhibited: Olympia Art & Antiques fair, London June 2022.
Ca. 370-360 BC. A very sizeable and attractive red-figure painted skyphos (wine cup), depicting (on side A) a winged nude Eros in profile, riding a horse adorned by a petite dolphin brand on its buttocks, and (on side B) a nude male satyr with characteristically pointy asinine ears, standing with legs crossed at the knees, his torso skewed towards the right, and his profiled head turned towards the left, carrying a cloak over his right arm while leaning against his pedlum (shepherds crook), and extending his left arm outward. Standing beside him is a female maenad nymph, dressed in a flowing chiton and carrying a thyrsus (pine cone-tipped staff) in one hand - all suggesting a Dionysian context. Beneath each handle is an intricately delineated ensemble of stylized palmettes; above the scenes is a narrow register ovalo and below a somewhat wider meander band.Size: L:280mm / W:410mm ; 3.17kgProvenance: Property of a London Ancient Art Gallery; formerly acuired on the US art market; prevously in a NYC collection; Ex. Fortuna Fine Arts, NYC.
Ca. 350-300 BC. Beautifully painted, lidded lekanis of typically elegant form, the shallow bowl painted in black, standing on a stemmed foot and with the lid with knopped finial handle. The main register with red-figure decoration; on one side is androgynous winged Eros, seated on a rock and staring into an ornate mirror, depicted nude, but adorning a selection of beads, anklets and bracelets. On the opposite side is a seated woman, shown with her garment, the folds of the cloth hang loosely about her folded legs, she wears her hair up in an elaborate beaded coiffure, necklace and bracelets. In her left hand she holds a plate or more likely a shallow bowl, called a patera. The scene is bordered by palmettes, large palmettes in between, the knopped finial with a rosette and band of wave pattern on the rim. For a similar see: Gisela M. A. Richter and Marjorie J. Milne, Shapes and Names of Athenian Vases, (New York, The Metropolitan Museum of Art, 1935), p. 23-24 and figs. 149-151.Size: L:200mm / W:280mm ; 1.4kgProvenance: Property of a London Gallery; acquired from US Art dealer; formerly in a German collection, 1983. Exhibited: Olympia Art & Antiques fair, London June 2022.
Ca. 500-400 BC. A beautiful Attic pottery kylix decorated via the black-figure technique on the exterior walls of both sides, hemispherical body with two lug handles, featuring a central horse and rider. Each horse if flanked by running nude male figures, and standing cloaked nobles flank the runners. As a final touch, graceful palmettes adorn each end of the figural scenes. The tondo depicts a bichrome ring.Size: L:150mm / W:300mm ; 510gProvenance: Property of a London Gallery; obtained from a private Orange County, California, USA collection, acquired before 2000.
Ca. 280-272 BC. Obv:Youth, nude, on horseback right, crowning horse with wreath; behind, ??; in two lines below, ???/???. Rev: TAPA?, Phalanthos riding dolphin left, holding tripod and resting hand resting on dolphin; below, CA?. Vlasto 666; SNG ANS 1046-50; SNG BN 1869; HN Italy 957. Very fine.Size: D: 21.2mm; 7.97gProvenance: Private UK collection, acquired pre 2000.
Ca. 100-200 AD. A large marble cupid statue carved in the round. Cupid is depicted nude and fleshy, standing and motion to the right, with his right foot, turned outwards. The tree stump behind him is both decorative and a source of support in large statues like this one which lacked the tensile strength of their bronze counterparts. Item comes with a professional historical report from Ancient Report Specialists. Cupid stands on a square base bearing a Greek-language inscription which reads: "Tatas, son of Theouphistos, [fulfilled this] vow." Cupid is the god of desire, erotic love, attraction, and affection; perhaps this piece reflects a lover giving thanks to the god for his assistance in an affair of the heart. Good condition. Item comes with a professional historical report from Ancient Report Specialists. Size: L:530mm / W:235mm ; 21.75kgProvenance: property of a Central London Gallery, acquired by a private collector, formerly in a private East Coast, USA collection; ex collection from Germany; ex-private Belgium collection, acquired in 1980s
Ca. 100-300 AD. A pair of bronze chariot appliqués, each with a bust formed separately and mounted at the centre, each comprising a discoid body with domed inner ring decorated with concentric circles, busts modelled in the round presenting nude male figures, hollow from the neck down at the reverse, with semi-naturalistic detailing to the torsos, nipples, almond-shaped eyes, brows, noses, mouths and fleshy chins, hair arranged into short waves, rectangular slot to the back of each head for attachment; mounted on a custom-made display stand. Cf. The British Museum, museum number 1854,0717.53, for a comparable chariot fitting, dated c.1st century AD; s. also Gudea, N., Porolissum. Un complex arheologic daco-roman la marginea de nord a Imperiului roman. II. Vama romana (monografie arheologica"). Contributii la cunoasterea sistemului vamal din provinciile dacice Cluj-Napoca, 1996, p.180; Palagyi, T., Facsady, A., Romains de Hongrie, Lyon, 2002, nos.83-84. Size: L:145mm / W:140mm ; 530gProvenance: London art gallery; ex. property of a gentleman from Vienna, from his private collection formed since the 1970s.
Original vintage travel poster London come wearing just a smile featuring the design by the British artist and illustrator Alan Aldridge (b 1943) depicting a nude lady in a police officers hat holding large smile with buildings behind her. Excellent condition. Country of issue: UK, designer: Alan Aldridge, size (cm): 77x51, year of printing: 1968.
Original vintage travel poster London come wearing just a smile featuring the design by the British artist and illustrator Alan Aldridge (b 1943) depicting a nude lady in a police officers hat holding large smile with buildings behind her. Excellent condition. Country of issue: UK, designer: Alan Aldridge, size (cm): 77x51, year of printing: 1968.
Original vintage Rolling Stone tour poster by notable pop artist David Byrd. This vibrant image pays homage to the art nouveau style with an Islamic motif and offers an expressive variation on the theme of Botticelli's Venus. The subject is framed by symmetrically ornate detail with a curved title The Rolling Stones in concert connecting both sides. At the top of the central vertical axis, Byrd positioned a moon which helps balance out the composition. The artist's warm, vibrant tones partnered with the intricate depiction of the female nude floating drape make this a truly flamboyant work of art. Published by Tea Lautrec San Francisco California. Fair condition, folds, tears, creasing, staining, small paper losses on edges. Country of issue: USA, designer: David Byrd, size (cm): 55x36, year of printing: 1969.
Original vintage advertising poster by Mirror Magazine - Do clever girls miss out on sex? - featuring an image of a nude lady sitting on a pile of books reading a magazine set over white background, smaller print reads - Free with the Daily Mirror every Wednesday - Order Now. Good condition, creasing, staining. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1970s.
Original vintage advertising poster for La Genie de Bartholdi theatrical journey from 1698 to 1998 presented by La Compagnie Humor a Tiroirs the Atelier Theater du Lycee Bartholdi, featuring an illustration by Tomi Ungerer (1931-2019) an Alsatian artist and writer, depicting a nude lady resembling the Statue of Liberty with a golden crown sawed in parts with her chest and legs in the drawers of a shelf. Excellent condition. Country of issue: France, designer: Tomi Ungerer, size (cm): 60x40, year of printing: 1998.
Original antique World War One propaganda poster inviting to buy war bonds - Republique Francaise 3e Emprunt de la Defense Nationale / Third National Defence Loan - featuring an image of Marianne standing on a globe with flags flying at her feet, a nude man with a torch on a lion below. Horizontal. Large size. Printed by Draeger. Good condition, creasing, tears, staining, small paper losses on edges. Country of issue: France, designer: Rene Lelong, size (cm): 81x120, year of printing: 1917.
Original vintage cinema poster for Deadly Weapons, a 1974 American exploitation film, directed by Dorish Wishman, starring Chesty Morgan, the poster features an image of a nude lady with a measuring tape around her chest, yellow and white lettering reads - The Incredible Chesty Morgan in Deadly Weapons. Seeing is believing! Horizontal. Good condition, folds, tears, creasing, staining. Country of issue: UK, designer: Unknown, size (cm): 76x99, year of printing: 1970s.
Original vintage movie poster for Emmanuelle, a 1974 French softcore pornography drama film directed by Just Jaeckin, starring Alain Cuny, Sylvia Kristel, Marika Green, the poster features an image of a semi nude lady sitting on a rattan chair, green and blue lettering set over yellow background. Large size. Good condition, folds, tears, creasing, staining, tape marks on edges. Country of issue: UK, designer: Unknown, size (cm): 152x102, year of printing: 1970s.

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50839 item(s)/page