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Pablo PICASSO (1881-1973) "Der Reigen der Jugend"Farboffsetdruck, rechts unten im Druck signiert und datiert ”Picasso 25.7.(19)61”62 x 47 cmPablo PICASSO (1881-1973) The Dance of Youth"Color offset print, signed and dated at the bottom right of the print “Picasso 25.7.(19)61”62 x 47 cm

A Tiffany & Co 'Pablo Picasso' silver bar brooch, designed as a stylised heart and arrow, within Tiffany pouch and box, 60mm wide, weight approx 6.2g

AFTER PABLO PICASSO (1881-1973) mid-century monochrome print titled Don Quichote, printed in Denmark by I P Jensen, copyright reserved 1964, 60 x 43cms and a mid-century Conservation Week New Zealand 1974 poster by FRIEDENSREIC HUNDERTWASSER, published by Glarus, Switzerland, 59 x 41cmsProvenance: private collection AngleseyComments: framed and glazed

PABLO PICASSO, 'Le ballet, signed in the plate, 1954 original lithograph, printed by Mourlot: Bloch 767/Mourlot 259, 31cm x 22cm, vintage French frame. (Subject to ARR - see Buyers Conditions)

AFTER PABLO PICASSO, Testa, quadrichrome, vintage French Montparnasse frame, 60cm x 45cm.

PABLO PICASSO, Jacqueline Roque, Spanish, collotype, dated in the plate, suite: Californie, vintage Montparnasse French frame, 42cm x 26.5cm.

AFTER PABLO PICASSO, Femme au Corsage Bleu, dated in the plate, off set lithograph, French vintage Montparnasse frame, 28cm x 18cm.

AFTER PABLO PICASSO, Femme Assise, off set lithograph, signed in the plate, French vintage Montparnasse frame, 27cm x 20.5cm.

AFTER PABLO PICASSO, Femme Au Chapeau, off set lithograph, French vintage, Montparnasse frame, 26.5cm x 21.5cm.

PABLO PICASSO (1881-1973), Tetes (Heads) Madoura, edition Picasso pitcher, 1956. 13 cm high.

Pair of 1960s Linocuts Pablo Picasso from a collaboration with Galerie Louise Leiris entitled 'The Goarding of the Bull' and 'Farol' with a letter of authenticity from Goldmark Gallery Uppingham

PABLO PICASSO TWO WOMEN OF GÓSOL, FROM THE 'LIVING ART' PORTFOLIO - 1906/1923 Lithograph, 367/500, signed in plate, from 'Living Art (Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and ten photographs after sculptures by Contemporary Artists),' printed at Ganymed Press, Berlin, 1923, published by Scofield Thayer & Dial Publishing Company, New York 51.5cm x 35.5cm (20.25in x 14in)

The Ey Exhibition Pablo Picasso giclée 'Nude Woman in a Red Armchair' printed on Somerset 100% cotton rag paper, in original folder, 39 x 27cm

After Pablo Picasso. Don Quixote, monochrome print, 49.5cm x 35cm.

Pablo Picasso (Málaga 1881 – 1973 Mougins). „Peintre et modèle avec un spectateur“. 1965Aquatinta auf Velin. 22 × 32 cm (30,9 × 42 cm) (8 ⅝ × 12 ⅝ in. (12 ⅛ × 16 ½ in.)). Signiert.Baer 1191.–Einer von 50 nummerierten Abzügen. Paris, Galerie Louise Leiris, 1966. [3265]Zustandsbericht: Ex. 47/50. Die Blattränder umlaufend nach hinten gefaltet(1,5 - 2,5 cm). Das Blatt ungleichmäßig gebräunt. Im Motiv technikbedingt leicht gewellt. Unten links In der Faltkante eine kleine Bestoßung mit winzigem Einriss (0,1cm), sowie zwei kleine Papiermontierungsreste. An der Unterkante rechts eine kleine Fehlstelle (2,1 x 0,1 cm). Rückseitig stellenweise Stockfleckchen. In den oberen Ecken Reste alter Papiermontierung.Wir berechnen auf den Hammerpreis 32% Aufgeld.

Nach Pablo Picasso (Málaga 1881 – 1973 Mougins). Visages. 1967Lithografie auf BFK Rives-Velin. 40,2 × 31,3, cm (63,8 × 46,1 cm) (15 ⅞ × 31,3, in. (25 ⅛ × 18 ⅛ in.)). Signiert.Einer von 100 nummerierten Abzügen. Titelillustration für die Zeitschrift "Le Patriote" vom 7. Oktober 1967. [3817]Zustandsbericht: Harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier im Randbereich stellenweise leicht knittrig und mit vereinzelten schwachen Knickspuren (max. 22,4 cm). In der oberen rechten Blattkante eine kleine Bestoßung mit bogenförmigen Quetschfältchen (1 cm). Vereinzelt minimal fleckig.Wir berechnen auf den Hammerpreis 32% Aufgeld.

PABLO PICASSO, 'Jacqueline sur un cheval blanc', lithograph on vellum 51cm x 36cm, framed.

AFTER PABLO PICASSO (1881-1973), 'Harlequin', oil on canvas, 180cm x 105cm.

PABLO PICASSO, 'Vollard suite 1930-7', a set of six lithographs, 27cm x 20cm, framed. (6)

PABLO PICASSO, Congress National du Mouvement de la paix, Issy Les Moulineaux, rare original lithographic poster, Dove of Peace 1962, signed in the plate, Ref: Czwiklitzer # 207, 100 x 63 cm. (Subject to ARR - see Buyers Conditions)

AFTER PABLO PICASSO 'Guitare et Partition', off set lithograph, 99cm x 79cm overall, painted and parcel gilt French frame.

AFTER PABLO PICASSO, a set of nine, colour portraits of women on cotton, 44 x 44 cm each. (9)

PABLO PICASSO, I’Ecuyere, rare large original lithograph, signed in the plate, Mourlot:333, large vintage French Montparnasse frame, 55 x 69 cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, rare World Festival of Youth and Students for Peace Berlin, scarf on cotton 1951. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Classical Portrait of Marie - Therese Walter (taken from a bronze sculpture), limited edition 800, lithographic poster, printed by Mourlot - Maison De La Pensee – 1958, French verdigris frame, 74 x 52 cm. (Subject to ARR - see Buyers Conditions)

AFTER PABLO PICASSO, Portrait of a woman after Lucas Cranach on silk Vintage French frame, 52 x 51 cm.

Pablo Picasso (Spanish, 1881-1973) Avant Garde, Picasso's Erotic Gravures #8 - by Editor Ralph Ginzburg  First Edition; First Printing. Softcover. 28cm x 28cm (11" x 11") Pablo Picasso (Spanish, 1881-1973)  is known as the founder of Cubism. He was born in Málaga in 1881 to an artist father. The family moved to Barcelona in 1895, where Picasso enrolled at the School of Fine Arts. In the beginning of 1901, Picasso moved to Paris for the first time. The city was considered the cultural capital of Europe and attracted many aspiring artists. Soon after, he made his first sale with art dealer Berthe Weill and quickly became an influential figure in the artistic circles of Montmartre. After working in his characteristic Blue Period of 1901‒4 (as seen in Motherhood (1901)), Picasso developed his famous Cubist style in 1906/7. Together with French artist Georges Braque, Picasso extended the technique to Analytical Cubism and Synthetic Cubism (as seen in Fruit Dish, Bottle and Violin (1914)). Picasso was extremely productive during his lifetime, expanding his oeuvre to include etching, sculpture and ceramics. The Spanish artist had a profound influence on the formation of 20th-century Avant-garde art and his works can be found in many notable modern art collections around the world.

 Pablo Picasso (1881-1973) A limited edition print 21/200 on Fabriano paper published by 'The Picasso Foundation' Spain with the official Picasso blind stamp and publisher's information on the back of the artwork. Frame size approx  33 x 26 inches.

Pablo Picasso (1881-1973) Offset lithograph of the linocut print entitled 'Female head in profile' published in New York circa 70s/80s. Signed with a stamped signature. Frame size approx 21 x 18 inches

Pablo Picasso (1881-1973) 4 x  prints including 2 x Vollard suite circa 1956 depicting nudes and 2 x lithographic prints, one plate signed Deuxieme Congres Mondial Des Partisans De La Paix 1950 the other plate signed Toros En Vallauris 1954. Both published in 1959 lithography by Fernand Mourlot France. All mounted but unframed  sizes approx 20 x 16 inches. Cellophane wrapped. 

A Pablo Picasso La Fanciulla lithograph (signed to corner) COLLECT ONLY.

After Pablo Picasso (Spanish, 1881-1973) - Portrait of Francois Gilet - a limited edition giclee print. The print with publisher's stamp for the Collector's Gallery to the lower left hand corner. Framed & glazed. Measures approx. 67cm x 47cm.

Pablo Picasso (Spanish b 1881-1973) - Matador & Wife - a vintage poster printed on paper by the Museo Picasso Málaga. El Picasso de los Picass 28 octubre 2003 - 29 febrero 2004. Measures approx. 98cm x 67cm.

Pablo Picasso (Spanish, 1881-1973) - Toros y Toreros - a mid 20th century original lithograph from the book series 'Toreros'. Dated by the artist 5th July 1959 / VII. With certificate of authenticity to verso. Framed and glazed. Measures approx. 37cm x 26cm, 63cm x 52.5cm to include frame. 

Pablo Picasso (Spain, 1881 - 1973)  Man of a head (Tete d'homme) - 1971  XII Proof print on paper Hand numbered 710 and signed Back-stamped 20c Art International Nice, France 29.5 x 20cm (11.5" x 8")    Pablo Picasso 1881-1973, School of Paris painter, sculptor, etcher, lithographer, ceramists and designer, who has had enormous influence on 20th century art and worked in an unprecedented variety of styles.  Tete d'homme has been published on C. Zervos, Pablo Picasso, oeuvres de 1971-1972, vol 33, Paris, 1978, no. 128 (illustrated pl. 48).The Picasso Project (ed.), Picasso's Paintings, Watercolours and Sculpture, A comprehensive illustrated catalogue 1885-1973: The Final Years 1970-1973, San Francisco, 2004, no. 71-232 (illustrated p. 196). Exhibited at Avignon, Palais des Papes, Picasso: 1970-1972, May - September 1973, no. 106 (illustrated).  Christie's, London, 29 June 1987, lot 76. Christie's, London, 20 June 2006, lot 142, sold for £3,480,000.00 This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881 - 1973)  Le Reve (The Dream), 1932  Giclee print on paper Numbered 246/500 and signed Blind stamped Collection Domaine Picasso   32 x 25cm (12.5" x 9 5/8")    Pablo Picasso (b. 1881 - 1973 Malaga, Spain), a School of Paris painter, sculptor, etcher, lithographer, ceramists and designer, who has had enormous influence on 20th century art and worked in an unprecedented variety of styles.   Cubism was an artistic style pioneered by Picasso and his friend and fellow painter Georges Braque.In Cubist paintings, objects are broken apart and reassembled in an abstracted form, highlighting their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in order to create physics-defying, collage-like effects. At once destructive and creative, Cubism shocked, appalled and fascinated the art world. The original painting of this print has not yet been seen in auction.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.  

PABLO PICASSO (1881-1973)La danse des faunes, 1957 Lithographie en noir. Signée dans la plancheLithografie in zwart. Getekend in de plaatLithograph in black. Signed in the plate47 x 62 cm (visible sheet)Footnotes:[Bloch 830]This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Ces peintres nos amis, Tome II, 1960 Couverture illustrée d'une lithographie en couleurs extraite de l'ouvrage «Dans l'atelier de Picasso »Omslag geïllustreerd met een lithografie in kleuren uit 'Dans l'atelier de Picasso'Cover illustrated with a lithograph in colour from 'Dans l'atelier de Picasso'42,5 x 33 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

Ismael NERY (1900-1934, Rio de janeiro), Ecole brésilienneComposition surréaliste aux trois personnages, circa 1927-1928Aquarelle sur papier, porte le monogramme en bas à droite45 x 57 cm Provenance : Collection privée , Paris, France Surrealist composition with three characters, circa 1927-1928Watercolor on paper, signed "IN" lower right45 x 57 cm (17,71 x 22,44 in.)Provenance: Private collection, Paris, France Ismael Nery est un peintre brésilien, un des précurseurs du modernisme brésilien, influencé par l'expressionnisme, le cubisme et le surréalisme. En 1927, il fait un voyage en Europe, où il est entre en contact avec Marc Chagall, dont l’œuvre le marque, et d'autres surréalistes. Son œuvre est marqué également par l'influence métaphysique de Giorgio de Chirico et du cubisme de Pablo Picasso. Ses thèmes de prédilection sont toujours liés à la figure humaine : portraits, autoportraits et nus. II n'est pas intéressé par les thèmes nationaux, indigènes et afro-brésiliens. Il meurt en 1934, à trente-trois ans, à Rio de Janeiro, à un moment où sa notoriété au-delà du cercle de connaisseurs était encore naissante. Son œuvre a été oubliée du public et de la critique jusqu'aux années 1960, lorsque son nom a été inscrit sur la 8e Biennale de São Paulo, dans la salle consacrée au surréalisme et à l'art fantastique.

Pablo Picasso (after) 'Woman with Joined Hands' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 52/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Pablo Picasso (Malaga, 1881 - Mougins, France, 1973)Autograph in blue wax and dated "le 18.7.63", on the back of a postcard of the Arc de Triomphe in Paris. 9 x 13,7 cm.

The lot consists of four volumes. Two volumes encompassing the first period, numbers 1 to 76 with the original binding, and another two volumes forming the second period, covering numbers 77 to 100, bound in period half leather.The Pèl i Ploma magazine was the artistic publication that most typified Catalan Modernism. Founded as a weekly in Barcelona on June 3, 1899, it became a monthly starting from issue number 77 (June 1901) and ceased publication at number 100 (December 1903).Owned and artistically directed by Ramon Casas, Miquel Utrillo was literary director and contributors included Eugeni d'Ors, Joan Maragall and Apel.les Mestres, among others. Illustrators included Casas himself, Isidro Nonell, Picasso, Santiago Rusiñol, Joaquín Mir, Anglada Camarasa, Pichot, Gosé, Sorolla, etc.Pèl i Ploma's typographic presentation was of extremely high quality.  Editions were published in both Catalan and Spanish and included articles in French.The magazine started as a weekly, to then become a monthly publication with artistic drawings. Ramon Casas, along with friends, was responsible for the material and artistic aspects of the magazine. Other artists like Ramon Pichot, Isidre Nonell, and Pablo Ruiz Picasso also contributed drawings.The collaboration expanded to writers like Eduard Marquina, Manuel de Montoliu, Eugeni de Ors, Joan Maragall, and many others. Joan Maragall, for example, published several compositions, including poems and articles.Pèl i Ploma evolved into a monthly art magazine, printed in the Thomas workshops, with excellent presentation and abundant illustrations of artworks in various colours. Notable contributors in this period included Francesc Rosselló, Xavier Viura, Fèlix Escalas, Josep M. Jordà, Jacint Verdaguer, Josep M. Sert, Jaume Massó i Torrent, J. Torres-García, Salvador Vilaregut, and others. Literary contributions were in Catalan, Spanish, and French.A significant aspect of Pèl i Ploma was the friendship between Ramon Casas and Santiago Rusiñol, leading to the dedicated pages of drawings and paintings by Rusiñol and the publication of his literary works.The 100th issue featured portraits of Barcelona journalists, drawn by Ramon Casas, serving as a tribute to the local press, marking the conclusion of Pèl i Ploma in December 1903.While it was stated that Pèl i Ploma was possibly the best magazine ever published, such claims are maybe exaggerated. However, the efforts of Ramon Casas and Miquel Utrillo throughout those hundred issues were exemplary in terms of enthusiasm and generosity. Pèl i Ploma did not entirely disappear with its extraordinary 100th issue, as its animators published another magazine a year later, named "Forma," in the same format and style. Pèl i Ploma, continuing the legacy of "Quatre gats" and the artistic and literary groundwork initiated by "L’Avenç" and "Catalònia," represented the triumph of Catalan Modernism, particularly in its visual aspect, and introduced the spirit of European renewal to Catalonia during the late 19th and early 20th centuries.    

Pablo Picasso (1881 - 1973), Tetes, Madoura pottery jug, conceived in 1953 in an edition of 500, impressed factory marks, height 14cmHairline crack running from the rim down to the base

After Pablo Picasso, portrait of Sylvette, giclee print, bears studio signature, sold with certificate of endorsement. 38 x 32 cm

Pablo Picasso, after, Seated Woman, limited edition, number 29/300, lithograph, 41cm x 29.5cm

Pablo Picasso (Spanish, 25/10/1881-8/4/1973): An unframed watercolour sketch of a pregnant woman pencil noted nudes VII. Understood to be sketches of his second wife c. 1950-53, with Paris ink stamp. 19.5 x 23cm.

Pablo Picasso signed 4x2inch approx. irregular cut album page cutting. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Pablo Picasso (Spanish, 1881-1973)Femme aux cheveux flous (Ramié 520) stamped and numbered Madoura Plein Feu/Empreinte Originale de Picasso/ 79/100 (underneath)partially engraved terracotta plaque with black engobeConceived in 1964 and executed in an edition of 100Overall 328 x 255mm (12 7/8 x 10in)Footnotes:ProvenancePrivate Collection, Johannesburg.Thence by descent to the current owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Visage Brun/Bleu (Ramié 2) stamped and numbered Madoura Plein Feu/Edition Picasso/ 85/200 (underneath)partially engraved white earthenware dish, with coloured engobe and glazeConceived in 1947 and executed in an edition of 200Overall 320 x 385mm (12 5/8 x 15 1/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Petit visage barbu (Ramié 559) stamped, marked and numbered Madoura Plein Feu/Empreinte Originale de Picasso/ J 140B/ 15/100 (underneath)partially glazed terracotta plaqueConceived in December 1968 - January 1969 and executed in a numbered edition of 100Overall 175 x 175mm (6 1/2 x 6 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Pablo Picasso (1881-1973)Pierrot et Arlequin à la Terrasse de Café, from Dix Pochoirs (see Zervos 64 for the original gouache) Pochoir in colours, circa 1920, on laid paper, signed and numbered 9/100 in pencil, published by Editions Galerie Rosenberg, Paris, with margins, framedImage 210 x 267mm (8 1/4 x 10 1/2in)Sheet 248 x 305mm (9 3/4 x 12in)Footnotes:ProvenanceChristie's, Prints & Multiples, New York, 28 October 2015, lot 78.Acquired from the above sale by the current owner.In the vibrant artistic milieu of 1920s Paris, Pablo Picasso found inspiration in the lively world of the circus. Pierrot et Arlequin a la terrace de café is a captivating piece that reflects Picasso's fascination with this theme during his early years. The work portrays two figures from the circus, a motif recurrent in Picasso's oeuvre, especially evident in his cubist explorations.This particular piece is a part of the portfolio titled 'Pablo Picasso. Dix Pochoirs,' published by Galerie Rosenberg in Paris in 1920. The work is based on the painting of the same name. At the time, Rosenberg had opened an exhibition of Picasso's watercolours and drawings relating to his stage designs for Diaghilev's production of Le Tricorne. The portfolio, comprising pochoirs, seem to relate to Picasso's set and costume designs for Parade and showcases Picasso's masterful use of the stencil technique.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Profil de Jacqueline (Ramié 383) stamped Madoura Plein Feu/Empreinte Originale de Picasso (underneath)white earthenware ceramic plaque with black oxide and glazeConceived in 1956 and executed in an edition of 500Diameter 189mm (7 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Plongeurs (Ramié 377) stamped Empreinte Originale de Picasso/Madoura Plein Feu (underneath)partially glazed white earthenware ceramic plaque with black oxideConceived in 1956 and executed in an edition of 500Diameter 195mm (7 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Le Vieux Bouffon (Bloch 1152; Baer 1338.i.2) Linocut in colours, 1963, on Arches wove paper, signed in pencil and dedicated 'pour Arnera pere' in blue crayon, one of four or five proofs before the numbered edition of 160 (there were also approximately thirty artist's proofs), printed by Arnéra, Vallauris, published by Édition La Patriote, Nice, the full sheetImage 644 x 530mm (25 3/8 x 20 7/8in)Sheet 752 x 623mm (29 5/8 x 24 1/2in)Footnotes:ProvenanceFrom the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Femme au chapeau fleuri (Ramié 521) stamped and numbered Madoura Plein Feu/Empreinte Originale de Picasso/ 97/100 (underneath)partially engraved terracotta plaque with black engobeConceived in 1964 and executed in a numbered edition of 100Overall 330 x 255mm (12 7/8 x 10in)Footnotes:ProvenanceChristie's, Impressionist and Modern Art, London, 10 November 2010, Lot 162 (with their label).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Le Repos du Sculpteur IV, from La Suite Vollard (Bloch 174; Baer 327) Etching, 1933, on Montval laid paper with Picasso watermark, signed in pencil, from the edition of 260 (there was also an edition of fifty with wide margins), printed by Lacourière, published by Ambroise Vollard, Paris, 1939, with wide margins and deckle edges above and below, framedPlate 194 x 267mm (7 5/8 x 10 1/2in)Sheet 340 x 436mm (13 3/8 x 17 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (1881-1973)TêtesStamped and marked 'Edition Picasso/Madoura Plein Feu/Edition Picasso' (underneath)white earthenware ceramic pitcher with black oxide and white glaze Overall 155 x 120mm (6 1/8 x 4 3/4in)Footnotes:Conceived in 1956 and executed in an edition of 500LiteratureAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.368).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Picasso (Pablo, 1881-1973). Los Toreros I-IV, 1961, 4 lithographs, including one in colour, as issued in Jaime Sabartés, 'Picasso: Toreros', pub. A. Zwemmer & A. Sauret, 1961, English edition, with numerous colour and monochrome illustrations, contemporary presentation inscription from Vane Ivanovic (athlete and ship-owner 1913-99) to front blank, dated February 1962, dec. red cloth slipcase (faded and some marks to edges), oblong folio, sheet size 245 x 315 mm (9.7 x 12.5 ins) (1)

Picasso, Pablo: (1881 Malaga - 1973 Mougins). Mourlot Printing Press. Farblithographie bei F.Mourlot 1964. Blgr. 25,5 x 19 cm. Hinter Passep. mont. - Aus dem Katalog "Prints from the Mourlot Press," 1964.

Picasso, Pablo: (1881 Malaga - 1973 Mougins). "Le peintre et son modèle". Lithogr. 1964. Blgr. 25,5 x 19 cm. Im Stein dat. Verso typogr. bez. Hinter Passep. mont. - Mourlot 400. - Stellenw. schwach lichtrandig.