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Lance Kiland (American, 1947-2015). Oil on canvas painting titled "Strange View" depicting a fantastical abstract structure, 1994. The sense of otherworldliness is enhanced by the lemon-yellow sky which seems to glow around the surreal architecture.Sight; height: 36 3/4 in x width: 36 3/4 in. Framed; height: 38 in x width: 38 1/2 in x depth: 2 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no major losses, tears, or restorations. Light wear to the frame. Verso not inspected.

18th to 19th century oil on canvas portrait painting of a young girl in a fine yellow dress with her faithful companion dog. Not only were the dogs in portrait paintings of these types a status symbol, but they also represented guidance, protection, loyalty, fidelity, faithfulness, alertness, and love among other virtuous traits.Unframed; height: 30 in x width: 25 in. Framed; height: 35 in x width: 25 1/2 in x depth: 2 1/4 in.Condition: There are no major tears or losses. The colors are slightly faded and there is craquelure throughout. When viewed under UV light, there are signs of inpainting visible throughout, particularly along the figure's face, arms, and dress. There is also an uneven varnish along the surface of the work. Housed within a wooden frame, not under glass or plexiglass. Wear to the frame including scuffs and chips, especially along the edges and the verso. Wear to the rabbat including a larger chip along the upper right center and lower right corner. Dust and debris gathered along the verso. Not inspected out of frame.

Eric Sloane (American, 1905-1985). Oil on board painting titled "Quiet Autumn" depicting a barn as the sun casts long shadows over the autumnal landscape. Signed and titled along the lower left.Sight; height: 23 1/4 in x width: 36 3/4 in. Framed; height: 33 in x width: 46 1/2 in x depth: 1 1/4 in.Condition: The colors are bold and bright and the surface is stable. There are no chips, losses, or restorations when viewed under UV light. Light craquelure throughout. Light wear to the frame. Not inspected out of frame.

Oil on canvas landscape painting, executed in an impressionistic manner. Depicting bare trees in the foreground with a path that leads to a town in the distance. The work is not signed.Unframed; height: 24 in x width: 31 1/2 in. Framed; height: 30 in x width: 37 1/2 in x depth: 2 1/2 in.Condition: The colors are bold and deep and the surface is stable. There are no visible tears, losses, or restorations. There is an extremely minute chip along the upper left edge of the sky that is only visible upon close inspection. Light wear to the frame.

Richard Amundsen (American, 1928-1998). Oil on canvas painting titled "Salmon Run" depicting bald eagles and a grizzly bear fishing for salmon, 1979. Signed and dated along the lower right.Sight; height: 21 1/2 in x width: 33 3/4 in. Framed; height: 34 in x width: 46 in x depth: 1 3/4 in.Condition: The colors are bold and bright. The surface is stable. There are no rips, creases, or losses. There are no signs of restoration under UV light. Not examined out of frame.

Gary Bowling (American, b. 1948). Oil on canvas painting titled "Y in Blue Gravel" depicting a sunny day with spotty clouds in a wide prairie landscape, 2007. Signed along the lower left. With a label from Groveland Gallery along the verso.Provenance: Groveland Gallery, Minneapolis, Minnesota; Private Minnesota Collection.Unframed; height: 50 1/4 in x width: 72 1/4 in. Framed; height: 51 in x width: 73 in x depth: 2 in.Condition: The colors are bold and bright and the surface is stable. No evidence or restoration. Light wear to the frame.

Frederick Ellwood Wallace (American/French, 1893-1958). Oil on canvas portrait painting depicting an elegant woman in a red dress against an emerald green wall. Signed along the lower right.Provenance: Collection of Janet Wallace, the artist's wife; Private Minnesota Collection.Unframed; height: 32 1/4 in x width: 28 in. Framed; height: 39 1/2 in x width: 35 3/4 in x depth: 2 1/2 in.Condition: There are no major tears. There is a small spot along her neck that may be in-painting. A few small accretions throughout. There is a spiral craquelure along her left breast. Some sall areas of craquelure throughout. Some losses along the extreme edges, mainly along the lower right corner. Heavy wear to the frame.

Clyde Aspevig (American, b. 1951) Oil on canvas painting titled "Springtime in the Tobacco Roots" depicting a heard of cows in an idyllic landscape with towering snow-capped mountains rising in the distance. Signed along the lower left.Aspevig is inspired by the landscapes of Montana and Wyoming. Growing up near the Canadian border in Montana, he was geographically and culturally isolated from the world, which he considers a blessing According to the artist "Because I grew up in a vacuum in Montana, I wasn't taught the cliches." In addition to this, he found support in his family; his father bought his first painting at the age of twelve. He takes his inspiration from the works of Winslow Homer, John Singer Sargent, and Anders Zorn.Sight; height: 23 1/2 in x width: 35 1/2 in. Framed; height: 34 in x width: 46 in x depth: 3 in.Condition: The colors are bold and bright. The surface is stable. There are no rips, creases, or losses. There are no signs of restoration under UV light. Not examined out of frame.

Lance Kiland (American, 1947-2015). Oil and wax on canvas painting titled "Take Note" depicting abstracted forms hovering above a platform, 1985. Signed, dated, and titled along the verso.                            Sight; height: 30 in x width: 23 3/4 in. Framed; height: 31 in x width: 24 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. No signs of restoration under UV light. Light wear to the frame.

Michael Goldberg (American, 1924-2007). Oil on paper abstract painting depicting bold primary colors against a white ground, 1997. Signed and dated along the lower right.Provenance: Manny Silverman Gallery, acquired from the artist, Los Angeles, California, 1999; Private Minnesota Gallery.Exhibition: "Michael Goldberg: New Work," February 28 - April 4, 1998, Manny Silverman Gallery, Los Angeles, California.Sight; height: 14 in x width: 18 1/4 in. Framed; height: 21 1/2 in x width: 25 3/4 in x depth: 1 1/2 in.Condition: There are no major tears, creases, or restorations. Pinholes in all four corners, likely original to the artistic process. Some spots of slight unevenness along the edges. Floated in frame. Framed on a non-acidic mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.

19th century Continental oil on canvas portrait painting depicting a seated officer. This work was part of the Dayton-Hudson collection which decorated the executive offices at the Hudson's downtown Detroit headquarters.Sight; height: 35 1/2 in x width: 27 1/4 in. Framed; height: 36 1/2 in x width: 28 1/4 in x depth: 1 1/2 in.Condition: The surface is stable. The colors are somewhat darkened. There is craquelure throughout. There are signs of inpainting throughout, in particular along the top edge and the right side of the face. Due to a thick and uneven varnish it is difficult to discern the extent of the restorations. The painting has been relined. Light wear to the frame.

Barton Stone "B.S." Hays (American, 1826-1914). Oil on canvas genre painting depicting an interior scene with children and a nursemaid.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Height: 29 in x width: 36 in x depth: 1 in.Condition: Stretcher bar mark along the upper and lower margins. To the center of the right and left margins and to the center, there is a sign of restoration; along the verso, the aforementioned areas are patched; please see the listing image. Along the sides of the canvas, the canvas is heavily toned and has wear. Throughout the recto, there are several scattered areas of minute paint losses. To the upper right quadrant, there is an approx 1/4 inch big dent to the recto. Along the extreme edges, there is wear possibly against the old frame. To the lower left quadrant, there are a few scattered white paint residue; please see the listing image. To the lower right quadrant, there is an area, measuring 1/4 inch, that is possibly rubbed against. Along the verso, the canvas is heavily toned; the upper part of the verso could not be inspected due to the nature of how it is covered with cardboard as shown in the listing image.

Percy William Holt (American, 1881-1958). Oil on canvas painting titled "Gray Skies & Snow Fields" depicting a wintery landscape. Signed along the lower right. With a sticker from "Southern Skies Art League" along the verso. With a gilt wood carved frame.Unframed; height: 8 1/2 in x width: 10 1/2 in. Framed; height: 15 in x widtth: 17 in x depth: 3 1/2 in.Condition: The colors are bold and bright and the surface is stable. No signs of restoration under UV light. Wear to the frame. Verso not inspected.

Cameron Booth (American, 1892-1980). Oil on board painting depicting brightly colored interlocking forms in vibrant yellows, greens, and red, 1953. Signed and dated along the lower right. The painting is double-sided with a darker abstract painting along the verso.Unframed; height: 47 1/2 in x width: 35 in. Framed; height: 50 in x width: 37 in x depth: 1 1/2 in.Condition: The colors are bold and bright. A few areas with light crazing. There are major losses to the painting along the verso. There is craquelure, cupping, and flaking throughout the verso. No signs of restoration under UV light. Wear to the frame.

Jean-Jacques Waltz "Hansi" (French, 1873-1951). Oil on board painting depicting a still life with a teapot, a teacup, a small dish, and a vase with blooming flowers. Signed along the lower right.Sight; height: 11 in x width: 13 1/4 in. Framed; height: 14 1/2 in x width: 16 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are a few brown areas in the backgorund that fluoresce under UV light but do not appear to be in-painting or restoration. Likely original to the artistic process. Light wear to the frame. Verso not inspected; not inspected out of frame.

Isidore Verheyden (Belgian, 1846-1905). Oil on panel portrait painting depicting a woman at her settee reading a book. Signed along the upper right.Sight; height: 18 in x width: 21 3/4 in. Framed; height: 19 1/4 in x width: 22 3/4 in x depth: 1 3/4 in.Condition: There is a thick varnish making it difficult to discern if there are any areas of inpainting under UV light. There are areas of small craquelure, most discernable under close scrutiny in the face. Light wear to the extreme edges with a few small losses along the left edge. Light wear to the frame.

Jules Rene Herve (French, 1887-1981). Oil on canvas impressionist style painting depicting a family enjoying a picnic in a garden next to a pond. Signed along the lower left. Painted in verdant greens to emphasize the lush setting.Sight; height: 23 in x width: 27 1/2 in. Framed; height: 28 in x width: 32 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no visible rips, losses, or restorations when inspected under UV light. Light wear to the frame including a few small chips. Verso not inspected.

Uldis Zemzaris (Latvian, 1928-2022). Oil on canvas painting titled "Poppies" depicting bright pink blooms against a darkened landscape, 1984. Signed and dated along the lower left.Unframed; height: 38 3/4 in x width: 58 3/4 in. Framed; height: 45 1/4 in x width: 65 in x depth: 2 1/2 in.Condition: There are no major tears, losses, or repairs. The colors are bold and deep and the surface is stable. There is some craquelure in the thicker areas of paint such as along the poppy blooms and stems. Some wear to the extreme edges of the canvas. Wear to the frame.

Kari Lennartson (America, 20th/21st c). Oil on canvas painting titled "The Conversation" depicting a cozy scene of two people having a conversation against a warm yellow sky, 1999. Signed along the lower right.Kari Lennartson is grew up in Minnesota and received BFA at Gustavus Adolphus College in Saint Peter, MN. She earned her MFA at Colorado State University and has been active in Colorado as an artist and an art educator.     Sight; height: 11 in x width: 14 in. Framed; height: 12 1/2 in x width: 15 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. No restorations under UV light. Light wear to the frame.

Georgia Jarvis (Canadian, 1944-1990). Oil on Masonite board painting titled "Sugar Shack" depicting a building in a snowy forest. Signed along the lower right; further signed and titled along the verso. Jarvis' painting often depict the Rocky Mountains of Alberta, Canada, where the artist spent most of her time.Unframed; height: 16 in x width: 24 in. Framed; height: 24 1/2 in x width: 32 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright. No evidence of restoration when viewed under UV light. No signs of cracks or losses. Light wear to the frame.

Megan Rye (American, b. 1975). Oil on canvas painting depicting a sunset landscape, 2009.Rye is a Minneapolis-based artist. Her first significant body of work was "I Will Follow You Into the Dark," based on photographs that the artist's brother took while serving in Iraq. The project debuted at the Minneapolis Institute of Art in 2007. She has also exhibited at the Weisman Art Museum, the Spencer Museum of Art, Forum Gallery in New York City, and many more.Height: 21 in x width: 28 in x depth: 1 3/4 in.Condition: The colors are bold and bright and the surface is stable. There is some wear to the surface, mainly along the extreme edges where there are some minute paint losses due to rubbing against the surface. Light wear to the edges of the canvas. The work is not framed.

Richard Amundsen (American, 1928-1998). Oil on canvas painting titled "Beaver Pond" depicting elk and Canadian geese in a pond, 1979. Signed and dated along the lower right.Sight; height: 29 in x width: 39 1/2 in. Framed; height: 37 1/4 in x width: 47 3/4 in x depth: 3 in.Condition: The colors are bold and bright. The surface is stable. There are no rips, creases, or losses. There are no signs of restoration under UV light. Not examined out of frame.

Aaron Fink (American, b. 1955). Oil on linen painting titled "Aphrodite" depicting a classical Greco-Roman marble statue in hues of blue against an abstracted navy background, 2007. Signed, titled, and dated along the verso. With a label from Alpha Gallery along the verso.Provenance: Alpha Gallery, Boston, Massachusetts; Private Minnesota Collection.Height: 60 in x width: 36 in x depth: 2 in.Condition: There are no major tears, losses, or restorations. The colors are bold and bright and the surface is stable. Light wear along the exposed edges. The work is not framed.

David Bierk (American/Canadian, 1944-2002). Mixed media diptych titled "A Eulogy, to Vermeer & Earth," 1996-1998. The left half with a photographic reproduction on panel of Johannes Vermeer's "Girl with a Pearl Earring" with oil embellishments. The right half with an oil on panel painting of a landscape. Each work is ink-stamped along the verso. With a label from Nancy Hoffman Gallery, New York.(Left panel) height: 20 in x width: 16 in. (Right panel) height: 20 in x width: 15 in. (Overall, framed) height: 24 1/2 in x width: 35 1/2 in x depth: 3 in.Condition: The work appears in good condition with no major losses or restorations. Applied faux craquelure to the Vermeer photograph. Light wear to the frame.

Antoine Blanchard (Marcel Masson) (French, 1910-1988). Oil on canvas impressionist painting titled "Marche aux Fleurs, la Madeleine" depicting a Parisian street scene. Signed along the lower left; titled along a plaque. With a certificate of authenticity from Wally Findlay Galleries.Provenance: Wally Findlay Galleries; Private Minnesota Collection.Sight; height: 12 3/4 in x width: 17 3/4 in. Framed; height: 20 1/2 in x width: 25 in x depth: 2 in.Condition: The colors are bold and bright. The surface is stable. There are no visible tears, losses, or restorations when viewed under UV light. There are areas of light wear and craquelure throughout the extreme edges. Housed under a linen mat. Framed without glass or plexiglass; light wear to the frame. Not inspected out of frame.

Carl Philipp Weber (American, 1849-1921). Oil on board painting depicting a western romantic landscape with steep mountains divided by a still lake or river. Initialed "C.R.W." along the lower left, ca. late 19th century. The painting bears similarities to the style of Albert Bierstadt, who worked in the same region as Weber, who may have been influenced by him.Sight; height: 19 1/4 in x width: 29 1/4 in. Framed; height: 27 1/2 in x width: 39 1/4 in x depth: 2 1/4 in.Condition: There are no major losses. There are small areas of in-painting throughout the work. A thick varnish may obscure smaller areas of restoration. Light wear to the frame.

Small oil on board landscape painting depicting a sunset-bathed mountain range with a lush prairie, ca. 1930s. Possibly depicting the American southwest. The work is not signed.Unframed; height: 6 1/2 in x width: 10 1/4 in. Framed; height: 9 1/2 in x width: 13 in x depth: 1/2 in.Condition: The colors are bold and bright though they may be slightly toned. There are no major losses or repairs. Verso not inspected. Wear to the frame including a large chip along the lower edge.

Hippolyte Emmanuel Boulenger (Belgian, 1837-1874). Oil on canvas painting depicting a snowy landscape. Signed along the lower left.Provenance: Expose Gand, Belgische Kunst.Unframed; height: 14 in x width: 20 in. Framed; height: 21 in x width: 27 in x depth: 3 in.Condition: There is craquelure throughout the canvas. There are minute pinholes in all four corners, possible original to the artistic practice. The varnish is somewhat toned. No signs of restoration under UV light. Some wear associated with age to the stretcher. Several missing stretcher bar keys. Wear to the frame including some losses to the giltwood decoration.

John Stuart Gibson (American, b. 1958). Large oil on canvas painting titled "Ultramarine & White Balls" depicting a two-tiered stack of blue and white spheres against a dramatically lit background, 1989. Signed, dated December 1989, and titled along the verso.Unframed; height: 39 1/4 in x width: 50 in. Framed; height: 45 1/4 in x width: 55 in x depth: 3 in.Condition: The colors are bold and deep and the surface is stable. There are visible repairs under UV light. Light wear to the frame.

Laimdot Murniek (Latvian, 1922-2011). Oil on canvas painting titled "River Daugara" depicting a small village on the banks of a verdant river, 1978. Signed along the lower right. Further signed, dated, and titled along the verso.Unframed; height: 27 1/2 in x width: 42 in. Framed; height: 30 1/4 in x width: 44 1/2 in x depth: 2 in.Condition: The colors are bold and bright and the surface is stable. No tears, losses, or restorations. Light wear to the frame.

Hilaire Harzberg Hiler (American, 1898-1966). Oil on masonite painting titled "Moroccan Colors" depicting an abstract composition in oranges and browns. Signed faintly along the lower right; further signed along the verso.Height: 22 in x width: 28 in x depth: 1/4 in.Condition: Losses throughout the work along the edges with some areas of loss to the center of the work. Large networks of accretions throughout the work. Evidence of moisture exposure along the verso. Some wear including bumps to the edges and corners. Scuffs to the recto and verso. The work is not framed.

Renat Ramazanov (Russian, b. 1978). Oil on canvas painting titled "Women" depicting a group gathered around at a sunny table, 2005. Signed along the lower left; further signed, dated, and titled along the verso.Sight; height: 39 in x width: 47 in. Framed; height: 49 1/4 in x width: 57 1/4 in x depth: 3 1/2 in.Condition: There are no major losses. There is patch along the verso (measuring approx. 3.5 in x 3 in) corresponding to a repair along the forearm of the figure in white leaning over the table (second from the left). An area of corresponding length fluoresces under UV light. Light wear to the frame.

Cameron Booth (American, 1892-1980) Oil on canvas painting titled "Emancipation" or "Abstraction" depicting a composition of brightly colored abstract forms, 1968. Initialed and dated along the lower right corner. Signed, dated, and titled along the verso.Provenance: Rev. Richard L. Hillstrom; Collection of Frank J. Indihar, M.D.; Private Minnesota Collection.Unframed; height: 24 in x width: 18 in. Framed; height: 26 1/2 in x width: 20 1/2 in x depth: 1 1/4 in.Condition: The colors are bold and bright and the surface is stable. No chips, losses, or restorations when viewed under UV light. Light wear to the frame.

Axel David Ericson (Swedish/American, 1870-1946). Oil on board painting titled "Wading" depicting a group of three figures wading in the shallows of a beach with a boat and home in the background. Signed along the lower right; annotated "France" along the lower left. With a label from Vern Carver & Beard Galleries, Minnesota affixed to the verso.Axel David Ericson, born in Sweden in 1870, became one of Duluth, Minnesota's most significant painters after immigrating there at a young age. Despite being self-taught, he gained recognition early in his career, winning a prize at the Minnesota State Fair in 1885 and studying at the Art Students League in New York City. Ericson's travels to Paris and study with James McNeill Whistler enriched his artistic style, which evolved from rustic farm scenes to sensitive figure painting and vibrant depictions of foreign landscapes. His work, characterized by its bucolic charm and French Impressionist influence, is represented in notable collections across Minnesota and beyond, solidifying his importance to the state's artistic heritage.Sight; height: 9 1/4 in x width: 11 1/2 in. Framed; height: 14 1/4 in x width: 16 3/4 in x depth: 1 1/4 in.Condition: The colors are bold and bright and the surface is stable. There is a slight convex bow to the board. Light wear to the frame. Verso not inspected; not inspected out of frame.

After Alexander Pope (American, 1849-1924). Oil on canvas painting after Pope's 1892 painting depicting a lioness and her cubs. The original painting sold at a Christie's New York auction in 2003. The present work is a faithful reproduction of this work.Height: 28 in x width: 36 in x depth: 1 in.Condition: Due to a thick and uneven varnish it is difficult to discern if there are any areas of restoration. Small losses to the paint layer throughout. Small scuffs and marks to the surface throughout. Wear to the exposed edges of the canvas. Stretcher bar marks along the margins. The work is not framed.

Antoine Blanchard (Marcel Masson) (French, 1910-1988). Oil on canvas impressionist painting titled "Boulevard des Capucines" depicting a bustling Parisian street. Signed along the lower right; titled along a plaque. With a certificate of authenticity from Wally Findlay Galleries.Provenance: Wally Findlay Galleries; Private Minnesota Collection.Sight; height: 12 3/4 in x width: 17 3/4 in. Framed; height: 20 1/2 in x width: 25 in x depth: 2 in.Condition: The colors are bold and bright. The surface is stable. There are no visible tears, losses, or restorations when viewed under UV light. There are areas of light wear and craquelure throughout the extreme edges. Housed under a linen mat. Framed without glass or plexiglass; light wear to the frame. Not inspected out of frame.

Abraham Rattner (American, 1893-1978). Oil on paper painting titled "Moses, 'I Am That I Am'" depicting the biblical figure in pale white against a vibrant red background, 1979. Signed along the lower right. With a label from Kennedy Galleries, New York affixed to the verso.Provenance: Kennedy Galleries, New York; Distinguished Corporate Collection, Minnesota.Sight; height: 24 1/2 in x width: 34 3/4 in. Framed; height: 30 3/4 in x width: 41 1/2 in x depth: 2 in.Condition: There is undulation to the sheet throughout. No visible tears, creases, or restorations. Extreme edges and verso not inspected. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

Miniature oil painting on copper depicting a portrait of a woman holding flowers. Signed illegibly along the lower right.Height: 4 1/2 in x width: 2 3/4 in.Condition: Craquelure throughout the painting. There are small losses throughout. The pigment is toned. Wear along the extreme edges and verso.

Juan Manuel Sanchez (Argentinian, 1930-2016). Oil on canvas painting titled "Paltas y Manzanas (Avocados & Apples)" depicting a cubist still life with two vessels overflowing with red apples and green avocados. Signed along the lower right. Further signed and titled along the verso.Height: 26 3/4 in x width: 56 in x depth: 1 in.Condition: The colors are bold and bright and the surface is stable. There are no tears, losses, or restorations. Light white accretions throughout, possibly original to the artistic process. The work is not framed.

Joseph H. Maturo (Italian/American, 1876-1938). Two oil on canvas paintings depicting portraits of young girls in fanciful bonnets. Each signed in the lower right below the figures.(Each) Unframed; height: 24 in x width: 16 in. Framed; height: 26 3/4 in x width: 18 1/2 in x depth: 1 3/4 in.Condition: Both are without major tears, losses, or restorations. One minute spot of in-painting along the chin of the girl looking to the left. Some stretcher bar marks along the perimeter of the works. Some very small spots of craquelure. Wear to the frames.

Cameron Booth (American, 1892-1980). Oil on canvas painting titled "Predominantly Blue" depicting an abstract composition of blue with pops of bright red, black, and purple, 1960-61. Initialed and dated along the lower right.Provenance: Acquired from the artist by Rev. Richard L. Hillstrom on August 30, 1976; Collection of Frank J. Indihar, M.D.; Private Minnesota Collection.Exhibition:American Federation of Arts, New York, "Fifty Artists from Fifty States," March 1966 - May 1967, No. 23 in the catalog.Osborne Gallery, St. Paul, 1976. A one-man show.Lutheran Brotherhood, Minneapolis, "A Select Exhibition of Paintings by Cameron Booth," January 6 - 28, 1983.Unframed; height: 45 in x width: 50 in. Framed; height: 47 in x width: 51 1/2 in x depth: 2 in.Condition: The colors are bold and bright. There are a few lines of craquelure along the right edge. There are no signes of restoration when viewed under UV light. Light wear to the frame.

Konstantin Vysotsky (Russian, 1864-1938). Oil on canvas painting titled "Seascape" depicting a figure and cow on a hill overlooking an ocean.Sight; height: 9 1/2 in x width: 13 1/4 in. Framed; height: 13 1/2 x width: 17 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. There are no chips, losses, or restorations when viewed under UV light. Light craquelure throughout. Light wear visible along the extreme edges. The paint does not appear to extend to the edges, likely original to the artistic process. Light wear to the frame. Not inspected out of frame.

Cameron Booth (American, 1892-1980). Oil on canvas painting depicting a barnyard scene with two horses, cows, and chickens next to a red barn, 1974. Initialed and dated along the lower right; further signed and dated along the verso.Unframed; height: 20 1/4 in x width: 24 in. Framed; height: 22 1/2 in x width: 26 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright and the surface is stable. No signs of restoration under UV light. Light wear to the frame.

Milton W. Holm (American, 1903-1999). Oil on canvas landscape painting depicting forest. One tree clings to its autumnal foliage while snow sparsely covers the ground. Signed along the lower right.Sight; height: 11 1/2 in x width: 15 in. Framed; height: 17 in x width 20 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and deep and the surface is stable. There are no visible tears, losses, or restorations when viewed under UV light. The work is framed without glass or plexiglass; light wear to the frame. Not inspected out of frame.

Valery Nikolaevich Tkachenko (Russian, b. 1946). Large oil on canvas op-art painting titled "Energy of Color" in the style of Victor Vasarely. Signed and dated 1987 along the lower right. Further signed, dated, and titled along the verso.Translated the label reads:V. N. Tkachenko, born 1946Motionform “Energy of Color†200 x 200 cm, oil on canvas1131627, Moscow, Gorodskaia Street 4, ap. 14Phone: 2371045Tkachenko lived in Moscow and participated in the 1970 exhibition at The Moscow City Committee of Graphic Artists on Malaya Gruzinskaya Street in Moscow. The Moscow City Committee of Graphic Artists was a famous artist union and exhibition space that would include non-conformist artists in their shows in the late Soviet era. The official exhibition hall of the Committee was one of the first compromise solutions in search of a "traditional" public space for exhibiting alternative art.Height: 78 in x width: 78 in x depth: 2 in.Condition: The colors are bold and bright and the surface is stable. Some areas of craquelure. There are no major tears, losses or restorations when viewed under UV light. Light wear along the extreme edges of the work. The work is not framed.

David A. Maass (American, b. 1929). Oil on Masonite painting titled "Winter Winds - Bluebills" depicting a flock of birds approaching a windswept shoreline. A chilled winter breeze disturbs the water, creating a difficult landing for the waterfowl. Signed along the lower left. A label from Wild Wings, Lake City, Minnesota is affixed to the verso.Sight; height: 23 1/2 in x width: 35 1/2 in. Framed; height: 32 in x width: 44 in x depth: 2 in.Condition: The colors are deep and bright. The surface is stable. There are no creases, tears, or losses. There are no signs of restoration under UV light. Not examined out of frame.

A Victorian gilt framed oil painting on panel entitled Get Well Little Bird two young children in a natural landscape with a bird. Signed lower right R Farrier Robert Farrier (1798-1878) 52x47cm

An oil on canvas painting of a nature view , dimensions 84x64cm

A framed Dutch 20th Century oil painting on canvas study of a wooded landscape in an oak frame Indistinctly signed. 65x57cm

A Continental oil painting interior scene with a senior figure and young child at a kitchen table unsigned and unattributed.30cmx34cm

A group of pictures by Brian Chugg (British, 1926-2003) - Provencal quarry near St. Remy. Study for oil painting -Mixed media -41 x 25cm - 59 x 41cm framed -Together with two silkscreen prints, the larger 37 x 52cm (3)

Two pictures by Mary Chugg (British, 1935 - 2024) -A religious landscape with the Angel of Annunciation and Madonna with the Child -Oil on canvas -51 x 76cm -Together with another smaller landscape painting (both unframed) (2)

Follower of Paul Feiler (British 1918-2013) -Untitled abstract composition in white, blue and yellow -Oil on board -63.5 x 53cm -Signed 'FEILER' lower left -*Please note that the painting has not been authenticated as an original artwork by Paul Feiler.

*Robert Oscar Lenkiewicz (British, 1941-2002) -Student group painting models outside painter's studio - Barbican -Oil on canvas -42 x 32 cm -Signed on the reverse and inscribed with the title

David Johnson (South African, Contemporary) -South African landscape -Pastel -21 x 36.5cm -Signed lower right - Together with a signed oil painting of South African interest by Handry Bredenkamp - 24.5 x 29.5cm (2)

D H Leslie, Oil Painting, Farm Scene, 21x32cm

D H Leslie, Oil Painting, The Sweetie Shop, 25x16cm

Joe McIntyre, (Scottish Born 1940), Oil Painting, The Window, 34x34cm

Annette Stephen, (Scottish 1910-1991), Oil Painting, The Old Boat Foot of Cliffs Catterline, 31x39cm

Winifred Flynn, Oil Painting, Cottage Garden, 37x47cm