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Lot 5
PABLO PICASSO (Spanish, 1881-1973) - a white earthenware bowl 'Taureau' (AR 177). Probably from the edition of 500. Partially glazed with white-enamel decorated with oxidised paraffin; inscribed through the glaze to the underside 'Edition Picasso'. (14.5 cm in diameter and 5 cm high.) (A/F - showing signs of it being broken in half and repaired)
Lot 109
RICARDO OPISSO I SALA (Tarragona, 1880 - Barcelona, 1966)."Musician" and "Sketch of a street scene".Mixed media on paper (recto). Pencil on paper (reverse).Signed in the lower corner.Measurements: 37.5 x 26.5 cm; 58 x 49 cm (frame).Painter, draughtsman and cartoonist. In his youth he participated in the Barcelona modernist environment, and in fact in 1894 he began to work as an apprentice with Antoni Gaudí in the works of the Sagrada Família. Two years later, backed by the architect, he became a member of the Círculo Artístico de Sant Lluc, with whom he would later exhibit at the Sala Parés. He was linked to the group Els Quatre Gats, together with Ramon Casas, Manuel Hugué, Isidre Nonell and Pablo Picasso, among others. In 1901 he made a trip to Paris, where Picasso and Hugué were already there. He worked as an illustrator in publications such as "Cu-cut!" and "L'Esquella de la Torratxa", signing drawings aimed at political satire, in a style close to art nouveau. In 1907 he took part in the Fine Arts Exhibition in Barcelona and was awarded a third-class medal. Due to the dictatorship of Miguel Primo de Rivera, Opisso abandoned political satire and his drawings moved towards genre themes, specialising in popular scenes. His works from this period are characterised by the presentation of motley crowds of people in popular Barcelona settings. After exhibiting several times in succession at the Sala Parés, he held his first solo exhibition in 1935 at the Syra galleries in Barcelona. During the post-war period he continued to exhibit in various galleries in Barcelona, and reaped considerable success with both critics and the public. In 1953 he received recognition from his hometown at the 4th Tarragona Art Fair. Most of his work is kept in the Opisso Museum in Barcelona, but it is also present in the National Art Museum of Catalonia and the Museum of Modern and Contemporary Art in Strasbourg. In terms of exhibitions, the one held at the Thyssen-Bornemisza Museum in 2004 under the title "Catalan Painting, from Naturalism to Noucentisme", in which his work "Carnival" was exhibited, is particularly noteworthy. He has also had anthological exhibitions at the Saló del Tinell (1979), the Palau de la Virreina (1980), the Barcelona International Boat Show (1973), the Fundació La Caixa (1988, 2004, 2008) and the Caixa Tarragona (2003).
Lot 67
MANUEL TERÁN (Chile, 1974)."Tribute to Kusama and Velázquez".Oil on masonite.Signed in the lower right corner. Signed, dated and titled on the back.Size: 108,5 x 108,5 cm; 131 x 130 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
![Japanese-style erotica 'The Pillow Book. Nob + Non' [spine-title] 14 original sketches probably by a late-20th century Britis](https://cdn.globalauctionplatform.com/5f895d06-bae6-4344-8d09-af8900a8ea60/b45a994a-b9e7-4c52-99a4-af9d00944010/468x382.jpg)
Lot 202
Japanese-style erotica 'The Pillow Book. Nob + Non' [spine-title] 14 original sketches probably by a late-20th century British hand, pen-and-ink, wash and watercolour, approximate dimensions 40 x 30cm, pencilled captions in English on versos, each tipped to mount comprising two craft-paper leaves stitched together along edges, the mounts glued into stiffened cloth backstrip and laid into white silk portfolio with embroidered titles and erotic decoration to spine and front cover. Together with 3 further art portfolios:Golikova, G. V. DMT 42, Stuttgart: Edition Domberger, 1969. First edition, one of 130 'unsigned' copies from the edition of 210, but this copy signed by Golikova and illuminator Gerald Laing in pencil on the limitation leaf, folio, original white card wrappers, black dust jacket, title-page with additional silkscreen colour, 23 colour silkscreen prints, colophon leaf, pink cloth portfolio and matching slipcase, portfolio and slipcase damp-stained, integral plastic support in portfolio detached;Picasso, Pablo. Picasso 347. New York: Random House/Maecenas Press, 1970. First edition, 2 volumes, oblong folio, original quarter cloth, in original box (somewhat distressed);Jamieson, Wendell. New York by New York. New York: Assouline, 2018. First edition, 4to, original orange cloth, slipcase, retaining protective cardboard packing case
Lot 65
PABLO PICASSO, Paloma, original lithograph 1950, edition 2000, printed by Mourlot, vintage French frame, 24cm x 17.5cm, This original lithograph of Picasso's daughter Paloma was executed by Picasso drawing directly onto the lithographic plate with his finger(s) to produce the image. Picasso's fingerprints can be seen in the ink on the lithograph.
Lot 1226
Pablo Picasso, Spanish 1881-1973- Sala Gaspar poster, 1970; Sala Gaspar poster, 1961; Sala Gaspar poster, 1960; (i) offset lithograph in black on wove, image: 69.5 x 49.5 cm, (framed), (ii) lithograph in colours on wove, sheet: 70.2 x 49.9 cm, (framed), (iii) lithograph in black on wove, sheet: 70.2 x 50 cm, (unframed) (ARR) (3)Please refer to department for condition report
Lot 1022
§ Pablo Picasso (Spanish, 1881-1973), 'Grosse prostituée sur les genoux d'un barbu', from 'La Célestine de Fernando de Rojas' (Paris, 1971, Edition Crommelynck), depicting a painter and model, etching, ed. 191/350, unsigned, 12 x 9cm. Provenance: Galerie Michael. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information
Lot 73
After Pablo Picasso, Femme au Beret, limited edition lithograph, signed Collection Marina Picasso and numbered 148/500 in pencil, two blind stamps, ink stamp verso, unframed, 55.5 x 37 cm, with Certificate of Authenticity and folio folderPaper generally discoloured, some indentations to the paper from top border running into the image, no tears.
Lot 77
After Pablo Picasso, Norte Dame, limited edition lithograph, signed Collection Marina Picasso and numbered 256/500 in pencil, two blind stamps, ink stamp verso, unframed, 60 x 50 cm, with Certificate of AuthenticitySlight crease top left corner. Discolouration evident to the printed area on the reverse. Otherwise, in good condition. Please note - this lot is loose and does not have a folder.
Lot 595
Marc Chagall (Russian/French, 1887-1985). Galerie Maeght poster depicting a Paris exhibition. Signed in yellow pen along the lower right and dated 1954/9.Lot Essay:Marc Chagall (born Moishe Shagal}) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is."Sight; height: 11 in x width: 7 in. Framed; height: 19 in x width: 14 1/2 in.
Lot 6
RICARDO OPISSO I SALA (Tarragona, 1880 - Barcelona, 1966)."Carnival".Ink and watercolour on paper.Signed in the lower right corner.Frame in bad condition.Measurements: 29 x 26 cm; 40,5 x 37,5 cm (frame).The street overflows with festive activity and devotion for the dance, the mask and the disguise in this composition of Ricardo Opisso, of overflowing imagination. Opisso was a painter, cartoonist and comic artist. In his youth he took part in Barcelona's modernist milieu, and in 1894 he began to work as an apprentice with Antoni Gaudí on the Sagrada Família. Two years later, backed by the architect, he became a member of the Círculo Artístico de Sant Lluc, with whom he would later exhibit at the Sala Parés. He was linked to the group Els Quatre Gats, together with Ramon Casas, Manuel Hugué, Isidre Nonell and Pablo Picasso, among others. In 1901 he made a trip to Paris, where Picasso and Hugué were already there. He worked as an illustrator in publications such as "Cu-cut!" and "L'Esquella de la Torratxa", signing drawings aimed at political satire, in a style close to art nouveau. In 1907 he took part in the Fine Arts Exhibition in Barcelona and was awarded a third-class medal. Due to the dictatorship of Miguel Primo de Rivera, Opisso abandoned political satire and his drawings moved towards genre themes, specialising in popular scenes. His works from this period are characterised by the presentation of motley crowds of people in popular Barcelona settings. After exhibiting several times in succession at the Sala Parés, he held his first solo exhibition in 1935 at the Syra galleries in Barcelona. During the post-war period he continued to exhibit in various galleries in Barcelona, and reaped considerable success with both critics and the public. In 1953 he received recognition from his native city at the 4th Tarragona Art Fair. During his early years, in addition to his surname, Opisso also used to sign his work with an "O" for Opisso, which contains the "R" of his name. Most of his work is kept in the Opisso Museum in Barcelona, but it is also present in the National Art Museum of Catalonia and the Museum of Modern and Contemporary Art in Strasbourg. In terms of exhibitions, the one held at the Thyssen-Bornemisza Museum in 2004, entitled "Pintura catalana, del naturalisme al noucentisme" (Catalan Painting, from Naturalism to Noucentisme), was particularly noteworthy, in which his work "Carnaval" (Carnival) was exhibited. He has also had anthological exhibitions at the Saló del Tinell (1979), the Palau de la Virreina (1980), the Barcelona International Boat Show (1973), the Fundació La Caixa (1988, 2004, 2008) and the Caixa Tarragona (2003).
Lot 82
PEDRO SÁNCHEZ PICAZO (Balsapintada, Fuente Álamo, 1863-Murcia, 1952)."Flowers".Oil on panel.Signed in the lower right corner.Frame with slight lack of polychrome.Measurements: 25 x 40 cm; 42 x 56 cm (frame).Sánchez Picazo specialised in floral painting, a theme that allowed him to occupy a relevant position in Murcian painting. After starting out as a self-taught painter, in 1887 he was granted a grant for two years to develop his pictorial activity. Thanks to this grant he was able to study at the San Fernando Academy of Fine Arts in Madrid. In the 1990s he frequented gatherings, continued his drawing classes and visited the Prado regularly to admire the work of the great masters: Rubens, Van Dick, Tiepolo.... On some of his trips to Murcia he met Mª Amparo Batlle, who would become his wife in 1896. When he finished his studies in Madrid in 1897 he decided to take part in the National Exhibition of Fine Arts and obtained an honourable mention. At the same exhibition Pablo Ruiz Picasso also received an honourable mention. In 1900 he received the Gold Medal at the exhibition held in Murcia for his work Cesto de Flores (Basket of Flowers). He increased his participation in the artistic life of Murcia, making sketches for floats, posters and also religious themes such as the one he did for the church of La Unión. In 1905 he was appointed professor of drawing and composition at the Círculo de Bellas Artes. He was awarded the Gold Medal of the Fine Arts Circle for the painting Cesto de flores ("Basket of Flowers") which he painted for the Casino of Murcia in 1909. In 1912 he collaborated as the illustrator of the cover of Jara Carrillo's book Besos del sol ("Kisses of the Sun"). After the death of Alejandro Séiquer, Sánchez Picazo took up the post of Director of the Provincial Museum of Fine Arts in Murcia in 1922. During the Civil War he was a member of the Junta de Delegación de Incautación, Protección y Salvamento del Tesoro Artístico de Murcia (Board of Delegation for the Seizure, Protection and Salvage of the Artistic Treasures of Murcia). In 1941 he was appointed Académico de Número in the Academia Alfonso X el Sabio.
Lot 481
Picasso (Pablo). Pablo Picasso, Les Déjeuners, 1st U.K. edition, London: Thames and Hudson, 1963, numerous colour & monochrome plates, some light toning & marks to the title page, original decorated cloth, boards slightly marked, folio, together with:Sutherland (Graham), The Work of Graham Sutherland, reprinted, London: Lund Humphries, 1962, numerous colour & monochrome illustrations, some minor toning, original decorated boards with glassine wrapper, boards slightly toned, large 4to, plusGoldwater (Robert), Rufino Tamayo, 1st edition, New York: The Quadrangle Press, 1947, 8 tipped-in colour plates plus monochrome illustrations, some light marginal toning, original cloth in dust jacket, covers faded & slightly marked & rubbed with some tears & minor loss to the head & foot, large 4to, plus other art reference & related, mostly original cloth in dust jackets, some paperback editions, some foreign language, G/VG, 8vo/folioQTY: (6 shelves)
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8781 item(s)/page