-- Die einzige Publikation mit originalen Picasso-Radierungen in Amerika-- Picasso, Pablo. - Aristophanes. Lysistrata. A new version by Gilbert Seldes with a special introduction by Mr. Seldes and illustrations by Pablo Picasso. 117 S. Mit 6 Original-Radierungen von Picasso und 34 Text-Illustrationen. 29 x 23 cm. Illustrierter OPappband (Kapitale und Kanten bestoßen, kaum fleckig) in OPappflügelmappe. New York, The Limited Editions Club, 1934. Bloch 22, 267 bis 272. Cramer 72ff. The Artist and the Book 226. Horodisch 71. Rauch 56. Skira 294. - Eines von 1500 nummerierten Exemplaren. Hergestellt für die Mitglieder des Limited Editions Clubs. "The only American publication with original Picasso etchings, which are among his most important in the classical style" (The Artist and the Book). - Druckvermerk mit zweifelhafter Signatur "Picasso". Titel minimal braunfleckig, sonst sehr schönes, sauberes Exemplar.
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Picasso, Pablo. - Boeck, Wilhelm. Pablo Picasso. Linolschnitte. XII S. Mit 45 Farbtafeln. 32,5 x 39 cm. Illustrierter OLeinenband in farbig illustriertem OHalbleinenschuber (etwas berieben und fleckig). Teufen, Arthur Niggli, 1962.Erste Ausgabe. Nach den Originalen aus dem Besitz der Galerie Louise Leiris, Paris. Die Farbproduktionen erreichen fast die Anmutung der Originale, da in mehreren Druckgängen mit sattem Farbauftrag gedruckt wurde. - Im Rand leicht stockfleckig, im Block vereinzelt locker sonst wohlerhaltenes Exemplar.
Picasso, Pablo. - Sabartés, Jaime. "A los toros" mit Picasso. 153 S. Mit 103 Abbildungen und 4 (1 farbigen) Orig.-Lithographien von Pablo Picasso. 25,5 x 32,5 cm. Illustrierter OLeinenband in illustriertem OPappschuber. (Monte Carlo), André Sauret, (1961).Bloch livres 108. Goeppert-Cramer 113. Mourlot 346 und 348-350. - Erste deutsche Ausgabe. Die vier Original-Lithographien wurden von Picasso eigens für dieses Werk geschaffen und von Mourlot gedruckt: "La Pique" (Bl. 1014), "Jeu de la Cape" (Bl. 1015), "Les Banderilles" (Bl. 1016) und die Farblithographie "Le Picador" (Bl. 1017). - Bemerkenswert schönes, nahezu verlagsfrisches Exemplar.
Picasso, Pablo (Malaga 1881 - 1973 Mougins)"Le Gout du Bonheur, 1970"; Carl Schünemann, Bremen/Cercle d'Art, Paris/Harry N. Abrams, New York; Druck der Zeichnungen und der Deckblätter von der Dietz Offizin Handpresse, Lengmoos/Obb.; auf 200g Hadernbütten Velin d'Arches; num. Exemplar 309 von insgesamt 666 Ausgaben; Blattgröße: je 32,5 x 25 cm; insgesamt 71 tlw. farbige Lithographien (Bleistift, Kohle, Tusche und Ölkreide) nach Zeichnungen von P. Picasso; Picasso stellte für diese Bildfolge 3 Skizzenbücher von 1964 zur Reproduktion zur Verfügung; Einband in Original-Leinenkassette; Lit.: Vgl. Goeppert/Cramer 148; sauberer Zustand
Picasso, Pablo (Malaga 1881 - 1973 Mougins)"LA CÉLESTINE"; Fernando de Rojas; 66 Radierungen von 1968 als Teil der Serie "347 gravures", die 1969 durch die Galerie Leiris, Paris veräußert wurde; sie wurden 1971 als Illustrationen für "La Célestine", ein Meisterwerk der spanischen Literatur, nochmals gedruckt; tragisch endende Liebesgeschichte von Calisto und Melibea nach der "Heldin", der alten Kupplerin Célestine benannt; Picasso zeigt hier ein überzeitliches Gegensatzpaar in Weiß und Schwarz, Jugend und Alter, Tugend und Immoralität; diese Illustrationen sollten Picassos letzte Arbeit in Buchform werden; Sie zeigen, wie meisterhaft und innovativ Picasso mit der Technik der Radierung umging; in sehr gutem Zustand, komplett; in SchuberÈDITIONS DE L'ATELIER CROMMELYNCK PARIS; hier: Exemplar Nr. 119 von 350, handsigniert von Picasso; Notizen: C.-G. 149Provenienz: Sammlung Baden-Württemberg; erworben bei Beyerle/Riehen
George (Waldemar) Picasso. Avec 32 Reproductions en Phototypie, signed presentation inscription from Pablo Picasso "Pour mon bon ami Straboni" to front free endpaper, dated 21.12.72, 32 full-page illustrations, illegible pencil ownership inscription and doodles to front pastedown and free endpaper, lightly toned, the odd spot or light finger-soiling, upper hinge with remains of glue repair, original pictorial wrappers, light browning and surface soiling, spine ends a little chipped, joints rubbed, Rome, 1924 § [Zervos (Christian) and others]. Picasso 1930-1935, plates and illustrations, one in colour, mounted photographic portrait of Picasso by Man Ray with signature stamp in red ink below, portrait with small chip to lower corner without loss, light toning, original printed wrappers, a few chips to spine (one repaired), spine creased and lightly browned, light surface soiling, a few light stains, Éditions Cahiers d'Art, [1936], first editions, 4to (2)
After Pablo Picasso, a set of seven lithographs with gloss finish, probably from Ceramiques de Picasso, pub. Skira, Geneva, each hand tipped print applied to a printed sheet laid on board, one unframed, two framed as one, three framed as one (frame and glass damaged). Size of each sheet 38cm by 27.75cm. (7)
André Suarès. Hélène chez Archimède. Mit 22 (20 blattgr.) Orig.-Holzschnitten (gestoch. von Georges Aubert) nach Originalzeichnungen von Pablo Picasso. Paris, Nouveaa Cercle Parisien du Livre, 1955. 198 S. Folio. Lose Bögen in OUmschlag, in OPp.-Decke und OPp.-Schuber (dieser an zwei Kanten eingerissen). Monod 10485. - Horodisch 322. - Johnson 162, Nr. 193. - Strachan 340. - Eins von 240 Exemplaren, von denen nur 100 römisch nummerierte Exemplare in den Handel kamen. Der Druck erfolgte auf Veranlassung von Ambroise Vollard bei Fequet und Baudier. - Sehr gutes, frisches Exemplar. With 22 (20 sheet sized) original woodcuts (engraved by Georges Aubert) after original drawings by Pablo Picasso. Loose sheets in orig. wrapper, cover and orig. cardboard slipcase. - One of 240 copies, of which only 100 Roman numbered copies were sold. It was printed by Fequet and Baudier at the instigation of Ambroise Vollard. - Very good, fresh copy.
Picasso, Pablo - - Max Jacob. Chronique des temps héroiques. Mit 1 Originallithographie als Frontispiz, 3 Original-Radierungen, 24 Textholzschnitten u. farb. Umschlaglithographien von Pablo Picasso. Paris, Louis Broder, 1956. 126 S., 4 Bll. 4°. Weißer Maroquin mit goldgeprägtem RTitel und schwarzen geometrischen Maroquin-Applikationen auf Deckeln. Doublüre aus rotem Maroquin mit goldgeprägtem Monogramm (L-P. L.). Dreiseitiger Goldschnitt, fliegende Vorsätze aus Japan. (Rücken und Gelenke minimal berieben.) Original-Broschur und -Rücken eingebunden. Einband signiert: J. Clasat. Erste Ausgabe (posthum erschienen). - Zweiter Band der Reihe Écrits et Gravures. - Mourlot 271. Bloch 743 u. 802-804. Cramer 78. Monod 6297. - Eines von 150 nummerierten und von Picasso im Druckvermerk signierten Exemplaren (GA 170). - Eins der Werke Max Jacobs, die von Picasso illustriert wurden. Max Jacob wohnte wie Picasso 1907 im Bateau-Lavoir Rue Ravignan. Er war einer der ersten und engsten Freunde Picassos. "Max Jacob erzählt von den Futuristen, den Surrealisten, von seinen Freunden Apollinaire und Picasso und natürlich auch von Paul Guillaume, als Sammler afrikanischer Kunst. Picasso machte für dieses Buch zu Ehren seines früh verstorbenen Freundes am 7. September 1956 drei Kaltnadelarbeiten: Max Jacob beim Schreiben, in Rückenansicht und im Profil. Ein am 23. September in Vallauris entstandenes lithographisches Portrait diente als Frontispiz ... Das Buch ist außerdem mit 24 Holzschnitten von Georges Aubert nach Picasso-Zeichnungen illustriert" (Kat. Basel 1995). - Einige Seiten mit Abklatsch der Illustrationen. Papierbedingt in den Rändern zart gebräunt. Gutes Exemplar in dekorativem Handeinband. With original lithograph as frontispiece, 3 original etchings, 24 woodcuts in text and ill. wrappers by Pablo Picasso. White morocco with gilt title and black geometric morocco applications on covers. Doublure in red morocco with gilt monogram (L-P. L.). Gilt edges, Japan flyleaf endpapers. (Spine and joints minimally rubbed.) Orig. wrappers and spine bound in. Binding signed: J. Clasat. - First edition (published posthumously). - Second volume of the series "Écrits et Gravures". - One of 150 numbered copies signed by Picasso in the imprint (total ed. 170). - One of Max Jacob's works, which were illustrated by Picasso. Like Picasso, Max Jacob lived in the Bateau-Lavoir Rue Ravignan in 1907. He was one of Picasso's first and closest friends. "Max Jacob narrates about the Futurists, the Surrealists, about his friends Apollinaire and Picasso and, of course, about Paul Guillaume, as a collector of African art. Picasso made three drypoint works for this book in honour of his friend, who died at an early age, on 7 September 1956: Max Jacob writing, in back view and in profile. A lithographic portrait made in Vallauris on 23 September served as the frontispiece ... The book is also illustrated with 24 woodcuts by Georges Aubert after Picasso drawings" (exh. cat. Basel 1995). - A few pages with offset from the illustrations. Paper slightly browned in the margins. Good copy in decorative hand binding.
Picasso, Pablo - - Robert J. Godet. L'âge de soleil. Mit einer Heliogravüre von Pablo Picasso (Negativdruck der Radierung "Pour Roby"). Paris, aux dépens de l'auteur 1950. 1 S., 78 S., 1 S. Lwd. mit schwarzem RSchild (OUmschlag miteingebunden). Bloch 680. - Cramer 57. - Auf dem Vortitel mit einer kleinen Zeichnung und Widmung von Robert J. Godet. Eins von 1000 Exemplaren. Die schöne Heliogravüre zeigt Picassos Geliebte Françoise und die Mutter seiner Kinder Paloma und Claude. - Papierbedingt etwas gebräunt, sonst gutes Exemplar. With a heliogravure by Pablo Picasso (negative print of the etching "Pour Roby"). On the pre-title with a small drawing and dedication by Robert J. Godet. One of 1000 copies. The beautiful heliogravure shows Picasso's mistress Françoise and the mother of his children Paloma and Claude. - Paper somewhat browned, otherwise good copy.
Title: Toujours (Always). Colorful modern lithograph on canvas with hand embellishments featuring an abstracted blonde woman gazing out a window with floral pattern background. Ornate gold frame with embossed floriate textures and white canvas mat. Artist signature near lower left corner in black. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 12.5"W x 10.5"H; frame: 20.5"W x 18.25"H x 1.25"D. Artist: Linda Le KinffCondition: Age related wear.
L' Age du Soleil (Pour Roby) is a monochrome restrike etching from the original that Pablo Picasso created in 1950. It is the portrait of a young man made with minimal lines and it was edited in 1968 by The Collector Guild, NYC. Signature and title in reverse on lower part of the plate: Picasso, Pour Roby. Housed in a simple gilded frame with cream matting to emphasize Picasso's simplified portrait. Certificate of Authenticity included. Sight size: 8"L x 9.90"H. Frame size: 15.25"L x 17.25"H x 1"W. Artist: Pablo Ruis PicassoIssued: c. 1968Country of Origin: SpainCondition: Age related wear.
Title: Concert. Colorful modern lithograph on canvas with hand embellishments featuring an abstracted man and woman playing a duet on the piano. Woman's striking yellow garment and hair stands out boldly from the cool blue, green, and purple background. Ornate gold frame with embossed textures and black border. Artist signature in center of lower border in black; edition number written on verso. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 8.25"W x 10.5"H; frame: 16.5"W x 18.75"H x 3.25"D. Artist: Linda Le KinffEdition Number: 4 of 150 Condition: Age related wear. Minor scrape to embossed texture on lower right corner.
Housed in a gilded carved frame with a gray mat. Depicts MoMA 1996 exhibition poster for Picasso and Portraiture, with Pablo Picasso's Dora Maar Seated as the focal point. Details of the exhibition on the bottom center. Frame size: 35.25"W x 50.25"H x 1"D. Sight size: 24.25"W x 39.25"H. Manufacturer: R.M.N.Country of Origin: United StatesCondition: Age related wear.
Title: Robe Verte. Colorful modern lithograph on canvas with hand embellishments featuring an abstract scene of a woman playing the violin wearing a forest green gown over a rose pink background. Ornate gold frame with embossed floriate textures; white canvas mat with gold trim. Artist signature on lower right corner in black. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 9.25"W x 9.5"H; frame size: 19.5"W x 19.5"H x 1.75"D. Artist: Linda Le KinffCondition: Age related wear.
Title: Le Violon de Pamela. Colorful modern seriolithograph with hand embellishments featuring a woman in a red dress playing the violin with a dreamy watercolor-like background. Ornate gold frame with embossed floriate textures and white canvas border. Artist signature near lower left corner. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 15"W x 18.5"H; frame: 22.75"W x 26"H x 2.25"D. Artist: Linda Le KinffCondition: Age related wear.
Title: Tara. Colorful modern seriolithograph on canvas featuring a blonde woman with cello with abstract geometric background. Artist signature on lower left in black; edition number on verso. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Ornate wood frame with embossed floral details and white border. Sight size: 10"W x 12"H; frame: 17.25"W x 19.25"H x 1.5"D. Artist: Linda Le KinffEdition Number: 82 of 150 Condition: Age related wear.
Title: Mag. Colorful modern lithograph on canvas with hand embellishments featuring an abstracted female figure holding a cat. Ornate gold frame with embossed floriate textures and white border. Artist signature near lower left corner in black. Edition number on verso. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 5.75"W x 19.5"H; frame: 13"W x 26.5"H x 1.25"D. Artist: Linda Le KinffEdition Number: 41 of 100 Condition: Age related wear.
Title: Karen a Paris. Colorful modern lithograph on canvas with hand embellishments featuring a seated abstracted female figure wearing colorful pants with Siamese cat in background. Ornate gold frame with embossed floriate textures and white canvas mat. Artist signature near lower left corner in black. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 10.5"W x 12.25"H; frame size: 18.25"W x 20"H x 2"D. Artist: Linda Le KinffCondition: Age related wear.
AFTER JEAN-MICHEL BASQUIAT (AMERICAN 1960 - 1988), AGONY OF THE FEET oil on canvasframedimage size 115cm x 147cm, overall size 123cm x 155cm Note 1: The original version of this painting is in the Israel Museum, Jerusalem.Note 2: Basquiat’s first canvases were on the walls and subway cars on which he sprayed graffiti as a young man. Using bold, painterly gestures, he created passionately intense images. In Agony of the Feet, the figure’s eyes, embedded in a masklike face, are piercing, and the anatomy is fragmentary and disjointed. The figure is adorned with a crown, another of the artist’s trademarks. Basquiat dedicated two of his pictures to Pablo Picasso, whom he admired. In this copy of the original, the reclining figure’s pose is reminiscent of that in Picasso’s Reclining Nude.
Picasso, Pablo (Málaga, Mougins 1881-1973) „Picasso Lithographe, Bd. IV“ (zum Thema: Maler und Modell) Lithographie auf festem Papier. 31×24 cm. Im Stein dat. 11.1.(19)64. Frontispiz zu: Fernand Mourlot: Bd. IV 1956-1963, Monte Car1o 1964. (Kleine Randeinrisse, etwas faltig). WVZ Bloch 1155. R. (60468)
Picasso, Pablo (Málaga, Mougins 1881-1973) Drei Radierungen aus "La Celestine" Je Kaltnadelradierung auf Bütten mit Wasserzeichen „LA CELESTINE“. 11,7×8,7 und 2x 8,7×12,3 auf 21x17 cm. In der Platte dat. 18.8.68 I/ 20.6.68 II / 20.6.68 III. (Leicht gebräunt). WVZ Bloch 1762, 1649, 1650. Je R. Illustrationen für das Buch „La Célestine“ von Fernando de Rojas mit 66 Radierungen von Picasso. Gesamtauflage 400 Ex. Hrsg. Éditions de l‘Atelier Crommelynck, Paris 1971. (60468)
Marie Laurencin, 1883 Paris – 1956 ebendaVASE DE FLEURS SUR UN ENTABLEMENT, UM 1940Öl auf Leinwand.50 x 61 cm.Rechts oben signiert „Marie Laurencin“.In teilvergoldetem Profilrahmen.Ihren Gemälden, sowohl den zahlreichen Portraits, aber auch den Stillleben, wie es wir hier vor uns sehen, schwingt stets ein unverkennbar femininer Geist mit, der unter der zahlenmäßig überlegeneren männlichen Künstlerschaft ihrer Epoche einen besonderen Reiz ausstrahlen musste. Hier sehen wir ein um 1940 entstandenes Blumenstück mit einem Ausschnitt, der den Betrachter stark an die Blüten heranzieht und den Cachepot lediglich anschneidet, ihn in seiner Wichtigkeit unterminiert und vielleicht sogar eine Bewegung auf das anvisierte Objekt hin zu andeutet.Die in Paris geborene Künstlerin begann zunächst als Porzellanmalerin in der Manufaktur Sèvres im Jahr 1901. Anschließend ließ sie sich in Paris weiter unterrichten, um schließlich an der Humbert Academy zu studieren, wo sie den Maler Georges Braque (1882-1963) kennenlernte. In dessen Kreis machte sie Bekanntschaft mit Pablo Picasso (1881-1973) und dem bekannten Autor und Dichter Guillaume Apollinaire (1880-1918), der sie adoptierte und sie in seine Kunsttheorie einschloss, aus der sich später der Kubismus entwickeln sollte. Trotz aller Einflüsse bewahrte sie ihren eigenen Stil. Ihre oftmals sehr poetischen Motive, wie etwa traumverlorene Mädchen, aber auch ihre zarten eleganten Bildformen, stimmen zusammen mit ihrem fast pastelligen Kolorit. 1907 stellte sie im Salon des Indépendants, in der Folge aber auch in den Salons von u.a. Rosenberg aus. Für die Bühne produzierte sie Bühnenbilder, etwa für das Ballets Russes oder die Comédie Française.Nach einer Ausbildung zur Porzellanmalerin besuchte Laurencin in den ersten Jahrzehnten des 20. Jahrhunderts eine der vielen Akademien in Paris, die Académie Humbert, wo sie Georges Braque (1882-1963) in den künstlerischen Kreis um Pablo Picasso (1881-1973) einführte.Anmerkung:Zunächst schrieb sich die Portraitistin, Poetin und Illustratorin an der Schule von Sèvres ein, dann jedoch an der Académie Humbert – nun lernte sie Braque und Picabia kennen. Erst 1907 hatte sie das erste Mal die Chance, im Salon des Indépendants zusammen mit Picasso und Derain auszustellen. (1371537) (13) (†)Marie Laurencin,1883 Paris – 1956 ibid.VASE DE FLEURS SUR UN ENTABLEMENT, CA. 1940Oil on canvas.50 x 61 cm.Signed top right “Marie Laurencin”.
Jean Dufy, 1888 Le Havre – 1964 BoussayVOILIERS DANS LE PORT DU HAVRE, 1907Öl auf Leinwand.50 x 64 cm.Rechts unten signiert.In breitem vergoldetem gekehltem Rahmen.Anbei ein Zertifikat von Monsieur Quesnel und eines von Monsieur Marumo.Dufys Bestimmung war nicht von Vornherein im künstlerischen Metier zu suchen, denn er war Außenvertreter eines Handelsunternehmens, das Überseewaren importierte und auch als Sekretär auf dem Überseedampfer „La Savoie“ angestellt, der Le Havre und New York verband. Erst eine Ausstellung, die 1906 in seiner Heimatstadt stattfand und Matisse, Derain, Marquet und Picasso zeigte, führte ihn auf den künstlerischen Weg, der für ihn bestimmt war. Besonders ein Gemälde von Matisse, nämlich „Fenêtre ouverte à Collioure“ beeindruckte ihn mit seinen leuchtenden Farben und strahlendem Licht, sodass es in seinem Werk stark nachhallte - und auch in unserem Werk in Bezug auf Farbintensität und Macht der geometrischen eingebundenen Formen immanent zu sein scheint.In unserem Bild werden Kaimauern gezeigt und kleine trapezförmige Becken, ein Leuchtturm und Lagerhäuser, hinter denen sich das Meer erstreckt. Ein Segelboot beschreibt eine große Vertikale im linken Vordergrund, dessen Segel sich messerscharf in den Wind werfen und den Betrachterraum mit dem Bildraum verbinden. Dufy, der nach seinem Wehrdienst in Paris Drain, Braque, Picasso und Apollinaire begegnete, verwandte fortan vorwiegend stumpfere Farbtöne, wie Braun, Blau und Dunkelrot, während unser Gemälde von 1907 noch in strahlenden diversen Farben leuchtet und der Darstellung zusammen mit ihren gebrochenen geometrischen Formen Dynamik verleiht. Viele seiner meist späteren Werke werden in hochklassigen Museen der ganzen Welt ausgestellt, wie im Musée national d’Art moderne und im Centre Pompoidou in Paris, in der Albertina in Wien, im Art Institute of Chicago oder im MoMA in New York. Daher ist es uns eine besondere Freude ein so frühes Werk, welches Dufys Heimatstadt zeigt, mit der er emotional verbunden war, anbieten zu dürfen.Der Künstler erhielt seine Ausbildung an der École des beaux-arts in Le Havre und folgte dann seinem Bruder Raoul Dufy (1877-1953) 1912 nach Paris. Sein Bruder stellte ihm seinen Kreis postimpressionistischer Freunde vor, darunter Georges Braque (1882-1963) und Pablo Picasso (1881-1973). 1914 wurde seine erste Ausstellung organisiert, aber die charakteristische Lebendigkeit seiner Palette und seines Pinselstrichs manifestierten erst nach dem Ersten Weltkrieg zum Vorschein. (1371535) (13) (†)Jean Dufy, 1888 Le Havre – 1964 BoussayVOILIERS DANS LE PORT DU HAVRE, 1907Oil on canvas.50 x 64 cm.Signed lower right.Accompanied by an certificate by Monsieur Quesnel and by Monsieur Marumo.
Picasso, Pablo (1881-1973), nach "EXPO 62 - Congrès National Mouvement de la Paix". Plakat (l. Altersspuren), in der Druckplatte sign., herausgegeben von Le Mouvement de la Paix, gedruckt von Mourlot. Ca. 99x 65 cm. Beigegeben: Plakat nach Georges Braque "Trois Oiseaux". Ecken mit Montagelöchern. Editions des Nouvelles Images.
Artist Unknown, in the style of Pablo Picasso (1881-1973), a pen and wash, An abstract interpretation of a bull, displayed in a laminated white frame, within a card mount, and under glass, 28cm x 38cm, & 44cm x 54cm overall Note - Though the artist is unknown, this work came from the same vendor as the Winifred Nicholson painting (lot 1222). Nicholson was known to have many artist friends and was also very exposed to works from across Europe.
Man Ray, born as Emmanuel Radnitzky (August 27, 1890 – November 18, 1976), was an American visual artist who made significant contributions to both the Dada and Surrealist movements. He was born in Philadelphia, Pennsylvania, and initially pursued studies in architecture, but he soon shifted his focus to art.Man Ray is best known for his innovative work in photography, although he also worked in other mediums such as painting, sculpture, and film. He was a pioneer of avant-garde photography and was renowned for his experimental techniques, including photograms (or "rayographs"), solarization, and multiple exposures.During his career, Man Ray collaborated with and was inspired by many prominent artists and intellectuals of his time, such as Marcel Duchamp, Salvador DalÃ, and Pablo Picasso. He became an integral part of the Parisian art scene and was associated with the Surrealist movement, contributing to their publications and exhibiting his work in their exhibitions.Some of Man Ray's most famous works include "The Gift" (1921), a sculpture combining a flatiron with tacks; "Le Violon d'Ingres" (1924), a photograph depicting a woman with f-holes painted onto her back; and "Tears" (1930), a striking image of an eye with a suspended glass tear. These works, among others, exemplify Man Ray's unique approach to art, blurring the lines between reality and imagination.Throughout his life, Man Ray continued to experiment with different art forms, embracing new techniques and concepts. He also had a significant influence on later generations of artists and photographers, leaving a lasting impact on the development of modern and contemporary art. Measures 9.9 x 7.7 Printed circa 1970sVerso is blank.Mounted to archival quality paper.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Juan Gris (1887–1927) was a Spanish painter and sculptor known for his significant contributions to the Cubist movement. He was a key figure in the development of Cubism alongside artists like Pablo Picasso and Georges Braque.Gris' art is characterized by its analytical Cubist style, which involved breaking down objects and subjects into geometric forms and analyzing their multiple viewpoints. His works often featured still lifes, portraits, and interiors rendered in a distinctive and abstract manner.Some of his notable works include:1. **"Still Life with Guitar" (1913):** This painting is a prime example of Gris' analytical Cubist approach, showcasing fragmented forms and a careful arrangement of objects.2. **"The Table" (1914):** In this work, Gris deconstructs the image of a table and its objects into abstract geometric forms.3. **"The Portrait of Picasso" (1912):** This portrait of Pablo Picasso exemplifies Gris' Cubist style in depicting the subject's multifaceted nature.Gris' approach to Cubism often incorporated a sense of order and harmony, and he had a strong interest in color and texture. He was also known for his use of stenciled lettering and typography in his works.His influence on the development of Cubism, particularly in its later stages such as Synthetic Cubism, and his unique contributions to the movement have solidified his place as an important artist in the history of modern art. Juan Gris' innovative and intellectual approach to art continues to be studied and appreciated by art enthusiasts and scholars around the world.Measures 20 x 24 (image), 32 x 28 (framed).Sold "after" Gris.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador DalÃ. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 8.52 x 11.25Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Man Ray, born as Emmanuel Radnitzky (August 27, 1890 – November 18, 1976), was an American visual artist who made significant contributions to both the Dada and Surrealist movements. He was born in Philadelphia, Pennsylvania, and initially pursued studies in architecture, but he soon shifted his focus to art.Man Ray is best known for his innovative work in photography, although he also worked in other mediums such as painting, sculpture, and film. He was a pioneer of avant-garde photography and was renowned for his experimental techniques, including photograms (or "rayographs"), solarization, and multiple exposures.During his career, Man Ray collaborated with and was inspired by many prominent artists and intellectuals of his time, such as Marcel Duchamp, Salvador DalÃ, and Pablo Picasso. He became an integral part of the Parisian art scene and was associated with the Surrealist movement, contributing to their publications and exhibiting his work in their exhibitions.Some of Man Ray's most famous works include "The Gift" (1921), a sculpture combining a flatiron with tacks; "Le Violon d'Ingres" (1924), a photograph depicting a woman with f-holes painted onto her back; and "Tears" (1930), a striking image of an eye with a suspended glass tear. These works, among others, exemplify Man Ray's unique approach to art, blurring the lines between reality and imagination.Throughout his life, Man Ray continued to experiment with different art forms, embracing new techniques and concepts. He also had a significant influence on later generations of artists and photographers, leaving a lasting impact on the development of modern and contemporary art. Measures 9.9 x 7.7 Printed circa 1970sVerso is blank.Mounted to archival quality paper.
Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador DalÃ. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 7.27 x 10.75Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Lucien Clergue (1934-2014) was a French photographer known for his captivating black and white images, particularly his iconic photographs of the Mediterranean region. He was born on August 14, 1934, in Arles, France. Clergue began his photographic career in the 1950s and became associated with the renowned photographer Pablo Picasso and the writer and filmmaker Jean Cocteau. Throughout his career, Clergue captured a wide range of subjects, including landscapes, portraits, nudes, and bullfighting. One of Clergue's notable projects was his extensive documentation of the traditional Camargue region in southern France, where he grew up. He focused on capturing the unique landscapes, local culture, and the wild white horses that inhabit the area. These images helped establish his reputation as a master of black and white photography. Clergue's photography often emphasized strong contrasts, textures, and poetic compositions. His artistic vision celebrated the beauty of his subjects while also revealing their underlying emotions and narratives. He exhibited his work extensively in galleries and museums worldwide, and his photographs are held in prestigious collections. In addition to his photographic endeavors, Clergue co-founded the Rencontres d'Arles, an annual photography festival in Arles, France, which has become one of the most prominent events in the field of photography. Lucien Clergue's contributions to the art of photography were recognized with numerous awards and honors throughout his career. His photographs continue to inspire and captivate audiences, showcasing the power of black and white imagery and the artistic possibilities within the medium. Clergue passed away on November 15, 2014, in Nîmes, France, leaving behind a significant legacy in the world of photography. Measures 10.25 x 10.28 Printed circa 1980sVerso is blank.Mounted to archival quality paper.
Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador DalÃ. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 7.5 x 8.5Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Lucien Clergue (1934-2014) was a French photographer known for his captivating black and white images, particularly his iconic photographs of the Mediterranean region. He was born on August 14, 1934, in Arles, France. Clergue began his photographic career in the 1950s and became associated with the renowned photographer Pablo Picasso and the writer and filmmaker Jean Cocteau. Throughout his career, Clergue captured a wide range of subjects, including landscapes, portraits, nudes, and bullfighting. One of Clergue's notable projects was his extensive documentation of the traditional Camargue region in southern France, where he grew up. He focused on capturing the unique landscapes, local culture, and the wild white horses that inhabit the area. These images helped establish his reputation as a master of black and white photography. Clergue's photography often emphasized strong contrasts, textures, and poetic compositions. His artistic vision celebrated the beauty of his subjects while also revealing their underlying emotions and narratives. He exhibited his work extensively in galleries and museums worldwide, and his photographs are held in prestigious collections. In addition to his photographic endeavors, Clergue co-founded the Rencontres d'Arles, an annual photography festival in Arles, France, which has become one of the most prominent events in the field of photography. Lucien Clergue's contributions to the art of photography were recognized with numerous awards and honors throughout his career. His photographs continue to inspire and captivate audiences, showcasing the power of black and white imagery and the artistic possibilities within the medium. Clergue passed away on November 15, 2014, in Nîmes, France, leaving behind a significant legacy in the world of photography. Measures 10.25 x 10.28 Printed circa 1980sVerso is blank.Mounted to archival quality paper.
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