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Picasso, Pablo: (1881 Malaga - 1973 Mougins). "Le peintre et son modèle". Lithogr. 1964. Blgr. 25,5 x 19 cm. Im Stein dat. Verso typogr. bez. Hinter Passep. mont. - Mourlot 400. - Stellenw. schwach lichtrandig.

Pablo Picasso (Spanish, 1881-1973) Three black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish, 1881-1973) Two black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Vincent Van Gogh (Dutch, 1853-1890) The Night Cafe Published Springdale Graphics, U.S.A 1988 61cm x 76cm (24" x 30") Eglise d'Auvers, 1890 Printed by Fernand Hazan in France 80cm x 60cm (31.5" x 24") Pablo Picasso (Spanish, 1881 - 1973) The Bird Cage, 1923 Distributed in 1988 by Tushita Fine Art, Clouded Tiger publishing 60cm x 45" (23.5" x 18") Sylvette au Fauteuil, 1963 Touchstone Publishers 1980, printed in France 70cm x 52cm (27.5" x 20.5") All unframed, glazed and having been previously stored rolled. 

Pablo Picasso (Spanish, 1881-1973)  Ulysses And The Sirens, 1946 Printed on paper 67cm x 97cm (26.3" x 38") Presented framed.

Pablo Picasso (Spanish, 1881-1973) The Round Dance & one other Two serigraph prints in colour Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish, 1881-1973) Guernica  Screenprint on paper Published and distributed by New York Graphic Society Printed in USA 60cm x 80cm (24" x 30") Les Demoiselles D'avignon - 1907 Screenprint on paper Published and distributed by New York Graphic Society Printed in USA 89cm x 78cm (35" x 31")

Pablo Picasso (Spanish, 1881-1973) Guernica Offset lithograph print poster Printed in Italy by S.I.A.E. in 2000  124cm x 53cm (49" x 21") Presented unframed, unglazed & previously stored rolled.

Pablo Picasso (Spanish 1881-1973) Girl with a Loop- 1919 Screenprint on paper Copyright SPADEM 1992 Printed in France 100cm x 60cm (39" x 23 2/5 ") Les Menines - 1947 Screenprint on paper Editions Hazan Copyright SPADEM 1988 Printed in France 100cm x 60cm (39" x 23 2/5 ") Presented unframed, unglazed and previously stored in roll.

Pablo Picasso (Spanish, 1869-1954) Three black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish 1881-1973) Two Women running on the Beach (The Race) - 1992 On Classic Ground, Leger, de Chirico and the New Classicism, 1910-30 6 June - 2 September 1990 Tate Gallery, Millbank 76 cm x 51 cm (30" x 20") Presented unframed, unglazed and previously stored in roll.

Pablo Picasso (Spanish, 1881-1973) Two black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

Pablo Picasso (Spanish, 1881-1973) Three black and white serigraph prints Signed in plate 59cm x 44.5cm (23" x 17.5") Each unframed, unglazed and previously stored flat. 

STILL LIFE ON BOARD IN THE STYLE OF PABLO PICASSO

Pablo Picasso (1881-1973). Autograph on colour postcard depicting Picasso's Femme ivre se fatigue [Drunk Woman is Tired, 1902], signed & dated at lower margin in pale blue ink, 15 Feb 1967, 15 x 10.5cm, framed & glazed. Together with a Certificate of Authenticity from Paul Fraser Collectibles

Picasso, Pablo (1881-1973), nach "La Paix (mains et bouquet de fleurs)" (Der Frieden (Hände mit Blumenstrauß). Originaltitel Lithographie/Arches-Velin (stockfleckig), re. im Stein sign. und dat. "Picasso 21.4.(19)58". Blindstempel des Hrsg. "EDITIONS COMBAT POUR LA PAIX (/) COPYRIGHT S. P. A. D. E. M. PARIS". Darstellung ca. 56,7x 39 cm, Blatt ca. 64,8x 49,3 cm.

PABLO PICASSO BRONZE BUST, on square marble plinth base, signed Milo, 35cm H.

AFTER PABLO PICASSO, Jacqueline, dated in the plate, off set lithograph, French vintage Montparnasse frame, 26.5cm x 21.5cm.

MAN RAY (1890-1976)Pablo Picasso, 1955Print in colors, Printed in the 1990s6 1/4" x 10 1/2"

PABLO PICASSO (1881-1973)UntitledLinocut10 1/2" x 13"

Fritz Winter 1905 Altenbögge - 1976 Herrsching am Ammersee Kaltes Rot. 1956. Öl auf Leinwand. Rechts unten monogrammiert und datiert. Verso signiert, datiert und betitelt. 114 x 146 cm (44,8 x 57,4 in). • Facettenreiche und expressive Darstellung in starken Farbkontrasten. • Winter gilt seit seiner Beteiligung an der documenta I (1955) als einer der führenden Vertreter des deutschen Informel und der abstrakten Nachkriegsmoderne. • Bereits seit den 1950er Jahren stellt Winter in den USA aus und ist dort u. a. in zwei Ausstellungen des Museum of Modern Art, New York, vertreten. PROVENIENZ: Fritz-Winter-Stiftung an den Bayerischen Staatsgemäldesammlungen, München (verso auf dem Keilrahmen mit der Inv.-Nr. 192). Galerie Otto Stangl, München. Privatsammlung Süddeutschland (1983 vom Vorgenannten erworben). AUSSTELLUNG: Große Kunstausstellung München 1956, Haus der Kunst, München, 22.6.-7.10.1956, Kat.-Nr. 418 (verso auf dem Keilrahmen mit dem Ausstellungsetikett). LITERATUR: Gabriele Lohberg, Fritz Winter. Leben und Werk mit Werkverzeichnis der Gemälde und einem Anhang der sonstigen Techniken, München 1986, WVZ-Nr. 2088 (m. Abb.). In harmonisch aufeinander abgestimmten Form- und Farbklängen erscheint uns Fritz Winters 'Kaltes Rot' aus dem Jahr 1956. Hier ist der Titel Programm: Obwohl die Farbe Rot ein mit Wärme konnotierter Farbton ist, strahlt Winters roter Mond doch eine gewisse Kühle aus. Dieses fast frostige Erscheinungsbild wird durch die einerseits kühlen Farbtöne Grau, Blau und Schwarz unterstützt sowie andererseits von der kühnen Formgebung herbeigeführt. Es scheint, als rufe Winter hier eine dreidimensionale Nachtlandschaft auf, die einen Zwischenraum aus Figuration und Abstraktion eröffnet. Dieses Gegenspiel ist Grundlage einer der größten Debatten in der deutschen Nachkriegskunst, deren Plattform die documenta I in Kassel bildet. Diese sollte einen Rückblick auf die Vorkriegsmoderne bieten, an die man nach dem Krieg, nach der Zensur durch die nationalsozialistische Kulturpolitik, wieder anknüpfen wollte. Prominent wurde ein Werk Pablo Picassos, stellvertretend für die Vorkriegsmoderne, einem Werk von Fritz Winter als zeitgenössische Antwort gegenübergestellt. Winter ist einer der exemplarischen Vertreter der jüngeren Generation der deutschen Nachkriegskunst. Insbesondere da er noch vor dem Beginn des Zweiten Weltkrieges seine Ausbildung absolviert hatte. Und dies am Dessauer Bauhaus, das wie keine andere Institution für die deutsche Avantgarde stand. Dort besucht er Wassily Kandinskys Kurs der 'Abstrakten Formenlehre', der hier seine Ideen zu 'Isolierter Form' und 'Isolierter Farbe' aufruft. Offenkundig sind dies Prinzipien, die Winter in seinem darauffolgenden Kunstschaffen prägen sollten. Von der Isolation von Form und Farbe am Bauhaus wird Winter dann in der Realität von Nationalsozialismus und Krieg in seine eigene Isolation geführt, wo er zu seiner eigenen Bestimmung von Form und Farbe gelangt. Während seine Kunst 1937 diffamiert und er wie viele seiner Weggefährten mit einem Mal- und Ausstellungsverbot belegt wird, erfolgt 1939 die Einberufung zum Kriegsdienst. Doch lässt sich Winter nicht beirren von diesen Erlebnissen, direkt im Jahr seiner Entlassung aus sowjetischer Kriegsgefangenschaft 1949 ist er u. a. neben Willi Baumeister und Rupprecht Geiger Gründungsmitglied von 'ZEN 49'. 'Kaltes Rot' entsteht daher in einer sowohl für Winter als auch für die gesamte deutsche Nachkriegskunst so wichtigen Zeit und zeigt exemplarisch, wie dieser Neuanfang auszusehen hatte. In dreidimensionalen Räumen befinden sich Formen und Farben in der Schwebe, eröffnen einen neuen Raum, in dem sich die Malerei in harmonisch aufeinander abgestimmten Klängen aus sich selbst heraus entwickelt. [AW] Aufrufzeit: 08.12.2023 - ca. 13.20 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONFritz Winter 1905 Altenbögge - 1976 Herrsching am Ammersee Kaltes Rot. 1956. Oil on canvas. Lower right monogrammed and dated. Signed, dated and titled on the reverse. 114 x 146 cm (44.8 x 57.4 in). • Multifaceted and expressive depiction in strong color contrasts. • Since his participation in documenta I (1955), Winter has been regarded as one of the leading representatives of German Informalism and abstract post-war modernism. • Winter had two exhibitions at the Museum of Modern Art, New York, in the 1950s. PROVENANCE: Fritz-Winter Foundation at Bavarian State Painting Collections, Munich (inventory number 192 on the reverse). Galerie Otto Stangl, Munich. Private collection Southern Germany (acquired from the above in 1983). EXHIBITION: Große Kunstausstellung München 1956, Haus der Kunst, Munich, June 22 - October 7, 1956, cat. no. 418 (exhibition label on the reverse). LITERATURE: Gabriele Lohberg, Fritz Winter. Leben und Werk mit Werkverzeichnis der Gemälde und einem Anhang der sonstigen Techniken, Munich 1986, no. 2088 (illu.). Fritz Winter's 'Kaltes Rot” (Cold Red) from 1956 appears particularly harmonious in terms of form and color. The title says it all: although the color red is a hue associated with warmth, Winter's red moon radiates a certain coolness. This almost frosty appearance is supported by, on the one hand, the cool shades of gray, blue and black, and, on the other hand, the bold design. It seems as if Winter was evoking a three-dimensional night landscape here, opening up an intermediate space between figuration and abstraction. This interplay provided the basis for one of the most heated debates in German post-war art, the platform for which was the exhibition documenta I in Kassel, which was supposed to offer a look back at pre-war Modernism, which was to be revisited after the war and Nazi oppression. A work by Pablo Picasso, representative of pre-war Modernism, was prominently juxtaposed with a work by Fritz Winter as a contemporary response. Winter was one of the main representatives of the younger generation of German post-war artists, especially as he had completed his training before the beginning World War II, above all at the Bauhaus in Dessau, which stood for the German avant-garde like no other institution. He attended Wassily Kandinsky's course on the 'Abstract Theory of Form', where Kandinsky expressed his ideas on 'Isolated Form' and 'Isolated Color', both principles that would shape Winter's subsequent artistic work. From the isolation of form and color at the Bauhaus, Winter was then led into his own isolation in the reality of National Socialism and war, attaining his own definition of form and color. While his art was defamed in 1937, and, like many of his contemporaries, he was banned from painting and exhibiting, he was drafted into the military in 1939. However, Winter was not deterred by these experiences and in 1949, the year of his release from Soviet captivity, he alongside Willi Baumeister and Rupprecht Geiger, and others, was a founding member of 'ZEN 49'. 'Kaltes Rot' was created at a time that was so important both for Winter and for German post-war art as a whole, it is a prime example of what this new beginning had to look like. In three-dimensional spaces, forms and colors are suspended, opening up a new space in which the painting develops out of itself in harmonious color modulations. [AW] Called up: December 8, 2023 - ca. 13.20 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Scofield Thayer (American 1889-1982): 'Living Art' (Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and ten photographs after sculptures by Contemporary Artists).' limited edition portfolio of 400 printed at Ganymed Press, Berlin, 1923Notes: Scofield was an American Poet and Publisher and editor in chief of the Dial magazine. Living Art contains reproductions of what Thayer believed was the best in the art of the period, containing lithographs of works from his own collection by Pablo Picasso, Henri Matisse, Gaston Lachaise, Marc Chagall and Edvard Munch. All the works within the folio were owned by Thayer and bequeathed to the MET museum.

*HENRI MATISSE (1869-1954) 'Jeunes Filles et Fleurs' two girls sitting at a table with a vase of flowers and an open menu bearing the title 'Thé' (tea), signed and dated "Mai 47" lower left, ink on paper, 36.2cm x 54.6cmProvenance: Schoneman Galleries, Inc. 63 East 57th Street, New York 22, NY., #9196 H. Matisse 'Jeune Filles et Fleurs' ink drwg. (old #6806)This work, number M119 in the Matisse archive has been authenticated by Marguerite Duthuit-Matisse, daughter of the artist, dated Paris, November 2, 1966, stating that the work was executed in Nice. It is not a page from a sketch book, rather a preparatory work for a series of fully realised paintings of a similar size, which date from May and June of the same year and are evidently based on this simple outline.The work offered here appears to be Matisse's first impression of a scene which he subsequently fleshed out in charcoal and then in ink and brush work and later worked up into numerous paintings entitled 'La Lecture' (reading) or which begin 'Deux Fillettes' (two girls) followed by the dominant colours to distinguish one from another - 'Deux fillettes, fond corail, jardin bleu' and 'Deux fillettes, fond jaune et rouge', both in the Barnes Foundation, Merion, Pennsylvania.Henri Matisse (1869-1954) Henri Matisse is commonly hailed, along with Pablo Picasso, as one of the most influential artists of the 20th century. He was instrumental in the development of Fauvism, Modernism and Post Impressionism. This work, however, was produced towards the end of his life but in the midst of what he termed his "second life". He had been diagnosed with cancer in 1941 and the treatment left him wheelchair bound and with various other medical issues but lead to a period of intense creativity. By 1950, as painting became more difficult, he invented a new medium - his famous cut outs.

Pablo Picasso (1881-1973). „Maternité“. Farblithographie, li./o./sign./dat. 29.4.63, hi./Gl. gerahmt, 50 x 39 cm.

Pablo Picasso (1881-1973). „La Chouette“. Keramik, graubraun und gold bemalt. Am Sockel dat. „1961“ und bez. „Austin Production“, H=33 cm. Non-binding estimate: € 500,- No Reserve

Pablo Picasso (Spanish 1881-1973), 'Taureaux Sur Une Branche (Bulls On A Branch)', 1956, lithograph in colours on wove paper, signed in pencil upper left, signed in crayon lower right; 58.5 x 49.5cm inc frameARR 58.5 x 49.5cm inc frame In overall good condition No visible knocks to the sheet There is some creasing/handling creases across the sheet, most prominent on the right hand side Some wear/creasing around the edges of the sheet, potentially due to the nature of material Small tear to the lower right hand corner, visible upon close inspection This work has been framed in a wooden frame and float mounted, leaving all corners and edges of the sheet visible ` This work has not been examined outside of the frame.

R. B. Kitaj (American 1932-2007) Greetings Pablo Ruiz (Ramkalawon 165b) 1972, signed and marked AP (Artist's Proof) in pencil, from Hommage a Picasso, on tissue-thin japan paper, printed by Kelpra Studios, London, published by Propylaen Verlag, Berlin, the full sheet printed to the edges, screenprint in colours. 75.5 x 52.5cm (framed 86.5 x 63.5cm)The print is in very good, original condition. There are some minor surface marks and creases across the sheet. The print is framed and glazed.

Pablo Picasso, 1881 Málaga – 1973 MouginsGROSSE PICASSO-TERRAKOTTAPLATTEDurchmesser: 43 cm.Verso Prägestempel „MADOURA“ – “.ORIGINALE DE PICASSO“, Auflagenbezeichnung 87/200., Modellnummer F. 210Spiegel und Fahne reliefiert, im Spiegel abstrahiertes Gesicht, Mattbemalung und Glanzglasur in Braun, Cremeweiß und Zarttürkis. (1381011) (11))

Bettina Rheims, geb. 1952 Neuilly-sur-Seine GIAN AND ELIZABETH KISSING, MARCH 1995, LOS ANGELESFotografie, C-Druck auf Aluminium.120 x 180 cm.Verso Aufkleber mit handschriftlicher Betitelung und Signatur der Künstlerin sowie Ed. 4/5; sowie Aufkleber der Galerie Jérome de Noirmont, Paris mit Künstlernennung, Betitelung und Datierung „1995“.Hinter Glas in schwarzem Holzrahmen.Die Künstlerin, eine französische Fotografin, ist die Tochter des Schriftstellers Maurice Rheims, der auch Nachlassverwalter von Pablo Picasso war und der Frankfurterin Lili Krahmer. Bevor sie Karriere als Fotografin machte, arbeitete sie als Fotomodell. Ihre provokant-erotischen Inszenierungen in ihrer Akt- und Glamourfotografie machten sie weltweit bekannt.Provenienz:Direkt von der Künstlerin erworben. Galerie Jerome de Noirmont.Ausstellungen:Retrospective Bettina Rheims: Helsinki, Oslo, Wien, Düsseldorf (2004/ 2005).Literatur:Bettina Rheims, More trouble, München 2014, Abb. 119.Bettina Rheims, Retrospective, Texte von S. Bramly, J.-C. Ammann, B. Arell, K. Levin, München 2004, Abb. 107.Bettina Rheims, Can you find happiness, München 2008, S. 27. (1381058) (18)Bettina Rheims,born 1952 Neuilly-sur-SeineGINA AND ELIZABETH KISSING, LOS ANGELES, MARCH 1995 Photography, C-print on aluminium. 120 x 180 cm.Label with handwritten title and signature by the artist and ltd. ed. no. 4/5 on the back.

Pablo Picasso, 1881 Málaga - 1973 MouginsPROFIL DE JACQUELINE, 22 JANVIER 1956Silber.Durchmesser: 42 cm.Ed. 20, auf der Rückseite beschriftet: Datum: 22.1.56;Pablo Picassos Unterschrift Punze, Meisterpunze Pierre Hugo, die 1. Titelpunze der Garantie de Marseille.Echtheitszertifikat ausgestellt von Monsieur Pierre Hugo, 16. Juli 2015.Literatur:Vgl. Pierre Hugo & Claire Siaud, Bijoux d'artistes: Hommage à François Hugo, Aix-en-Provence, 2001, S.170.Vgl. Alain Ramié, Picasso: Catalogue de l'oeuvre céramique édité, 1947- 1971, Madoura, 1988, abgebildet unter Nr. 309, S.158 (Abbildung der Keramikversion).)

Pablo Picasso,1881 Málaga - 1973 MouginsGOLDENES MÉDAILLON VISAGE AUX MAINS, CA. 1967 Durchmesser: 5 cm.Künstlerabzug Ed. 2, Unterschriftsstempel von Picasso und Maître Pierre Hugo, sowie 2. Titel der Marseille-Garantie.1956 entworfen und ab 1967 von den Ateliers Hugo Orfèvres realisiert.Echtheitszertifikat von Pierre Hugo, 15. März 1977, in Kopie.     Literatur:Georges Bloch, Pablo Picasso: Catalogue de l'oeuvre gravé céramique, 1949-1971, Bern, 1972, vol. III (für die zugehörige Keramikplatte).Douglas Cooper, François Hugo & Pierre Hugo, Picasso: 19 plats en argent, Paris, 1977 (für den dazugehörigen Silberteller).Alain Ramié, Picasso: Catalogue de l'oeuvre céramique de 1947 à 1971, Paris, 1988 (für den dazugehörigen Keramikteller).Vgl. Pierre Hugo & Claire Siaud, Bijoux d'artistes: Hommage à François Hugo, Aix-en-Provence, 2001, S. 153.  )

Pablo Picasso,1881 Málaga - 1973 MouginsGOLDENES MEDAILLON VISAGE DE FAUNEDurchmesser: 5,5 cm. Künstlerabzug Ed. 2, auf Rückseite: Signaturstempel von: Pablo PICASSO, der Stempel von Maître Pierre HUGO, der Stempel des 1. Titels der Bürgschaft von Marseille.Echtheitszertifikat ausgestellt von Pierre Hugo am 19. September 2020.Das vorliegende Medaillon ist ein Probedruck des Künstlers. Auflage des Modells: 1/20 bis 20/20 + 2 Künstlerexemplare + 2 Autorenexemplare + HC 1/3 bis 3/3 und 1/V bis V/V  Konzipiert im Jahre 1956, ausgeführt nach 1967. Goldmedaillon mit seiner Originalschachtel.)

Madame D'Ora -- Madame Domergue, wife of the painter Gabriel Domergue, in a cloak designed by her husband. Circa 1920. Vintage gelatin silver print. 22,2 x 12,5 cm. Photographer's stamp, annotated in pencil and typed press text label on the verso.Dora Kallmus, known professionally as Madame D'Ora, was an Austrian photographer who became famous for her portrait and fashion photography during the early 20th century. Born in Vienna in 1881, she became known for her striking portraits of famous personalities such as Pablo Picasso, Josephine Baker, and Gustav Klimt. Her innovative and elegant approach to fashion photography made her a leading figure in the Parisian fashion scene during the 1920s and 1930s, leaving a lasting impact on the industry. – A few small nicks in edges, minimal mirroring in lower area and upper edges, corners slightly bumped, otherwise in very good condition.

Pablo Picasso (Spanish, 1881-1973)Petit visage no.65 (Ramié 471) marked and numbered N° 65 / Edition Picasso / Madoura / 6/150 (underneath)white earthenware ceramic plate with coloured engobe and glazeConceived in 1963 and executed in a numbered edition of 150Diameter 255mm (10in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (French, 1880-1972)Clin d'œil au Bain Turc Femmes Faisant La sieste au Soleil, from Series 347 (Bloch 1769; Baer 1786) Etching, 1968, on Rives BFK wove paper, signed and inscribed 'Épreuve d'artiste' in pencil, one of 17 artist's proofs aside from the numbered edition of 50, published by Galerie Louise Leiris, Paris, 1969, with full margins, framedPlate 280 x 389mm (11 x 15 3/8in)Sheet 452 x 542mm (17 3/4 x 21 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (French, 1880-1972)Le picador II, from À los toros (Bloch 1017; Mourlot 350) Lithograph in colours, 1961, on wove paper, an unsigned impression aside from the numbered edition of 50, printed by Atelier Mourlot, Paris, published by André Sauret, Monte-Carlo, with trimmed margins, framedImage 200 x 260mm (7 7/8 x 10 1/4in)Sheet 245 x 318mm (9 5/8 x 12 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Minotaure endormi contemplé par une femme, 1933 (Bloch, 193 ; Baer, 352)Planche 86 de la suite VollardEau-forte sur vergé de Montval filigrané 'Picasso'Tirage à 260 épreuves à petites margesPorte le timbre sec : H. Petiet éditeur Paris (Lugt 2021a)34 x 45 cmEtching in black on Montval laid paper with the 'Picasso' watermark, edition of 260 with small margins Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Sujet poisson, 1952 (Ramié, 139)Pichet en terracotta, décoré aux engobesMarqué 'Edition Picasso', cachets 'Madoura plein feu' et 'Edition Picasso' sous la baseRéalisé dans une édition de 50013 x 21,5 cmRed earthenware clay pitcher, decoration in engobes marked 'Edition Picasso', stamped ' Madoura plein feu' and 'Edition Picasso' under the base, executed in an edition of 500This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Tête de chèvre de profil, 1952 (Ramié, 145)Plat ovale en terre de faïence blanche décoré aux engobes et décor en engobes sous couverture partielle peinte en bleu, vert, ivoire et noirRéalisé dans une édition de 250Cachets 'Empreinte originale de Picasso' et 'Madoura plein feu' sous la base51 x 31 cmWhite earthenware, decor in engobes under partial painted cover in blue, green, ivory and black, stamped on the reverse: 'Empreinte originale de Picasso' and 'Madoura plein feu'This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Poisson niché, 1952 (Ramié, 170)Plat ovale en terre de faïence blanche, décoré aux engobes, gravé au couteau sous couverte partielle au pinceauCachets 'Madoura plein feu' et 'Empreinte originale de Picasso' sous la baseRéalisé dans une édition de 10042,5 x 34,5 cmWhite earthenware clay, decoration in engobes, knife engraved under partial brushed glaze, stamped 'Madoura plein feu' and 'Empreinte originale de Picasso', executed in an edition of 100This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Corrida sur fond noir, 1953 (Ramié, 198)Plat rectangulaire en terre de faïence blanche gravé au couteau sous couverte.Daté sur le plat, cachet au revers 'Madoura plein feu' et 'Edition Picasso'Réalisé dans une édition de 50039 x 31,5 cmWhite earthenware clay plate, decoration in engobes, knife engraved under glaze, dated, marked 'Madoura plein feu' and 'Edition Picasso', executed in an edition of 500This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Bacchus et Femme nue étendue, 1934 (Bloch, 284; Baer, 432)Eau forte et aquatinte sur vélin de Montval filigranné VollardEdition à 55 exemplairesEditée par Lacourière, Paris29,8 x 24 cm Engraving with drypoint on Montval laid paper with the Vollard watermark, from the edition of 55Footnotes:ProvenanceSuccession de l'artiste, collection Marina Picasso (cachet humide [Lugt 3698] au dos)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

D'APRÈS PABLO PICASSO (1881-1973)Tête d'homme, 1964 Tapis mural en laineEdité par Desso Numéroté 239/500 sur le bolduc au dos 110 x 90 cmWoolen wall carpet, numbered 239/500Footnotes:ProvenanceCollection particulière, AmsterdamFor further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Visage, 1955 (Ramié, 290)Coupelle en terre de faïence blanche, décorée aux engobes sous couverteMarquée 'Edition Picasso', cachets 'Madoura plein feu'Réalisée dans une édition de 500Diamètre: 13 cmWhite earthenware clay, decoration in engobes under glaze, marked 'Edition Picasso', stamped 'Madoura plein feu', executed in an edition of 500This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Taureau dans l'arène, 1948 (Ramié, 80)Plat en terre de faïence blanche, décoré aux engobes, gravé au couteau sous couverte partielleSigné et marqué 'Edition Picasso'Réalisé dans une édition de 45039 x 32 cm White earthenware clay, decoration in engobes, knife engraved under partial brushed glaze, signed and marked 'Edition Picasso', executed in an edition of 450This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Picador, 1952 (Ramié, 160)Plat rond en terre de faïence blanche décoré à la paraffineMarqué en creux 'Edition Picasso' Cachets 'Madoura plein feu' et 'Edition Picasso' sous la baseRéalisé dans une édition de 500Diamètre: 19 cmWhite earthenware clay, paraffin decoration white enamel, marked 'Edition Picasso', stamped 'Madoura plein feu' and 'Edition Picasso', executed in an edition of 500This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Nature morte, 1953 (Ramié, 219) Plat en terre de faïence blanche, décoré aux engobes, gravé au couteau sous couverte Cachet 'Madoura plein feu' et 'Edition Picasso'Réalisé dans une édition de 40039 x 31,5 cm White earthenware clay, decoration in engobes, knife engraved under glaze, stamped 'Madoura plein feu' and 'Edition Picasso' under the base, executed in an edition of 400This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Femme nue, la jambe pliée, 1931 (Bloch, 141 ; Baer, 208 B d)Planche 8 de la suite VollardEau-forte en noir sur vergé de Montval filigrané « Picasso »Tirage à 260 épreuves à petites marges Porte le timbre sec : H. M. Petiet (Lugt 5462)44,5 x 35 cmEtching in black on Montval laid paper with the 'Picasso' watermark, edition of 260 with small marginsFootnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Aux Trois acteurs, 1933 Planche 77 de la suite Vollard(Bloch, 145; Baer, 296 II, B d.)Pointe sèche en noir sur vergé de Montval filigrané « Picasso »Tirage à 260 épreuves à petites marges Porte le timbre sec : H. M. Petiet (Lugt 5462)44,5 x 35 cmBlack drypoint on 'Picasso' watermarked Montval laid paper, realised in an edition of 260This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Colombe,1948 (Ramié, 77)Plat en terre de faïence blanche, décoré aux engobes, gravé au couteau sous couverte partielleCachet 'Madoura plein feu' et 'Edition Picasso'Réalisé dans une édition de 45037,5 x 31 cmWhite earthenware clay, decoration in engobes, knife engraved under partial brushed glaze, stamped 'Madoura plein feu' and Edition Picasso', executed in an edition of 450This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Sueño y Mentira de Franco (Planche I), 1937 (Bloch, 297; Baer, 615)Eau forte et aquatinte sur vélin de MontvalEdition à 850 exemplairesDimensions de la plaque: 31,7 x 42 cmEtching and aquatint on Montval laid paper, from the edition of 850This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Colombe à la lucarne,1949 (Ramié, 78)Plat en terre de faïence blanche, décoré aux engobes, gravé au couteau sous couverte partielle au pinceauCachet en creux et marqué 'Edition Picasso' et 'Madoura', numéroté 86/20039 x 32 cm White earthenware clay, decoration in engobes, knife engraved under partial brushed glaze, stamped and marked 'Edition Picasso' and 'Madoura', numbered 86/200This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Oiseau sur la branche, 1952 (Ramié, 175)Cendrier décoré à la paraffine et émail noirMarqué 'Edition Picasso' Réalisé dans une édition de 500Diamètre: 14,5cmWhite earthenware clay ash-tray, paraffin and black enamel decoration, marked 'Edition Picasso', executed in an edition of 500This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Minotaure et Femme Derrière un Rideau, 1933 (Bloch, 199, Baer, 367)Issue de La Suite Vollard, 1933 Eau forte sur vélin de Montval (Filigranné Picasso)Signée au crayonEdition à 260 exemplairesImprimée par Lacourière, Paris Editée par Ambroise Vollard, Paris Dimensions de la feuille: 33,7 x 44 cmDimensions de la plaque: 19,4 x 26,7 cmEtching on Montval laid paper (watermarked Picasso), signed in pencil, from the edition of 260This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Oiseau au soleil, 1952 (Ramié, 174)Cendrier en terre de faïence blanche décoré à la paraffine oxydée et à l'émail noirMarqué en creux 'Edition Picasso'Réalisé dans une édition de 500Diamètre: 14,5 cmWhite earthenware clay, oxidized paraffin decoration and black enamel, marked 'Edition Picasso' and executed in an edition of 500This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Petit visage n°65, 1963 (Ramié, 471)Plat rond en terre de faïence blanche décoré aux engobes sous couverte partielle et patine noire Marqué 'Madoura Edition Picasso' et numéroté 5/150 sous la baseDiamètre: 25 cmWhite earthenware clay plate, decoration in engobes and enamel under partial brushed glaze, black patina, marked 'Madoura Edition Picasso' and numbered 5/150This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Petit visage n°12, 1963 (Ramié, 460)Plat rond en terre de faïence blancheMarqué 'Edition Picasso' et numéroté 72/150Diamètre: 25 cmWhite earthenware clay, decoration in engobes and enamel, marked 'Edition Picasso' and numbered 72/150This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Pêcheur à la ligne, 1955 (Ramié, 262)Coupelle en terre de faïence blanche, gravée et décorée à la paraffine oxydée sous couverteDatée en bas à gauche, marquée en creux au revers 'Madoura empreinte originale de Picasso'Réalisée dans une édition de 100Diamètre: 18 cmWhite earthenware clay cupel, engraved with oxidized paraffin under glaze, marked 'Madoura empreinte originale de Picasso', executed in an edition of 100This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Au bain, 1er octobre 1930 (Bloch, 136 ; Baer, 201 B d.)Planche 3 de la suite VollardEau-forte en noir sur vergé de Montval filigrané «Vollard »Tirage à 260 épreuves à petites marges Porte le timbre sec : H. M. Petiet (Lugt 5462)44,5 x 35 cmEtching in black on Montval laid paper with the 'Vollard' watermark, edition of 260 with small margins Footnotes:ProvenanceAncienne collection Henri M. Petiet puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A group of nine Limoges porcelain plates, designed by Pablo Picasso (Spanish, 1881-1973), each with varying designs, printed marks,24cm diameter (9)Provenance: Mr Evan & Mrs Patricia Steadman - Mr Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportPlate with polychrome figure around a central bird has a chip to the rim which leads to a crack. Stylised bouquet of flowers plate with a small hairline to the rim. Each with a small piece of velcro stuck to the reverse.