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LLOYD MOYLAN (AMERICAN 1893-1963) Portrait of Otto Spaethoil on panel 36 x 36 cm (14 x 14 in.)PROVENANCECollection of Otto and Elois Spaeth, noted industrialists, art collectors and patrons of American artThence by descent in the familyLOT NOTESEloise Spaeth, along with her husband, Otto Spaeth, was a prominent art collector, who had an outsize influence on the development of appreciation for American art and art museums, in the middle of the 20th Century. Her husband, Otto Spaeth, was the founder of the Dayton Tool and Die Company, amongst other major manufacturers, and was a Vice President of the Whitney Museum of American Art. Together, they established a collection of leading European and American modernists of the day, including works by Pablo Picasso, Henri Matisse, Alexander Calder, Edward Hopper, Georgia O'Keefe, Stuart Davis, and Charles Sheeler. In addition to being a major collector, she was also active in the American Federation of Art, serving as the traveling exhibtions chairwoman, and the Venice Biennale American Pavilion. She also authored widely published books on American Art, including American Art Museums: An Introduction to Looking (1960). The Spaeth's were also personal friends and patrons of many leading artists of the day. The Smithsonian Archives of American Art is in possession of the Spaeth's correspondence and papers.CONDITION Observed in frame, the painting appears in good condition. Overall visible surface dust to the naked eye. Scattered minor losses visible to the navy ground. With no significant issues to report otherwise. Inspection under UV shows no apparent sign of restoration. framed dimensions: 48 x 46 cm (18 7/8 x 18 1/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

HAYDAR BESIM AYDAR (TURKISH 1933-2010) Istanbul, 1970oil on canvas 70 x 50 cm (27 1/2 x 19 3/4 in.) signed lower right CONDITION Observed in frame, the painting appears in age-appropriate condition. Overall craquelure, most notably to the impasto along the lower edge. A minor loss to the left center edge. Inspection under UV shows no apparent sign of restoration. framed dimensions: 89 x 69 cm (35 x 27 1/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LOUIS BOUCHE (AMERICAN 1896-1969)Mrs. Otto Spaeth, circa 1940soil on canvas74 x 51 cm (29 1/8 x 20 1/8 in.) signed lower right PROVENANCECollection of Otto and Elois Spaeth, noted industrialists, art collectors and patrons of American artThence by descent in the familyEXHIBITEDAddison Gallery, Phillips Academy, Andover, MassachusettsWadsworth Atheneum, Hartford, Connecticut, 1949 Exhibition of Member's Portraits,Cosmopolitan Club, New York, NY, January 21-February 8, 1980 RELATED LITERATURE Eloise Spaeth, American Art Museums and Galleries. An introduction to looking, illustrated on flyleaf LOT NOTESEloise Spaeth, along with her husband, Otto Spaeth, was a prominent art collector, who had an outsize influence on the development of appreciation for American art and art museums, in the middle of the 20th Century. Her husband, Otto Spaeth, was the founder of the Dayton Tool and Die Company, amongst other major manufacturers, and was a Vice President of the Whitney Museum of American Art. Together, they established a collection of leading European and American modernists of the day, including works by Pablo Picasso, Henri Matisse, Alexander Calder, Edward Hopper, Georgia O'Keefe, Stuart Davis, and Charles Sheeler. In addition to being a major collector, she was also active in the American Federation of Art, serving as the traveling exhibtions chairwoman, and the Venice Biennale American Pavilion. She also authored widely published books on American Art, including American Art Museums: An Introduction to Looking (1960). The Spaeth's were also personal friends and patrons of many leading artists of the day. The Smithsonian Archives of American Art is in possession of the Spaeth's correspondence and papers.CONDITION Observed in frame, the painting appears in age-appropriate condition. Overall craquelure visible to the naked eye, resulting in flaking and scattered losses. Most severe of craquelure is visible against the cream walls. Inspection under UV shows scattered retouching to the craquelure. framed dimensions: 97 x 74 cm (38 1/4 x 29 1/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

SIMKHA SIMKHOVITCH (RUSSIAN 1893-1949)Autumn Flowers, 1932oil on canvas 51 x 41 cm (20 1/8 x 16 1/8 in.)signed and dated lower leftCONDITION Observed in frame, the painting appears in age-appropriate condition. Craquelure visible to the flower petals and heavier painted areas. The canvas has been re-lined. Inspection under UV shows scattered retouching along the top edge of the canvas and the lower left corner and right perimeter. framed dimensions: 74 x 64 cm (29 1/8 x 25 1/4 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

KONSTANTIN GORBATOV (RUSSIAN 1876-1945)Tiberias, Lake Gennesaret, 1935oil on canvas 69.5 x 86.5 cm (27 3/8 x 34 in.)signed and dated lower rightPROVENANCE Sotheby's, London, 10 June 2009, lot 377 Acquired at the above by the current owner CONDITION Observed in frame, the painting appears in good condition. Overall very fine and stable craquelure visible to the naked eye. A visible horizontal line caused by the stretcher resulting in discoloration along the top edge. Inspection under UV shows no apparent sign of restoration. framed dimensions: 76 x 93 cm (29 7/8 x 36 5/8 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

HARRY LANE (AMERICAN 1891-1973)Waves on a Rocky Coastoil on board29 x 39 cm (11 3/8 x 15 3/8 in.) [sight]signed lower leftCONDITION Observed in frame, the painting appears in good condition. Very light surface dust visible to the naked eye upon close inspection. Very fine and stable craquelure, most apparent to the shaded and darker areas. Inspection under UV shows no apparent sign of restoration. framed dimensions: 54 x 64 cm (21 1/4 x 25 1/4 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LEONARDO NIERMAN (MEXICAN B. 1932)Solar Systemoil on panel 40 x 30 cm (15 3/4 x 11 3/4 in.)signed lower left; titled on verso PROVENANCE From the Wolfryd Collection, Mexico City, Mexico CONDITION Observed in frame, the painting appears in good condition. Two minor losses to the top edge and a single loss to the left edge. All visible to the naked eye. Inspection under UV shows no apparent sign of restoration. framed dimensions: 57 x 47 cm (22 1/2 x 18 1/2 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

LEONARDO NIERMAN (MEXICAN B. 1932)Prehistoric Landscapeoil on masonite 39 x 59 cm (15 3/8 x 23 1/4 in.) signed lower right; titled on verso PROVENANCE From the Wolfryd Collection, Mexico City, Mexico CONDITION Observed in frame, the painting appears in good condition. Minor scattered losses to the perimeter. Two scuffs visible, one to the upper center edge and the other to the lower right edge. Inspection under UV shows no apparent sign of restoration.framed dimensions: 55 x 75 cm (21 5/8 x 29 1/2 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

JOSEPH STELLA (AMERICAN 1877-1946) Profilesoil on canvas 30 x 35.56 (11 3/4 x 14 in.)J. Stella/JML Coll. estate stamp lower right CONDITION Observed in frame, the painting appears in age-appropriate condition. A visible vertical line from the stretcher along the center canvas. No apparent issues visible to the naked eye. Inspection under UV shows no apparent sign of restoration.framed dimensions: 41 x 46 cm (16 1/8 x 18 1/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

DAVID BURLIUK (RUSSIAN 1882-1967)Labyrinth, Three Allegorical Symbolsoil on canvas board25 x 20 cm (9 7/8 x 7 7/8 in.) titled lower center, signed lower right, and inscribed lower left, lower right and upper center edge; ACA Gallery label on verso PROVENANCE Rose Hill, Englewood NJ, 28 October, 2002, lot 305 Acquired at the above by the current owner EXHIBITEDACA Gallery, New YorkCONDITION Observed in frame, the painting appears in good condition. A small indent to the lower left corner of the canvas board. Inspection under UV shows no apparent sign of restoration. framed dimensions: 28 x 23 cm (11 x 9 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

DAVID BURLIUK (RUSSIAN 1882-1967)Every Day Cup, circa 1937-1940oil on burlap mounted on board 15 x 15 cm (5 7/8 x 5 7/8 in.) titled upper left, signed lower rightPROVENANCE Rose Hill, Englewood NJ, 28 October, 2002, lot 299 Acquired at the above by the current owner CONDITION Observed in frame, the painting appears in good condition. Craquelure and minor scattered losses to the lower center edge of the board. Inspection under UV shows an even layer of varnish but no apparent sign of restoration. framed dimensions: 26 x 26 cm (10 1/4 x 10 1/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

EVGENIY MELNIKOV (RUSSIAN B. 1928)Wine and Fruit, 1964oil on canvas 61 x 81 cm (24 x 31 7/8 in.)signed and dated lower left; signed, dated and titled on verso CONDITION Observed in frame, the painting appears in age-appropriate condition. Overall surface dust and craquelure visible to the naked eye. A minor loss to the left edge. Inspection under UV shows no apparent sign of restoration. framed dimensions: 76 x 95 cm (29 7/8 x 37 38 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

RODOLFO HURTADO DUHART (AMERICAN 1940-2005)Harbor Sceneoil on canvas61 x 91 cm (24 x 35 7/8 in.) signed lower right CONDITION Observed in frame, the painting appears in good condition. With no apparent issues visible to the naked eye, with no significant issues to report otherwise. Inspection under UV shows no apparent sign of restoration. framed dimensions: 81 x 111 cm (31 7/8 x 43 3/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

HENRYETTE STADELMAN WHITESIDE (AMERICAN 1891-1973)Brecks Lane, Wilmington Delawareoil on linen30.48 x 30.48 cm (12 x 12 in.)signed, titled and inscribed on verso PROVENANCE Doyle, New York, 29 June 2016, lot 121 Acquired at the above by the current owner CONDITION Observed in frame, the painting appears in good condition. Rubbing to the perimeter due to the frame. With no apparent issues visible to the naked eye. Inspection under UV shows no apparent sign of restoration. framed dimensions: 40 x 40 cm (15 3/4 x 15 3/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A Large original oil painting on canvas depicting farmer herding sheep. Signed Gordon Lindsay. [Gilt frame measures 67x93cm]

Original oil painting depicting crashing waves signed Robert Scott

A DECORATIVE LANDSCAPE OIL PAINTING, AFTER COROT, THE STRETCHER STAMPED, STUDIO M. CANALS, 26 x 39cm

A DECORATIVE MARINE SCAPE OIL PAINTING SIGNED GILLET, TOGETHER WITH A LANDSCAPE BY ANOTHER HAND

A DECORATIVE OIL PAINTING OF A TABLE TOP STILL LIFE AFTER THE OLD MASTERS, SIGNED INDISTINCTLY, OIL ON CANVAS 51 x 71cm

A DECORATIVE LANDSCAPE OIL PAINTING, SIGNED INDISTINCTLY 51 x 76cm

A NAIVE OIL PAINTING OF A HORSE IN A LANDSCAPE, 26 x 31cms TOGETHER WITH A CONTEMPORARY SCENE OF A HORSE RACE BY A DIFFERENT HAND (2)

A DECORATIVE OIL PAINTING ENTITLED "BULLETS OR BALLOTS" OIL ON BOARD 38 x 49cm

Small gilt framed oil painting of a lady on horse jumping a gate, 10 x 12 cm.

Antique gilt framed oil on canvas painting, cattle in a rural landscape with indistinct signature 9 cm x 65 cm.

Framed oil painting study of a Hampshire breed pig in a farmyard

Oak framed oil painting of a pike & freshwater fish on a riverbank

R Jordan, an oil painting of a matador and a bull

Large Contemporary Oil Painting on Canvas of an Ocean and Sky scene, dated 2013, 100cms x 100cms, mounted in a black frame

Circle of Sir Peter Lely (1618-1680) - Oil painting - Portrait of a young woman, seated, wearing a blue dress and holding a flower, oak panel 7.25ins x 5.5ins, in gilt moulded frame and glazed Provenance: Bonhams, London - Auction 21st June 2011 - Lot 136

Late 16th Century Low Countries School - Oil painting - The Crucifixion with two Maries and St. John at the foot of the cross, oak panel 9.5ins x 7.5ins

Italian School in Renaissance Manner - Oil painting - Shoulder-length portrait of a young man, wood panel 10ins x 7.5ins, in painted frame

Manner of John Dalby of York 1810-1865) - Oil painting - "Portrait of Chestnut Mare with Jockey Up" - Jockey wearing scarlet and blue jacket, canvas 25ins x 30ins, in gilt moulded frame, with raised block to front inscribed "J. Dalby" and dated 1828

18th/19th Century English School - Oil painting - En grisaille - "The Call of David" - Standing figure blessing sleeping shepherd boy, oval canvas 54ins x 27ins, unframed Provenance: Apparently from the collection of Sir William Vavasour, Hazlewood Castle, Tadcaster, from the Great Hall

19th Century English School - Oil painting - Portrait of a young girl in fur-trimmed coat, holding a fur-trimmed hat, canvas 20ins x 16.25ins, in gilt moulded frame

After Camille Jean-Baptiste Corot (1796-1875) - Oil painting - Figures dancing in a wooded glade, indistinctly signed, canvas 24ins x 31.5ins, with gilt slip, unframed

Thomas Smythe (1825-1907) - Oil painting - A man and woman conversing outside a cottage as two horses wait patiently, signed, relined canvas 14ins x 18ins, in gilt moulded frame

19th Century English School - Oil painting - Shoulder length portrait of a young girl wearing a dress with lace collar and rose, canvas 20ins x 16ins, unsigned, in gilt moulded frame and glazed

Thomas Smythe (1825-1907) - Oil painting - Two figures and a child beside a lake, with church to background, signed, relined canvas 20ins x 30ins, in gilt moulded frame Provenance: Weston Gallery, Roy Benton Fine Paintings, Weston Longville, Norwich, Norfolk

Henry Brittan Willis (1810-1884) - Oil painting - "The Timber Wagon" - Rural landscape with heavy horses watering at a trough beneath a tree, signed and dated 1836, canvas 18ins x 24ins, in gilt moulded frame Provenance: Stretcher with paper label - "From the Collection of Sir Charles Wingfield sold at Sotheby's, May 21st 1892 - Lot 46"

Thomas Smythe (1825-1907) - Oil painting - Three figures fishing on the bank of a river, with town to the background, relined canvas 20ins x 30ins, in gilt moulded frame Provenance: Mandell's Gallery, Elm Hill, Norwich

J. D (19th Century English School) - Oil painting - A Kentish hopfield with pickers, relined canvas 25ins x 30ins, in carved gilt wood frame

Thomas Smythe (1825-1907) - Oil painting - Couple conversing outside a cottage on a country lane, with hanging sign, signed, relined canvas 14ins x 18.25ins, in gilt moulded frame

Edward Robert Smythe (1810-1899) - Oil painting - "Old Farmhouse, Rickinghall", signed, relined canvas 16ins x 24ins, in gilt moulded frame

Joseph Thors (fl. 1863-1900) - Oil painting - Rural river landscape with cottage and figures to foreground and cattle grazing to background, indistinctly signed in black and dated 84 (?), relined canvas 14ins x 24ins, in modern gilt moulded frame

Albert De Belleroche (1864-1944) - Oil painting - Boating at Chateau Bun, relined canvas 16.25ins x 24ins, in gilt frame Note: Handwritten note to verso states - "This picture was painted at Chateau Bun, France, by my father circa 1900" Provenance: Bonhams, London - Auction 29th November 2011 - Lot 129

Style of Edwin Hayes (1819-1904) - Oil painting - Fishing boat and steam vessel close to harbour mouth, bears initials 'E.H.', relined canvas 13ins x 18ins, in gilt moulded frame Provenance: Bonhams, London - Auction 17th April 2012 - Lot 152

Attributed to David Cox (1783-1859) - Oil painting - Rural landscape with water mill and figures to foreground, signed and dated 1852, canvas 10.75ins x 16ins, in gilt frame and glazed

J. Dorrell (20th Century) - Oil painting - Portrait of an Arab gentleman, signed, board 15.5ins x 11.5ins, in gilt moulded frame

Edwin Long Meadows (act. 1854-1905) - Oil painting - Harvest scene with figures, signed and dated 1875, relined canvas 30ins x 50.5ins, in gilt moulded frame Provenance: Bonhams, London - Auction 17th April 2012 - Lot 182

***David Holt (1928-2014) - Oil painting - "Pipe Line", signed and dated 1971, board 23.5ins x 23ins, framed

***David Holt (1928-2014) - Oil painting - "Ticket to Travel", abstract work, signed and dated 1999 to verso, canvas 20ins x 16ins, in painted pine frame

***Juan Bayon Salado (1913-1995) - Oil painting - French street scene, signed Jean Salabet, canvas 14ins x 17.5ins, in gilt moulded frame Provenance: Bonhams, London - Auction 17th April 2012 - Lot 41

After Joseph Mallord William Turner (1775-1851) - Oil painting - "The Fighting Temeraire", canvas 32.5ins x 44.75ins, in gilt moulded frame

AFTER THE OLD MASTERS. A JUDGEMENT SCENE POSSIBLY FROM THE BIBLE. OIL ON CANVAS. IMPRESSIVE GILT FRAME. PAINTING 130 x 220cm

SCHIVERT, VICTOR (1863-1929), "Im Atelier", weibliches Modell auf einem Stuhl mit weißem Tuch sitzend, auf der Staffelei vor ihr und an den Wänden Landschaftsgemälde und Portrait, u.li. signiert und bezeichnet 'V Schivert, Mchn.', Öl/Malkarton (verso Herstelleretikett: Münchener Malpappe), HxB: ca. 50x37 cm. Minim. Farbabplatzer Beriebspuren, Bildkanten beschädigt. VERSO mit rotem Farbstift betitelt und num. 8638, bezeichnet und Stempel 'Aus der SAMMLUNG der Oberingenieurs Josef Mutzbauer München'.| SCHIVERT, VICTOR (1863-1929), "In the studio", female model sitting on a chair with a white cloth, on the easel in front of her and on the walls landscape painting and portrait, below left signed and inscribed 'V Schivert, Mchn.', oil / cardboard (on the reverse manufacturer's label: Münchener Malpappe), HxW: approx. 50x37 cm. Minim. color flaking traces of wear, image edges damaged. VERSO titled and numbed in red colored pencil. 8638, inscribed and stamped 'From the SAMMLUNG der Oberingenieurs Josef Mutzbauer Munich'.

DRÜCK, HERMANN (1856-1931) "Torbole am Gardasee" Öl auf Malplatte, sig., HxB: 47/34 cm., leichte Altersspuren, Rahmen, HxB: 60/45 cm.DRÜCK, HERMANN (1856-1931) "Torbole am Gardasee".Oil on painting panel, signed, HxW: 47/34 cm., slight signs of age, frame, HxW: 60/45 cm.

The much revered Carrera 3.0 transformed into a rally car and successfully rallied in 'Group B' European events.C16/UK RHD example manufactured on 03/02/1976Matching-numbers; Porsche CoA and service/handbooksTransformed into a rally car in 1984 and successfully rallied in Group B European eventsNumerous Works parts utilised, seam welded shell, oil cooler in rear whale tail, adjustable front anti-roll bars, Works torsion bars, quick rack and light podOther parts accompanying car include RSR front Bilstein struts, bag tank, torsion bars (2 x 7x16), Fuchs alloy wheels.The car’s decals and stripes are all painted not transfersThe interesting Carrera 3.0 is rightly regarded as somewhat of a special and rare model amongst the impact-bumper era, 911 model range. It was introduced in September 1975 for the 1976 model year and production only ran until 1977.Following on after the MFI-engined Carrera 2.7, the 3.0 Carrera heralded the adoption of the newly developed Bosch K-Jetronic CIS fuel injection engine. This torque-rich, smooth and free-revving 3.0-litre engine, with a distinctive 'cam' effect from 4,000rpm, produced 200bhp and was effectively a naturally aspirated version of the 930 Turbo's drivetrain (using the same die-cast aluminium crankcase and gearbox housing for durability).Although having slightly less power than the outgoing Carrera 2.7, it had considerably more torque (188 lb/ft at 4200 rpm) and with its new fuel injection system was one of the earliest Porsches to return economical fuel consumption figures without a significant performance loss. The Carrera 3.0 was able to accelerate from 0-60 mph and 0-100 mph in almost identical times to the original 2.7 RS and 2.7 Carrera.This respectable performance was aided further by the relatively light weight (1093 kg) of the 3.0 Carrera compared to its successors. It is almost 6% lighter than the SC (1160kg), almost 10% lighter than the 3.2 (1210kg) and surprisingly, also weighs less than the later (1987-1989) stripped-down Carrera 3.2 Club Sport (1170kg).During its short two-year life span, only 3,687 cars were built - a tiny amount compared to nearly 58,000 911 SCs and 76,500 3.2 Carreras produced. Of these, 2,564 were Coupés and 1,123 were Targas with only around 1,064 Coupés being manufactured in right-hand drive. Very few RHD cars reached the UK, and with just a two year production run, only 121 Carrera 3.0 Coupés (combined "Sport' and "Comfort' versions) are verified by their chassis numbers with the Porsche Club GB.The Carrera 3.0 model was highly rated by Porsche gurus Michael Cotton, Lindsey Porter and Peter Morgan, and was the road car of choice of legendary British Rally champion Roger (Albert) Clark.The car presented here started life as UK-market Carrera 3.0 before being enhanced for rally driving in 1984 by an established driver named Mervyn Coxon; we understand that he may have had a connection at Prodrive and was able to utilise some very special componentry for the car (possibly Works parts including Kevlar-covered rear trailing arms etc.), whilst also seam-welding the bodyshell. He ran the car in 'Group B' European events, including the Rallye International de Wallonie (in Belgium) and Carling Killarney Rally of the Lakes before it was subsequently sold in 1987 to Dr Graham Rood, a well-known engineer, classic aviation and motorsport enthusiast/driver. He is an authority on Sunbeam Tigers and has owned a highly original Sunbeam Tiger Mk1A ex-works rally car, amongst others. We understand he owned this Carrera 3.0 for approximately 25 years.Our vendor, a well-known classic rally car driver, engineer and enthusiast, bought the car in 2013. He set about a thorough upgrade of it, including the fitting of modern, high-quality race seats, harnesses and a fire extinguisher. He fully restored the bodywork to the bare metal before professionally painting it, and adding the iconic 'Rothmans' livery, with the stripes being hand-painted (not stickers).He has used the car in a number of road-based events and for fast-road driving trips, where he describes its handling set-up as 'remarkable', allowing the power to be put down whilst cornering and exit at astonishing speeds, whilst inspiring real confidence, which comes from the sheer quality of engineering and its clever set-up.An attractively guided car with real provenance and abilities tested over many years, this is one for buyers who know their Porsches.SpecificationMake: PORSCHEModel: 911 3.0 RALLY CARYear: 1976Chassis Number: 9116600465Registration Number: TFA 345Engine Number: 6660574 Drive Side: Right-hand DriveClick here for more details and images

Urlaub, Georg AntonJoseph gibt seinen Brüdern ein Gastmahl(Thüngersheim 1713-1759 Würzburg) Öl/Lwd. Rechts unten sign. und dat. "G.A. Urlaub Pinxit1757". 66 x 104 cm. - Lit. Thieme/Becker 33. - Im Inventar der Hamburger Kunsthallebefindet sich eine Zeichnung von Georg Anton Urlaub, die der Komposition des Gemäldesweitgehend gleicht; siehe Katalog Georg Anton Urlaub - Ein fränkischer Maler im BanneTiepolos. Sonderausstellung des Mainfränkischen Museums Würzburg, Würzburg 1996, S. 183,Nr. 116.Altes Testament, Biblische Szene, Fränkischer Maler Urlaub, Georg Anton:Joseph gives a banquet to his brothers.(Thüngersheim 1713-1759 Würzburg) Oil on canvas. Signed and dated lower right ''G.A. UrlaubPinxit 1757''. 66 x 104 cm. - Lit. Thieme/Becker 33. - In the inventory of the HamburgKunsthalle there is a drawing by Georg Anton Urlaub, which largely resembles thecomposition of the painting; see catalogue Georg Anton Urlaub - Ein fränkischer Maler imBanne Tiepolos. Special exhibition of the Mainfränkisches Museum Würzburg, Würzburg 1996,p. 183, no. 116.

Laurent, Jean AntoineAllegorie des Weines(Baccarat 1763-1832 Épinal) Ovaler Bildausschnitt mit halbfiguriger Darstellung einerjungen Frau in antikisierendem Gewand mit Weinlaub im Haar. Öl/Kupfer. Links monogrammiert"JAL". 11,3 x 14,7 cm, ger. - Lit. Nagler, Die Monogrammisten, S. 787, Nr. 1873.Miniaturmalerei, Portraitminiatur Laurent, Jean AntoineAllegory of the Wine(Baccarat 1763-1832 Épinal) Oval section of a painting with a half-figure depiction of ayoung woman in an antique robe with vine leaves in her hair. Oil/copper. Monogrammed ''JAL''on the left. 11.3 x 14.7 cm, framed - Lit. Nagler, Die Monogrammisten, p. 787, no. 1873.

Rubens, Peter Paul - UmkreisSüdliche Landschaft mit antiken Ruinen und Hirten(Siegen 1577-1640 Antwerpen) Öl/Lwd., doubl. 90 x 135 cm. - Die fast identischeKomposition ist auf einem Stich von Schelte Adam Bolswert aus der Folge der "KleinenLandschaften" nach Rubens zu sehen. Auf vorliegendem Gemälde ist die Anzahl der Personenund Tiere stark erweitert.Altmeistergemälde, Flämischer Maler Rubens, Peter Paul - Circle ofSouthern landscape with ancient ruins and shepherds(Siegen 1577-1640 Antwerp) Oil on canvas, relined. 90 x 135 cm. - The almost identicalcomposition can be seen on an engraving by Schelte Adam Bolswert from the series of ''SmallLandscapes'' after Rubens. In the present painting, the number of people and animals hasbeen greatly expanded.