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Modern British School - Reclining Female Nude, mid-20th century oil on canvas, labels verso, 36cm x 46cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A modern silver diminutive figure of a stylized nude, marked '925', height 5.9cm, with perspex stand and cover.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Edward Kenneth Center - Study for the Prodigal Son with a Nude Woman feeding Pigs in a Landscape, 20th century mixed media on canvas-board, 27cm x 22.5cm, within a partially gilt and wood frame. Provenance: Toovey's 24th March 2010, Lot no. 5.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Collection of vinyl LPs to include Ian Dury and the BlockHeads: 'Laughter', 'New Boots and Panties', and 'Do It Yourself', Stone Pilots 'Plush, Mean Red Spiders 'Nude Guitarist in Wet Lettuce Frenzy', John Otway & Wild Willy Barrett, UK Subs 'Complete Riot' Dexy's Midnight Runners 'Searching for the Young Soul Rebels', Brixton Market 'Black Funk', Half Man Half Biscuit 'Urge for Offal', Stiff Little Fingers, Stranglers, The Smiths, Lou Reed, etc. (B.P. 21% + VAT)    There are 36 records in the lot - there has been no grading on the records or sleeves.   Covers range from reasonable condition to quite scuffed at the edges.  'Damned' 'Magazine' 'UK Subs' 'Personality Crisis' etc good condition.  Others like Ian Dury, Carl Reed etc scuffed at edges and corners.  'The Great Rock 'N Roll Swindle' cover in poor condition and in much played condition.  Vinyls generally appear to be in played but good condition.

A patinated hollow cast-bronze sculpture, nude lady on rocks, indistinctly signed, on veined black marble base, length 32cm, height 15cm

A large reproduction patinated bronze erotic sculpture, nude lady with cane, in the style of Bruno Zach, unsigned, on veined black marble base, overall height 56cm

ANDRE DERAIN (FRENCH, 1880-1954) (2)Female nude studystudio stamp 'ATELIER ANDRE DERAIN' (lower right)pencil23.5 x 15.5cmtogether with another pencil sketch of a female nude, with studio stamp, 23.5 x 16.5cm(2)ARRProvenanceSale, Christies South Kensington, 13th January 2016, lot 133Condition reportOne: very small crease to upper right corner. Some small minor marks and some discolouration to paper.The other: very small crease to upper right corner. Some small minor marks and some discolouration to paper.Both under glass and unexamined out of frames.

BERNARD BAYS (BRITISH, 1910-1994) (2)Reclining Nudesigned 'Bernard Bays' (lower right)watercolour20 x 26.5cmtogether with a nude study by another handARR(2)

NUDE FIGURE ON COUCH

ART DECO GLASS NUDE

VEREENIGING TOT BEVORDERING DER GRAFISCHE KUNST. 12 Prenten door leden der Vereeniging. (N.pl.), 1929. W. index/colophon leaf & 12 prints. Fol. Loosely inserted in or. clothbacked brd. portfol. w. woodcut decoration & title by A. v.d. Vossen. (Covers a trifle soiled). NOTE:Comprises: MEES, F. Inhoudsopgave; D.H. NIJLAND. (Man and a woman sitting on a bench, a harbour in the background); A.P. DERKZEN v. ANGEREN. (Harbour); S. MOULIJN. Dennen; J.P.J. FRANKEN Pzn. (Woman with shawl); S. JESSURUN DE MESQUITA. Reiger (snavel naar links); J. DIJKSTRA. (Female nude); F. MEES. (Military horseman); N.M. EEKMAN. "Cartomancienne"; E.W. KONING. (Mushroom and lizard); W.A. OEPTS. (Café scene); L.A. SENGERS. (Man); W.B. VAN HEUSDEN. (Portrait of a man). - Printed in 100 numb. copies, on Japanese paper. Our copy nr. 25.

SCHRÖDER, Sierk Carl (1903-2002). Female nude. Drawing in red chalk. N.d. Signed. 288 x 508 mm. Framed, glazed & under passepartout.

An early 20th century cold painted bronze figure in the form of a female exotic dancer, signed Franz Bergman (Austrian, 1861-1936), of metamorphic form with hinged skirt revealing nude figure beneath, standing upon a draped carpet, mounted upon a circular marble base, the rear bearing feint inverted vase stamp,height overall 31cmCondition: In apparently good condition overall, some candle wax residue visible to base close to front foot. This is removeable and is not glue

In the manner of Konstantin Matveevich Lomykin (Ukrainian, 1924-1993)'Malvina' nude female figure dressing, oil on canvas, signed indistincly to lower right, inscribed and dated 1985 verso, framed,overall 93 x 74cm, within frame 70 xc 52cm Condition: Good condition overall

A pair of large Royal Worcester blush ivory figures 'Morning Dew' and 'Evening Dew'modelled as semi nude classical maidens in flowing robes painted with floral sprays pouring water from urns on naturalistic bases, raised on circular plinths, green printed factory marks, date codes for 1900 and 1902height 42.5 cm.Condition: Figure with left hand outstretched has had the hand restored. Otherwise free from chips and restoration. Light rubbing to gilding

A Lalique frosted glass figure 'Nu Sage', in the form of a seated nude, signed to base 'Lalique, France',height 7cmCondition: In overall good condition.

EDWARD ONSLOW FORD RA (1852-1901)A BRONZE MODEL OF A YOUTH PROBABLY LINUSPortrayed Heroically nude and carrying a clubSigned ONSLOW FORD to the base 39cm highProvenance:William Agnew, LondonCondition Report: Minor surface scratches, abrasions and wear to the patination, particularly on the figure's rear and his elbow. The club he is holding may be slightly bent. Condition Report Disclaimer

ITALIAN SCHOOL (LATE 18TH CENTURY)STUDY OF A FULL LENGTH STANDING MALE NUDE Red and black chalksIndistinctly signed and inscribed (lower right)45 x 29.5cm (17½ x 11½ in.)

TWO MEERSHAUM PIPES, ONE A NUDE WOMAN the other (cased) a Turk

A bronze figure group,20th century, depicting a nude woman with a child at her feet, on a stepped plinth,64cm highSurface wear to base, to inlcude scratches, minor knocks and dirt, patination to bronze throughout

A silvered spelter figure of a seated nude female,late 19th century, the base lacking14cm hightogether with a seated figural nude of a young girl, c1920s, solid-cast bronze with gilt finish, surmounted as a car mascot on a painted bronze radiator cap 11.5cm high (2)Both with surface wear, rubbing and scratches to finish. The bronze with heavy losses to gilding. Dings, knocks and dents. General wear.

An Art Deco photograph,early 20th century, depicting a nude seated Ziegfeld lady or showgirl, set within a carved and ebonised frame, 11 x 22cm (image)35 x 46cm (frame)Some crinkling along the edges of the photograph. Some slight colour variation between the edges and the picture alluding to some sun bleaching/fading. The frame with some damage to the left-hand side with some chipping. The joints of the frame are somewhat separated in places.

A large contemporary oil on canvas scene depicting a kneeling female nude, 59cm x 91cm, mounted in ornate gilt and black frame

Postcards & Photographs, selection of 17 cards & photos inc. Pierrots, Social History, Herring Basket Making, Hop Picking, Scouts, Trades, cabinet photos (3 inc. 1 shop front), Stereoscopic Nude etc. (gd) (17)

LARGE PASTEL ON PAPER COLLOURED ILLUSTRATION OF NUDE 50CM X 75CM - NOT SIGNED

John Skelton (1923-2009), wash drawing, seated nude, signed and dated 1978, 37 cm X 21.5 cm

Henry Richard Bird (1909-2000), pastel and gouache on paper, Sketch of a seated nude eating an apple, 45 x 36cm, unframed (a.f.)

A Paul Costello Nude Brown handbag and a Revelation vanity case

Four resin figures nude ladies

A print of a boy in gilt frame, picture sailing boats in gilt frame, a watercolour signed Ross and a print sculpture of nude man

A bird bath with nude girl on rock

Group of works by John Pittuck (1938-2005) various media on paper, including portrait studies, typically 52 x 40cm, unframed but mounted, together with an oil on board nude study. (13)

Bruno Bruni (Gradara 1935). Nel nido - im Nest. 2tlg.: Weiblicher Akt aus Bronze mit goldbrauner Patina, Sockel als Kissen in polymergebundener Bronze. Num. Ex. '476/1250', sign. 'Bruno Bruni', Gießerstempel der ARA-Kunst, Dr. Fritz Albrecht, Altrandsberg. Figur: L. 12 cm, Kissen 23,5 x 20 cm. - Provenienz: Sammlung Wolfgang Brudermüller; seitdem durch Erbgang. - Deutsch-italienischer Graphiker, Maler u. Bildhauer. B. studierte in Pesaro, London u. an der Hochschule für bildende Künste in Hamburg bei Gresko u. Wunderlich. Er erhielt das Lichtwark-Stipendium u. den internationalen Senefelder-Preis. Mus.: Hamburg (Kunsthalle u.a.). Lit.: Der Neue Rump, Birgfeld u.a. Bruni, Bruno (Gradara 1935). Nel nido. Two parts: Female nude in bronze with golden brown patina, base as cushion in polymer-bonded bronze. Numbered copy '476/1250', sign. 'Bruno Bruni', foundry stamp of ARA-Kunst, Dr. Fritz Albrecht, Altrandsberg. Figure: l. 12 cm, cushion 23.5 x 20 cm. - Provenance: Wolfgang Brudermüller Collection; since then by inheritance. - Painter and sculptor, studied in Pesaro, London and in Hamburg, Hochschule für bildende Künste with Gresko and Wunderlich, received Lichtwark scholarship, international Senefelder price, international exhibitions amongs others in New York and Tokio. Mus.: Hamburg (Kunsthalle and others). Lit.: Der Neue Rump, Birgfeld and others.

Edgar Augustin (Recklinghausen 1936 - Hamburg 1996). Akt im Gegenlicht. 1993. Aquarell, 38 x 55 cm, l. u. sign. und dat. E. Augustin 93, unter Passepartout gerahmt, ungeöffnet. - Deutscher Bildhauer und Maler. A. studierte 1958-60 Bildhauerei in Münster bei Karl Ehlers, 1960 - 65 war er in Hamburg Meisterschüler von Gustav Seitz. Bereits 1966 erhielt A. das Lichtwark-Stipendium der Stadt Hamburg, im Jahr darauf den Rompreis der Villa Massimo, 1975 den Edwin-Scharff-Preis. Sein Oeuvre besteht aus teilweise abstrahierten figürlichen Darstellungen in Bronze, Holz und Gips, aber auch Gemälden, Zeichungen und Graphiken. Mus.: Hamburg (Kunsthalle u.a.), Berlin, Hannover, Düsseldorf, Rom, Tokio, Boston, Budapest u.a. Lit.: Der Neue Rump u.a. Augustin, Edgar (Recklinghausen 1936 - Hamburg 1996). Nude. 1993. Watercolour, 38 x 55 cm, lo. le. sign. and dat. E. Augustin 93, matted and framed under glass, uninspected out of frame. - German sculptor and painter. After studying at the Hamburg academy he became master student of G. Seitz in 1965. As early as 1966 he was granted the Lichtwark scholarship, in 1967 he won the Rome prize of the Villa Massimo, in 1975 he was awarded the Edwin Scharff prize. Mus.: Hamburg (Kunsthalle a. others), Berlin, Hannover, Düsseldorf, Rome, Tokyo, Boston, Budapest a. others. Lit.: Der Neue Rump a. others.

Gilbert Portanier (Cannes 1926). Wanduhr. 1999. Keramik, farbig bemalt und geritzt, Metallzeiger. Runde konvexe Form. Abstrakt-figürlicher Dekor mit weiblichem Akt , gegenüber die Silhouette eines männlichen Profilbildnisses. Sign. und dat. 'Portanier 99'. Dm. 42 cm. - Französischer Keramiker. Nach Beginnn eines Architekturstudium in Paris wandte sich Portanier als Autodidakt rasch der Malerei und Zeichenkunst zu. Nach seiner Rückkehr an die Côte d'Azur Begegnung mit Picasso und Beginn als Keramikkünstler. 1949 Gründung des Ateliers 'Le Triptyque', seit 1964 enge Zusammenarbeit mit Rosenthal, von 1966-2009 regelmäßige Ausst. in den Rosenthal-Studios. Zahlreiche Auszeichnungen und Ausst., u.a. im MKG Hamburg, Kunstgewerbemuseum Köln, Musée National de Céramique, Sèvres u.v.a. Portanier, Gilbert (Cannes 1926). A Wall Clock. 1999. Ceramic, colourfully painted and incised, metal hands. Round convex form. Abstract figural decoration with female nude , opposite the silhouette of a male profile portrait. Signed and dated. 'Portanier 99'. Diam. 42 cm. - French ceramist. After beginning to study architecture in Paris, Portanier quickly turned to painting and drawing as a self-taught artist. After his return to the Côte d'Azur, he met Picasso and began working as a ceramic artist. 1949 foundation of the studio 'Le Triptyque', since 1964 close cooperation with Rosenthal, from 1966-2009 regular exhibitions in the Rosenthal studios. Numerous awards and exhibitions, including at the MKG Hamburg, Kunstgewerbemuseum Köln, Musée National de Céramique, Sèvres and many others.

Hans Hubert Dietzsch-Sachsenhausen (Frankfurt a.M.-Sachsenhausen 1880 - Berlin 1926). 'Der Sonne entgegen'. 1919. Bronze, patiniert. Monumentale Figur eines weiblichen Aktes. Tänzelnd mit einem Fuß auf einer runden Plinthe stehend, streckt die junge Frau mit weit geöffneten, erhobenen Armen ihren ganzen Körper der Sonne entgegen. Auf der Plinthe sign. und dat. 'DIETZSCH-SACHSENHAUSEN 1919', Gießerstempel: GUSS HEINZE-BARTH BERLIN. Spuren von Oxidation. H. 187,5 cm. - Dietzsch-Sachsenhausen war zu Beginn des 20. Jh. nicht nur ein gefeierter Schauspieler, sondern auch ein vielbeschäftigter Bildhauer. - Möglicherweise handelt es sich bei der Bronze um das Exemplar, das 1920 auf der Großen Berliner Kunstausst. sowie 1928 auf dem Gelände der Ausst. 'Die Ernährung - Ausst. für gesunde und zweckmäßige Ernährungsweise' in Berlin am Kaiserdamm zu sehen war. Offenbar löste das Motiv beim Publikum so große Begeisterung aus, dass es anschließend in mehreren Exemplaren auch in kleinerem Format gegossen wurde. In den Folgejahren war der Künstler mit weiteren weiblichen Aktdarst. wie 'Lenz' (1921) oder 'Der Schritt ins Leben' (1923) wiederum auf der Großen Berliner Kunstausst. bzw. im Verein Berliner Kunst vertreten. - Literatur: Kat. Große Berliner Kunstausst., Berlin 1920, Nr. 102, Tafel 25. - Deutscher Bildhauer, Maler, Schauspieler. Zunächst als Maler und Schauspieler tätig, absolvierte vor 1898 an der Kunstakademie in Kassel bei Carl Begas, dem Bruder von Reinhold Begas, ein Studium der Bildhauerei. Danach tätig in Berlin. Neben heroisierenden Krieger-Denkmalen schuf D. auch eine Reihe klein- und großplastischer figürlicher Arbeiten. Lit.: Saur, AKL 27, S.334. Dietzsch-Sachsenhausen, Hans Hubert (Frankfurt a.M.-Sachsenhausen 1880 - Berlin 1926). 'Der Sonne entgegen' ('Towards the Sun'). 1919. Bronze, patinated. Monumental figure of a female nude. Prancing with one foot on a round plinth, the young woman stretches her whole body towards the sun with wide open, raised arms. Signed and dated on the plinth. 'DIETZSCH-SACHSENHAUSEN 1919', foundry stamp: GUSS HEINZE-BARTH BERLIN. Traces of oxidation. H. 187,5 cm. - Dietzsch-Sachsenhausen was not only a celebrated actor but also a busy sculptor at the beg. of the 20th cent. - It is possible that the bronze is the copy that was exhibited at the Great Berlin Art Exhibition in 1920 and on the grounds of the exhibition 'Die Ernährung - Ausst. für gesunde und zweckmäßige Ernährungsweise' in Berlin on the Kaiserdamm. Apparently the motif aroused such great enthusiasm among the public that it was subsequently cast in several copies in a smaller format. In the following years, the artist was again represented with other female nudes such as 'Lenz' (1921) or 'Der Schritt ins Leben' (1923) at the Große Berliner Kunstausst. or in the Verein Berliner Kunst. - Literature: Cat. Große Berliner Kunstausst., Berlin 1920, no. 102, ill. 25. - German sculptor, painter and actor. After working as painter and actor, D. studied sculpture at the Kassel Art Academy by Karl Begas, the brother of Reinhold Begas. Then he changed to Berlin. D. created several heroic sculptures of war and furthermore small and large figurative sculptural works. Lit.: Saur, AKL 27, p. 334.

Gerhard Richter (Dresden 1932). Ema - Akt auf einer Treppe. 1999. Farboffset, Kunstkarte 14,5 x 10,5 cm, r. u. handsign. und dat. Richter 30.11.99, ungerahmt. - Richter ist einer der höchstgehandelten Künstler der Gegenwart. Nach einer Ausbildung zum Werbemaler studierte er ab 1951 an der Dresdener Kunstakademie und schuf, schon als Student, etliche Wandbilder. 1961 siedelte er in den Westen über und studierte bis 1964 erneut. An der Düsseldorfer Akademie lernte er dabei u.a. S. Polke, G. Uecker und G. Graubner kennen. 1971 bis 1993 war er selbst Professor der Düsseldorfer Akademie. R. ist ein sehr vielseitiger Künstler, der sich in unterschiedlichen Stilen probiert hat. Am bekanntesten sind seine präzis gemalten, absichtlich verwaschen historischen Motive, seine farbstarken mit einem Rakel geschaffenen riesigen abstrakten Formate und die nur scheinbar beliebigen Kombinationen von Farbfeldern. Richter, Gerhard (Dresden 1932). Ema - Nude on a Staircase. 1999. Offset in colours, postcard 14,5 x 10,5 cm, lo. ri. autographed and dated Richter 3.11.99, unframed. - One of the most important contemporary artist, studied at the Dresden and the Düsseldorf academy, his works are in major collections of the world.

Jean Jacques Henner (Bernweiler 1829 - Paris 1905). Rothaariger Akt im Wald. Öl/Lw., 62 x 50,5 cm, l. u. sign. J. J. Henner. - Französischer Figuren- und Portraitmaler. Der talentierte H. erhielt ersten Unterricht im heimatlichen Elsass bevor er ab 1846 an der Pariser Akademie studierte, wo er 1858 den Rompreis gewann; fünf Jahre lang lebte er in Italien. Ab 1863 stellte er bis 1903 fast jährlich im Salon aus und gewann zahlreiche Preise. Mus.: New York (Metrop. Mus.), Florenz (Uffizien), Paris u.a. Lit.: Thieme-Becker, Bénézit. Henner, Jean Jacques (Bernweiler 1829 - Paris 1905). Nude in a Forest. Oil/canvas, 62 x 50,5 cm, lo. le. sign. J. J. Henner. - French figure and portrait painter. The talented H. received initial instruction in his native Alsace before studying at the Paris Academy from 1846, where he won the Rome Prize in 1858; he lived in Italy for five years. From 1863 until 1903 he exhibited almost annually at the Salon and won numerous prizes. Mus.: New York (Metrop. Mus.), Florenz (Uffizi), Paris a. others Lit.: Thieme-Becker, Bénézit.

Paul Moye (Nordhausen 1877 - Weimar 1926). Stehender weiblicher Akt. Um 1910/20. Bronze, braungrün patiniert. Auf der runden Plinthe sign. 'P. Moye'. Unterseitig Fragmente eines Klebeetiketts der Galerie Remmler in Leipzig, die zu den bedeutendsten Galerien der Weimarer Republiik zählte. H. 59 cm. - Das Thema des jungen schlanken Mädchens, das nach dem Erwachen aus dem Schlaf die Hände im Nacken verschränkt, erinnert an die 1904/05 entstandene Figur 'Eos' von Fritz Klimsch, formal aber zeigt der wenig bekannte Bildhauer eine eigenständige Auffassung des Körpers. - Provenienz: Galerie Remmler, Leipzig (altes Klebeetikett); Privatbesitz Schleswig-Holstein. - Deutscher Bildhauer, Schüler von Robert Diez. Lit.: Bénézit 9, S. 1425. Moye, Paul (Nordhausen 1877 - Weimar 1926). A Standing Female Nude. Around 1910/20. bronze, brown-green patinated. On the round plinth sign. 'P. Moye'. On the underside fragments of an adhesive label of the Remmler Gallery in Leipzig, one of the most important galleries during the Weimar Republic. H. 59 cm. - The theme of the young slender girl who clasps her hands at the back of her neck after waking from sleep is reminiscent of the 1904/05 figure 'Eos' by Fritz Klimsch, but formally the little-known sculptor shows an independent conception of the body. - Provenance: Remmler Gallery, Leipzig (old adhesive label); private property Schleswig-Holstein. - German sculptor, pupil of Robert Diez. Lit.: Bénézit 9, S. 1425.

Stehender weiblicher Akt mit Barsoi Steingut. Auf ovalem Sockel stehender, sich reckender Akt vor einem großen Barsoi. Farbige Unterglasurbemalung. Entw. Josef Lorenzl, um 1931/32. Modell-Nr. 6473. Entw.-Bez.; Manufakturmarke mit Bez. "MADE IN AUSTRIA". Rest.; H. 36,5 cm.An Austrian Vienna figure of a female nude with Barsoi modelled by Josef Lorenzl for Goldscheider. Painted and glazed earthenware. Restored. Inscribed. Manufacturer's mark.Österreich. Wien. Friedrich Goldscheider. Um 1931/1932.

Große figürliche Jugendstil-Stehlampe von Goldscheider 1-flg.; Keramik, farbig bemalt; Glasschirm; Behang mit Glasperlenketten, Metallmontierung. Auf einem Postamentsockel mit ornamental stilisiertem Blütenrelief stehender, vollplastischer Halbakt einer jungen Frau, die mit den beiden erhobenen Armen einen Blütenfeston und zugleich die Montierung für den Glasschirm und Behang hält. "SCULPTURE"-Firmenmarke, Bez. "FABRIQUÉ EN AUTRICHE", Modell-Nr. 3898(?), undeutl. Entw.-Sign.; Elektrifiziert; H. 162,5 cm. A large figural Austrian Vienna Art Nouveau floor lamp with semi-nude sculpture of a young woman by Goldscheider. Painted ceramic, glass, metal-mounting. Manufacturer's mark, model-no. 3898(?), indistinct signature.Österreich. Wiener Manufaktur Friedrich Goldscheider. Um 1900-1910.

Heinrich Hans Schlimarski (1859 Olmütz - 1913 Hainburg)Stehender weiblicher Akt vor einem SpiegelSich im Spiegel betrachtender Akt einer jungen Frau, ihre Frisur im Boudoir richtend. Reizvolles Interieurbild Schlimarskis, der an der Wiener Akademie bei August Eisenmenger studierte und Privatschüler Hans Makarts war. Bevorzugte Sujets Schlimarskis waren Bildnisse und Aktdarstellungen junger Frauen. Öl/Lwd.; R. u. sign.; Ger. Läsuren. 81,5 cm x 50 cm. Rahmen.Standing female nude at a mirror. Oil on canvas. Signed. Minor flaws.

BRUNI, BRUNO (1935) 'Vignetta', 20. Jh. Bronze einer weiblichen Aktfigur, tief nach vorne gebeugt, auf hohem Marmorsockel, limitierte Auflage 551/750, am Bein bezeichnet, nummeriert und Gießerstempel, H. ca. 23 cm. Etwas berieben, Sockel minimal bestoßen, Altersspuren.| BRUNI, BRUNO (1935) 'Vignetta', 20th c. Bronze of a female nude figure, deeply bent forward, on a high marble base, limited edition 551/750, inscribed, numbered and foundry stamp on the leg, h. ca. 23 cm. Somewhat rubbed, base minimally bumped, signs of age.

FAHRNER, DAVID (1895-1962), "Kniender weiblicher Akt", Bronze patiniert, vollplastische Figur einer jungen Frau mit verschränkten Beinen, an ihrer rechten Fußsohle signiert 'FAHRNER', H: ca. 27 cm. Alters- und Beriebspuren.| FAHRNER, DAVID (1895-1962), "Kneeling female nude", patinated bronze, fully plastic figure of a young woman with crossed legs, signed 'FAHRNER' on the sole of her right foot, H: approx. 27 cm. Signs of age and rubbing.

FAHRNER, DAVID (1895-1962), "Diskuswerfer", Metallguss, in Bronzeart dunkelgrau patiniert, vollplastische Figur eines männlichen Aktes vor dem Abwurf des Diskus, auf naturalistischer Plinthe, auf der Plinthe signiert und datiert 'FAHRNER 1949', auf grau marmoriertem Steinsockel montiert, H: Figur ca. 24 cm, gesamt ca. 26,5 cm. Alters- und Beriebspuren, kleine Chips an den Sockelkanten.| FAHRNER, DAVID (1895-1962), "Discus thrower", cast metal, in bronze dark gray patina, fully plastic figure of a male nude before throwing the disc, on a naturalistic plinth, signed and dated 'FAHRNER 1949' on the plinth, on a gray marbled stone base mounted, H: figure approx. 24 cm, total approx. 26.5 cm. Signs of age and wear, small chips on the edges of the base.

CATALOGUE AMENDMENTA modern bronzed resin sculpture, modelled as nude girl lying on her front reading a book, unsigned, 74 by 24.5 by 20.5cm high.

After Sir William Russell Flint (British, 1880-1969): two limited edition prints, "The Mill Pool" landscape with two female nudes, numbered 17/850, 54 by 70cm, mounted, glazed and framed, 80 by 95cm, reclining female nude, numbered 293/850, 37 by 50cm, mounted, glazed and framed, 62 by 74.5cm, both bearing blind stamp lower left, together with four other prints, "Dubious Bernini","Dance of a Thousand Flounces", "The Eavesdroppers", all three 18 by 25cm, mounted, glazed and framed, 37.5 by 44.5cm, "Spirit of Granada", 18.5 by 25cm, mounted, glazed and framed, 36.5 by 43cm, all unsigned. (6)

A weathered clay bust of a male character with moustache and shredded hair, 42 cm high, together with one other of a female nude seated on a tree stump with brightly painted weathered finish, 60 cm high (2)

A Large digital print of a female nude on board, signed indistinctly and dated '96' bottom right, 92 x 120 cm, framed

HELEN GOLDEN, three Fashion watercolours and an unsigned pastel Nude Study, each framed and glazed. The latter 41 x 40.5 cm overall.

JOE STONEMAN, Seated Nude on Turquoise Door, print, signed, framed and glazed. 29 x 44.5 cm.

A set of three Nude Studies, oils on canvas, unsigned, framed. Each 69.5 x 100 cm overall.

Wooden Carved Figure of a Nude Female on Wooden Plinth, 44cm high

Large Figure of a Standing Nude (a/f) 33" high

Silver Oval Shaped Pill Box with Nude Enamel Plaque to lid

Silver 1932 Case with Plaque depicting a Nude Female

An early 20th century Continental musical studio portrait photograph album, containing three nude studies, twenty eight topographical images and several family photographs, pressed wood figural boards. Comb of movement appears to be complete but no key, 29 x 23cm

Wilfred Ball - 'Thames Towpath' watercolour, signed, 23 x 31 cm to/w Thomas Richard Penn - Female nude beside a lake, watercolour, 63 x 43 cm (2)

A large concrete garden figure of a semi-nude female

William Etty. Nude. The beginning of the 19th century. The figure of a naked girl, in a free pose, is placed diagonally and takes center stage in the work. The heroine is highlighted. She, as if after bathing, casually poses on the thrown off clothes, in the park landscape. The romantic nature of a picturesque English park meets the temptation of beauty. And it sounds like the bodily embodiment of the idyll so popular in sentimentalism at the turn of the 18th - 19th centuries. On the back of the canvas are stamps of owners and auction numbers.Dimensions: Height - 75cm Width - 85cm Dimensions of the painting without frame: 45.5X 57.5 cm