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Lot 423
Simeon Stafford (British born 1956) ARR Framed oil on plywood panel, signed 'Merry Christmas, Down our Street' 50cm x 75cm The oil on plywood panel is in excellent condition throughoutPlywood panel has a small split to the top which is original to the work as the painting was purchased directly from the artist. Otherwise in excellent condition. Signed to bottom right.
Lot 508
Unsigned 19th century Gilt framed oil on canvas 'Quarry Workers in a Summer Landscape' 32cm x 40cm The oil on canvas is in very good condition. There are some areas that have minor cracks to the oils surface. There is the light scratches to the top right, these are light surface scratches. The painting is unsigned
Lot 509
David Farquharson ARA ARSA SW ROI (Scottish 1840-1907) Gilt framed oil on board, signed, dated 1878 'Haymaking' 19cm x 29cm The oil on board is behind glass and appears to be in very good condition with no signs of damage or restoration. On the RHS of the painting there is a light vertical line caused by an earlier mount. There is gilt fragments behind the glass which have broken away from the gilt mount. Gilt frame good but damage to the RHS bottom corner.
Lot 524
Bernard De Hoog (Dutch 1866 - 1943) Gilt framed oil on canvas, signed lower right 'Genre Interior' 39cm x 49cmThe canvas is in poor condition, there are no holes, tears or restorations. The painting surface is covered in areas where the paint although is sound is cracked extensively. See additional images. The Canvas is stretched however there appears to be a slight dimple effect across the surface.
Lot 529
R McM Drummond Framed oil on canvas, signed, dated 1853 'Sailing Ship off Leith' 50cm x 75cm Painting is overall in good condition. There are no current tears but there is one small patch to the rear mast with a painted restoration to that spot. Signature bottom left. Some speckling to sky. Frame is in very good condition.
Lot 89
John Hanley (Northern British 1947-): 'The Blue House', oil on canvas signed, dated 12.12.2016 and signed verso, 60cm x 80cmNotes: Hanley specialises in the representation of Northern life and scenes painting in oils, acrylics and mixed media. Already recognised as a talent in the contemporary art scene Hanley has recently secured the commission for the cover of Biff Byford's (legendary frontman with the heavy metal band Saxon) solo album 'School of Hard Knocks' released in February 2020DDS - Artist's resale rights may apply to this lot - Condition Report
Lot 95
Jon Hall (Northern British 1956-): Redcar Beach, oil on canvas signed and dated '15, 75cm x 101cm (unframed) Notes: Jon, aka Suncage, is a dedicated plein air painter in all manner of weather conditions. Jon is originally from the Hetton area of County Durham and trained at the old College of Art, Newcastle. He refers to himself as a Limner rather than an artist, describing himself as someone who describes something by painting or drawing it. Jon set a challenge for himself called �The Limner's Contract�, a contract with himself to complete paintings on site, every day for a year. Over 500 sketches were painted and chronicled with photographs and videos over the course of the year DDS - Artist's resale rights may apply to this lot - Condition Report
Lot 113
Thomas Fawcett Hutton (British 1867-1886): St Mary's Steps Scarborough, oil on canvas signed and dated '86, 39cm x 29cm Notes: Hutton studied at Scarborough School of Art in its very early years, under Albert Strange. His father, James Hutton, was a greengrocer with a shop on St Thomas Street, and was also Mayor of Scarborough from 1888-1889 and 1889-1890. His brother, James Alfred, was a GP and Director of the Scarborough Spa Company who became a wealthy man until his death on Christmas Day 1930. This rare picture was painted in the last year of Hutton's life, when he sadly died of heart disease at only 19 years of age. His father died of the same condition in 1893 so it seems the condition was congenital. A similar painting taken from the opposite direction hangs in Scarborough Art Gallery. - Condition Report
Lot 132
Sir Peter Markham Scott (British 1909-1989): Mallards Rising from Reeds at Sunrise, oil on canvas signed and dated 1961, 59cm x 49cmProvenance: with Arthur Ackermann and Son Ltd, Old Bond St. London, label verso DDS - Artist's resale rights may apply to this lot - Condition Report Good untouched condition. No signs of over-painting under UV light
Lot 119
William Mellor (British 1851-1931): On the Wharfe Bolton Woods Yorkshire, oil on canvas signed 60cm x 45cm - Condition Report Overall reasonable condition - Ready to hang. Old re-lining, shows minor signs of over-painting around the edges under UV light, some surface paint/varnish missing bottom right otherwise stable paint and tight canvas
Lot 90
John Hanley (Northern British 1947-): The Local Cricket Match, oil on canvas signed 60cm x 80cmNotes: Hanley specialises in the representation of Northern life and scenes painting in oils, acrylics and mixed media. Already recognised as a talent in the contemporary art scene Hanley has recently secured the commission for the cover of Biff Byford's (legendary frontman with the heavy metal band Saxon) solo album 'School of Hard Knocks' released in February 2020 - Condition Report
Lot 135
Henry Redmore (British 1820-1887): 'Wreck of the Coupland', oil on canvas unsigned 23cm x 38.5cm Provenance: private collection; with Christies 12th November 2014, Lot 65; the John Simpson, Haisthorpe Hall, East Yorkshire private collection; illustrated Arthur Credland's Marine Painting in Hull through Three Centuries pub. 1993 pp.93Notes: the Coupland, a South Shields schooner having attempted to enter Scarborough Harbour ran into trouble off the Spa in the Great Storm on 2nd November 1861. In the foreground is the lifeboat �Amelia� before being dashed against the seawall. - Condition Report
Lot 88
John Hanley (Northern British 1947-): 'Match Day', oil on canvas signed 60cm x 80cm Notes: Hanley specialises in the representation of Northern life and scenes painting in oils, acrylics and mixed media. Already recognised as a talent in the contemporary art scene Hanley has recently secured the commission for the cover of Biff Byford's (legendary frontman with the heavy metal band Saxon) solo album 'School of Hard Knocks' released in February 2020 - Condition Report
Lot 198
William Frederick Witherington RA (British 1785-1865): 'The Dancing Bear', oil on mahogany panel, inscribed 'Sketch painted for P Lansdowne' and dated 1822 verso 19cm x 24cm Provenance: private collection purchased Christies 9th November 2005 Lot 334 - Condition Report Very good condition. Cleaned probably 20 years ago but shows no sign of restoration/over-painting under UV light
Lot 163
Thomas Sewell Robins (British 1810-1880): Family on the Cliff watching a Ship in Heavy Storm, oil on board signed with initials 31cm x 49cm - Condition Report Very good over all condition, surface abrasion marks top right, would benefit from a light varnish. Very minor signs of over-painting under UV light
Lot 1148
Fyffe Christie (1918-1979) Figure by the Window Signed and dated June 1976, oil on canvas, 88cm by 88cm Provenance: From the artist's estate Literature: For a similar example see ''Nature and Humanity, The Work of Fyffe Christie 1918-1979'', Sansom & Company Ltd, Bristol, p.18. This painting is located in The Stirling Smith Art Gallery and Museum, Scotland
Lot 333
TSUTAKA WAICHI (1911-1995)Showa (1926-1989) or Heisei (1989-2019) era, late 20th centurySakuhin (Work); abstract painting, oil on canvas, framed, signed in Roman script W. Tsutaka; with a clothbound cardboard box. Overall: 38.5cm x 46cm (15 1/8in x 18 1/8in); image: 38cm x 45.5cm (15in x 17 7/8in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 250
Chinese SchoolHong Kong, Late Qing DynastyOil on canvas depicting Hong Kong harbour with numerous ships beneath Victoria peak, wood frame. 67cm (26 1/3in) wide x 53cm (20 7/8in) long.Footnotes:清晚期 香港風景 布面油畫 畫框裝裱The island of Hong Kong was ceded to the British under the Treaty of Nanking in 1842, the treaty under which the First Opium War came to an end. The present view shows a developed Hong Kong with its elegant European architecture along with the distinctive flag mast atop Victoria Hill, this mast being placed here in 1861. The cities status as an international centre for trade can be seen by the array of shipping in the harbour.See a related painting of Hong Kong, Chinese school, late 19th century, which was sold at Bonhams London, 26 February 2020, lot 83.For further information on this lot please visit Bonhams.com
Lot 39
A pair of famille rose 'ladies' dishesYongzhengEach potted with shallow rounded sides rising to an everted rim, the interior finely painted with a seated lavishly dressed lady painting a leaf by a table, her attendant holding a floral fan to her side, a group of lingzhi stems, fly whisk and incense burner resting on the gilt stand behind them, one dish with brush, ingot and ruyi-sceptre maker's mark. Each 19.7cm (7 3/4in) diam. (2).Footnotes:清雍正 粉彩仕女圖折沿盤一對其一 青花「筆錠如意」花押款Provenance: Leonard Gow (1859-1936), Glasgow, no.411Sotheby's London, 15 December 1950, lot 47Robert Stanley Hope Smith (1910-1979), collection no.R31, and thence by descentPublished: R.L.Hobson, Catalogue of the Leonard Gow Collection of Chinese Porcelain, London, 1931, p.101Exhibited: Glasgow Art Galleries & Museums, Reg.No.E6-'36rs and E6-'36rt (labels)來源：英國格拉斯哥Leonard Gow（1859-1936）舊藏，藏品編號411倫敦蘇富比，1950年12月15日，拍品編號47Robert Stanley Hope Smith（1910-1979）舊藏，藏品編號R31，並由後人保存迄今出版：R.L.Hobson，「Catalogue of the Leonard Gow Collection of Chinese Porcelain」，倫敦，1931年，頁101展覽：格拉斯哥美術館及博物館，編號E6-'36rs及E6-'36rt（標籤）Leonard Gow (1859-1936), born in Glasgow, Scotland, was the son of a shipping magnate also called Leonard Gow (1824-1910), who established the Glen Line to trade between London, Singapore, China and Japan. Leonard junior eventually became the senior partner in the shipping company Gow, Harrison & Co., a director of Burmah Oil, and chairman of several other companies. A noted philanthropist, Gow established in 1919 a lectureship in the Medical Diseases in Infancy and Childhood at Glasgow University, where he had studied moral philosophy. Glasgow University presented Gow with an honorary doctorate degree in law in 1934. Gow built one of the finest collections of Qing ceramics in the early years of the 20th century, which gained international recognition through a series of ten articles by R.L.Hobson in The Burlington Magazine and through Hobson's catalogue, which Gow published privately in a limited edition of 300 copies in 1931. Part of his collection was exhibited in the Glasgow Art Gallery.One dish has an underglaze-blue mark of a brush (bi), an ingot (ding) and a ruyi-sceptre, tied with ribbons, forming the rebus bi ding ruyi signifying 'may all certainly be as you wish'.Compare with a slightly smaller dish (17.1cm) in the Palace Museum collection, Beijing, illustrated in Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, p.74. See two other dishes in the Victoria and Albert Museum, London, nos.640-1907 and 649-1907.Compare with a very similar famille rose 'ladies' dish, Yongzheng, which was sold at Sotheby's London, 17 November 2017, lot 213.The Robert Stanley Hope Smith CollectionRobert Stanley Hope Smith, known to friends and family as Stanley, was born on 13th December 1910 in Horton, Bradford. During the 2nd world war he served with his local Home Guard Regiment. He was a solicitor and partner at Browning Oliver and Smith in Bradford and was known to have worked closely with the refugee Polish community which settled there in the late 1940s and early 50s, helping them establish a future within the city that still prospered with a textile industry.He married Joan Shelton, a schoolteacher, on 4th September 1946, bought a small semi-detached house, Colwyn, Park Mount Avenue in Baildon and had one son, John.According to his diary he began collecting 'Famille Rose' and 'Famille Verte' pieces in 1946 from local auction houses, shops and privately in Harrogate, Leeds and Bradford. His wife Joan also shared his passion and they made further purchases on weekend trips to country houses and antique fairs.He made his first Sotheby's purchase via absentee bid on 2nd October 1950 and on the 15th December the same year was elected a member of the Oriental Ceramic Society. In 1959 Frank Davis, another north of England OCS member, wrote to say that he would surely be welcomed by the 'learned lot' in London but it is unlikely Stanley ever made it there because of the disability that made travel difficult.Over the following decades he was delighted to acquire pieces from well-known collections formed by Lord Cunliffe, Montague Meyer, Leonard Gow, along with OCS exhibition pieces. What may have not been key pieces for them became the core of his collection.Stanley and Joan lived an unassuming life, intellectually stimulated by eclectic subscriptions to periodicals. He played the organ at church services in Baildon, watched his son play rugby for his school and county, and on summer afternoons tended his allotment. They loved the Yorkshire Dales, visiting country houses, occasionally staying in hotels in the Lake District. On Sundays they drove a specially adapted Jaguar across the Yorkshire moors.Members of their family were the few fortunate enough to see the porcelain collection displayed in the back room of Colwyn on a dresser alongside the piano and harpsichord. They assumed that Stanley collected even broken pieces of Chinese pottery because they were all that he could afford, unaware that Kintsugi was key to his passion, for he had suffered from polio as a child and walked with a cane.Stanley died in November 1979. Joan remained a member of the Oriental Ceramic Society for the rest of her life. In later years her grandchildren remember her reading to them in front of an open fire from auction catalogues, OCS periodicals and Oriental art study books, teaching them about the Chinese dynasties and their dates while referring to the pieces still on display in the back room where they had remained undisturbed for the previous 45 years. She died in 2000 and the collection was subsequently put into storage. The family has decided that the time has come for others to enjoy and admire the collection and hope that it will bring as much pleasure as it did for Stanley and Joan.For further information on this lot please visit Bonhams.com
Lot 390
ATTRIBUTED TO JAMES ARTHUR O'CONNOR; oil on board, 'A Mountain Road North Wales', rural landscape with two figures on bridge to foreground and shepherd driving flock with river and mountains to background, signed lower right with partial Sotheby's label and further inscriptions attributing the painting verso, 21.7 x 29.5cm, in gilt frame (frame af).Additional InformationPicture dirty and dusty, craqulure particularly to the upper left, chips and losses to the frame.
Lot 395
UNATTRIBUTED, 19TH CENTURY; oil on board, a couturier in interior scene, apparently unsigned, 18.5 x 15cm, framed.Additional InformationThe image would benefit from a clean, there are a couple of small holes to the painting, light scratches and scuffs. The frame with general wear and knocks, minor chips to the gilding.Postage would be a picture box, please refer to our website for costings.
Lot 389
JOHN HENRY ANSHEWITZ (1882-1942); oil on canvas, a portrait study, inscribed 'Don Ramon Perez de Ayala', unsigned, bears label verso, 72.5 x 60cm.Additional InformationThe frame is in poor condition with numerous losses and wear, the image is dark and would benefit from a clean, areas of damp around the bottom of the painting and middle.
Lot 479
EDMOND VAN HOVE (Belgian, 1851-1913); oil on panel, 'Un en Lumineur', half-length portrait of an illuminator in front of his work, signed and dated 1883 to top right corner, signed, titled and dated verso, 72.5 x 58cm, unframed, with metal mounts. CONDITION REPORT Crackled/crazed, minor paint loss to edges. Some emulsion paint splashes on the picture and some varnished loss to various areas of the painting.
Lot 54
A collection of 19th and 20th century prints including: a print titled 'Childhood' after Gaugain, framed measurements 48 x 44 cm, label verso for G Hannaford of Edinburgh, a coloured print P Grabwinkler portrait of a lady holding a flower titled 'The Margarite', framed measurements 42 x 33cm, a trio of reproduction Victorian fashion prints titled Le Bon Ton, journal de Modes (3), a small oil on canvas signed GT Moore, titled View of Thorpe Cloud from near Ashbourne, dated 1876, framed measurements 18 x 25 cm, pair of framed embroidery works, Anne Poole acrylic painting of two children looking out to sea signed Poole '98 bottom right, framed measurements 53 x 43 cm, a pair of reproduction prints of knights on horseback framed measurements 51 x 41 cm (11)
Lot 74
John Spencer (British 20th Century), Farm Buildings down a country lane, oil on canvas, signed bottom left, framed. Measurements 49 x 92 cm, frame 56 x 100 cm. Together with a small oil painting of a canal bridge by the same hand, signed bottom left, measurements 12 x 17 cm, frame 30 x 34 cm, label verso for Hibbert Brothers, Nofolk 1975. (2)
Lot 78
A Pair of Miniature portraits of a man wearing a blue coat with wig and white stock in oval frame with a matching miniature of a lady wearing a blue dress with white lace, measurements of frames 9.5 x 9 cm. Together with an oil on canvas laid on board painting of a chimney sweeper boy in a gilt frame, measurements 19 x 14.5, frame 29 x 25 cm. (3)
Lot 128
Attributed to Dod Procter RA (1891-1972) a South Asian portrait, oil on canvas, framed unglazed, internal dimensions 74cm x 38cm, otherwise known as Doris Margaret Shaw, it is possible that this painting could have arisen from Procter's period spent working under commission on the murals of a palace in China, when her patronage was lost, she painted the local people, the canvas has no signature but two monograms in opposing top and bottom corners, to the reverse on the mount the words 'Dod Procter 1919/1920', provenance: deceased estate of private Asian art collector *ARR may apply to this lot
Lot 322
CAMILLA DOWSE (BRITISH 1968) 'ALBERT BRIDGE II' a view of the London landmark at low tide on the Thames, signed lower right, oil on board, image size approximately 76cm x 76cm, frame 84cm x 84cm (condition:- small dent to top edge of painting with a scratch towards the bottom, small dent to frame) (A)
Lot 776
*William Chard (b.1923) 'Painting' inscribed on label verso, oil on board 87 x 87cm, unframed *Artist's Resale Right may apply to this lot.Condition report: All works from the Chard Studio are subject to condition issues. As they have been stored in a studio or attic for many years they are dirty. Many have scratches, paint loss, damage to stretchers and frames. Some works also have dents, holes and tears.
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75341 item(s)/page