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ZSIGMOND KISFALUDI STROBL (HUNGARIAN, 1884-1975) Female nude with outstretched arms Patinated bronze on wood plinth base, signed and dated 1958 to base 43cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
EMILY WINTHROP MILES (1893–1962) - RECLINING NUDE Bronze Signed to base and with Roman Bronze Works, NY foundry mark to base 37cm high x 56cm wide For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A VICTORIAN PARIAN WARE FIGURE OF ARIADNE AND THE PANTHER 19th Century, after the marble sculpture by Johann Heinrich Dannecker Modelled with a nude Ariadne resting on the back of a stylised panther 28cm H x 24cm W x 12cm D Condition: A chip to the front right corner of the plinth, as visible in the catalogue image, a further small chip to a back corner. A firing flaw to the knee and some general signes of age. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Giuseppe Armani Florence Figure. Italian Sculture D'Arte. European Parian style. Partially Nude Woman with Flowers. Impressed '1992 Florence' and inscribed 'Giuseppe Armani'. Matt finish with Gilt highlights on circular wooden base. '18027' impressed under base. Good condition with no major flaws, light staining. 32cm high
SCHOBER, PETER JAKOB (1897-1983), "Liegender Akt", Aktstudie in Interieur, u.re. signiert und datiert 'Schober, 48', Öl/Leinwand, HxB: ca. 50x61 cm. Alters- und Beriebspuren, minim. Farbabaplatzer. VERSO Nachlassstempel mit Nr. und Titel und Etikett mit Bezeichnung. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1948, 237.| SCHOBER, PETER JAKOB (1897-1983), "Lying nude", nude study in the interior, u.r. signed and dated 'Schober, 48', oil/canvas, HxW: approx. 50x61 cm. Signs of age and wear, minimal. color chipping. VERSO estate stamp with number and title and label with designation. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ-Nr. 1948, 237.
SCHOBER, PETER JAKOB (1897-1983), "Mädchen am Tisch", Rückenakt einer sitzenden jungen Frau, u.re. signiert und datiert 'Schober 1948', Öl/Leiwnand, HxB: 61x50 cm. Alters- und Beriebspuren, minim. Farbabplatzer. VERSO Nachlassstempel mit Nr. und Titel. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1948, 240.| SCHOBER, PETER JAKOB (1897-1983), "girl at the table", back nude of a seated young woman, u.re. signed and dated 'Schober 1948', oil/canvas, HxW: 61x50 cm. Signs of age and wear, minimal. chipped paint. VERSO estate stamp with number and title. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ-Nr. 1948, 240.
ROSENTHAL 'Flötenspieler, 1910/20. Weißporzellan mit zarten Farbtönen staffiert, auf getrepptem Sockel sitzender männlicher Akt, Querflöte spielend, zu seinen Füßen ein hockender weiblicher Akt, Modell-Nr. K. 547., Entwurf von Johannes Böse (bezeichnet 'Boehse'), H. ca. 38,5 cm. 1 Zeh am linken Bein der Frauenfigur ist bestoßen, Altersspuren. | ROSENTHAL 'Flute player, 1910/20. White porcelain painted in delicate shades, a male nude seated on a stepped base, playing a flute, a squatting female nude at his feet, model no. K. 547, designed by Johannes Böse (inscribed 'Boehse'), h. approx. 38.5 cm. 1 toe on the left leg of the female figure is bumped, signs of age.
Collection of 7 x prints, Georges Braque Galerie Maeght circa 1959 (Mourlot) Henry Moore Shelter sketch print circa 1940's, 2 x Eric Gill prints including an engraving from 25 Nudes Circa 1938 the other a female nude plate circa 1940, Elisabeth Frink lithograph Circa 1975. Pablo Picasso Vollard suite print circa 1950's , Marc Chagall lithograph plate signed circa 1950's (Mourlot) All mounted but unframed, approximately overall sizes 16 x 12 inches. Cellophane wrapped.
A PAIR OF 19TH CENTURY FRENCH ORMOLU AND WHITE MARBLE FIGURAL CANDELABRA modelled as semi-nude putti holding twin branch acanthus leaf sconces and mounted on ormolu panelled white marble oval bases raised on turned feet28cm highBoth are in very good undamaged and unrestored condition., There are some losses to the gilding, but it is a very good quality casting.
Bottega Veneta, a nude cashmere coat, featuring a notched lapel collar, double breasted front button fastening and three exterior pockets, labelled Bottega Veneta, size 46 (UK 14)Condition- Overall good condition- Some faint dark marks on the left arm and cuff- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Fendi, a Zucca Boston bag, designed with the maker's monogram FF logo canvas exterior and nude leather trim, with dual rolled leather handles, top zip fastening and one interior zip pocket, measuring 12 by 22 by 28cmCondition- Overall fair to poor condition- Wear to the leather trim, particularly at the base corners where the piping has split at one corner- Few minor marks to the interior lining- Without maker's dust bag- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
An unframed oil on board of a female nude at her dressing table, an unframed oil on canvas of a reclining female nude, a framed oil on board of a stag against a dark wood background, a framed oil of a winters landscape with female nude on reverse, a framed oil of Kenyan Garden 1964 plus a framed portrait of a dogs head
Compulsion Gallery Of Bromley - A contemporary pewter layered figure / ornament in the form of a nude female upon her knees with hands behind her back. Makers label to the base. Measures approx; 22cm x 8cm x 14cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Michael Coote (b.1931) - A collection of artwork by M. Cootes including a portfolio of 30+ mixed media paintings / drawings comprising of many erotic nude lady example, beach scenes, horse racing ect. With two portraits on canvas together with another framed and glazed example all of a young boy. Framed and glazed portrait measures approx; 70cm x 57cm. Michael Coote studied as a photo lithographer, and is often credited as 'colour illustrator' on contemporary Sherlock Holmes publications being well renowned and a listed artist of some repute. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Joseph Henry Lynch (Born 1911 -1989) - Tina - A retro vintage mid 20th Century 1960s portrait painting print on board depicting the iconic nude lady resting upon a tree. Set within a period gold tone framed. Measures approx; 59cm x 51cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
WILLIAM ETTY (York, Great Britain, 1787 - 1849)."Young Man at Rest, 1828.Oil on canvas glued to panel.It has craquelure and restorations on the pictorial surface.There are losses and damage to the frame.Signed and dated in the lower right area.Measurements: 57 x 78 cm; 75 x 96 cm (frame).No British painter of historical subjects has devoted himself to the representation of the human form as assiduously as William Etty, and in particular to the female nude. Among his contemporaries, who marvelled at the depth and corporeality of his figures, he was known and highly praised for his ability to capture the human form and reproduce flesh tones. Etty was born in York and left school at the age of twelve to work as an apprentice in a print shop. He completed his apprenticeship after seven years and moved to London, where in 1807 he began training at the Royal Academy under Thomas Lawrence. Despite the admiration of his contemporaries for his technical skill, such as his friend John Constable, Etty struggled to gain public recognition early in his career, and it was not until 1821, with the exhibition of Cleopatra's Arrival in Cilicia (National Museums Liverpool) at the Royal Academy, that he finally received the acclaim he craved. Critics marvelled at Cleopatra's "languid, exuberant beauty" and described the painting as belonging to the "highest class" of art. Etty followed this success by exhibiting a succession of important mythological works over the next few years, which established Etty as one of Britain's most important historical painters in the early 19th century. With the advent of the twentieth century, Etty's important contribution to British art had been almost entirely forgotten, and an Arts Council exhibition in 1954 sparked only a brief revival of interest. Today, however, unfettered by the dictates of 19th century artistic discourse and morality, we can appreciate the beauty of Etty's art for what it is. As explored in the recent exhibition "William Etty: Art & Controversy" at the York Art Gallery, Etty's art was the result of a lifetime of serious engagement with the traditions of European painting, dedication to the study of the pattern of life, and commitment to an independent artistic spirit.
Clark (Kenneth) - What is a Masterpiece?, Walter Neurath Memorial Lecture 1979, Thames and Hudson, authors signature to card glued to front cover inside page, Ex-Libris sticker for Tony M.Chance, The Nude A Study of Ideal Art, John Murray, 1st Ed. 1956, Signed letter from author glued to front cover inside page, newspaper article glued to back cover inside page, Manguel(Alberto) Reading Pictures, Bloomsbury, 1st British Edition, 2001, message from author to card glued to main title page, Schama(Simon) Power of Art, BBC, 2006, Signed, Shepher(David) The Man and His Paintings, David & Charle, 5th Impression, 1989, Signed, Scott(Peter) Observations of Wildlife, Phaidon, 1st Ed. 1980, Signed, with various newspaper articles glued into book & Wikborg(Tone) Gustav Vigeland His Art and Sculpture Park, Aschehoug, 2nd Printing 1992(7)

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50839 item(s)/page