We found 75341 price guide item(s) matching your search
There are 75341 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
75341 item(s)/page
Lot 597
JOHN JOSEPH HUGHES (BRITISH 1820-1909) 'BUILDWAS ABBEY', two figures sit in a pastoral landscape beside the ruins of Buildwas Abbey, signed and dated bottom right, titled on a plaque attached to the frame, reading 'Buildwas Abbey, J. J. Hughes, 1866, picture restored 1967', oil on board, frame size 77.5cm x 101cm (1) (Condition Report: has a small dent/crack in the lower centre of the painting, measuring approximately 8mm long, some tiny household paint? spatters, frame has a few knocks, otherwise appears ok)
Lot 536
C.HARRISON (20TH CENTURY) TWO EQUINE PORTRAITS, the first depicting a horse with a saddle, signed bottom right, oil on board, approximate size 13cm x 18cm, the second depicts a brown horse without a saddle, signed bottom right, Condition Report: the saddled horse picture is lightly marked to the surface of the painting
Lot 272
Graham Townsend (20th Century, British), after Raphael (1483-1520, Italian), oil on board, 'Galatea', displayed within a gilt wood frame, measuring 43cm x 56cm, & 55cm x 70cm overall Condition report - From the valuer's perspective this appears to be a generally good copy of the original Raphael painting. It stands out on the wall that it is displayed on, though you can tell it is relatively naive in appearance. The colours are quite garish and flat.
Lot 170
oil on canvas, signed, titled label verso framed and under glass image size 41cm x 41cm, overall size 63cm x 63cm Condition of the picture is good overall, with no visible or known issues. Artist's label verso Note: Jack Morrocco was born in Edinburgh in 1953 and following his education at Madras College, St Andrews, started his art study at Duncan of Jordanstone College of Art in Dundee shortly after his seventeenth birthday (the youngest in his academic year). He studied under David McClure, Jack Knox and his uncle Alberto Morrocco before being selected to study at Hospital House (Arbroath) during the summer of 1973 when the visiting tutor was the renowned pop artist Sir Peter Blake. Jack was awarded a post graduate year of study (highly commended) in 1975 as well as the Farquhar Reid travelling scholarship which was spent in Paris and Florence. Having resolved to avoid a career in art education, Jack started a design consultancy which he ran successfully until 1996 but he also continued to submit his work to both the RSA and RGI. He returned to full time painting in 1997 and now works from his studios in Fife and the south of France. His paintings are enthusiastically collected in the UK and abroad and he is widely regarded as one of Scotland's foremost contemporary artists.
Lot 181
oil on canvas, signed, titled verso framed image size 24cm x 30cm, overall size 38cm x 43cm Label verso: The Contemporary Fine Art Gallery, Eton Note: Hugh McIntyre has been based in Dumfries & Galloway for many years and was involved with the management of the Gracefield Arts Centre during the early 1970s. He became a full-time painter in the mid 1970s and has exhibited his artwork, which focuses mainly on landscape painting, throughout the UK. He attended the Rhode Island School of Design, USA, and the Edinburgh College of Art. McIntyre`s work is included in the collections of H.R.H. The Prince of Wales (now HM King Charles III) and the late Princess of Wales, The British Linen Bank Headquarters, Edinburgh, The Bank of Scotland, Galerie Chomarat, Lyon, Galerie Maison Jardin, Lyon, P.D.C, New York, Ashai Optical Co.Ltd, Tokyo, Brunel University, Hilton International, Albert Fisher Group PLC, Tommy Hilfiger and many other public and private collections. McInyre exhibits widely and has been represented by Contemporary Fine Art (Eton) since 1990.
Lot 7
oil on canvas, signed framed and under glass image size 31cm x 41cm, overall size 48cm x 58cm Note: John Boyd was born in Stonehaven, Kincardineshire in 1940. He studied at Gray's School of Art, Aberdeen (1958 - 1962) where he was taught by Robert Henderson Blyth. He briefly studied at Hospitalfield where he met John Byrne and Sandy Fraser, who was to become a lifelong friend. Boyd moved to Glasgow and from 1967 - 1988 he taught at Glasgow School of Art before turning to painting full time. His first solo show was held in Edinburgh in 1967, after which he exhibited regularly at the RA, the RSA, the RGI and RSPP. A major retrospective of his work was held in Glasgow, in 1994. Boyd won numerous awards and was elected a member of the Royal Glasgow Institute of Fine Arts in 1982 and a member of the Royal Society of Portrait Painters in 1989. His work is held in private collections owned by, among others, the Earl of Moray and Lord MacFarlane as well as numerous corporate collections including The Fleming Collection, Bank of Ireland, Murray Johnson and Arthur Anderson. Public collections include the Paisley Art Gallery, the People's Palace, Glasgow Museums and the Lillie Art Gallery, Milngavie. He was noted for his strongly coloured landscapes, portraits and still life's, mostly in oils, with his best work being produced in the last ten years of his life.
Lot 333
oil on canvas, signed framed image size 50cm x 60cm, overall size 70cm x 80cm Note: Artist, designer and lecturer, working in oil, watercolour, gouache and pastel, born and lived in Glasgow, where he attended the Glasgow School of Art, 1953–8, taught by David Donaldson. Worked as a designer, 1960–75, began painting then and was in 1977 a part-time lecturer at Glasgow School of Art. He was President of Glasgow Art Club, 1988–91, and Honorary Secretary of Royal Glasgow Institute of the Fine Arts from 1991. Won many prizes at the Institute. Also showed at RA, RSA, RP, Fine Art Society, Seen Gallery and elsewhere in group exhibitions. Later solo shows included Barclay Lennie Fine Art, Glasgow, from 1986. HRH The Duke of Edinburgh, Arthur Andersen, The Fleming Collection, The Royal Academy, the Royal Scottish Academy and Glasgow Museums hold examples of his paintings. His extensive obituary in The Herald by Jan Patience on 8th April 2021 confirmed that Norman Kirkham had died after contracting Covid-19.
Lot 357
oil on board, signed framed and under glass image size 75cm x 100cm, overall size 90cm x 115cm Note: Artist, designer and lecturer, working in oil, watercolour, gouache and pastel, born and lived in Glasgow, where he attended the Glasgow School of Art, 1953–8, taught by David Donaldson. Worked as a designer, 1960–75, began painting then and was in 1977 a part-time lecturer at Glasgow School of Art. He was President of Glasgow Art Club, 1988–91, and Honorary Secretary of Royal Glasgow Institute of the Fine Arts from 1991. Won many prizes at the Institute. Also showed at RA, RSA, RP, Fine Art Society, Seen Gallery and elsewhere in group exhibitions. Later solo shows included Barclay Lennie Fine Art, Glasgow, from 1986. HRH The Duke of Edinburgh, Arthur Andersen, The Fleming Collection, The Royal Academy, the Royal Scottish Academy and Glasgow Museums hold examples of his paintings. His extensive obituary in The Herald by Jan Patience on 8th April 2021 confirmed that Norman Kirkham had died after contracting Covid-19.
Lot 120
oil on board, signed framed and under glass image size 19cm x 23cm, overall size 29cm x 34cm Note: Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.
Lot 187
pencil on paper, signed, titled label verso mounted, framed and under glass image size 22cm x 36cm, overall size 48cm x 61cm Label verso: Louise Kosman Modern British Art, Edinburgh Note: Born in Haddington, East Lothian in 1898, William Gillies studied at Edinburgh College of Art (ECA), where his teachers included D M Sutherland, David Alison, Adam Bruce Thomson and Donald Moodie. In 1922 Gillies graduated and became a founder member of the 1922 Group with Sir William MacTaggart, Robert Crozier, Geissler and others. In 1923 he received a Travelling Scholarship and visited Paris with Geissler, studying with Andre Lhote, before travelling on to Florence. In 1929, after a year teaching at Inverness Academy, Gillies joined ECA's staff, which now included MacTaggart with John Maxwell. During the late 1920s and 1930s Gillies developed a loose, almost Expressionist style, painting the Scottish landscape on the spot, often spending painting holidays with John Maxwell and others in Dumfries & Galloway. In 1939 he moved to the Midlothian village of Temple where the surrounding landscape provided the subject for many of his later works. He visited the villages of East Linton, Haddington, Howgate and Gifford on his motorcycle, painting in oil and watercolour. In the post war period his landscapes became more complex, using intricate patterns of roofs, winding roads, fences, trees and hedges as constructive elements. Pencil and ink outlines became important in his watercolours. He also enjoyed the east coast fishing villages whose nets and boats provided similar fascination. In 1946 he was appointed Head of Painting at ECA, becoming Principal 1960-6. Despite his full-time teaching job his art never suffered and he continued to paint landscapes, interiors and still-life right up to his death.
Lot 166
oil on board, signed, titled label verso framed and under glass image size 34cm x 26cm, overall size 56cm x 48cm Label verso: Eduardo Alessandro Studios, Dundee Note: Jack Morrocco was born in Edinburgh in 1953 and following his education at Madras College, St Andrews, started his art study at Duncan of Jordanstone College of Art in Dundee shortly after his seventeenth birthday (the youngest in his academic year). He studied under David McClure, Jack Knox and his uncle Alberto Morrocco before being selected to study at Hospital House (Arbroath) during the summer of 1973 when the visiting tutor was the renowned pop artist Sir Peter Blake. Jack was awarded a post graduate year of study (highly commended) in 1975 as well as the Farquhar Reid travelling scholarship which was spent in Paris and Florence. Having resolved to avoid a career in art education, Jack started a design consultancy which he ran successfully until 1996 but he also continued to submit his work to both the RSA and RGI. He returned to full time painting in 1997 and now works from his studios in Fife and the south of France. His paintings are enthusiastically collected in the UK and abroad and he is widely regarded as one of Scotland's foremost contemporary artists.
Lot 25
oil on canvas, signed framed and under glass image size 29cm x 29cm, overall size 51cm x 51cm Condition of the picture is good overall, with no visible or known issues. Note: Born in Belfast in 1936. Bradshaw qualified as an architect from the Architectural Association, London. Throughout his busy professional career he never lost sight of his first love – painting. In 1992, he exhibited his work in the McGilloway Gallery, Derry, with immediate and dramatic results. During the next two years he firmly established himself and the steady increase in demand for his work led him to taking early retirement in June 1995 so that he could devote all his time and energy to painting. He currently paints in oil, watercolour and acrylic media and has held tutorials for mature students. Bradshaw’s motivation to paint stems from his great love of the natural world and the unique and ever changing nature of the Irish countryside throughout each day and from season to season. While his primary concern is to portray the moods of Ireland in a realistic and unpretentious manner—his interest in sunlight, both direct and indirect and the way in which it variously affects everything, can also be found in his still life and interior paintings. He views his efforts as a painter as a direct link with his maternal grandmother—a Baltinglass, Co. Wicklow lady who was, by reputation, an artist of very considerable talent. In March, 1996, Bradshaw was lead painter in a “No Boundaries” exhibition staged in City Hall, Boston. U.S.A. at the request of the then major—Mr. Thomas Menino. The purpose of the event was to promote the attractions and great beauty of the N.W. Region of Ireland in furtherance of the peace process and as portrayed through the eyes of local cross border/cross community artists. This was the fourth in a series of “No Boundaries” exhibitions that he and his wife were instrumental in organising in association with a Donegal gallery and the American Embassy, Dublin.
Lot 199
oil on board, signed and dated '83 mounted, framed and under glass image size 30cm x 40cm, overall size 48cm x 57cm Note: Hugh McIntyre has been based in Dumfries & Galloway for many years and was involved with the management of the Gracefield Arts Centre during the early 1970s. He became a full-time painter in the mid 1970s and has exhibited his artwork, which focuses mainly on landscape painting, throughout the UK. He attended the Rhode Island School of Design, USA, and the Edinburgh College of Art. McIntyre`s work is included in the collections of H.R.H. The Prince of Wales (now HM King Charles III) and the Late Princess of Wales, The British Linen Bank Headquarters, Edinburgh, The Bank of Scotland, Galerie Chomarat, Lyon, Galerie Maison Jardin, Lyon, P.D.C, New York, Ashai Optical Co.Ltd, Tokyo, Brunel University, Hilton International, Albert Fisher Group PLC, Tommy Hilfiger and many other public and private collections. McInyre exhibits widely and has been represented by Contemporary Fine Art (Eton) since 1990.
Lot 2162
*** Cecil Rochford Doyly-John (1906 - 1993), a framed boldly executed Oil on canvas depicting a French Riviera town square on market day with colourful buildings, figures conversing on the pavements, canopied stalls and a lady flower seller under the shade of a tree, signed lower right, 20" x 23 3/4" approx. (Some doubt has been raised concerning the authenticity of this painting and Buyers should form their own view).
Lot 760
FANTASIA (1940) - William Plumb Collection: Framed Hand-Painted Rob Kaz "The Glorious Colors of Music" Artwork - A framed painting by licensed Disney artist Rob Kaz entitled "The Glorious Colors of Music." The artwork depicts characters from various segments of Walt Disney's Fantasia, including Chernabog from "Night on Bald Mountain/Ave Maria" and Mickey Mouse with one of his anthropomorphic broomsticks from "The Sorcerer's Apprentice."This painting comes from the personal collection of William Plumb. It is rendered in oil on canvas, signed by Kaz in pink in the bottom corner, and mounted against black matte board inside a brown wooden frame. The painting is inscribed with a note to Plumb and numbered "56500081C" on the reverse by Kaz. Its backing and frame exhibit minor scratches. Dimensions: 45" x 20" x 4" (114.5 cm x 51 cm x 10.25 cm)Sold without copyright; see notice in the Buyer's Guide.Estimate: $3,000 - 6,000Bidding for this lot will end on Friday, August 16th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Saturday, August 17th or Sunday, August 18th.
Lot 754
DISNEYLAND PARK - Framed Hand-Painted Maggie Parr "Partners at Magic Hour" Painting - A framed painting titled "Partners at Magic Hour" hand-painted by Walt Disney Imagineer Maggie Parr. Parr contributed design work to Disney's many theme parks, including Disneyland's Toontown and Walt Disney World's Animal Kingdom.This 2008 painting of "Partners" - Blaine Gibson's iconic statue of Walt Disney and his most famous creation, Mickey Mouse, in front of Disneyland's Sleeping Beauty Castle - is rendered and signed by Parr in oil on canvas. It comes mounted inside an ornate, metal-studded wooden frame affixed with a hanging wire. The frame exhibits damage in several places, including a breakage to its top back edge, tearing to its construction paper backing, and chipping on its bottom edge. Dimensions: (approx.) 31" x 37.5" x 2" (78.75 cm x 95.25 cm x 5 cm)Sold without copyright; see notice in the Buyer's Guide.Additional Provenance: Disney Certificate of Authenticity.Estimate: $5,000 - 10,000Bidding for this lot will end on Friday, August 16th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Saturday, August 17th or Sunday, August 18th.
Loading...-
75341 item(s)/page