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Nude Woman - L. Sorrentino - Oil painting on panel, 20th-century Italian school, depicting a Nude Woman. Dimensions within the frame: 6x7.5 cm, dimensions including the frame: 22x20 cm. Signed at the bottom left by L. Sorrentino. Artwork in good condition.

Woman's nude on the beach - R. Albanese - Oil painting on canvas, 20th century Italian school, depicting a woman's nude on the beach. Internal frame dimensions: 50x70 cm. Dimensions including frame: 61x81 cm. Signed lower right by R. Albanese. Works in good condition.

Jonathan Yeo (British, b. 1970) A frontal nude Circa 2001 Oil on canvas Dimensions: (Frame) 29.5 in. (H) x 25.5 in. (W) (Canvas) 16 in. (H) x 12 in. (W)

Ulysse Gémignani (French, 1906-1973) A Sleeping Nude Terracotta Signed Dimensions: 11.25 in. (H) x 15 in. (L) x 6,5 in. (W)

Early 20th Century A portrait of a seated nude woman Oil on canvas Dimensions: (Canvas) 18.5 in. (H) x 16.25 in. (W) (Frame) 23.25 in. (H) x 21.5 in. (W)

Wally Czobelova (Slovakian, d. 1955) A female nude in contemplation, c. 1927 Mixed media on paper Dimensions: (Paper) 22.75 in. (H) x 16.75 in. (W) (Frame) 31 in. (H) x 24.5 in. (W)

Patrick Swift (Irish, 1927 - 1983) Nude, 1977 Ink and wash on paper Signed and dated in pencil lower right Inscribed verso, 'Nude / Patrick Swift / Donated by Princess Elizabeth Galitzine'  Dimensions: (Paper) 15.25 in. (H) x 23 in. (W) (Frame) 20.5 in. (H) x 28 in. (W)

German School Early 20th Century A study of a nude standing woman Oil on canvas Dimensions: (Canvas) 30.5 in. (H) x 16.25 in. (W) (Frame) 39.5 in. (H) x 25 in. (W)

Nicky Arscott - acrylic nude 'Katrina McClean (spanked)' signed to reverse, 61 x 45.5cm

LLADRO FIGURE, FLOWER VENDOR modelled as a semi nude female with a basket of flowers28cm high

BRONZE MASCOT STYLE FIGURE, modelled as a nude female, on a square base 15cm high

RECONSTITUTED STONE STATUE OF A FEMALE NUDE, painted white80cm high

Bronze plaque of a nude lady poised, laying down on a bear skin rug. Dimensions: 9.25"L x 5"W x 2"HCondition: Age related wear.

Original graphite drawing on paper that depicts a modern version of the mythological story of the Judgment of Paris with a seated male holding the coveted golden apple towards three nude goddesses competing for the prize of being the fairest. Includes graphite text in German on lower part: illegible. Artwork dimensions: 12"L x 17"H. Issued: c. 1930Dimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear. Some soiling.

Large original pastel and sanguine drawing on mandarin colored paper of a nude woman partially seated. Graphite initials signature and stamp on center left: MG? MIA Wien. Artwork dimensions: 13"L x 19.75"H. Issued: c. 1950Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear. Fold on lower left side and minor tears on right side of paper.

Hand-colored etching print of a beautiful nude woman. Illegible pencil description and signature to the bottom border. Black marble patterned veneer frame. Sight size: 9.5"W x 15.5"H; frame: 12.25"W x 18.25"H x 1"D. Condition: Age related wear. Minor indentations to left frame border.

Set of two original pastel and sanguine nude studies on beige laid paper. One drawing depicts a seated nude male and the second a standing nude female resting one leg on a base. Male nude drawing dimensions: 10.50"L x 17"H. Female nude dimensions: 7.50"L x 12"H. Issued: c. 1960Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear. Water spill on left side of woman nude drawing.

Set of two original India ink and watercolors studies on beige paper of nude women. One drawing includes ink text on lower right: To Arthur for the few pleasant moments we spent together, Calvin. Largest artwork dimensions: 10"L x 13.50"H. Issued: c. 1960Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear. Minor foxing. Small tear on lower right of largest artwork.

Monumental original oil on canvas by Contemporary Photo-Realist Ruben Camargo who specializes in nude portraiture. Camargo paints a beautiful dark-haired woman from the back as she gazes towards British Pre-Raphaelite John William Waterhouse's painting The Lady of Shalott. Signature and date on upper right: A. Eggleston 10. Housed in a floating black frame. Artwork dimensions: 59"L x 39"H. Frame dimensions: 60.50"L x 40.50"H x 2"W. Artist: Ruben Camargo (American 20th-21st century)Issued: 2010Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Sculpture depicting a nude lady laying back in a stretched pose on a dark red and brown background, base. Dimensions: 11.5"H x 5"W x 4"DCondition: Age related wear.

Beautiful and interesting etching print on paper of a nude woman with a cropped haircut holding a hare. Illegible handwritten pencil notes/signature to the bottom border. Dimensions: 9"W x 11.5"HCondition: Age related wear.

Vintage Erotica to include 90s Italian reproductions of late 1800s - early 1900s erotic postcards, a 1930s reproduction of a woodland nude in mount and a genuine 1920s nude portrait photographic print. All in very good condition with the postcards stored in high quality sleeves to preserve. (qty in one bag)

Stuart Holmes (American, 1884-1971). Set of two decorative carved Honduras mahogany panels, each depicting a nude woman hoisting a vessel above her head, 1933. The columns were originally carved for and displayed next to Henry Clive mural paintings in the tavern of the legendary Masquers Club: a private social club for Hollywood actors and Los Angeles, California's elite. The establishment operated similarly to the Lamb's Club in New York and frequently produced shows. There is an etched signature along the lower quadrant of the left panel, between the figure's knees.(Each) height: 61 in x width: 18 in x depth: 6 in. Weight: approx. 60 lbs, each.Condition: There are several splits throughout: one hand and thigh of the right facing figure have larger splits; the hip of the left-facing figure has a larger split. Losses and chips to the back panels. General wear throughout. There are no major chips or losses to the carvings.

A gilt framed & glazed impressionist nude female watercolour signed Gill Nadin 1981 (58 x 76cm)

Jane Dowling (1925-2023) Nude oil on canvas 51 x 61cm., unframed. Mallams are delighted to offer paintings by the late Modern British artist Jane Dowling from her Oxfordshire studio. Jane studied at Oxford University and the Ashmolean Museum and other Oxford institutions hold examples of her work. She was a regular exhibitor at the Royal Academy from 1961 through to the Summer Exhibition in 2019. Her work was also commissioned by the National Trust and Oxford Oratory Church. In addition, several of Oxford’s hospitals and the Ashmolean Museum hold examples of her work. She also exhibited at the New Grafton Gallery in London and with the New English Art Club. Her reputation in Oxford was renowned not just for her painting but for her enthusiasm and zest for teaching. She taught at the Ruskin School of Art for several decades and was instrumental in establishing The Royal Drawing School. She continued as an artist and teacher in Oxford until late in life and passed away at the age of 97 in February last year. Jane was married to Peter Greenham, whose work is perhaps more widely known and subjects include Queen Elizabeth II & Princess Margaret. Peter also studied at Oxford University and later became a schoolmaster at Magdalen College.

Two Windows Press. [U.S] Maurice McDonald “Mort” c1970s[?] Nude Photograph window mounted in thick stock case, with poetry. Signed by Maurice Mcdonald and “Lino” Limited Edition 22 of 26. Large 4to.”Maurice McDonald Two Windows Press” to the upper board, pale blue paper over thick card. Poetry to the inside of the front board signed “Mort” San Francisco. Rare.

Glassware to include drinking vessels in the form of the nude body, paperweights and other itemsLocationIf there is no condition report shown, please request one

Lalique- A glass perfume atomiser with a nude woman, in a stepped recessed panel to the front and back, designed 1931Location:If there is no condition report shown, please request

A World War II aluminium cigarette case decorated with Northern African mosque to the outside front and map of Africa to the back, the interior decorated with couple in embrace and recumbant semi-nude listening to radio 14 cm x 8.3 cm

MARGARET LIGHTBODY "Nude girl seated upon a bed", pastel, signed lower right, bears "Pastel Society" label verso, together with three others by the same hand, TIM WIDDOWSON "Beach bar with figures", watercolour, signed and dated '83 lower right, 27 cm x 38 cm, together with various other decorative pictures and prints (one box plus 2 loose)

Three limited edition prints of nudes by William Russell Flint; The Looking Glass number 701 of 850 60cm x 67cm, Reclining Nude I published in 1963 pencil signature and blind stamp 63cm x 87cm, and Model Reclining limited edition 392/750 & 58cm x 83cm.

An original nude portrait by David Remfrey 1989 in a chrome frame. 89cm x 67cm

§ Sir William Russell-Flint PRWS RA ROI (Scottish, 1880-1969) A seated female nude studyinscribed 'Sir William Russell Flint's Studio' and dated '14th April 1963 (Easter Sunday)'watercolour29cm x 24.5cmProvenance:The artist's studioThis watercolour, rapidly sketched in the artist's studio, provides a delicate and intimate example of the Russell-Flint's most recognised subject-matter and his technical ability on a small scale.

Lüdez, 20th century, a bronze study of a stallion with a nude male on his back, the unconscious man draped across the horse's back, the naturalistic bronze base raised on a marble plinth base, signed to the bronze base 61 x 65 x 19cm

A Lladro figure of a semi-nude female water carrier, model 2323, matt gres finish, 35cm high, complete with original box, sold together with a further smaller Lladro figure of a young woman with a hat and a Nao figure of a young girl with a teddy bear, 21.5cm high (3)Condition:Good condition with no damages or repairs.

Roman Imperatorial Coinage, The Pompeians, Quintus Caecilius Metellus Pius Scipio with Marcus Eppius, Denarius, Military mint travelling with Scipio in Africa, 47-6 BC, [–] scipio imp behind head of Africa right wearing elephant’s skin, ear of corn before and plough below, rev. eppivs right and leg f c left, nude Hercules standing facing, right hand on hip and left leaning on club draped in lion’s skin and set on rock, 3.83/9h (Ghey 274, this coin; Craw. 461/1; BMCRR Africa 10-11; RSC Caecilia 50a; Sear 44). Good fine £100-£150 --- Provenance: SF 304

Roman Imperatorial Coinage, The Caesarians, Julius Caesar, Denarius, Military mint moving with Caesar in Africa, 47-6 BC, diademed head of Venus right, her hair rolled back and tied into a knot, rev. caesar downwards right of Aeneas nude walking left, holding the Palladium in right hand, carrying his father Anchises on left shoulder, 3.69g/6h (Ghey 272.4, this coin; Craw. 458/1; BMCRR East 31-5; RSC 12; Sear 55). Struck slightly off-centre, otherwise good fine, dusty hoard patina £150-£180 --- Provenance: SF 445

Roman Imperatorial Coinage, The Caesarians, Julius Caesar, Denarius, Military mint moving with Caesar in Africa, 47-6 BC, diademed head of Venus right, her hair rolled back and tied into a knot, rev. caesar downwards right of Aeneas nude walking left, holding the Palladium in right hand, carrying his father Anchises on left shoulder, 3.65g/6h (Ghey 272.5, this coin; Craw. 458/1; BMCRR East 31-5; RSC 12; Sear 55). Banker’s marks both sides, good fine, dusty hoard patina £150-£200 --- Provenance: SF 542

Roman Republican Coinage, Gaius Antius Restio, Denarius, 47 BC, jugate head of the Dei Penates right, rev. nude Hercules standing facing right holding club aloft in right hand and holding trophy in left, 3.87g/6h (Ghey 271, this coin; Craw. 455/2b; BMCRR 4032; RSC Antia 2; Sear 35); together with another, similar, 3.50g/8h (Ghey 270, this coin; Craw. 455/1a) [2]. Fair £40-£60 --- Provenance: SF 627 and 501

Roman Imperatorial Coinage, The Caesarians, Julius Caesar, Denarius, Military mint moving with Caesar in Africa, 47-6 BC, diademed head of Venus right, her hair rolled back and tied into a knot, rev. caesar downwards right of Aeneas nude walking left, holding the Palladium in right hand, carrying his father Anchises on left shoulder, 3.58g/6h (Ghey 272.6, this coin; Craw. 458/1; BMCRR East 31-5; RSC 12; Sear 55). Discrete banker’s mark to obverse, chip at 9 o’clock, good fine £150-£180 --- Provenance: SF 575

Roman Imperatorial Coinage, The Caesarians, Julius Caesar, Denarius, Military mint moving with Caesar in Africa, 47-6 BC, diademed head of Venus right, her hair rolled back and tied into a knot, rev. caesar downwards right of Aeneas nude walking left, holding the Palladium in right hand, carrying his father Anchises on left shoulder, 3.63g/6h (Ghey 272.2, this coin; Craw. 458/1; BMCRR East 31-5; RSC 12; Sear 55). Bankers marks, and struck slightly off-centre, otherwise good fine £150-£200 --- Provenance: SF 112 Similar to Caesar’s ‘elephant’ coinage, this type was minted in a vast quantity, representing again his conquests over the Pompeians. However this type, rather than focusing on the battle between ‘good’ and ‘evil’, represents Caesar’s ancestry and the gens Julia. Caesar claimed to be a descendant of Julus, the son of Aeneas and founder of Alba Longa. He henceforth elected to have depicted on this type Aeneas carrying his aged father, Anchises, on his shoulders after the sacking and capture of Troy by the Greeks. In addition, Aeneas and Dido, the princess of Tyre and foundress of the Phoenician colony of Carthage, had a relationship, thus making this artistic choice even more appropriate by drawing focus back onto the African campaign.

Roman Imperatorial Coinage, The Pompeians, Pompey Magnus, Denarius, Military mint in the East moving with Pompey, April-June 49 BC, moneyers Lucius Cornelius Lentulus and Caius Claudius Marcellus, triskeles with winged head of Medusa at centre and ears of corn between legs, rev. [–]ent mar on left, cos and harpa on right of nude Jupiter standing facing right holding thunderbolt in right hand and eagle on left, 3.57g/6h (Ghey 256, this coin; Craw. 445/1a; BMCRR Sicily 3-4; RSC Cornelia 64; Sear 4). About fine and rare £60-£80 --- Provenance: SF 148

Roman Republican Coinage, Caius Memmius Caii Filius, Denarius, Rome, 56 BC, c memmi c f before draped head of Ceres right, with wreath of corn in her hair which is tied into a knot and falls down her neck and wearing an earring, rev. c memmius right, imperator left, both downwards, between nude captive kneeling right at the foot of a trophy of arms with a Greek shield, 3.52g/12h (Ghey 243, this coin; Craw. 427/1; BMCRR 3937-9; RSC Memmia 10). ‘P’ banker’s mark to obverse on cheek, otherwise well centred with a nice even patina, about very fine £80-£100 --- Provenance: SF 489

Roman Imperatorial Coinage, Post Second Triumvirate, Octavian, Denarius, Italy, possibly Brundisium or Rome, autumn 31-summer 30 BC, bust of Victory, wings spread, right, rev. caesar d[–] either side of nude male figure, possibly Neptune, standing left with right foot on globe, holding aplustre in right hand and sceptre in left, 3.51g/3h (Ghey 380, this coin; BMC 615; RIC 256; RSC 60). About fine £60-£80 --- Provenance: SF 391 This type records the naval victory of Actium, on September 2nd 31 BC, commemorating Octavian’s achievement against Mark Antony and Cleopatra. This monumental issue marks the beginning of a new era.

Roman Imperatorial Coinage, Post Second Triumvirate, Octavian, Denarius, Italy, possibly Brundisium or Rome, 31-29 BC, bare head of Octavian right, rev. [–]ar div[–] in field either side of Mercury nude, sitting right on cloak on rock, petasus hanging behind shoulders and holding in his hands a lyre upon his knees, 3.73g/2h (Ghey 381, this coin; BMC 596-8; RIC 257; RSC 61). Struck on an elongated flan, about fine £80-£100 --- Provenance: SF 240

Edward Piper (British, 1938-1990) Reclining Nude signed (to reverse) and dated '4.VII.79 (lower right) watercolour 38 x 50cm (15 x 20in).

Duncan Grant (1885-1978) Female nude looking to column, watercolour and pencil, unsigned. 43cm x 35cm including frame. Label to the reverse for The Bloomsbury Workshop, London.

Vincent Butler (1933-2017). Bronze female nude. A bronze sculpture of a seated nude female, mounted on a onyx base. 13cm height including base.

After Jean Louis Gregoire a bronze figure of a nude goddess, with a forward step gazing upwards to two swallows perched on an arched branch, on a stepped marble plinth,67cm highCondition ReportMinor pitting and surface scratches, dust in crevices.

Attributed to Henri Honoré Plé (French, 1853-1922), 'La Cigale', a silver-bronze figure of a nude, with a mandolin at her feet, on a raised plinth, signed and cast scroll 'Cigale',32cm highCondition ReportRe-silvered. Good cast - possibly later.

Robin Linklater. Nude study of a seated lady, watercolour, monogrammed, dated '92, 19.5cm x 28.5cm.

A 20th century Art Deco style brass table lamp. The lamp having a rounded brass base, with nude female figure. Featuring a white glass petal style shade, with foliate relief finial to top. Measures approx. 65cm

John Conrad Berkey (American, 1932-2008). Acrylic on cardboard painting of a nude woman against an abstracted background. Marked "BN26" along the upper right of the verso in black marker. Berkey is perhaps most well-known for his science fiction works including much of the original poster art for the original Star Wars trilogy.Sight; height: 27 1/2 in x width 19 1/2 in. Matted; height: 34 1/2 in x width: 26 1/2 in x depth: 1/2 in.Condition: The colors are bold and bright. There are no visible cracks, losses, or restorations when viewed under UV light. Some wear along the extreme edges of the cardboard Housed under a nonacidic mat. The work is not framed.

Irene Rice Pereira (American, 1902-1971). Ink on paper drawing depicting a nude figure intertwined with a sinuous vine, ca. late 1950s to early 1960s. From a sketchbook by the artist gifted to "Joy" on New Year's Day, 1968. A facsimile copy of the first page of the sketchbook is included with the lot.Height: 10 3/4 in x width: 8 1/8 in.Condition: There are no creases, tears, or restorations. The sheet is toned. There is some foxing to the recto. Foxing and soiling to the verso. The left edge is slightly uneven. The work is not framed.

Paul Cadmus (American, 1904-1999). Crayon on tracing paper drawing depicting a nude male viewed from above. Signed along the lower left corner.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 11 1/2 in x width: 8 1/2 in.Condition: Wear along the edges. One loss to the lower right. Some small areas of chipping along the edges. Crease to the upper right corner. Smaller crease to the upper left corner. The work is not framed.

Abstract watercolor and graphite painting depicting a nude figure seated on a red and blue couch.Height: 40 in x width: 26 in.Condition: There are no major losses or tears. There are two creases across the top, the first is about 1 inch from the top edge, along the left edge to the right edge, the other is several inches from the top edge, also across the entirety of the sheet. There is a slight undulation to the sheet. There are some stains along the top right and left quadrants. There are no signs of restoration under UV light. Not framed.

Irene Rice Pereira (American, 1902-1971). Ink drawing on paper depicting a nude figure in loose clothing intertwined with a serpentine red form, 1960. Dated May 9, 1960 along the lower right.Height: 10 3/4 in x width: 8 1/4 in.Condition: There are no tears, creases, or restorations. The sheet is toned. A few small spots of foxing. Light soiling to the upper right corner. The work is not framed.

Philip Pearlstein (American, 1924-2022). Lithograph on paper titled "Model in Kimono on Plastic Chair" depicting a Modernist Realist nude woman in a colorful robe, 2001. Pencil signed and dated along the lower right; titled and numbered 20/30 along the lower left. Printed by Landfall Press, Chicago; ink stamp along the verso.Height: 19 1/2 in x width: 25 in.Condition: The colors are bold and bright. There are no rips, tears, losses, or restorations. The work is not framed.

Tom Wesselmann (American, 1931-2004). Screenprint in colors on museum board titled "Bedroom Blonde Doodle with Photo" depicting a nude woman reclining, 1988. Pencil signed, dated, and numbered 93/100 along the lower right.Sight; height: 57 in x width: 67 in. Framed; height: 59 in x width: 69 in x depth: 2 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations when viewed under UV light. There is a slight undulation to the sheet. The work is floated in framed. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.

A collection of studio pottery figures including nude ladies and busts. This lot cannot be posted