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A Victorian sculpted white marble relief of entwined maidens, in Neoclassical style, circa 1870; the Bacchantes portrayed as nude, one plucking flowers from a tazza held aloft by the other, with loose drapery entangling their legs; 50cm high, 33cm wide; later mounted within a white painted pine frame, 61cm high, 40cm wide overallProvenance: Previously the property of a Lady, Hampstead, London, and thence by descent
*Austin Osman Spare (British, 1886-1956) -Portrait of a nude lady -Pastel -66 x 86cm -Initialled ' aos ' lower left -Provenance: The Artist, from whom acquired by Dr Thomas W. Lumsden and by family descent. -NOTE: An intimate nude from the artist's most accomplished period. By 1922, Spare had separated from his wife, Eily Shaw, and had taken rooms in a new tenement building on Tabard Street, south London. The unidentified subject of the present lot was a recurring model for the artist during this period. Studies in pastel and pen and ink of the same sitter were reproduced in The Golden Hind, (London: Chapman and Hall, 1922-3, vol. 1, nos.1-2), a journal of the arts edited by Austin Spare and Clifford Bax. A further pastel study of the same subject dated 1923 carries alongside the signature the word 'ONE', a symbolic gesture usually found only in Spare's earliest works, and arguably a mark of the personal significance of the model for the artist. Although Spare was not affiliated with a commercial gallery during this period, he did sometimes exhibit. In 1922 he was invited by George J. Mitchell-a fellow student from his days attending the Royal College of Art-to offer works for an exhibition organised by Yeovil District Arts Student's Union Club. Spare submitted four works, including a self portrait, a pastel study from his period of service as an official War artist in the R.A.M.C., and two life studies. Given the scarcity of pastel nudes from this year, it is perhaps significant that the reverse of the present work carries 'No.3' in the artist's hand, and we might speculate that it was one of the two works exhibited. -We are grateful to Robert Shehu-Ansell for providing further research and assistance with the catalogue notes for works by Austin Osman Spare.
AN ART DECO CHROME FIGURAL DINNER GONG, in the form of a silhouetted female nude figure, on an early plastic and chrome base, height 19.5cm (1) (Condition Report: generally ok, some scratches especially on the legs, small dents on gong and signs of use, fading to plastic disk on base, tarnish and wear, felt underneath loose)
Eileen Cooper RA (b.1953), mixed media on masonite, nude woman, framed, 128cm x 94.5cm From a London collection. The panel has a crack which appears to be filled and painted over, unsure whether this was done at the time of painting or later restoration/damage. Some finger prints and smudging to the paint along with some light surface scratches. The work is unsigned.
the erotic sculpture modelled as female in draped gown reclined on a bear pelt, the gown with a hinged belt opening to elevate and reveal the nude female, signed C. Kauba to pelt, on stepped marble base 24cm wide Additional images now available. with some light damage to the corners and edges of the marble base. looks ok other than that with only general age associated wear. Mechanism working.
A collection of black and white, and colored photography books featuring nude male models in intense and artistic settings. Titles includes Love You From Prague (Robert Vano, 1990); The White T (Alice Harris, 1996); and Household Idols (Mark Henderson, 2008). All 3 books together measure: 13.5"L x 10.5"W x 2.5"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
A collection of black and white, sepia and colored photography books featuring nude male models in intense and artistic settings. Titles include Uncovered (Reed Messingill, 2009); Bondi Urban (Paul Freeman, 2005); and Link (Kevin Scott Hees, 1997). All 3 books together measure: 13"L x 11.25"W x 2.5"H. Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.
Male Nude Now: New Visions for the 21st Century is a softcover coffee table book compiled by photographer David Leddick. It includes over 240 provocative images by David Hockney, Sam Taylor-Wood, Clive Barker, Mark Beard, Tom Bianchi, Reed Masengill, Nan Goldin, Bruce La Bruce and Duane Michals among many. Publisher: Universe Publishing, 2001. ISBN: 978-0789306357. Issued: 2001Dimensions: 8.75"L x 0.50"W x 11"HCountry of Origin: United StatesCondition: Age related wear.
Contemporary digital color print on laid paper of a Male Nude by American artist Vincent Hugues. He depicts a muscular back view in an expressive style with aged pink watercolor and purple crayon. Signature in graphite on lower left: Vincent Hugues. Sight size: 8.50"W x 11.50"H. Mat size: 12"L x 16"H. Artist: Vincent Hugues (American 20th-21st century)Issued: c. 2010Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
A collection of black and white, and colored photography books featuring semi-nude and nude male models in intense and artistic settings. Titles includes Outback Currawong Creek (Paul Freeman, 2009); Eros (Jeff Marano, 2004); and Locker Room Nudes Dieux Du Stade (Universe, 2007). All 3 books together measures: 13.5"L x 11.25"W x 2.75"H. Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.
Female Nude is a large limited edition color woodcut on paper by Japanese Sosaku-Hanga (creative prints) artist Kiyoshi Saito. He merges Japanese traditions with European modernism to depict the female in relief with green-silver mica-like highlights achieved from the woodblock's grainy surface. Housed in a dark wood frame with a metallic border and a kaki-brown mat. Signature in plate lower right: Kiyoshi Saito. Below plate in graphite: Nude D 25/100 1966. On verso: Self Carved-Self Printed. Kiyoshi Saito. Nude, 25/100. 1966. Sight size: 15"L x 20.50"H. Frame size: 22.50"L x 28.75"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Kiyoshi Saito (Japanese 1907-1997)Issued: 1966Dimensions: See DescriptionEdition Number: 25 of 100Country of Origin: JapanCondition: Age related wear.
Dian Hanson's The Big Penis Book is a companion piece to The Big Book of Breasts, both published by Taschen. This hefty book includes over 400 historic photos of spectacular nude male endowments. The majority of the photographs are from the 1970s. ISBN: 9783836502139. Publisher: Taschen, 2008. Artist: Dian Hanson (American b. 1951)Issued: 2008Dimensions: 12"L x 1.50"W x 12"HCountry of Origin: EnglandCondition: Age related wear.
Squatting Nude is a color lithograph on paper after Austrian Expressionist Egon Schiele, known for his defiance of conventional norms of beauty and propensity for erotic figural distortions. Signature in plate. Publisher embossed seal on lower right. Edition number in graphite on lower left side of mat: 774/1000. Sight size: 12"L x 17"H. Mat size: 19.25"L x 27"H. Artist: Egon Leo Adolf Ludwig Schiele (Austrian 1890-1918)Issued: 1985Dimensions: See DescriptionEdition Number: 774 of 1000Country of Origin: AustriaCondition: Age related wear.
Crouching Woman is a beautiful color lithograph on paper after Austrian Expressionist Egon Schiele. Known for his defiance of conventional norms of beauty and propensity for erotic figural distortions, Schiele's Crouching Nude is part of a limited edition Portfolio. Signature in plate. Publisher embossed seal on lower right. Edition number in graphite on lower left side of mat: 774/1000. Sight size: 17"L x 10.75"H. Mat size: 27"L x 19.50"H. Artist: Egon Leo Adolf Ludwig Schiele (Austrian 1890-1918)Issued: 1985Dimensions: See DescriptionEdition Number: 774 of 1000Country of Origin: AustriaCondition: Age related wear.
A pair of coffee table books depicting clothing fashion design and interior home design elements in the highly unique Versace neo-classic style, featuring nude male and female models in intense and artistic settings. Titles includes Do Not Disturb (Versace, 1996); and Men Without Ties (Versace, 1995). Both books printed in Italy. Both books together measure: 13.5"L x 10"W x 2.5"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
Sheila OLINER (1930-2020) Warrior Woman & Two Trial Proofs Warrior Woman, screenprint, titled, numbered 2/6 and dedicated 'To Paul - with love and thanks - Sheila', image size 44.5cm x 46cm, together with two untitled trial-proofs of a nude in repose, each signed, 41cm x 47cm (3) Shipping is available from £21.76 to a UK Mainland address.
Paul BRODERICK (1965-2023) Male Nude Study Oil on board, signed and dated 2020, 42cm x 35.5cm, 55cm x 48cm framed. Shipping is available from £32.50 to a UK Mainland address. Broderick previously owned Gulval Methodist Chapel, showcasing and promoting local artists including his own work and that of Michael Strang and Romi Behrens, amongst others.
Sarah WIMPERIS (1959) Kneeling Nude Mixed media, charcoal and watercolour, signed, 52cm x 42cm, 75cm x 55cm framed. Shipping is available from £32.50 to a UK Mainland address. Wimperis was the only British artist to work on the film 'Loving Vincent' where each image was hand-produced in the style of Vincent Van Gogh.
A Chromed Car Accessory Mascot for Crossley Motors, in the form of a female nude upon a winged wheel with arms outstretched, the base bearing stamp AEL (A.E. LE JEUNE)18cm highA Jaguar Chromed Car Mascot, with fixing bolt18cmA Triumph Leather KeyringAn AA Car BadgeA Radiator CapA Framed Picture, depicting six early 20th century motor carsSeven Unframed Automobile Posters, published by Spindlebury Associates, depicting various 1930's motor cars after original drawings by M.J Pettengell (qty)
Lucille Sevin for Etling: An Opalescent Glass Car Mascot, circa 1932, in the form of a draped nude, model number 50, with mark to base21cm highMinor surface scratches around the base. The lady's head has a small chip in the hair detail (as photographed) - this chip is only visible in certain light, however, it can be felt. Please see further images.
LOUIS VUITTON VINTAGE Kosmetik-Koffer. Monogram Canvas Serie mit Rindsleder-Details und goldfarbenen Beschlägen, Henkel, S-Schloss. Innenraum in Nude mit Riemen als Halterung. Zwei Schlüssel anbei. Gebrauchsspuren vorhanden. 29 x 20 x 21 cm.| LOUIS VUITTON VINTAGE cosmetics case. Monogram canvas series with cowhide details and gold-coloured fittings, handle, S-lock. Interior in nude with strap as holder. Two keys enclosed. Signs of wear present. 29 x 20 x 21 cm.
Ca. 100 AD A plump figure of Cupid is depicted nude, striding forward with his right leg advanced and his left arm stretched upward holding a horn. His long wavy hair is tied in a topknot with a braid running back over the crown of the head. His face is framed by ringlets, with two rectangular mortises on the reverse to insert a pair of now-missing wings. His facial features are rendered in a highly expressive manner, including generously lidded almond-shaped eyes, delineated pupils, a perky nose, and parted lips. For similar see: The Walters Art Museum, Accession Number 54.1179. Size: L:240mm / W:145mm ; 1.37kg Provenance: Property of a London gentleman; formerly in the private collection of Mr. R.A.; British art Market 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
New Kingdom, 18th Dynasty, Ca. 1353 - 1336 BC A rare pink granite torso of the King Akhenaten represented nude with broad pectorals. The surface is polished. The torso is soft, in line with the Amarnian style. For similar see The Metropolitan Museum of Art, Accession Number 1982.50. Size: 135mm x 120mm; Weight: 1.4Kg Provenance: Prince collection, 1990s-2014; Ex. Rupert Wace, Ancient Art Limited, 2003. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 664 - 332 BC A mould-formed turquoise-glazed faience amulet depicting the dwarf deity Bes, made in a stylised manner. Bes was a protector of children, women, and those within the home. The bandy-legged figure stands nude atop an integral plinth with hands placed atop thick thighs, a portly belly hanging over his waistline, and a bearded face. This image of Bes also has a crown of tall feathers. For similar see: The Metropolitan Museum of Art, Accession Number 26.7.877. Size: 31mm x 15mm; Weight: 3.9g Provenance: Property of a London gallery; previously in a collection of a North London gentleman; formerly in a collection of Mrs B. Ellison, a deceased former member of the Egyptian Exploration Fund, bought from the 1940s, Cairo and London.
Peter Wright (1911-2003) a ceramic sculpture of seated interlocking Figures, modelled as nudes seated on an interlocking stand, damages to the forms, incised signature to base, numbered 6/200, H 23cm (on plinth) together with a Peter Wright reclining Figure, nude, signed, damaged, L 22cm. Provenance: acquired by the vendor from the Felix Dennis Collection (2015) (2)

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50839 item(s)/page