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AFTER PABLO PICASSO, 'Faunes et flora d'Antibes', two pochoir by Daniel Jacomet 1960 published by Au Pont des Arts, limited edition 350, 63.5cm x 49cm.

AFTER PABLO PICASSO, 'Faunes et flora d'Antibes', two pochoir by Daniel Jacomet 1960 published by Au Pont des Arts, limited edition 350, 63.5cm x 49cm.

PABLO PICASSO, Femme Se Coiffant, rare pochoire in colours, signed in the plate, printed by Daniel Jacomet 1956, Montparnasse frame, 31.5cm x 24cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Francoise, signed in the plate, Cincinnati Suite 1959, printed by Young & Klein, gilt bamboo frame, 42.5cm x 35cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Tete de Femme, original drypoint and Burin engraving on wove, paper edition 1000, Montparnasse frame. (Subject to ARR - see Buyers Conditions)

AFTER PABLO PICASSO, Buste de Femme on silk, vintage French frame, 996cm x 65.5cm.

AFTER PABLO PICASSO, a set of four, off set lithographs, 26.5cm x 37cm, Toros, dated in the plate, suite: Toros y toreros.

After Pablo Picasso (1881-1973) Spanish “Cote d’Azur” (1962)Lithographic poster, together with a further lithograph after the artist “Rider and Model” from “La Comedie Humaine”, 100cm by 66cm and 26cm by 34cm respectively (2) (unframed)“Cote d’Azur”Slight tine staining to the paper. A number of handling creases, especially to the top edge. The left edge is quite tatty with creases and a number of small tears all to the outer edge. The right edge also has a few small tears. The work has probably been rolled at some point. “La Comedie Humaine”Time staining to the paper, especially to the outer edges. Small crease lower left corner. Shadow where the old mount has been. The odd sporadic small sized foxing spot in evidence. Brown marks in places, especially above her hat upper left corner, to the top and lower left corners, below the horse. etc.

After Pablo Picasso (1881-1973) - 'Circus Rider', lithograph, 38 x 48 cm  ARR applicable

After Pablo Picasso (1881-1973) - ‘Girl Before the Mirror’ 294/500 and ‘Portrait of Marie-Therese Walter’ 161/500, two unframed limited edition giclee prints published by Collection Domaine Picasso with COAs, 37 x 29cm (rolled)

PABLO PICASSO (1881-1973); a signed print, 'The Dance of Youth', signed in pencil lower right, with Archers France watermark to the lower right corner, 50 x 64cm, unframed.Condition Report: Major foxing around the edges.

Pablo Picasso, a framed and glazed 1970's vintage poster for Galerie Louise Leiris. Annotations in plate. H.72 W.52cm.

ALEXANDRE FASINI (1892-1942)"Woman indoors", 1928.Gouache on paper.Signed and dated lower right.Provenance: private collection conceived since the 1970s between London and Madrid.Size: 26 x 35 cm; 45 x 53 cm (frame).Alexandre Fasini, became a painter and writer who died. Fasini spent his childhood in Odessa. He attended the School of Fine Arts and took classes taught by the Greek Impressionist painter Kiriak Kostandi. He became friends with the painter Philippe Hosiasson and the writer Isaac Babel, and did illustrations for a number of Odessa newspapers, including Bomba and Iablstchko. He arrived in France on board a Soviet ship in 1922 and settled in rue Daru. Fasini's painting was on the fringes of abstraction and Surrealism. He wanted his work to reflect a new experience, which would give him an original position within the School of Paris. He became quite famous in the years 1920-1925. Max Berger, owner of the Galerie Vavin, exhibited his work for two years alongside paintings by Jean Lurçat, Pablo Picasso and Georges Papazoff. Alexandre Fasini collected primitive art. He also devoted himself to photography and furniture making. During the Occupation, he continued to paint. His friends and family advised him to go to the Free Zone but he was too distressed to do so.

HERNANDO VIÑES SOTO, (Paris, 1904 - 1993).Untitled, 1931.Watercolour on paper.Signed and dated in the lower left corner.Provenance: private collection conceived since the 1970s between London and Madrid.Size: 31 x 24 cm; 44 x 52 cm (frame).Born into an upper-class bourgeois family, Viñes was introduced into the Parisian artistic circle by his uncle, the pianist and composer Ricardo Viñes. During the First World War he settled in Madrid, returning to Paris in 1918. There Pablo Picasso, a friend of his uncle's, after seeing his first drawings, advised him to continue along the same path and to perfect his knowledge as a self-taught artist. Viñes followed Picasso's advice, first entering the Academy of Sacred Art in Paris, where he was a pupil of Maurice Denis and Georges Desvallieres and then, in 1922, completing his training with André Lothe and Gino Severini. The following year he participated as a decorator in Manuel de Falla's "El retablo de Maese Pedro" and exhibited for the first time at the Salon d'Automne. That same year, 1923, he came into contact, through his friend Manuel Ángeles Ortiz, with the circle of young Spanish artists living in Paris: Francisco Bores, Luis Buñuel, Joaquín Peinado, Francisco García Lorca, Pancho Cossío, Rafael Alberti, Ismael de la Serna, etc. At the age of twenty he decided to devote himself fully to painting, and immediately obtained the support of two important critics, Tériade and Zervos, the latter being the director of "Cahiers d'Art". From then on he exhibited regularly at the Percier and Max Berger galleries in Paris. After the Second World War a very difficult period began for the painter, in which, despite numerous group and solo exhibitions, he did not achieve the notoriety that his brilliant beginnings had promised. It was not until 1965 and the major retrospective devoted to him by the Madrid Museum of Modern Art that he was finally recognised as one of the most brilliant painters of his generation. From that moment on, exhibitions followed one after the other in leading galleries all over Spain, such as Théo (Madrid and Valencia), Dalmau (Barcelona) and Ruiz (Santander). In the early eighties, important retrospective exhibitions were held at the Casa de España in Paris, the Museum of Fine Arts in Santander and the Bonnat Museum in Bayonne. In 1988 he was awarded the Gold Medal of Arts and Letters by King Juan Carlos I. At the same time, his international fame grew as a result of exhibitions held in Germany, Denmark, the United States, Czechoslovakia, England and Japan. Far from schools and any hint of boastfulness, Viñes's work continued its path in France, and museums all over the world began to acquire his works. He is currently represented in the Reina Sofía Museum in Madrid, the Georges Pompidou Centre in Paris, the Museums of Albi, Castres and Saint-Ouen in France, the Fine Arts Museums of Tel-Aviv, Buenos Aires and Prague, the Patio Herreriano Contemporary Art Museum in Valladolid and the ARTIUM in Vitoria, among many others.

LUIS NEMESIO ANTÚNEZ ZAÑARTU (Santiago, 4 May 1918-ibidem, 19 May 1993),"Bedroom in Manhattan II", 1978.Oil on canvas.It has slight overpaints on the pictorial surface.With export stamp of the Directorate of Libraries and Museums of Santiago de Chile and Vicente Piera (Barcelona).Signed in the lower right corner. Signed, dated and located on the back.Provenance: private collection conceived since the 1970s between London and Madrid.Measurements: 130 x 89 cm.Nemesio Antúnez and Luisa Zañartu, was the eldest of three children, all of them dedicated to art. He attended high school at the Colegio de los Sagrados Corazones in Santiago. At the age of 17 he won first place in a French-speaking competition and won a trip to France, where he met Pablo Picasso, Juan Gris and Joan Miró. In 1938 he entered the school of architecture at the Pontificia Universidad Católica de Chile, where he graduated in 1941. At the age of 25 he presented his first solo watercolour exhibition at the Instituto de Cultura de Chile. Thanks to a Fulbright scholarship, he travelled to Columbia University in New York. After completing his master's degree in 1947, he began working in the Atelier 17 studio with Stanley William Hayter, who applied printmaking techniques to surrealist art. He worked with his brother Enrique to explore the possibilities of the old printmaking techniques of artists such as Yves Tanguy, Kurt Seligmann, Jacques Lipchitz and Joan Miró. In 1950, the French branch of Atelier 17 moved.

PABLO PICASSO, Jacqueline, dated in the plate, 1962, linocut, suite linogravures, vintage French frame, 27cm x 22cm. (Subject to ARR - see Buyers Conditions)

δ Pablo Picasso (1881-1973)Peintre entre Deux Modèles, from Le Chef-d'Oeuvre Inconnu (Bloch 83; Cramer 20)Etching, 1927, signed in bistre, numbered from the edition of 99, printed by Louis Fort, published by Ambrose Vollard, Paris, on van Gelder holland paper, with full margins, sheet 380 x 497mm (15 x 19 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Femme (Frontispiece for Picasso Oeuvres 1920-1926) (Bloch 56; Cramer 15)Etching, 1922-3, signed in pencil, from the edition of 50, published by Éditions Cahiers d'Art, Paris, on laid paper, with full margins, sheet 282 x 230mm (11 1/4 x 9in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) Rembrandt à la palette (Bloch 208)Etching, 1934, signed in pencil, from the edition of 250 (there was also an edition of 50 with wider margins), 'as included in The Vollard Suite', published by Ambroise Vollard, Paris, on Montval laid paper, with the Montval and the Picasso watermarks, with full margins, sheet 445 x 337mm (17 1/2 x 13 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973)Deux Femmes Nues (Bloch 132)Etching, 1930, signed in bistre, numbered from the edition of 125, published by Albert Skira, Paris, on Arches paper, with full margins, sheet 577 x 465mm (22 3/4 x 17 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973)Colombe volant (à l'Arc en Ciel) (Bloch 712; Mourlot 214)Lithograph printed in colours, 1952, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 550 x 760mm (29 7/8 x 21 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1971-1883)Le Chevalier et le Page (Bloch 684; Mourlot 200)Lithograph, 1951, a strong richly inked impression, signed in multi-coloured crayon, numbered from the edition of 50, printed by Mourlot, published by Galerie Simon, Paris, on Arches paper, with full margins, sheet 493 x 366mm (19 3/8 x 14 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Clowne et Acrobate, from Verve 29-30Lithograph printed in colours, 1954, signed in pencil, numbered from the edition of 75, published by Editions de la Revue Verve, Paris, with their blindstamp, on Arches paper, with full margins, sheet 280 x 370mm (11 x 14 1/2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973)Football (Bloch 1019; Mourlot 356)Lithograph printed in colours, 1961, signed in pencil, numbered from the edition of 200, printed by Mourlot, published by Le Patriote, Nice, on Arches paper, with full margins, sheet 560 x 760mm (22 x 29 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) after.Colombe de la PaixThe scarce lithograph printed in colours, 1961, signed in pencil, numbered from the edition of 30, printed by Mourlot, Paris, on Japon nacré paper, with full margins, sheet 503 x 650mm (19 3/4 x 25 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973)Portrait of Paul Éluard, from Sillage Intangible (Bloch 858; Cramer 95)Drypoint, 1958, signed in pencil, an artist's proof from the edition of six with wide margins, printed by Atelier Lacourière, published by Le Degré Quarante et Un, Paris, on Japan paper, with full margins, sheet 348 x 266mm (13 3/4 x 10 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973)Two Faces Viewing Corpulent Nude, 2ème état (Bloch 1859)Etching, 1970, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on BFK Rives paper, with full margins, sheet 635 x 760mm (25 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Degas Imaginant: Scène de séduction entre deux filles, avec matrone hypocrite (Bloch 1962)Etching, 1971, with the stamped signature, numbered from the edition of 50 in pencil, on BFK Rives paper, with full margins, sheet 505x650mm (19 7/8 x 25 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Scène de Théâtre: Amazone, Vénus de foire, homme au bouquet pl. II, from Le Cocu Magnifique (Bloch 1245; Cramer 140)Etching, 1966, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, on Richard de Bas paper, with wide margins, sheet 222 x 320mm (8 3/4 x 12 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Le Vieux Roi (Bloch 869; Mourlot 317)Lithograph, 1959, with the artist's printed signature in red, from the edition of 1000, printed by Atelier Mourlot, Paris, published to benefit Le Patriote newspaper, Nice, on Arches paper, with full margins, sheet 667 x 510mm (26 1/4 x 20 1/8)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973)Vénus et l'amour, dans le style ''Bon Sauvage'', from Series 347 (Bloch 1640)Etching printed with tone, 1968, signed in pencil, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on BFK Rives paper, with full margins, sheet 565 x 644mm (22 1/4 x 25 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1871-1973)Femme au Balcon (Bloch 1289; Mourlot 335)Lithograph, 1960, signed in red crayon, numbered from the edition of 145, on Arches paper, with full margins, sheet 657 x 500mm (25 7/8 x 19 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973)Tête d'Histrion or Le Danseur (Bloch 1849; Baer 1360)Linocut printed in brown and black, 1965, signed in pencil, numbered from the edition of 200, printed by Arnéra, Vallauris, published by the Musée des Augustins de Toulouse, on Arches paper, with full margins, sheet 747 x 615mm (29 3/8 x 24 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973) after.Côte D'Azur (Czwiklitzer 177)Lithograph printed in colours, 1962, from the edition of 15000, printed by Atelier Mourlot, Paris, published by the French Government to promote Tourism, on wove paper, with full margins, sheet 985 x 645mm (38 3/4 x 25 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (after) 'Minotaur Stroking a Woman' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 77/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Pablo Picasso (after) 'Woman Sitting Near a Window' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 156/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Pablo Picasso (after) 'Portrait Of Dora Maar' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 150/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Pablo Picasso (after) 'The Bull' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 137/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Pablo Picasso (after) 'Woman' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 162/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

§ Pablo Picasso (1881-1973) The Black Owl (in two states)each facsimile signed and numbered 2/20lithograph, the smaller printed on Arches, unframed76.5 x 56.5cm and 91 x 63.5cm(2)

§ After Pablo Picasso (1881-1973) An exhibition poster for Picasso Keramik, Louisana, 2018offset lithograph, unframedshowing Still Life with Fish, Fork and Slice of Lemon, 1955 42 x 30cm

Pablo Ruiz Picasso (Spanish, 1881-1973) Profile of A Womandrypoint etching on heavy wove paper,signed "Picasso" in green crayon lower right and numbered 29/30 in pencil lower left, inscribed in plate and dated, framed and mounted15¼ x 11¾in. (38.8 x 30cm.)* Condition: Acidic mount and there is mount burn to the edge of the sheets to all four margins (see photo of the etching out of the frame). Several small fox marks visible. Very slight toning overall to the front of the sheet. Heavy toning to the reverse side of the sheet. There are two pieces of paper tape & one small piece of old, yellowed sellotape attached to the left and top margins of the reverse from an old mounting. The paper tape has resulted in a corresponding lighter area to the front of the sheet in two places at the top and bottom of the right hand margin. There are no tears, creases or handling marks to the sheet and it is untrimmed.

Robert Gustave Mouzillat (French, 1913-2010) "Paris Hiver 84/85 janvier La Joie"oil on canvas, unsigned, titled and dated on stretcher "Paris Hiver 84/85 janvier La Joie", wooden tray frame39 x 32in. (99 x 81.3cm.)* Robert Mouzillat was an early pioneer of 3D photography and television, founding the RoMo company with his father, Gustave and inventing a two lens 3D camera in the 1950s. Pablo Picasso was intrigued by the 3D photo process and invited Mouzillat to his home over the Easter weekend in 1957, resulting in thousands of images, some released commercially for the 3D RoMo viewer.

After Pablo Picasso (1881 - 1973) 'Fillette Couronee au Bateau', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 457/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Circular Grid'', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Fillette Couronee au Bateau" by Pablo Picasso created on June 12, 1939, Approved by the Heirs of Pablo Picasso' and '© National Machine Systems, Inc, 1982', on Arches paper, with certificate of authenticity, Image approximately 57.5cm x 46cm, Overall 75cm x 54.3cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 25/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cm

After Pablo Picasso (1881 - 1973) 'Paysage', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso', number 143/500, with blindstamps 'A Limited Edition After A Work By Pablo Picasso' & 'Dtamerin', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Paysage" by Pablo Picasso created in 1937, Approved by the Heirs of Pablo Picasso' & '© Stirling Silliphant 1980', on Arches paper, with certificate of authenticity, 73.5cm x 54cmA private estate.Loose. No obvious faults.

After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 20/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme au Beret', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 153/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'G', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au Beret" by Pablo Picasso created in 1939, Approved by the Heirs of Pablo Picasso' and 'Artvestors', on Arches paper, with certificate of authenticity, Image approximately 55cm x 37.4cm, Overall 73.4cm x 52.7cmA private estate.

After Pablo Picasso (1881 - 1973) 'Notre Dame', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 232/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & a motif, printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Notre Dame" by Pablo Picasso created October 25, 1954, Approved by the Heirs of Pablo Picasso' and '© Beatrice Dwork 1979', on Arches paper, with certificate of authenticity, Image approximately 60cm x 50cm, Overall 75.5cm x 55.5cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme Assise', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 6/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Circular Grid'', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme Assise" by Pablo Picasso created on February 19, 1947, Approved by the Heirs of Pablo Picasso' and '© Aaron Keiter, Betty J Hughes & Dale R Ruckman, 1980', on Arches paper, with certificate of authenticity, Image approximately 58.5cm x 39.5cm, Overall 74.5cm x 53.5cmA private estate.

Pablo Picasso (1881-1973), Visage (A.R. 243), terracotta, stamped Madoura, Empreinte, originale de Picasso and numbered 372/500 on verso. Conceived in 1954 and executed in a numbered edition of 500. Housed within a perspex display case. H.11 W.9 D.15cm (cased)

PABLO PICASSO, ETCHING- 'DEUX HOMMES BARBUS AVEC UNE FEMME NUE', 1966, GOLDMARK GALLERY, UPPINGHAM, RUTLAND, LABEL ON REVERSE No156, APPROXIMATELY 22 x 32cm

PABLO PICASSO, Paloma, original lithograph 1950, edition 2000, printed by Mourlot, vintage French frame, 24cm x 17.5cm, This original lithograph of Picasso's daughter Paloma was executed by Picasso drawing directly onto the lithographic plate with his finger(s) to produce the image. Picasso's fingerprints can be seen in the ink on the lithograph. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Portrait of a Lady, after Cranach the younger 1962, Linocut, Suite: Linogravures, vintage French frame. 26.5cm x 22cm

PABLO PICASSO, Study for Demoiselles D'Avignon, Pochoir and lithograph, Suite: 15 drawings, 1946 Albert Carmen, vintage French frame, 38cm x 30.5cm.

PABLO PICASSO, Two Nudes, pochoir, signed in the plate, 1946 edition 500, suite 15 drawings, vintage French frame, 38cm x 28cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, collotype, suite La Californie, vintage French frame, 26cm x 39cm.

PABLO PICASSO, Claude, original lithograph, edition 2000, 1950 vintage French frame, 31cm x 23cm, this original lithograph of Picasso's son Claude was executed by Picasso drawing directly onto the lithographic plate with his finger(s) to produce the image. Picasso's fingerprints can be seen in the ink on the lithograph. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Fleur, off set lithograph, signed in the plate, vintage French frame, 19cm x 14cm. (Subject to ARR - see Buyers Conditions)

Picasso, Pablo (1881 Malaga-1973 Mougins)Lithographie in Farbe auf Bütten. "Hände mit Blumenstrauß", sign. und dat. 21.4.58. 64,5 x 50 cm.