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This lot includes two elegant Lalique figurines: Diana the Huntress with Fawn and Floreal. The Diana the Huntress with Fawn depicts the Roman goddess Diana with a fawn, crafted in frosted glass and standing at 4.5"H. The Floreal figurine represents a nude woman, symbolizing natural beauty, in frosted glass and measures 3.5"H. Both pieces showcase Laliques renowned artistry, characterized by intricate detail and elegant design. The figurines bear the Lalique signature, ensuring authenticity. These pieces exemplify the delicate mastery of frosted glass sculpture. Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Robert Spearman framed and glazed monochromatic image of a recumbent nude, signed bottom right, 34 x 59.5cm

A sterling silver propelling pencil disguised as a golfing tee; together with a smaller silver golfing tee; and a white metal golfing tee in the form of a female nude (3)

Neil - Pair; Male nude figure studies, pastels, each signed Neil, 83 x 57cm

ARR Dennis Henry Osborne (1919-2016), Seated Female Nude, oil on board, signed lower left, 74 x 64cm

Glass plaque depicting nude

Three academic original artworks by separate hands, to include: reclining nude, watercolour, signed JS, male, pastel, signd Diesel and woman model, watercolour, all framed and glazed (3)

Lladro Water Girl, No 2323, modelled as a semi nude girl carrying a jug and vessel in matte finish, H 36cm

Vintage silver cigarette case with later applied nude enamel pictorial image

ROSENTHAL Figur 'Nach dem Bade', um 1950. Weißporzellan partiell in zarten Farben staffiert, auf einem schwarz staffierten Ovalsockel kniender Frauenakt mit einem langen Tuch, Entwurf von Prof. Karl Lysek (1871-1956), Modell-Nr. 733, H. ca. 21 cm. Leichte Altersspuren.| ROSENTHAL figure ‘After the bath’, around 1950. White porcelain partially painted in delicate colours, kneeling female nude with a long cloth on a black painted oval base, design by Prof. Karl Lysek (1871-1956), model no. 733, h. approx. 21 cm. Slight signs of age.

BREKER, ARNO (1900-1991), "liegender männlicher Akt", Farblithographie mit Bleistift signiert „Arno Breker“ und nummeriert 36/50, hinter Glas gerahmt. HxB: 46,5/51,5 cm (72,5/76,5 cm mit Rahmen). Schoner Erhalt, minimale Altersspuren.| BREKER, ARNO (1900-1991), ‘Reclining male nude’, Colour lithograph signed ‘Arno Breker’ in pencil and numbered 36/50, framed behind glass. HxW: 46.5/51.5 cm (72.5/76.5 cm with frame). Fine condition, minimal traces of age.

Five mounted lithographs to include: Jean Cocteau "Les Maries De La Tour Eiffel" and "Theatre 03", a Raoul Duffy and a Jean Carzou "Reclining Nude".

Modernist European School, a charcoal study of a female nude, framed

20th century sketch in pastel of a reclining female nude, 51 x 73 cm

Four various unsigned figurative nude life studies (4)

LA PERLA . A collection of ladies fine Italian silk and lace lingerie. One pair of black panties (Size 4 UK10-12) with black bra (UK34) One pair of ivory panties (Size 3 UK10) with ivory bra (UK34) (RRP £300+ per set) * LA PERLA A sheer nude-coloured stretch bodysuit (RRP £400) (Unworn) UK36 (5 items)Condition Report: Good condition. Unused or barely worn

CAROLINA HERRERA nude patent leather kitten heeled pumps/ court shoes with red leather lining UK 7 EU 40 (RRP £400)Condition Report: Unworn with a few light marks

Aldo Salvadori, study of a nude, limited edition print 198/200, signed in pencil, 80 x 47 cm and assorted pictures and prints (8)

Large framed print of a reclining nude after Modigliani

R Grau, Picture, Nude Study of a female on her hands and knees, together with one other nude study of a female. (2).

A mixed lot to include an unused boxed crystal decanter and stopper, pewter tankard with handle in the form of a female nude, a vintage Fender Club baseball cap and Rugby World Cup 2003 baseball cap. [W]

An Art Deco chrome figural table lamp, being a planar reflected pair of nude dancers, circa 1930s, 29 cm to top of socket

Jim Ridout (b. 1946)A bold, impasto study of a reclining female semi-nude figure, composed of earthy, thick brushstrokes and set against a pale ground, oil on canvas, signed, 45 cm x 36 cm overall[ Ridout obtained a degree at Oxford and studied at Camberwell School of Art, taking a keen interest in painting and printmaking. He now lives and works in the Lake District after returning from an extended trip to Japan where he studied drawing and wood-block printing, exhibiting his Japanese landscapes in Yokohama. Utilising skills learnt in Japan and during his studies he creates striking landscapes with complex skies, he is a keen fell-walker which informs his work, capturing the environment around him in watercolour, oils and graphite. ]

Bronze sculpture, standing female nude , draping her hair , bronze cast with original patina on marble base . 19Th Century. 33 cm high

German Expressionist 20th Century, Female Nude smoking a cigarette . Oil on canvas. Signed bottom left unreadable .Unstretched. 110 x 120 cm

Albert Carrier-Belleuse (1824-1887)- attributed, Sculpture of a female nude , signed on the base and described on the reverse Gallaria Gestolini Venetia , white alabaster sculpted . 19Th Century. 50 cm high

small statue after the ancient, female nude , draping her hair, plaster ebonized on black marble base . 26 cm high

Original monochrome lithograph on laid paper that depicts a nude couple in an erotic embrace. Signature in graphite on lower right: Vilas? Edition number on lower left: 43/200. Housed in a metallic frame with an brown mat. Sight size: 23"L x 16"H. Frame dimensions: 29.50"L x 22.50"H x 1.50"W. Artwork can be unframed and rolled for shipment. Issued: c. 1970Dimensions: See DescriptionEdition Number: 43 of 200 Condition: Age related wear.

A remarkable original drawing created with markers and lipstick on paper. It depicts two unconventional nude figures, incorporating various ambiguous shapes and patterns that resemble clothing and organs, accented with pink lipstick kiss marks. Housed in a gilded frame decorated with a floral pattern, in addition to a white mat with a dark blue border. Artwork dimensions: 12.5"L x 8"H. Frame dimensions: 20.25"L x 1"W x 15.25"H. Artwork can be unframed and rolled for shipment. Dimensions: See DescriptionCondition: Age related wear.

Reginald Fairfax Bolles (1877 - 1967), nude in a field of flowers, gouache, circa 1900, 67cm x 38cm, framedSeveral holes in the paper near the top edge, paper discolouration

Luisa Dominguez, nude life study Isabel, coloured pastels on paper, signed, 25cm x 25cm, framedGood condition

Christian Dior, collection Haute Couture, Automne-Hiver 1953. Robe de cocktail en mousseline grise et strass.Création Christian DiorA effet froissé sur fond nude, elle présente sur tout le corps un semis de strass; large décolleté rond, sans manches, dos souligné d'une petite martingale, jupe à pinces.Griffe blanche, graphisme noirFootnotes:Christian Dior, Haute Couture collection, Autumn-Winter 1953. Cocktail dress in grey chiffon and rhinestones.Designed by Christian DiorWith a crumpled effect on a nude background, it features a rhinestone pattern all over the body; wide round neckline, sleeveless, back highlighted by a small martingale, darted skirt.White label, black graphicsFor further information on this lot please visit Bonhams.com

Chanel, collection Haute Couture, Printemps-Eté 1990. Robe et veste en jersey de laine et mousseline nude.Directeur artistique Karl LagerfeldRobe à plis plats verticaux et horizontaux, encolure ronde, petites manches, effet de plastron, se porte sous une veste à col châle cranté, deux poches plaquées à revers, double boutonnage, manches longues.Griffe beige, graphisme marronProvenance: Garde-robe de la Princesse Laure de Beauvau-CraonFootnotes:Chanel, Haute Couture collection, Spring-Summer 1990. Dress and jacket in wool jersey and nude chiffon.Artistic director Karl LagerfeldDress with vertical and horizontal flat pleats, round neckline, small sleeves, bib effect, worn under a jacket with notched shawl collar, two patch pockets with lapels, double breasted, long sleeves.Beige label, brown graphicsFor further information on this lot please visit Bonhams.com

Yves Saint Laurent, collection Haute Couture, Automne-Hiver 1986. Robe de cocktail en velours de soie et dentelle noirs.Création Yves Saint LaurentDe forme droite, encolure ronde, buste en dentelle Chantilly noire sur fond de mousseline nude, manches longues.Griffe blanche, graphisme noirProvenance: Garde-robe de madame Francine Weisweiler, mécène et amie de Jean CocteauIconogrphie : Pierre Bergé, Yves Saint Laurent Haute Couture, L'oeuvre intégral, 1962-2002, Editions de La Martinière, Paris, 2010.Footnotes:Yves Saint Laurent, Haute Couture collection, Autumn-Winter 1986. Cocktail dress in black silk velvet and lace.Designed by Yves Saint LaurentStraight shape, round neckline, bust in black Chantilly lace on a nude chiffon background, long sleeves.White label, black graphicsProvenance: Wardrobe of Madame Francine Weisweiler, patron and friend of Jean CocteauThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A Concrete bronze painted statue of a Nude lady kneeling with her arms above her head, 19.5" tall. (Please note this lot is too heavy to post !!).

Grand Tour. A fine and near lifesize 19th century Italian carved and polished white Carrera marble statue of a crouching nude Venus, her hair with bandeau tied coiffure dressed in Apollos knot, in a kneeling post with one open raised hand, resting upon an urn, and supported on a naturalistic rectangular base. 88 x 36 x 49 cm.

Emmanuel Lamotte (French, 1916-1998).  Two nude figures laying on a beach, one relaxing, the other gazing at the viewer, signed 'e.l' to lower right, oil on canvas, 36 x 44 cm, mounted in a wood frame.

Emmanuel Lamotte (French, 1916-1998) a portrait of a nude woman seated in a landscape, surrounded by birds of paradise and flowers, signed lower left, oil on canvas in a gilt frame. 95 x 145 cm.

Rose HILTON (1931-2019) Blue Nude Pastel on paper, signed, 30 x 21cm, 54 x 44cm framed.This work appears to be in excellent condition but it has not been examined out of its high-quality glazed frame. There are two pin-holes above the figure.

Peter LANYON (1918-1964) 'Nude on Both Sides', c1960 Charcoal on paper (both sides of the sheet), estate stamp, inscribed in another hand, 37.5 x 25cmGenerally in good, original, unframed condition. The paper is a little creased in places, there are a few flecks of foxing, some residual adhesive from the sketchbook remains on one side, the corners are a little dog-eared and there is a little tape damage to the top edge of one side. Please see the additional images.

Paul JACKSON (1954) Lamp Base (The Nude Series, 1998) Earthenware, signed and dated 1998, height 30cm.The piece appears to have suffered a severe break in the past and has been repaired (please see adiditonal images). Because of this repair, one can see cracks throughout. A chip can be found in the centre of the lamp base (please see aditional images).

Francis HEWLETT (1930-2012) Nude Study from Behind Charcoal on paper, 74.5cm x 54.5cm, 80cm x 60cm framed

Paul JACKSON (1954) Large Vase (The Nude Series, 1998) Earthenware, signed and dated 1998 to base, height 46cm.Good condition, with no signs of damage or repair.

Paul JACKSON (1954) Large Vase (The Nude Series, 1997) Earthenware, signed and dated 1997, height 52cm.Good condition, with no signs of damage or repair.

Erik Höglund for Boda, three mid Century Scandinavian glass slab bowls, of rectangular form, each impressed with stylized nude figures, two green and one amber glass, each with engraved marks to reverse, 18cm x 12cm. (3)

Erik Höglund for Boda, a mid Century Scandinavian figural glass vase, of shouldered form with short drawn collar, in pewter, height 11.5cm, together with a hollow mould blown sculptural figure of a stylized nude, height 15cm.

Erik Höglund for Boda, a mid Century Scandinavian blue glass Suncatcher, of teardrop form, impressed with nude male figure within textured rectangular panel, with leather hanging cords, remains of original paper label, engraved to reverse H866/B, height 25cm.

Erik Höglund for Boda, a mid Century Scandinavian slab bowl, of circular shallow form, impressed with bust portrait of a stylized female nude, in green glass, diameter 14cm, together with similar smaller bowls, in red, green and blue. (5)

Erik Höglund for Boda, a mid Century Scandinavian green glass decanter, of sleeve form, relief moulded as a nude female form, lacking cork stopper, engraved marks to base H267, height 25cm.

Erik Höglund for Boda, a mid Century Scandinavian glass Suncatcher, of flattened teardrop form, impressed with stylized nude male and female figures, with leather hanging strap and original paper label, H866/E, height 24cm.

* GERARD BURNS (SCOTTISH b. 1961), FEMALE NUDE oil on canvasframedimage size 61cm x 51cm, overall size 85cm x 74cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.

* ALBERTO MORROCCO OBE RSA RSW RP RGI LLD D Univ (SCOTTISH 1919 - 1998), NUDE WITH FLOWERS oil on board, signed, titled versoframedimage size 19cm x 28cm, overall size 32cm x 42cm Exhibition label verso: Christmas Exhibition 1976, Compass Gallery, GlasgowNote: Painter and teacher, born in Aberdeen of Italian parents. He studied at Gray’s School of Art there, 1932–8, the following year travelling and studying on the continent. In 1942 he won the RSA’s Guthrie Award. From 1946–50 Morrocco was a part-time teacher at Gray’s School, becoming head of painting at Duncan of Jordanstone College of Art, Dundee, from 1950. Won the Medaglio d’Oro, San Vito, Italy, in 1957. Morrocco was a member of Royal Glasgow Institute of the Fine Arts and RSW and was elected RSA in 1962. As well as being a still life, portrait, figure and landscape painter he illustrated Lockhart’s Anatomy and painted murals for St Columba’s Church, Glenrothes, and Liff Hospital, Dundee. Morrocco was a decorative artist of great felicity, using a rich and varied palette. He had a British Council show in Aberdeen in 1949, others following at Compass Gallery in Glasgow, a retrospective at Dundee Art Gallery in 1981, a series at Thackeray Gallery, with a memorial at Scottish Gallery, Edinburgh, 1999, and retrospective at Open Eye Gallery, Edinburgh, 2002. RSA, Scottish Arts Council and many Scottish galleries hold his work. The painter Leon Morrocco was his son, his wife the artist Vera Mercer. Lived in Dundee, Angus. Eighty-seven of his paintings are held in UK public collections.

Mary Stork (1938-2007) print of a female nude signed to the mount 56cm x 43cm total size

Antique bronze study of a classical nude lady - 38cm high - has 1 finger missing

A pencil drawing signed female nude study, together with a mixed media on paper impressionist interior scene with figures and indistinctly signed pastel on paper still life study of fruit

Art Derry (Trinidadian British 1930 - 1992), 'Arawak Hunter' a stained glass window design, inscribed 'Art Derry' (verso) and titled in pencil (lower right), pastel, 29 x 38 cm, unframed; another pastel window design, 36.5 x 33 cm, mounted only; Two Abstract designs, one inscribed by the artist 'Designed by Art Derry.... 1966' (verso), gouache on boards, each 38.5 x 53.5 cm, unframed; a chalk drawing of a nude, titled Adriana, and two prints by other artists. Provenance By family descentArt Derry first exhibited with the Trinidad Art Society in 1948 and came to England in 1954. He became a key member of the Caribbean Artist Movement in London, and illustrated many of the books published by John La Rose at New Beacon Books. Derry had his first solo exhibition in 1956 at the Hammersmith Gallery and had further one-man exhibitions in London and Paris. He also exhibited regularly at the Commonwealth Institute from 1957 to 1971. In 1963 he moved with his family from London to Chesterfield, where his wife had been offered better work opportunities. Whilst running his own gallery in Chesterfield, Art Derry continued exhibiting in London, as well as the Graves Art Gallery in Sheffield and other local galleries. Arawak Hunter - unframed with some folds to the corners of the paper. Some foxing throughout and pen stains near the edges of the paper. Marked 7 (twice) and Art Derry in pen on the reverse.Not known if the design became a stained glass item.Other Window design - On grey paper and dated 1985 on the reverse. Label on the reverse numbered 8 (twice) and Art Derry (twice), Mounted but unframed. Ragged edge to one corner of the paper, but covered by the hinged mount. Not known if the design became a stained glass item.Chalk drawing of a nude - unframed, slight folds and creasing to the corners, marked 'Art Derry I' on the reverse.Gouache on board designs - unframed, some staining and discolouring commensurate with age throughout. Corners of the boards have been bumped. Orange design with inscription in pen on the reverse 'Designed by Art Derry, 3, Cheviot Way, Loundsley Green, Chesterfield, Derbyshire, 1966'Kito print - unframed, tears and significant folds to the top and bottom edges, with discolouring of the paper throughout, especially top and bottomAfter George Redon (Ne buvez jamais d'eau) - unframed, significant foxing and staining throughout

Alexander Petrov (Russian, b. 1957). Surreal oil on board painting titled "Stroll with a Dog" depicting a nude woman walking her dog while several men watch from behind trees, 1990. Initialed and dated along the lower right. Several labels affixed to the verso.Unframed; height: 20 1/2 in x width: 26 in. Framed; height: 22 in x width: 27 3/4 in x depth: 2 in.Condition: There are no visible restorations under UV light. No major losses. The colors are bold and deep. There is a scuff to the surface along the lower right quadrant measuring approx. 2 1/2 inches in length. A few small accretions to the right half of the painting. Light wear to the frame.

Jack Barkla (American, 20th/21st c). Oil on canvas painting titled "Cubist Figure" depicting a cubist male nude torso. Signed and titled along the verso.Barkla is a lifelong resident of Minnesota having grown up in Edina and attended the University of Minnesota. He has performed and designed for numerous theater companies including the Guthrie. He also designed flower shows for Dayton's (later Marshall Fields and then Macy's) department store. Other clients of his have included Prince, Princess Grace of Monaco, and Jennifer Lopez.Height: 24 in x width: 24 in x depth: 1 1/2 in.Condition: The colors are bold and deep. The surface is stable. There are no major visible tears, creases, losses, or restorations. There are a few light accretions throughout. Light wear to the edges. The work is not framed.

Auguste Rodin (French, 1840-1917). Graphite on paper sketch depicting a reclining nude female figure. Pencil signed along the lower right.Lot Essay:Auguste Rodin was a pioneering French sculptor, often regarded as the father of modern sculpture. Known for his dynamic and expressive forms, Rodin transformed traditional approaches to art through his emphasis on movement and emotional depth. While his sculptures brought him worldwide acclaim, Rodin's sketches and drawings were equally vital to his artistic process and legacy.Rodin's sketches were marked by their fluid, spontaneous quality, showcasing his understanding of the human form. He used drawing as a tool to explore and experiment with ideas, capturing the essence of a figure with rapid lines and minimal detail. These works are not just preparatory studies for sculptures but are regarded as standalone pieces that revealed his fascination with movement and the human body's expressiveness.His use of sketching evolved over time, shifting from detailed academic studies to looser, more abstract lines that conveyed movement and emotion, such as the lot offered here. Rodin often drew in pen, pencil, or watercolor, and his later works displayed a more liberated, almost impressionistic style. These sketches embodied his belief in capturing the living energy of a subject rather than striving for classical perfection. Through these sketches, one can understand his pursuit of capturing the human condition, allowing his two-dimensional works to become as powerful and evocative as his sculptures.Sight; height: 7 1/2 in x width: 11 3/4 in. Framed; height: 25 1/4 in x width: 21 3/4 in x depth: 1 in.Condition: The sheet is toned. There are no major visible restorations. There is a minute loss along the left center edge measuring approximately one inch tall by a quarter inch wide. Faint creases and handling marks throughout. There is a small dark area of soiling along the upper center third. Housed under an acidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

Viktor Trubchaninov (Ukrainian, 20th/21st c) and Arsen Savadov (Ukrainian, b. 1962). Large surreal oil on canvas painting titled "Mushroom Light" depicting miniature mushroom-capped nude figures exploring a jungle of plants, 1999-2000. Signed, titled, and dated along the verso.Unframed; height: 33 1/2 in x width: 78 1/2 in. Framed; height: 39 1/4 in x width: 84 in x depth: 2 3/4 in.Condition: The colors are bold and bright and the surface is stable. There are no restorations or areas of inpainting when viewed under UV light. Light wear to the frame.