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Lot 225
20th century AD. A mixed group of three copper-alloy items comprising of: a human-head mask with incised tear-shaped symbol on the forehead, a crawling nude youthful Krishna, a cobra with coiled tail formed as a base. 189 grams total, 47-62mm (1 3/4 - 2 1/2"). From a large London collection; formed between 1980-late 1990s. [3, No Reserve] Fine condition.
Lot 243
20th century AD. A mixed group of copper-alloy statuettes comprising of: a cobra with emphasized head and coiled body on a rectangular base, a crawling nude young Krishna holding a fruit(?) in one hand, a seated goddess Annapurna holding a spoon. 186 grams total, 47-63mm (1 3/4 - 2 1/2"). Acquired on the London art market in the late 1980s. [3, No Reserve] Fine condition.
Lot 270
20th century AD. A mixed group of three copper-alloy items comprising of: a standing figure of a nude female holding a staff, enclosed by a ribbed frame; a flat discoid flower disc with pierced center; a dancing god holding a shell in one hand and a fire in other. 398 grams total, 66-87mm (2 1/2 - 3 1/2"). Private collection, London, UK; acquired prior to 1990. [3, No Reserve] Fine condition.
Lot 273
20th century AD. A group of three copper-alloy artifacts comprising of: a crawling nude Krishna infant wearing a wide necklace and hat, a kneeling adorned man wearing a feather cloak, a vessel comprising of a squat globular body and a screwing lid with female head. 243 grams total, 55-63mm (2 1/4 - 2 1/2"). From a large London collection; formed between 1980-late 1990s. [3, No Reserve] Fine condition.
Lot 323
20th century AD. A group of three copper-alloy artifacts comprising of: a crawling nude young Krisha wearing a wide necklace and hat, a seated goddess Annapurna holding a spoon, a vessel comprising of a squat globular body and a screwing lid with female head. 226 grams total, 57-58mm (2 1/4"). From a large London collection; formed between 1980-late 1990s. [3, No Reserve] Fine condition.
Lot 99
EMILIO TRISTAN limited edition (3/9) bronze sculpture - contemporary study of a nude lady reclining on a cushion on a veined grey marble base, 54 x 26cms & 40cms high Provenance: Estate of Helen Zienkiewicz Deceased (1926-2016) late wife of Olgierd Cecil Zienkiewicz CBE FREng, FRS (1921 - 2009) acclaimed Polish-British mathematician & civil engineer https://en.wikipedia.org/wiki/Olgierd_Zienkiewicz
![[§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) SEATED NUDE Signed, coloured cha](https://cdn.globalauctionplatform.com/691ecd11-76a7-485e-bada-a827010eb112/c8ed306a-3044-4d6b-fddc-35dc44296288/468x382.jpg)
Lot 74
[§] SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.I. (SCOTTISH 1880-1969) SEATED NUDE Signed, coloured chalk 17cm x 23cm (6.75in x 9in) Provenance:Frost & Reed, London 1946 Note: One of the most celebrated British watercolourists of the 20th century, Sir William Russell Flint is known for his remarkable technical skill and precision. Born in Edinburgh in 1880, Flint was first introduced to painting by his father before developing his skills at Banks and Co. Printers where he enrolled in a six year apprenticeship as a lithographic draughtsman. Although he is known for his watercolours he also painted in oil and tempera, and produced etchings. Flint was a member of the Royal Academy, and served as president of the Royal Watercolour Society for twenty years from 1936. He was further recognised in 1947, with a knighthood for his services to art, and later a solo exhibition at the Royal Academy. Painting in several countries including France, Italy, Switzerland and Scotland, Flint was captivated by the distinctive and unique character of the distant lands. However, his foremost fascination was the female form. This manifested in a wide range of depictions; spanning from flamenco dancers to his picturesque gypsies and languorous nudes. Today his work is exhibited in numerous institutions around the world including the British Museum, the Victoria and Albert Museum and the Art Institute of Chicago. Flint's interest in the representation of the female form intensified during a trip to Rome in 1912. His skilfully rendered paintings of the sensual nude were in great demand during his time. Seated Nude is a chalk drawing dating from 1908 in which Flint effortlessly captures the models striking beauty. This exquisite drawing perfectly encapsulates Flint's ongoing interest in feminine grace, imbuing the picture with a sense of sensuousness and mystery. The figure is simultaneously revealing and concealing herself, which is almost mirrored in his technique, with the soft shading of her body juxtaposed against the hard lines of the drapery tangled around her.
Lot 65
Ruth Duckworth (1919-2009) Nude and Sunflower oils on paper 55cm x 37cm. Exhibited: Apollinaire Gallery, London, 1953 in Ruth Duckworth's first one-person exhibition. Literature: Jo Lauria and Tony Birks, Ruth Duckworth: Modernist Sculptor, Lund Humphries, 2005, p.23, figure 8 for a photograph of the picture in Duckworth's first one-person exhibition.
Lot 244
A COLLECTION OF MEDIEVAL BUCKLES OF VARIOUS PATTERNS including one of gilt-copper-alloy, possibly Limoges, 12th century, its hasp decorated in relief with a nude figure, one of iron modelled as a lion's mask, one of copper-alloy having its hasp cast in relief with crosses, and further lead-alloy and copper-alloy buckles of assorted patterns (15)
Lot 453
WILLIAM ETTY (1787-1849); a rare group of Sketches, from life, in pencil, ink and colour wash, including a portrait sketch of a woman looking down, drawn on the visiting card of Mrs Barber of Tang Hall; a pen and ink sketch of a female nude drawn on an envelope fragment with date mark for 1845, and various other sketches presumably made at the original Tang Hall where Etty was a visitor, together with a handwritten text of the dedication inscribed on Etty's tomb in the Church of St. Olaves, York, in a double-sided frame. 21 1/2" (54cms) x 18 (46cms) overall. Provenance: From the Estate of the connoisseur and collector Christopher Lennox Boyd.
Lot 62
δ Pablo Picasso (1881-1973)Procuress, Reclining Nude and Old Man (from 347 Series) (Bloch 1588)Aquatint, 1968, signed and numbered from the edition of 50 in pencil, on BFK Rives wove paper, with full margins, sheet 89 x 124mm (3 1/2 x 4 7/8in) (PL) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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