We found 8781 price guide item(s) matching your search
There are 8781 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
8781 item(s)/page
Lot 599
*ISABEL LAMBERT RAWSTHORNE (NÉE NICHOLAS) (1912-1992) Double portrait circa 1960s, oil on canvas, 60cm x 50cmProvenance: The picture was inherited by descent from mother to daughter. The mother was friends with both Constant Lambert and Alan Rawsthorne (two of Isabel's husbands), as part of the same music circle. She remained friends with Isabel right up her twilight years when she lived in a cottage in Essex. Indeed the daughter vividly recalls visits, and the kind donation of old canvases to her brother as a young artist.Note: Isabel has been subjected to relative obscurity, probably due to her name changes from three marriages, and from being dismissed by society as merely the striking studio model, lover or muse of artistic icons such as Alberto Giacometti, Pablo Picasso, and Francis Bacon. Despite highly acclaimed exhibitions in the 50s and 60s, she has only recently received serious renewed recognition, which is now gaining pace and several paintings have entered public collections as a result.From a humble background she studied at the Liverpool College of Art, later winning a scholarship to the Royal Academy in London. After working with Jacob Epstein she moved to Paris to study at the Academie de la Grande Chamiere and associated with Giacometti, Tristan Tzara and the Surrealist Circle. Throughout her life she was within leading artistic circles, be they composers, dancers, artists or writers. It is notable that she became a respected scenery and costume designer for ballet and opera productions at the Royal Opera House.From 1949 she and Bacon showcased their figurative brand of modern art at the Hanover Gallery and exhibited in the ICA and British Council. Indeed the critic David Sylvester ranked her alongside Bacon, Lucien Freud, John Craxton and Peter Lanyon.It was during the 1960s and 1970s, with the deaths of Giacometti and her third husband, that the ethereal double portraits emerged and where the distinctive dead and sculpted likenesses evolved. This painting is almost certainly one of a portrait series of her late husband Alan Rawsthorne and his sister Barbara. The spectral faces dissolve into a void-like background, capturing the fragility of the human body. The doubling effect suggests the mirrored ballet studios in which she drew dancers at their craft. The grainy texture, created with sand highlighted with hints of pink, yellow and white, emphasises the shafts of light and the window behind.
Lot 5001
Pablo Picasso (spanisch, 1881 - 1973), Don Quixote, Lithographie auf Velin (Wasserzeichen Widderkopf oben rechts), 1955, unten rechts in blau signierter Abzug ohne Text vor der Verwendung als Plakat. Werkverzeichnis Picasso et la Presse Nr. 240, Maße: 52 x 36 cm. Guter, altersbedingter Zustand.
Lot 226
Picasso, Pablo (1881 Málaga - Mougins 1973) Nach "Le Faune". Aquatintaradierung auf festem Japan, re. u. mit Bleistift sign. und li. u. nummeriert Ex. 9/200, um 1958. Herausgegeben vom Atelier Crommelynk mit deren Trockenstempel unten links. Ca. 30,2 x 25,3 cm (54,8 x 42,8 cm). PP., R. Vgl. Verzeichnis Maeght 2101.
Lot 610
Picasso, Pablo, *25. Oktober 1881, Malaga, +8. April 1973 , Mougins: Erotisches Paar mit Putto und Betrachtern 19.5. 68 /1 Nr. 34 von 50Aquatinta- Radierung und Kaltnadel auf Rives Bütten, Plattengrösse 354,7x30cm mit Bleistift signiert und limitiert 34/50. Passe Partout, Museumsglas und moderne Galerieleiste. Aus der Folge von 347 Radierungen in verschiedenen Tiefdrucktechniken, die Picasso zwischen dem 16. März und dem 5. Oktober 1968 in Mougins (Südfrankreich) ausführte, jede mit Bleistift signiert und mit 50 limitiert . Es wurde bei Aldo und Piero Crommelynck gedruckt und von der Galerie Louise Leiris, Paris, herausgegeben. WV. Baer 1986-96 / Picasso Peintre-Graveur, 7 Bände und Nachtrag (1596.Bb1) Bloch 1974-9 / Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, 3 Bände (1580) In der Platte spiegelverkehrt bez: 19.5.68. I.
Lot 554
Picasso, Pablo, *25. Oktober 1881, Malaga, +8. April 1973 , Mougins: "Carnet de Californie" 299/500, Skizzen von 1955Kopie des Skizzenheftes von 1955. Div. Farblithographien und Seriegraphien von Mourlot/Duval. Bei DuMont Köln - Deutsche Ausgabe Nr. 299 von limitierten 500. Mit Beiheft, Mappe und Schuber, 28 x 44cm, Z1-2.
Lot 1381
FERNAND MOURLOTSouvenirs et portraits d’artistes. Jacques Prévert: Le coeur á l’ouvrage. Paris/New York: Mazo/Amiel 1972. 32,3 x 25,3 cm. Mit 24 (von 25; 18 farb., 1 doppelblattgr.) OrLithographien verschiedener Künstler. 245 SS., 1 nn. S., 3 Bll. Lose Bogen in OrUmschlag und OrLn.-Kassette mit Rt.(Umschlag leicht gebrauchsfleckig. Es fehlt die OrGraphik von Miró.)Nr. 354 von 800 Ex. auf Vélin d'Arches. - Freundschaftsbuch der bedeutendsten französischen lithographischen Anstalt des 20. Jahrhunderts. - Mit OrLithographien von Maurice Brianchon (L’Arlequin), André Masson (Le départ), André Beaudin (Feuilles évadées), Apel·les Fenosa (Tramontane), Maurice Estève (Alalito), Henri Matisse (Studie für das Buch „La Religieuse Portugaise“), Paul Guiramand (Intérieur), Kostia Terechkovitch (Cavalier tunisien), Georges Braque (Profil de femme [M. 25]), André Derain (Buste de femme [1950]), Pablo Picasso (Le seigneur et la dame [M. 322]), Paul Jenkins (Composition pour Eric; doppelblattgr.), Jean Cocteau (Manuscrit), André Minaux (La femme et l’oiseau), Jacques Villon (Portrait d’une jeune fille), Marc Chagall (Bouquet pour Fernand), Giacometti (Fleurs), Bernard Buffet (Les ombelles), Paul Wunderlich (Torso sur une pierre bleue), Paul Delvaux (Confidences), Victor Vasarely (Beryll), Alfred Manessier (La tache rouge), Charles Lapicque (Le chant des oiseaux) und Graham Sutherland (Hybrid). - Es fehlt das Farblitho von Joan Miró "Jaillie du calcaire".
Lot 1382
PABLO PICASSOPIERRE REVERDY: Le chant des Morts. Poèmes. Lithographies originales de Pablo Picasso. Paris: Text, Draeger Freres; Lithogr. Mourlot Frères 1948. 42,3 x 32,2 cm. Mit 125 (davon 2 auf den Deckeln) OrLithographien von P. Picasso. 116 SS. Lose Bögen in illustr. Papierumschlag in grauem OrLeinenumschlag mit Rt. in grauem OrLeinenschuber.(Schuber leicht berieben und minimal beschmutzt; Leinenumschlag leicht berieben; teils deutlicher Abklatsch; geringfügige Bräunung des Papiers.)Nr. 55 von 250 Exemplaren (GA 270). - Im Druckvermerk von Reverdy und Picasso signiert. - Cramer, Picasso, No. 50. - "At first, Picasso thought he would illustrate the text in the usual way - that is, with illustrations separated from the text. The artist changed his mind, however, and decided instead to illustrate Reverdy's text page by page, in the manner of the old illuminated manuscripts." (Cramer).
Lot 387
Pablo Picasso (1881-1973), lithograph in colours on paper, Toros Vallauris 1958, signed and dated in the plate, 21.5cm x 18cm, mounted, glazed and framed. Thislithograph is printed by Mourlot Freres, the original printer of the poster. It is an exact reprint of the original 3 colour linocut poster in all but size
Lot 170
Picasso (Pablo).- Ovid. Les Metamorphoses, one of 95 copies on Arches laid, from an edition of 145 copies signed by the artist, signed by Picasso in pencil to half-title verso, 30 etchings by Picasso, of which 15 loose as plates and 15 within text, unsigned, initials in red throughout, a very few scattered and faint spots or a tiny amount of browning to very edges of a few ff., loose as issued, original printed wrappers and glassine jacket, edges uncut, within original chemise, scattered spots to verso, light abrasions to corners (likely due to tight slip-case), original slipcase, a few light abrasions and marks, [Cramer, Pablo Picasso The Illustrated Books: Catalogue Raisonné (1983), 19; Museum of Fine Arts Boston, The Artist and the Book 1860-1960 (1961), 224], 4to, Lausanne, Albert Skira, 1931.*** The first of Picasso's major illustrated books.
Lot 27
After Pablo Picasso (Spanish, 1881-1973). Set of two polished bronze figural sculptures titled "L'Homme et la Femme" depicting a male and female figure cast after a 1965 terracotta mold by the artist. Both with etched signature along the front of the base; editioned 169/175 along the right side of the base.Lot Essay:Pablo Picasso stands as one of the most renowned and prolific artists of the 20th century, whose innovative and groundbreaking work revolutionized the course of Western art. Born in Malaga, Spain, Picasso demonstrated exceptional artistic talent from a young age and received formal training at various art academies. His early works, influenced by Symbolism and the Blue and Rose Periods, showcased his versatility and mastery of traditional techniques.Picasso's career underwent a seismic shift with the advent of Cubism, a movement he co-founded alongside Georges Braque. Cubism shattered conventional notions of perspective and representation, presenting multiple viewpoints simultaneously and breaking objects down into geometric forms. Picasso's seminal work "Les Demoiselles d'Avignon" (1907) marked a turning point in art history, foreshadowing the radical innovations that would follow.Throughout his prolific career, he continued to push artistic boundaries, experimenting with diverse styles and mediums, including sculpture, ceramics, and collage. His involvement with Surrealism and his exploration of African and Iberian art further enriched his artistic vocabulary.Picasso's influence transcended the confines of the art world, shaping the cultural landscape of the 20th century and beyond. His legacy as a visionary artist, innovator, and provocateur continues to resonate, inspiring generations of artists and sparking dialogue about the nature of creativity and artistic expression. Through his relentless pursuit of innovation and his fearless embrace of experimentation, he left an indelible mark on art history, cementing his status as a titan of modernism and one of the most enduring figures in the pantheon of great artists.Each, height: 11 3/4 in x width: 6 in x depth: 3 3/4 in.Condition: There are no dents, losses, or repairs. Light wear along the underside. Some dust throughout.
Lot 26
Pablo Picasso (Spanish, 1881-1973). Graphite sketch on graph paper titled "Self Portrait with Marie-Therese Walter," depicting two portraits along the front of the artist and his lover and model, Marie-Therese Walter (French, 1909-1977). She was the mother of their daughter Maya Widmaier-Picasso (1935-2022). The verso of this piece renders several sketches of various objects including a wardrobe cabinet, a ball, a cage, a snail, a human figure, a dog, and an elegant hound voiding his bowels.Provenance: The Estate of Marie-Therese Walter, France; Private collection, Minnesota.Literature: Josep Palau I Fabre, "Pare Picasso," Barcelona: Ediciones Poligrafa, 1977.Lot Essay:A multi-faceted artist who worked as a sculptor, painter, printmaker, and theater designer, Pablo Picasso is known as the co-founder of the Cubist movement and regarded as one of the most influential artists of the 20th century.The artist was born on October 25, 1881 in Malaga, Spain to Don Jose Ruiz y Blasco (1838–1913) and Maria Picasso y Lopez. His father was a naturalist painter of birds and game as well as a professor of art at the School of Crafts and a curator of a local museum. From the early age of seven, Picasso received formal traditional artistic training from his father, copying work from old masters and rendering the human body through the use of live models and plaster casts.This training took place throughout Picasso’s childhood. In 1891, his family moved to A Coruna where they resided for four years while his father took a position at the School of Fine Arts there. Picasso’s artistic capabilities grew, and even Ruiz claimed that his son had surpassed his own talents. In 1895, his sister, Lola, died from diptheria, and the family moved once again, this time to Barcelona. As a professor at the School of Fine Arts, his father persuaded the institution to let Picasso take the entrance exam for advanced classes at the mere age of thirteen. Though this process typically took a month to complete, Picasso finished in a short week and was accepted into the advanced courses. At age sixteen, Picasso’s father and uncle sent him to the Real Academia de Bellas Artes de San Fernando in Madrid. However, soon after enrollment Picasso stopped attending classes but was instead invigorated by attractions such as the Prado with artistic works by masters Diego Velazquez, Francisco Goya, Francisco Zurbaran, and El Greco.By the time Picasso married his first wife, Olga Stepanovna Khokhlova, in 1918, he had risen to success and acquired some fame and fortune as a forerunner of the Cubist movement, though this contrasted greatly with his humble “starving artist†beginnings and continuing bohemian lifestyle. Khokhlova came from high society and introduced her new husband to formal dinner parties and life of the rich in Paris during the 1920s. This clashed with Picasso’s own world views and inevitably led to the couple’s demise.A long-standing secret affair began in 1927 between Picasso and the then 17-year-old Marie-Thérèse Walter. In 1935, Marie became pregnant and it was then that a friend told Khokhlova about Picasso’s mistress. Khokhlova and Picasso separated, never divorcing, until Khokhlova’s death in 1955. On September 5, 1935, Marie and Picasso’s child, Maria de la Concepcion, called "Maya", was born. Though Picasso financially supported Marie and Maya throughout his life, he never married her and had a number of affairs with other women.Marie was a model and muse for many of Picasso’s paintings, sculptures, and drawings including the sketch seen in this lot. She is typically portrayed as bright and blonde in contrast to the weeping woman persona of Picasso’s other lover, Dora Maar. Though the sketch on the recto of the artist and his lover is masterful and typical of Picasso’s greatest works, the verso renders drawings of dogs, a snail, and other random objects created for the amusement of his daughter, Maya. Both sides demonstrate Picasso’s virtuoso and ability to be playful yet skillful in his artistic works.Height: 5 3/4 in x width: 3 3/4 in.Condition: The drawing is in good condition overall. The drawing is executed on graph paper and has a deckled edge along the right. There is a paper loss along the lower right. A repair to a 1 inch tear that goes from the upper right edge, diagonally downward. Some areas of skinning along the upper left and right corners. Some light surface soiling. Some minor losses and one small tear along the lower edge. The drawing bears light impressions of the drawings on the verso. The drawing is not framed.
Lot 1051
Ginés Parra, Spanish 1896-1960 - Composition; oil on canvas, signed, titled and inscribed on the reverse 'Parra F. 44 Registro 19', 65 x 54 cm (unframed) (ARR) Provenance:a Private Collection of French Naturalist PaintersNote:Parra was part of a group of important Spanish artists fundamental in the avant-garde formation of the École de Paris, alongside Pablo Picasso, Antoni Clavé, Francisco Bores and Joaquín Peinado. The thick impasto of his work is reminiscent of Georges Rouault and his dynamic and layered compositions show an influence of Cubism which was being explored at the time by fellow artists. He exhibited at the Société Nationale des Beaux-Arts, the Salon d’Automne and the Salon des Indépendants. In 2020, a bust of Parra was erected in his birth place of Zurgena, Spain where there are plans to open a museum dedicated to his work.
Lot 1052
Ginés Parra, Spanish 1896-1960 - Tête égyptienne; painted plaster, H24 x W16.5 x D16.7 cm (ARR) Provenance:a Private Collection of French Naturalist PaintersNote:Parra was part of a group of important Spanish artists fundamental in the avant-garde formation of the École de Paris, alongside Pablo Picasso, Antoni Clavé, Francisco Bores and Joaquín Peinado. The thick impasto of his work is reminiscent of Georges Rouault and his dynamic and layered compositions show an influence of Cubism which was being explored at the time by fellow artists. He exhibited at the Société Nationale des Beaux-Arts, the Salon d’Automne and the Salon des Indépendants. In 2020, a bust of Parra was erected in his birth place of Zurgena, Spain where there are plans to open a museum dedicated to his work.
Lot 1049
Ginés Parra, Spanish 1896-1960 - Tête riante; painted plaster, H24 x W28.2 x D19.5 cm (ARR) Provenance:a Private Collection of French Naturalist PaintersNote:Parra was part of a group of important Spanish artists fundamental in the avant-garde formation of the École de Paris, alongside Pablo Picasso, Antoni Clavé, Francisco Bores and Joaquín Peinado. The thick impasto of his work is reminiscent of Georges Rouault and his dynamic and layered compositions show an influence of Cubism which was being explored at the time by fellow artists. He exhibited at the Société Nationale des Beaux-Arts, the Salon d’Automne and the Salon des Indépendants. In 2020, a bust of Parra was erected in his birth place of Zurgena, Spain where there are plans to open a museum dedicated to his work.
Lot 1050
Ginés Parra, Spanish 1896-1960 - Deux femmes assises sur un rocher face à un lac et une forteresse; oil on canvas, signed lower right 'Parra', 54 x 65.4 cm (unframed) (ARR) Provenance:a Private Collection of French Naturalist PaintersNote:Parra was part of a group of important Spanish artists fundamental in the avant-garde formation of the École de Paris, alongside Pablo Picasso, Antoni Clavé, Francisco Bores and Joaquín Peinado. The thick impasto of his work is reminiscent of Georges Rouault and his dynamic and layered compositions show an influence of Cubism which was being explored at the time by fellow artists. He exhibited at the Société Nationale des Beaux-Arts, the Salon d’Automne and the Salon des Indépendants. In 2020, a bust of Parra was erected in his birth place of Zurgena, Spain where there are plans to open a museum dedicated to his work.
Lot 33
PABLO PICASSO (SPANISH 1881-1973) MÈRE ET ENFANTS (B.737) - 1961 Etching with aquatint on Arches laid paper, un-numbered impression aside from the edition of 50, signed in pencil to margin, published by Galerie Louise Leiris the plate 25.4cm x 30.5cm (10in x 12in) Sotheby's, London, Old Master, 19th and 20th Century and Contemporary Prints, 12 December 1991, lot 535; Private Collection, U.K.
Lot 60
PABLO PICASSO (SPANISH 1881-1973), AFTER BOUQUET DE FLEURS (CZWIKLITZER 130) - 1958 Colour lithograph on Chiffon de la Dore wove paper, 43/200, signed and numbered in pencil, signed and dated in plate, published by Éditions Combat pour la Paix, Paris the sheet 66cm x 51cm (26in x 20in), unframed
Lot 82
David Bomberg, British 1890-1957 - Farm Field, Talgwyn, Red Wharf Bay, 1944; oil on canvas, signed and dated lower right 'Bomberg 44' and bears inscription with title on the reverse of the stretcher, 58.5 x 76 cm (ARR) Provenance: with Boundary Gallery, London (by repute); private collection, London, purchased in 1983 Note: the owner of the work was a close friend and client of Agi Katz, founder and director of Boundary Gallery, who specialised in the work of David Bomberg and other Jewish and émigré artists in Britain; Rosebery's were responsible for selling her Estate in 2022. The work is listed in an inventory made by Agi Katz of the owner's collection. Made towards the end of the Second World War, Bomberg visited Angelsea with his family in 1944, making a number of works of Talgwyn Farm as a respite from the more urban works he had been making. Richard Cork has described these as showing his 'impulsive emtional reaction to the landscape'. This followed an important commission for the War Artists Advisory Committee in 1942 to paint an underground bomb store at RAF Fauld in Tutbury, creating a small body of works that were highly abstracted and almost geometric in form. Bomberg would make more trips across the UK in 1946, making a series of similarly expansive landscapes of Cornwall, Devon and Scotland. These landscapes present a renewed engagement with nature itself and a large number of these are now in public collections including 'Evening, Cornwall, 1947' (Herbert Art Gallery & Museum, Coventry), 'Bideford, Devon, 1946' (Royal Albert Memorial Museum & Art Gallery, Exeter) and a related Welsh landscape, 'Talgwyn Farm, Red Wharf Bay, Anglesea, 1944' (The Art Gallery of Western Australia, Perth). David Bomberg was a member of the Whitechapel Boys. He studied at the Slade School of Art under Henry Tonks, and alongside artists such as Stanley Spencer, Ben Nicholson, and Paul Nash. He was awarded the Slade Prize for drawing in 1913, after which he travelled to France, meeting contemporaries such as Pablo Picasso and Amedeo Modigliani. In 1914 he co-curated an exhibition with Jacob Epstein, in which his works were shown alongside those of Modigliano, Kisling, and other prominent Jewish artists living in France. His first solo exhibition was held at the Chenil Gallery in 1914, where visitors included Augustus John, Marinetti, Duchamp and Brancusi. Bombergs work has been the subject of a number of solo exhibitions, including at the Israel Museum in 1983, at the Tate in 1988, and at the Whitechapel Gallery in 1979 when under the directorship of Nicholas Serota. His works are currently held at MoMA in New York, the Art Institute in Chicago, the Tate in London and National Galleries of Scotland, Edinburgh.
Lot 87
Emmanuel Mané Katz, Ukrainian 1894-1962 - Contrebasiste; bronze, signed, stamped with foundry mark and numbered 'EA', H47.3 x W22 x D14 cm (ARR) Provenance: with O'Hana Gallery, London (according to the previous cataloguing of the work); Phillips, 30th November 1987, lot 201; private collection, purchased from the above Note: Although born in Ukraine the artist lived and worked the majority of his life in Paris, becoming affiliated with the School of Paris from the 1920s onwards, and working closely alongside Pablo Picasso. This particular painting was completed later in his career and is typical of his oeuvre of this period. His expressive brushstrokes and interesting use of colour create a bold and dynamic composition.
Lot 163
ENGLISH SCHOOL, 20th century. A caricature of Pablo Picasso holding a paintbrush standing in front of his 1937 painting “Guernica”, signed with initials MH, pen & wash on paper, 42cm x 49cm, framed & glazed (68cm x 52.5cm). Provenance: Purchased from Portobello Road Market, London in the early 2000’s.
Lot 93
Pablo Picasso (1881-1973). Henkelkrug „Cruchon Hibou“, bunt bemalt mit Eulendekor. Keramik, mit Blindstempel und am Boden beschriftet mit „Edition Picasso Madoura.“ und „Madoura Plein Feu“ (H=26,5 cm). Provenienz: Erworben in der Galerie D'Art, Le Plan - Vallauris - mit originalem Ausstellungsetikett der Galerie. Vgl. Alain Ramié, „Picasso: Catalogue de l'œuvre céramique édité 1947-1971“, Nr. 293.
Lot 258
Pablo Picasso (1881-1973) after.Le Verre d’AbsintheEtching with aquatint printed in colours, 1972, signed in pencil, numbered from the edition of 300, printed and published by Atelier Crommelynck, Paris, with their blindstamp, on Arches paper, with full margins, sheet 632 x 835mm (24 7/8 x 32 3/7in)
Lot 259
Pablo Picasso (1881-1973) after.Intérieur Rouge avec une Transatlantique BleuEtching with aquatint printed in colours, 1959, signed in red pencil, numbered from the edition of 300, printed and published by Atelier Crommelynck, Paris, with their blindstamp, on BFK Rives paper, with full margins, sheet 658 x 498mm (25 7/8 x 19 5/8in)
Lot 253
Pablo Picasso (1881-1973)Cauchemar, from Series 347 (Bloch 1730)Aquatint, 1968, signed in pencil, one of seventeen unnumbered artist's proofs aside from the edition of 50, published by Galerie Louise Leiris, Paris, on BFK Rives wove paper, with full margins, sheet 324 x 438mm (12 3/4 x 17 1/4in)Provenance: Ex. coll. Marina Picasso, with inkstamp verso.
Lot 241
Pablo Picasso (1881-1973)Famille de Saltimbanques (Bloch 163)Etching, 1933, signed in pencil, from the edition of 250, as included in La Suite Vollard, published by Ambrose Vollard, Paris, on Montval laid paper, with the Picasso watermark, with full margins, sheet 337 x 445mm (13 1/4 x 17 1/2in)
Lot 262
Pablo Picasso (1881-1973) after.Nature Morte Aux Poires et au PichetEtching with aquatint printed in colours, 1960, signed in pencil, numbered from the edition of 300, printed and published by Atelier Crommelynck, Paris, with their blindstamp, on Arches paper, with full margins, sheet 500 x 622mm (19 5/8 x 26in)
Lot 249
Pablo Picasso (1881-1973)Plate 12, from Le Cocu Magnifique (Bloch 1255; Cramer 140)Etching with aquatint and drypoint, 1966, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, on Auvergne Richard-de-Bas wove paper, with full margins, sheet 370 x 478mm (14 1/2 x 18 3/4in)
Loading...-
8781 item(s)/page