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Lot 388

19th Century British school - Oil painting - Half length portrait of a young woman in yellow dress seated on a garden bench, relined canvas 18ins x 14ins, in gilt moulded frame

Lot 401

Attributed to John Frederick Herring II (1815-1907) - Oil painting - Horses and farmyard animals with farm buildings, relined canvas 31ins x 39.5ins, bears signature, in elaborately moulded gilt frame

Lot 400

***Thomas Bonar Lyon (1873-1955) - Oil painting - French outdoor market, canvas 13ins x 17ins, signed, in gilt moulded frame

Lot 452

George Crisp (fl. 1870-1911) - Oil painting - Still life with fruit, canvas 12ins x 16ins, signed and dated 1900, in gilt frame

Lot 438

19th Century English school - oil painting - Three Naval warships bombarding a land battery, canvas 25ins x 30ins, in gilt frame

Lot 399

Edmund Berninger (1843-1929) - Oil painting - "Karawane" - Desert scene with camel and figures, canvas 18ins x 34ins, signed, artist's name and title to verso, in ebonised frame

Lot 407

Mid 19th Century Scottish school - Oil painting - View of Greyfriars churchyard looking toward Edinburgh Castle, pine panel 10ins x 12.75ins, in gilt moulded frame

Lot 448

Late 19th/early 20th Century Continental school - Oil painting - Two calves in a farm building, canvas laid on panel, 8ins x 10ins, in gilt moulded frame

Lot 390

Lady Janet Clark (20th Century English school) - Oil painting - Shoulder length portrait of Charles Murray Beazley, younger son of George Arthur Beazley, canvas 17.25ins x 14.25ins, signed, in ebonised moulded frame, and Christopher Hall (20th Century English school) - Oil painting - Half length portrait of Arthur Stuart Beazley wearing a green jacket, canvas 26.75ins x 22ins, in gilt and painted frame Provenance: From The Collection of the late Stuart Beazley of Broome Park, Barham, Canterbury, Kent, and thence by family descent Note: Inscribed to verso with details of sitter and artist

Lot 450

After Jean Baptise Grueze (1725-1805) - Oil painting - "La Cruche Cassee" (The Broken Vessel), canvas 18.25ins x 15ins, in painted and gilt frame Note: The original of this work hangs in the Louvre

Lot 389

17th Century Continental school - Oil painting - Gentleman wearing white ruff, oak panel 12ins x 10ins, in 18th Century gilded carved frame of shaped outline, carved with acanthus leaves, flowers, acorns and shells, 26ins x 22ins overall

Lot 396

18th /19th Century French school - Oil painting - Gentleman surveying a medieval ruin, re-lined canvas 24.5ins x 20.5ins, indistinctly signed "Josephine" in ornate gilt fluted and moulded frame Provenance: The Canterbury Auction Galleries - 3rd December 2013 - Lot 353

Lot 443

E.F. Butler (late 19th Century) - Oil painting - Seascape - "Fishing Boats at Low Water", relined canvas, 23ins x 19.5ins, signed to lower right, in ornate white frame

Lot 384

Sidney William-Lee (1841-1917) - Oil painting - "The Potato Peeler" - Interior with seated gentleman peeling potatoes, canvas 19ins x 16ins, signed and dated 1874, in modern gilt moulded and swept frame Provenance: David Messum, 26 London End, Beaconsfield, Buckinghamshire

Lot 386

After Jean Baptist Grueze (1725-1805) - Oil painting - Half length portrait of a young girl with lamb, oval relined canvas 28.5ins x 23ins, in gilt moulded and carved frame

Lot 437

School of Giovanni Antonio Canal (1697-1768) known as Canaletto - Oil painting - View of Santa Maria de la Salute, Venice, with figures to foreground, two ships and gondolas, and St Mark's Square to the background, relined canvas, 21ins x 36ins, in gilt carved frame Note: Handwritten ink note to stretcher states - "Originally came from Woodgate family c.1760. Said to have come from Somerhill near Tonbridge"

Lot 444

***Tim Thompson (born 1951) - Oil painting - View of a two-masted sailing ship off coast, canvas 16ins x 20ins, signed, in gilt moulded frame

Lot 416

James Elliot (19th Century British school) - Oil painting - Figures on a tree lined riverbank with a cottage to the distance, relined canvas 23.5ins x 15.25ins, signed, in gilt moulded frame

Lot 394

ARR Edouard Cortes (1882-1969) - Oil painting - Country landscape with figure and cart to foreground, canvas 12.75ins x 18ins, signed, in painted moulded frame

Lot 446

Late 19th Century British school - Oil painting - Two red squirrels eating hazelnuts while a bullfinch looks on, canvas 16ins x 13.75ins, in gilt moulded frame and glazed

Lot 404

Attributed to Horatio McCulloch (1805-1867) - Oil painting - "Five Sisters of Kintail" - Cattle watering on a loch to foreground, oval canvas 14.5ins x 18ins, signed in black and "R.S.A.", in gilt moulded frame

Lot 423

***Juan Lluna Lerma (born 1933) - Oil painting - "Calleja Chulilla, Valencia", board 10.75ins x 13.75ins, signed, in silvered moulded frame

Lot 392

W.S.L. Berry (late 19th/early 20th Century school) - Oil painting - Shoulder length portrait of a lady wearing a lace cap, canvas, 16ins x 13ins, in carved and gilded frame

Lot 131

A gilt framed oil painting depicting flowers signed bottom right hand corner.

Lot 410

Frederick Jamieson (fl. 1910-1940) - Oil painting - "Loch Earn, Perthshire", canvas 16ins x 24ins, signed, in gilt and painted frame

Lot 381

Alfred Holst Tourrier (1836-1892) - Oil painting - Interior of a 17th Century home, with a gentleman seated at a table reading a book, re-lined canvas 20ins square, signed in black and dated 1877 to lower right corner, in deep moulded gilt frame and glazed

Lot 416

GEORGE REEKIE OIL PAINTING ON BOARD Still life - Vase of flowers Signed lower right and dated 1952 10 1/2" x 7" (26.5cm x 18cm)

Lot 414

OIL PAINTING ON CANVAS BY J. MASEY DUCKS IN FLIGHT OVER A POND AND SIX OTHERS VARIOUS ALSO B. GHERRAK OIL PAINTING ON CANVAS POTTED FLOWERS SIGNED AND DATED 2012 11" X 9"

Lot 450

UNATTRIBUTED IMPASTO OIL PAINTING VASE OF FLOWERS ON A RED TABLE TOP 22" X 18"

Lot 32

An oil on board painting "Study of the Salt works Southwold" signed Clara Lucas

Lot 613

An oil painting, HB River landscape with cottage and church, indistinctly signed, 31 x 41in

Lot 643

An oil painting, A J O'Kelly, Calme Du Soir, signed and attributed verso, 15 x 18in

Lot 600

An oil painting on board, Annette Kane, Summer in Mediterranean Garden, signed, 36in x 48in

Lot 593

An oil painting, Chelsea Pensioner, 10in x 8in

Lot 557

An oil painting, Clarence Roe, High Cap Nick, Mountain Stream Nr Appleby, indistinctly signed, 23 x 35inMODERN GILT FRAME, RE-LINED. BEEN CLEANED SHOWS SIGNS OF RESTURCTION SO LOOKS OK

Lot 598

An oil painting on board, R C D Lowry, Loch Eil, signed, 13.5 x 17in

Lot 576

An oil painting on board, The Oberland from Gemmi Pass 1899, attributed verso, 6 x 9in

Lot 629

An oil painting on board, D Mottles, Stock Ghyll, Ambleside, signed, 29 x 20in

Lot 596

An oil painting on board, John Ruddle, Pollensa, still life, signed and attributed verso, 24in x 19.5in

Lot 584

An oil painting on board, De La Pena Dine, Spanish guitarist, attributed verso, 12in x 9in

Lot 444

Jacob Hendrik Pierneef (South African 1886-1957) VASCO DA GAMA SEIL OM KAAP PUNT signed and dated 49; signed, dated and inscribed with the title on the reverse oil on canvas laid down on board A Pretoria Art Museum label is adhered to the reverse 29 by 39cm Vasco Da Gama’s first expedition to the east passed the Cape of Good Hope in November 1497. The Portuguese Commander’s fleet consisted of three caravels and a crew of 148 men. Vasco Da Gama Seil Om Kaap Punt memorializes this historic event that was to shape the destiny of our country and indeed change the fortunes of Europe. Captured against a palette of blue sea, sky and land, three billowing caravels sail across the choppy sea. Emblazoned with the sovereign insignia of Portugal, the small ships are presented in the face of a gale as they round Cape Point. Completed in 1949 the small oil painting was gifted in the same year to a couple who appear to have been neighbours of the artist at Henley-on-Klip. Aan Jean en Dirk van May en Henk 1949 is inscribed on the back in pencil, and countersigned and dated by the artist above that. As an affirmation of all that embodied nationalism in South Africa, the subject emphasizes Pierneef’s belief that South African artists should have their own style and set of rules to follow. In this he was particularly against the influence that the colonial government exerted on art education, depending heavily on the so called “English” approach to art. The formal qualities of the seascape - sweeping vista, and tonal gradations, voluminous sky with a focal point of light, angular ships convey Pierneef’s signature style. However, the unusual nature of the subject matter may be partly explained by Dirk Lion-Cachet’s lineage and history. An engineer and head of the Rand Show in Johannesburg, Dirk Lion-Cachet built an acclaimed collection of art including many works by his friend and neighbour, Henk Pierneef before his death in 1985. He was descended from a lineage of Portuguese ancestry, an influential family of missionaries and protagonists for the development of Afrikaner Nationalism. These circumstances and interests coalesce in the lyrical painting of Lusitanian sailing caravels on the azure and windy Cape coast created by the artist as a tribute to his friend in 1949. Vasco Da Gama seil om Kaappunt was loaned to the Pretoria Art Museum, most likely for the opening exhibition in 1965. The same year a bronze model of Vasco da Gama’s caravel was presented to the museum by the Portuguese community. - C. K. https://www.pressreader.com/south-africa/the-citizen-gauteng/20161125/282789241041441 The work was gifted to Jeanne and Dirk Lion- Cachet “friends and supporters of Pierneef’s work.

Lot 425

Pieter Willem Frederick Wenning (South African 1873-1921) GROEN LANDSKAP signed oil on board 19,5 by 29,5cm Pieter Wenning lived a short life, yet his acclaimed period of landscape painting was by comparison fleeting. A modest and congenial man, Wenning, who had a Dutch upbringing, came to South Africa already married in his early 20’s. In some ways his life was tragic, as he was virtually unrecognized and unable to make a living from both his art and his career in publishing. His health was not good and he was childless although he married twice. Sadly, he never realized his dream of owning a home in which to raise a family due to enduring poverty. These circumstances shaped his world view as well as his artistic production. Lacking any pretentions of social grandeur, Wenning found ample subject matter in the bucolic and decaying landscapes around him, particularly in the Cape during its “Green Season”. He acutely observed and recorded the remnants of the early colony as it disappeared at a time of global turmoil at the turn of the century. Looking at the artists’ Cape landscape paintings it is difficult to reconcile these pastoral views with the urban, gentrified world we know a century later. Malta Farm, Salt River is a case in point. A favourite subject of the artist’s, he returned to paint it frequently, and it has since become an iconic work. Regrettably, the 17th century Cape farmhouse was destroyed in the 1970s to be replaced by a huge industrial park. Groenlandskap is characteristic of Wenning’s style in which the sky encompasses two thirds of the canvas and a cluster of modest farm buildings gives way to an intensely green foreground. It was in the green African vistas that Pieter Wenning found his true expression and acclaim as the foremost South African landscape painter of his time. - C. K.

Lot 2184

A framed and mounted Oil Painting of town with monument, signed lower left Frank Dufforlo ??

Lot 2084

An oil painting on canvas of Viking longships off the English coast, signed E. Davison 1943; 63cm x 58cm.

Lot 2114

An Oil on board of Selsley Common, signed W. Neville, with a painting of Romney Marshes by Edward Turner and a Scandinavian landscape signed 'Haggren'.

Lot 2157

An Oil painting signed E. Salvi 1945 depicting 'Bay of Naples'.

Lot 2125

An Oil painting "Welsh girl at Rumney" - W Barker 1882, signed bottom left.

Lot 2222

An Oil painting of a woman on a donkey, signed lower right.

Lot 2156

An Oil painting signed S. Morse-Brown 1951; 'Yachting Off Cowes'.

Lot 158

Original oil painting by J Weddel (signed), depicting a ship by the beach, fitted within an antique raised gilded frame, 53x58.5cm

Lot 260B

A Large oil painting depicting French street area. Signed by the artist.

Lot 10

An original oil painting depicting cottage and land. By R Thomas. Fitted within an antique gilt bobble frame. Measures 21.5x29cm art work

Lot 526

A portrait of a Lady with androgynous, unsigned, oil on canvas, 59.5cm x 49.5cm overall, good furnishing painting, with some lose paint

Lot 540

An oil on canvas in the style of Thomas Sidney Cooper - unsigned, in a gilt frame, sight size 52cm x 62cm - colours bright, possibly cleaned, overall crazing, backing has been glued to back of painting

Lot 546

Large, Ornate Gilt Framed Original Oil Painting by Dominik Schofried 'A River Scene'. Approx. measurements of outer frame - W134cm x H109cm. Approx. measurements of canvas board, W100cm x H74cm. Comes with documents from 'Apollo Galleries', information card reads "A German River Scene. Signed: Dominik Schufried: Landscape and genre painter born in Vienna in 1810. Pupil of The Academy of Vienna. He Exhibited from 1857 to 1869 and from 1838 to 1855. He has works in the museum of Vienna." Potential Buyers maybe subject to the Droit de Suite (Artist Resale Right) which will be in addition to the buyers premium.

Lot 147

A wall mirror, an Oriental print, a nineteenth century oil painting of a fisherman, a print of a medieval figure, pair of canine cartoon prints, a print AFTER J FARQUHARSON ETC Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 164

A large colourful oil painting of Paris Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 20

A GORDON STUART oil painting of an alpine scene with pine trees together with a limited edition print by the artist (both for re-framing), 24 x 33cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Lot 23

LATE 19thCENTURY OIL PAINTING OF A BRIDGE NOT SIGNED

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