TESS STROFE - a beautifully painted original portrait of The Beatles, entitled 'My Soul' (91.5x122cm), signed by the artist Theresa Strofe (1954-2003). Based on the photograph used for the Rubber Soul album cover, the oil features John, Paul, George and Ringo attired in brown jackets over black turtlenecks. Bought from the Liverpool Academy of Art Exhibtion in St George's Hall 1999. Lot includes a card display advertising the 'Come Together' Beatles Art exhibition where the painting was originally purchased (70x56cm).
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* JOHN DANIEL REVEL ROI RP (SCOTTISH 1884 - 1967), PORTRAIT OF A CHILD oil on canvas, signed 51cm x 42cm Framed Note: John D Revel was born in Dundee in 1884. He studied at Dundee School of Art, becoming an Art Pupil Teacher. After qualifying as a teacher he taught for two years in Shipley, Yorkshire before becoming the Principal Teacher of architecture in Preston, Lancashire. In 1906 he gained an open Scholarship to the RCA and in 1911 left the College with a degree in architecture, a degree in painting and the award of a Travelling Scholarship for painting. After a year abroad he was offered and took up the post of Headmaster at Chelsea School of Art. He also saw service in the First World War in Mesopotamia and India, becoming an official artist to the Expeditionary Force (water-colour paintings survive from this time). He specialised in portraiture and landscape. Revel was elected a member of the International Society of Painters, the Royal Portrait Society and the Royal Institute of Oil Painters. In 1925 he took up the post of Director at Glasgow School of Art. Under his directorship the Extension Building (now the Assembly Hall) was built and the School saw an upsurge in student and social events, notably the development of the Student Representative Council, the growth of the Glasgow School of Art Dramatic Club and the birth of the Kinecraft Society. Revel kept up the tradition of teacher/headmaster/director by occasionally taking the architect's drawing class. The degree course in Architecture produced its first graduates during his time as director, quite a few of whom were women. The artist has works in the collections of Glasgow and Dundee museums. Only three of Revel's paintings are recorded in UK auction records (Artnet) with the most recent being ''New Orleans Boy'', a 50 x 40cm oil on canvas, which was sold by McTear's for £1800 (hammer) as lot 1486 29th November 2012.
EDWARD ATKINSON HORNEL (1864 - 1933) THE GOAT HERD oil on canvas, signed and dated - 96 (lower right) 61cm x 50.8cm (24 x 20 inches) Framed. Provenance: Acquired Christie's Scottish Sale 28th October 1999 lot 152 for £34500 (premium). Morison McClelerly & Co., 29th June 1959, (to J.F. Christie). Note: In 1893 Hornel and George Henry set off for Japan, financed by the Glasgow dealer Alex Reid and William Burrell, a patron of the arts. Hornel produced some of his finest paintings during this period and returned to paint the Galloway woods around his home in Kirkcudbright. Hornel was gradually moving away from naturalistic subjects, which continued to inspire other members of the Glasgow Boys, towards symbolic and allegorical subjects such as the seasons, Celtic myths and stories involving wood spirits and rural genies. Hornel became fascinated by these stories and particularly those relating to the goat. The goat is a recurring theme in his work and, as in the present painting, the goat often appears accompanied by a young keeper, as a symbol of fertility. The present work is dated 1896 and was painted shortly after Hornel and Henry's return from Japan. The bright colours and composition reveal the influences of his Japanese paintings.
ROBERT GEMMELL HUTCHISON RSA RBA ROI RSW (SCOTTISH 1855-1936), A SISTER OF MERCY (1910), Later known as ''An Irish Nun Of Ypres'' oil on canvas, signed129cm x 103cm (50.78 x 40.55 inches) FramedProvenance: the nun is Gemmell Hutchison's second daughter Ann (aka Nan) and the baby is Jean, the daughter of Bertie, the artist's eldest daughter and his only grand-daughter. Jean was deaf and dumb and as a child featured in many of her grandfather's paintings. This painting was exhibited in The Empire Exhibition, Scotland 1938. It was also loaned to Bradford City Museums & Galleries (The Cartwright Memorial Hall) but specific dates are not currently known. On Thursday 31st October 1974 the painting was sold by Ann Laidlaw, (nee Gemmell Hutchison, the nun) to Mr J. R. Finlayson (a family friend) and thereafter by descent. Labels attached and a copy of the 1974 bill of sale available to the purchaser.
Manner of Marmaduke Cradock A 19th Century painting of a peacock, chickens and ducks in a landscape Oil on canvas 64 x 74cm; 25 x 29in General condition report Old lining and restoration, visible retouching, particularly in sky near upper and right margins some paint loss, marks and blemishes, visible craquelure
James Ward R.A. (1769-1859) Portrait of the Cossack Tamorfait Carnborlof Signed, dated July 1814 and inscribed Cossack/Tamorfait Carnborlof/King Street Barracks also inscribed It was stated that this man killed 14 Frenchmen one morn. 9 before breakfast Pencil, inscribed in ink 28.5 x 22cm; 11¼ x 8½in Provenance: A study for a figure in an oil painting commissioned by the Duke of Northumberland titled Portraits of Prince Platoff~s favourite charger and of Four of his Cossacks exhibited RA 1815 (no.148). Ward depicted this soldier on at least two other occasions. There is a drawing of him in the Fitzwilliam Museum, Cambridge and another in the collection of the Duke of Wellington General condition report One or two fox marks otherwise good condition
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