nach Salvador Dali, "Der logische Teufel"Arbeit zu Dante Alighieris "Die göttliche Komödie" Graphik nach einem Gemälde von 1951, Werksverzeichnis Mischler/Löpsinger 1065, Farbxylographie auf leichtem Karton, 1960, Darstellungsmaße ca. 24,7 x 18 cm, Blattmaße ca. 33 x 26 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkrieges in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol. Quelle: Thieme-Becker/Vollmer, Allgemeines Lexikon der Bildenden Künstler, Verlag Seemann Henschel GmbH & Co. KG.
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nach Pablo Picasso, Don Quijote zu Pferd mit wenigen Strichen angedeuteter Reiter zu Pferd mit Lanze, aus "Toros y toreros", Farbsiebdruck, im oberen Bereich im Druck datiert "5.7.(19)59" und nummeriert "I", unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 42 x 29,5 cm. Künstlerinfo: spanischer Maler, Graphiker und Bildhauer (1881 Malaga bis 1973 Mougins), studierte 1895 an der Kunsthochschule Barcelona, 1897 kurzzeitig an der Akademie San Fernando in Madrid, 1900 erster Parisaufenthalt, 1903 Übersiedlung nach Paris, tätig auch in Vallauris, Antibes, Aix-en-Provence und Mougins, Quelle: unter anderem Thieme-Becker, Vollmer und Wikipedia.
Seltener PICASSO-Teller "Tête de chèvre de profil" (Ziegenkopf im Profil). Werkstatt Madoura (Georges und Suzanne Ramié), Vallauris/Frankreich. Prägemarke "Madoura Plein Feu" und "Empreinte Originale de Picasso", ohne Exemplar-Nummer. Entwurf: Pablo PICASSO (1881 Málaga - 1973 Mougins), 1950. In einer Auflage von 50 Exemplaren gefertigt.Weiße Fayence, oxidierte Paraffinbemalung und weißes Emaillebad, Braun und Grün. 25,5 x 25,5 cm. Quadratischer Teller mit gerundeten Ecken. Stilisierte Bemalung mit dem Profil eines Ziegenkopfes und Blumen. Kleine Bestoßung am Standring.Der spanische Künstler Pablo Picasso war einer der bedeutendsten Maler, Grafiker und Bildhauer des 20. Jahrhunderts. Er studierte in Barcelona und Madrid und lebte seit 1904 in Frankreich. Im provenzalischen Dörfchen Vallauris gestaltete und formte Picasso über einen Zeitraum von etwa 10 Jahren in der Werkstatt "Madoura" des Töpferehepaares Ramié verschiedenste Keramiken, nach deren Originalen eine Vielzahl von Repliken entstand.Literatur : Alain Ramié, Picasso, Cataloque de l`oeuvre céramique édité 1941-1974, Madoura, S. 60, Abb. 107.Provenienz : Süddeutscher Privatbesitz.| Nachtrag 18.02.24: kleiner Glasurabplatzer am oberen RandAufrufzeit 23. | Feb 2024 | voraussichtlich 10:47 Uhr (CET)Rare PICASSO plate "Tête de chèvre de profil" (goat's head in profile). Workshop Madoura (Georges and Suzanne Ramié), Vallauris/France. Mintmark "Madoura Plein Feu" and "Empreinte Originale de Picasso", without copy number. Design: Pablo PICASSO (1881 Málaga - 1973 Mougins), 1950, produced in an edition of 50.White faience, oxidized kerosene painting and white enamel bath, brown and green. 25.5 x 25.5 cm.Square plate with rounded corners. Stylized painting with the profile of a goat's head and flowers. Small knock to the base ring.The Spanish artist Pablo Picasso was one of the most important painters, graphic artists and sculptors of the 20th century. He studied in Barcelona and Madrid and lived in France from 1904. In the small Provençal village of Vallauris, Picasso designed and shaped a wide variety of ceramics over a period of around 10 years in the "Madoura" workshop of the Ramié pottery couple, after whose originals a large number of replicas were created.Literature : Alain Ramié, Picasso, Cataloque de l`oeuvre céramique édité 1941-1974, Madoura, p. 60, fig. 107.Provenance : South German private collection.Aufrufzeit 23. | Feb 2024 | probably 10:47 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
â–´ After Pablo Picasso Woman Leaning, 1938offset lithograph in colours, numbered '10/200' in pencil l.l., bears printed signature, published by Fundación Museo Picasso Málaga with blind stamp and further printed authentication versosheet 70 x 50cm, unframedCondition ReportPreviously rolled. A couple of very slight handling creases to the margins but presents well overall.
Picasso, Pablo: (1881 Malaga - Mougins 1973). Grey face (Visage gris). Teller aus weißem Steingut-Ton, farbig gefasst und partiell glasiert, 1953. 32 x 38 x 4,5 cm. Auf d. Unterseite bezeichnet "EDITION PICASSO MADOURA" und mit den Stempeln "MADOURA PLEIN FEU" u. "EDITION PICASSO". Ramié, WVZ-Nr. 206. Eines von 500 Exempl. - Provenienz: Deutscher Privatbesitz. - Winzige Abplatzung der Glasur oben. D
Picasso, Pablo: (1881 Málaga - Mougins 1973), nach. Liegende Frau und Mann mit Hut. Farboffsetlithographie. 1962. 27 x 32,4 cm. Hinter Passep. â•”Dabei: Ders., nach.â•— Le Hibou u. Chouette. 2 Serigraphien. 2000/01. 34,5 x 25 cm. Blgr. 59 x 49,7 cm. - â•”Salvador Dalí, nach.â•— La main. Lithogr. Aus: Hommage à Meissonier, Atelier Desjobert, Paris 1967. â•”Jean Cocteau, nach.â•— La machine à écrice u. Bachus. 2 Farblithogr. Aus: Théatre, Mourlot, Paris 1957. D
Picasso, Pablo.: Sammlung von 12 Bl. Lithographie, Offset. Vesch. Formate. 1950-60er u. 2000/01 bei Cercle d'Art, Eluard, IeriLeiris, Draeger Frères, Hatje, Sabam. â•”Dabei: Ders., nach.â•— La Corrida. Offsetlithographie. 1961. Blgr. 36,7 x 26,5 cm. - â•”Dabei: Henri Matisse.â•— Sirène u. Nu. 2 Offsets bei Sabam, Belgien 2000. zus. 14 Bl. D
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.25 x 12 (image), 13.2 x 9.25 (sheet). Printed circa 1970sVerso is blank.Mounted to archival quality paper.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 7.6 x 9.7.Verso is blank.Mounted to archival quality paper.
Slim Aarons (1916–2006) was an American photographer known for his iconic images of the American and European elite, celebrities, and socialites, particularly during the mid-20th century. His work often captured the lifestyles of the rich and famous in glamorous settings. Here are some key points about Slim Aarons:1. **Early Life:** George Allen Aarons, known as Slim, was born on October 29, 1916, in Manhattan, New York.2. **World War II Service:** Aarons served as a combat photographer during World War II, capturing scenes from the front lines. After the war, he transitioned to photographing the world of leisure and luxury.3. **Photographic Style:** Aarons' style is characterized by his ability to capture candid moments of affluent individuals in their natural environments. His photos often exude a sense of elegance, sophistication, and leisure.4. **Famous Works:** One of his most famous photographs is "Poolside Gossip," taken in 1970 at the Kaufmann Desert House in Palm Springs, California. This image has become an iconic representation of a glamorous lifestyle.5. **Social Circles:** Aarons gained access to high society and social circles, allowing him to photograph celebrities, artists, business tycoons, and aristocrats. His subjects included people like Audrey Hepburn, Marilyn Monroe, and Pablo Picasso.6. **Publications:** Aarons' work appeared in various magazines, including Life, Town & Country, and Holiday. He published several books, including "A Wonderful Time: An Intimate Portrait of the Good Life" (1974) and "Slim Aarons: Once Upon a Time" (2003).7. **Later Years:** In his later years, Aarons continued to photograph high-profile individuals and events. His work has been exhibited in galleries and museums worldwide.8. **Legacy:** Slim Aarons' photographs are not only celebrated for their aesthetic appeal but also for capturing a particular moment in time. His images provide a window into the world of the privileged and stylish during the mid-20th century.9. **Death:** Slim Aarons passed away on May 29, 2006, in Montrose, New York.Slim Aarons' photographs continue to be popular, appreciated not only for their artistic quality but also for the insight they provide into the lifestyles of the rich and famous during a bygone era.Measures 16 x 20.Nelda Linsks house.Embossed on bottom right.Comes with COA.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography.Measures 9.25 x 12.Printed circa 2000s.Verso is blank.Mounted to archival quality paper.
Picasso, PabloMalaga, 1881 - Mougins, 1973Blattgröße: 44,5 x 33,5 cm; 26,7 x 19,4 cm, R."Jeune sculpteur au travail", 1933. Radierung auf Bütten mit Picasso Wasserzeichen. Blatt 46 aus der Folge "Suite Vollard". In Bleistift unten rechts signiert, in der Platte datiert. Auflage: 260 Exemplare.Bloch, 156.Galerie Schrade - Schloß Mochental, Ehingen.Privatsammlung, Baden-Württemberg, dort 1995 erworben.
Das Gebetbuch der Claude de France Entstanden: 1517, Tour, Frankreich New York, Morgan Library & Museum Format: 6,9 x 4,9 cm Umfang: 104 Seiten Miniaturen: Ganz- und doppelseitige Miniaturen mit 132 Szenen, zahlreiche Partien aus schimmerndem Muschelgold, feinste Farbabstufungen, Goldschnitt, Exlibris von Pablo Picasso Einband: Burgunderroter Samteinband mit vergoldeten Auflage: 980 limitierte Exemplare inkl. Kommentarband. Expl. Nr. 324 New York, The Pierpont Morgan Library, MS M.1166, Verlag: Luzern, 2009
Picasso, Pablo(1881-1973)Modèle et Sculpteur surréaliste, 4. Mai 1933 (aus La Suite Vollard)RadierungSignaturstempel rechts unten, in der Platte signiert und datiert rechts untenBlattgröße: 33,8 x 26,5 cm / Plattengröße: 26,4 x 19 cmMit Zertifikat von Gerd Rostan, beauftragter Sachverständiger für Kunst und Antiquitäten von Auktionshäusern. München 3/92
Estate / Collection: Property of a New York Art CollectorPendant signed Lassaw. Length 16 inches. Egyptian-born American artist Ibram Lassaw was an early to mid-century pioneer of abstract sculpture. Born to Russian parents in 1913, Lassaw's family immigrated to Brooklyn in 1921. He was educated in the arts and developed his techniques at the Brooklyn Children's Museum, Clay Club, and New York's Beaux Arts Institute of Design and City College. Lassaw learned his welding technique while serving in the U.S. Army during World War II, which he applied heavily to his art. He was influenced by Pablo Picasso, Joan Miro, Julio Gonzàlez, the Russian Constructivists, among others, as well as his passions and studies of biology, cosmology and Zen Buddhism. His first solo show debuted at Kootz gallery in New York City in 1951. After that, he exhibited widely until his passing in East Hampton, NY in December of 2003.Condition Report:Some silvery patina of another metal on center. 3 1/4 x 2 7/8 inches.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
Two offset lithographs on paper from Picasso's Guernica limited edition published by Harry N. Abrams in 1990. These sketches are part of 42 studies on paper based on Picasso's preliminary studies for the painting Guernica that depicts abstractions of the atrocities caused by the German Nazis during the Spanish Civil War. These two lithographs are numbers 42 and 43 that include the Weeping Head and a dead civilian. Dates in the plates: 3 Juin 1937. Housed in a silver brush frame with a mauve color mat. Sight sizes: 11"L x 9"H. Frame size: 21"L x 30"H x 2"W. Certificate of Authenticity included. Artist: After Pablo Picasso (Spanish, 1881-1973)Issued: c. 1990Country of Origin: SpainCondition: Age related wear.
After Pablo Picasso (1881-1973) - 'Portrait of Sylvette', limited edition (21/500) giclee print on 350gsm conservation grade Arches Aquarelle paper using archival quality inks, published in 2004 and authorised for sale by the Picasso Estate, official limited edition estate blind stamp lower right, together with Certificate of Endorsement, sheet size: 41.7 x 52 cm
Willy Ronis (1910 – Paris – 2009). „Avenue Simon-Bolivar“, Paris. 1950Silbergelatineabzug, 1996. 28,3 × 25,7 cm (40,3 × 30,4 cm) (11 â…› × 10 â…› in. (15 â…ž × 12 in.)). Im Blattrand unten rechts mit schwarzem Filzstift signiert. Rückseitig mit Bleistift und schwarzem Kugelschreiber monogrammiert, datiert (Aufnahme sowie Abzug), betitelt und bezeichnet sowie Photographen- bzw. Copyrightstempel: „© WILLY RONIS 46, Rue de Langny, 75020 PARIS [...]“. Von weiterer Hand mit Bleistift beschriftet und beziffert.[2011]Literatur und Abbildung: Willy Ronis: Sur le fil du hasard. Paris 1980, S. 59 (dort betitelt und datiert: L'avenue Simon-Bolivar, Belleville-Ménilmontant. Date probable de prise de vue: fin d'hiver 1948) / Willy Ronis: Belleville-Ménilmontant. Paris 1989 [3. ergänzte Auflage], T. 77 (dort betitelt: Avenue Simon-Bolivar et rue Lauzin) / Ausst.-Kat.: Willy Ronis. Photographs 1926-1995. Oxford, Museum of Modern Art Oxford; Warwick, The Mead Gallery, Warwick University; Manchester, City Art Galleries, 1995/96, S. 33, Abb. 19 (dort betitelt: Avenue Simon-Bolivar, Belleville - Ménilmontant, Paris) / Ausst.-Kat.: Willy Ronis 'La vie en passant'. Aachen, Suermondt-Ludwig-Museum; Stuttgart, Vhs-Photogalerie, 2004/05, S. 43 / Jean-Claude Gautrand: Willy Ronis. Stolen Moments. Gestohlene Augenblicke. Instants dérobés. Köln, London, Los Angeles, 2005, S. 49 / Ausst.-Kat.: Willy Ronis. Une poétique de l'engagement. Paris, Jeu de Paume et La Monnaie de Paris, 2010, S. 38 (dort betitelt: L'Avenue simon-Bolivar depuis la rue Barrelet-de-Ricou (XIXe arrondissement), Paris) / Ausst.-Kat.: Willy Ronis. Eine Retrospektive. Münster, Kunstmuseum Pablo Picasso, 2013, T. 78 / Willy Ronis by Willi Ronis. The Master photographer's unpublished albums. Paris 2018, Album 1, Nr. 79 (dort betitelt: Avenue Simon-Bolivar, from the staircase of rue Barrelet-de-Ricou, Paris)Zustandsbericht: In sehr gutem Zustand. Seidenmattes festes Papier. Im Bild keine Mängel erkennbar. Im weißen Blattrand um das Bild, leicht gelblicher, kaum wahrnehmbarer Lichtrand, ca. 1 cm breit, unterhalb des Bildes ca. 1,5 cm breit. Obere rechte Ecke im Blattrand mit zwei kurzen matten Wisch- oder Fingerflecken, sichtbar im Streiflicht. Oberkante minimal wellig.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Original vintage advertising poster for Pablo Picasso artwork exhibition at the Moderna Museet in Stockholm from 15 October 1988 to 8 January 1989, featuring a 1942 painting by Spanish artist Pablo Picasso (1881-1973) titled Seated Woman with Fish-Hat / Femme assise avec poisson. Good condition, creasing, small tears, staining. Country of issue: Sweden, designer: Pablo Picasso, size (cm): 100x70, year of printing: 1988.
Original vintage art advertising poster for an exhibition of rare Pablo Picasso engravings (from 1905 to the present day) / Gravures Rares (de 1905 a nos jours) at Galerie 65 Cannes from 9 April to 12 May 1966 featuring Picasso's 1904 etching The Frugal Meal / Le Repas Frugal printed in 1913 of a thin man with his arms around a lady sitting behind a table with a small piece of bread and bottle of wine for their meal set within a border, the exhibition information text above and below with Picasso's signature. The notable Spanish artist and sculptor Pablo Picasso (1881-1973) was one of the founders of Cubism in the early 20th century. Fair condition, staining, creasing, tears, paper skimming. Country of issue: France, designer: Pablo Picasso, size (cm): 76x53, year of printing: 1966.
Original vintage advertising poster for Pablo Picasso artwork exhibition at the Moderna Museet in Stockholm from 15 October 1988 to 8 January 1989, featuring a 1912-13 collage titled Bouteille, verre et violon / Bottle, glass and violin, by Spanish artist Pablo Picasso (1881-1973). Good condition, creasing, staining. Country of issue: Sweden, designer: Pablo Picasso, size (cm): 100x70, year of printing: 1988.
Sam Gilliam (American, 1933-2022). Small acrylic on birch plywood titled "Mark Squared" depicting a colorful abstract composition, 2000. With a three-dimensional element in the form of an irregular-shaped wedge projecting from the lower half of the artwork. Signed, titled, and dated along the verso.Provenance: Private Minnesota collection.Lot Essay:Sam Gilliam was one of America's foremost Black artists and a leader in the color field and lyrical abstraction movements. He was influenced by German Expressionists such as Emil Nolde, Paul Klee, and Nathan Oliveira. He was additionally influenced by Vladimir Tatlin, Frank Stella, Hans Hofmann, Georges Braque, Pablo Picasso, and Paul Cezanne. An artist from an early age, he was always interested in art and eventually studied fine arts at the University of Louisville, admitted as the second class of black undergraduate students to the school.Around 1965, he became the first artist to introduce the idea of an unsupported canvas, draping the paintings from ceilings, walls, and floors. These works were immensely popular and led to exhibitions and commissions worldwide including representing the United States at the 36th Venice Biennale. He moved away from this in later years to focus on jazz-inspired works like his Black Paintings, so-named because they are painted in shades of black. His works shifted once more in the 1980s to resemble the African patchwork quilts of his childhood. Though he was largely overlooked throughout the late 1980s and 1990s, his career saw a resurgence following a retrospective at the Corcoran Gallery in 2005.From then until his death in 2022, his works came into the collections of the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art among others. He also had successful exhibitions including a second show at the Venice Biennale (2017), a large-scale draped painting titled "Yves Klein Blue" in Giardini's central pavilion for the show "Viva Arte Viva," and his first European retrospective in 2018 hosted by the Kunstmuseum Basel.His honors and awards were plentiful including eight honorary doctorates, several National Endowment for the Arts grants, the Longview Foundation Award, and a Guggenheim Fellowship. In 2015 he was awarded the Medal of Art by the U.S. State Department for his longtime contributions to art in embassies and other diplomatic facilities as well as his cultural diplomacy, which showcased his works in over 20 countries during his career.From 1962 until the 1980s, Gilliam was married to Dorothy Butler, the first African-American female columnist at The Washington Post. They had three daughters together. In 2018, after a 35-year partnership, he married Annie Gawlak, owner of the former G Fine Art gallery in Washington, D.C. On June 25, 2022, Gilliam died in his home at the age of 88 after a long, varied, and ultimately successful career creating the art that he loved.Height: 12 in x width: 12 in x depth: 4 in.br/>Condition:The artwork is structurally sound. All pieces are firmly attached. There are no splits, losses, or repairs to the wooden components. Natural bubbles to the paint surface original to the artistic process. Along the lower right of the red panel there are three small spots (the largest measuring 3/4 inch x 3/4 inch) that fluoresce under UV light and appear uneven when compared to the rest of the work which is quite smooth, save for the aforementioned bubbles. This is likely an area of pooled varnish. There is some slight yellow discoloration to the varnish throughout. Some scratches to the metal along the verso of the work.
Salvador Dali (Spanish 1901-1989) 'Coronation of Gala' Etching (2) items including undated, pencil signed lower right, #12/250 etching matted behind acrylic in a gold-tone metal frame; together with an after Pablo Picasso (Spanish, 1881-1973) undated, printed signature within image 'Pierrot And Harlequin' silkscreen print, behind glass in a wood frame Property from: a Private Collector, Chicago (Kenwood), Illinois Height: 16 1/4 inches, Width: 12 3/4 inches (plate, larger)Frame Size: 27 1/4 inches by 22 3/4 inches Condition: no damage to artwork noted, light wear to frames Disclaimers: not examined out of the frames Category: Fine Art > Prints & Multiples Estimated Sale Time: 12:46 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7
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