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Lot 132
PABLO PICASSO (1881 Málaga - 1973 Mougins) Femme nue et Homme à la CanneLithographie auf Arches Velin. 1969.27 x 22,2 cm (42,8 x 33,3 cm).Signiert "Picasso". Auflage 125 num. Ex.Bloch 1464. Mourlot 407. Cramer Books 145.Nuancenreicher, kreidiger Druck. Das Werk aus den "Picasso Dessins 27.3.1966 - 15.3.1968" erschien in einer Gesamtauflage von 150 Exemplaren, von der 25 Abzüge für den Künstler und seine Freunde bestimmt waren, die verbliebenen 125 Stück wurden durchnummeriert.
Lot 133
PABLO PICASSO (1881 Málaga - 1973 Mougins) Peintre au TravailAquatinta auf Richard de Bas-Velin. 1965.38,5 x 27,5 cm (57,5 x 43,5 cm).Signiert "Picasso". Auflage 50 num. Ex.Bloch 1201. Baer 1185 B.b.1. (von 2).Bestechend simples Motiv in virtuoser, feintoniger Ätzung, an zwei Seiten mit dem Schöpfrand. Aus der Edition Galerie Louise Leiris 1966. Gedruckt bei Crommelynck.
Lot 273
Picasso (Pablo).- Sabartes (Jaime) Toreros, first American edition, 1 original lithograph by Picasso only (of 4), black and white, remaining others excised from gutter, stubs remaining, numerous plates (plain and a few colour, one loose), original pictorial cloth, dust-jacket, tape reinforcements to verso at spine and fold ends, some light bumping to extremities, [Bloch 1014-1017; Mourlot 346, 348, 349, 350], New York, George Braziller, 1961 § Graham (Paul) In Umbra Res, one of 500 copies signed and numbered by the artist, 16 colour photographic plates, original cloth with inlaid colour photograph, glassine wrappers, 1990 § Rotzler (Willy) Affiches de Henri de Toulouse-Lautrec, 10 chromolithograph plates, original card wrappers, original printed glassine wrapper, 1946 § Sutzkever (Abraham) Siberia, lacking original lithography by Marc Chagall, with 8 illustrations by Chagall, original printed wrappers, 1960; and c.100 art reference, v.s. (c.100)⁂ The lithograph here present here 'Jeu de la Cape', in black and white. The four lithographs of this publication were executed especially for this publication. Those not present in this copy are 'La Pique', 'Le Picador II' (colour) and 'Les Banderilles'.
Lot 1240
Picasso, Pablo. Ovale au cheval. Terrakotta-Tafel. Verso gestempelt, markiert und nummeriert: "Madoura Plein Feu" und "Poinçon Original de Picasso", "J.163/219/500". 1971. Größe: 15 x 15 cm. Picasso. Catalogue de l'oeuvre ceramique edite 1947-1971, Ed Galeria Madoura 1988 Seite 294 Nr. 622. - Konzipiert im März 1971 und ausgeführt in einer nummerierten Auflage von 500 Exemplaren. - Mit drei kleinen Feuchtflecken, sonst sehr gut erhalten.
Lot 1743
Picasso, Pablo - - Mourlot, Fernand. Picasso Lithographe. Band 1 (von 4). Mit 2 (davon 1 Umschlag) Original-Lithographien von Pablo Picasso und zahlreichen teils farbigen Abbildungen. Monte Carlo, Sauret, 1949. 155 S., 1 Bl. 32 x 24,5 cm. Original-Karton mit Original-Umschlag und Pergaminpapier-Umschlag (Ecke rechts unten bestoßen, Pergaminpapier teils lädiert).Erste Ausgabe. - Beschreibt das lithographische Werk von 1919 bis 1947. - Insgesamt gutes Exemplar.
Lot 1237
Picasso, Pablo. Carré aux danseurs B. Terrakotta-Tafel. Verso gestempelt, markiert und nummeriert: "Madoura Plein Feu" und "Poinçon Original de Picasso", "J.159/170/500". 1971. Größe: 15 x 15 cm.Picasso. Catalogue de l'oeuvre ceramique edite 1947-1971, Ed Galeria Madoura 1988 Seite 294 Nr. 614. - Konzipiert im März 1971 und ausgeführt in einer nummerierten Auflage von 500 Exemplaren. - Minimal fleckig, sonst sehr gut erhalten.
Lot 1239
Picasso, Pablo. Nègre, nègre, nègre ... Portrait d`Aimé Césaire. Probeabzug der Kaltnadelradierung auf Vélin de Montaval. Rechts unten signiert. 1949. Blattgröße: 39,5 x 28,5 cm. Bloch 633. - Baer 841 - Cramer 56. - Probeabzug auf "Montval" mit Gefälligkeits-Signatur von Picasso. - Auf einem gefalteten Doppelblatt mit dem Titel des Buches auf der rechten Blatthälfte. - Verso typographisch datiert 1949. - Die Radierung erschien als Frontispiz in "Aimé Césaire. Corps perdu" (Paris 1950). - Leicht angestaubt und gering gebräunt, sonst gut erhalten. Kleine Schabstelle unten rechts, außerhalb der Platte.
Lot 1242
Picasso, Pablo (nach). Le Dormeur. Pochoir-Lithographie auf Vélin d'Arches. Im Stein signiert und datiert sowie nochmals in Rot stempelsigniert, mit dem Trockenstempel "EURO ART" unten links. Verso typographisch bezeichnet und mit montiertem Etikett, dort nummeriert. Exemplar: 681/2000. 1942/1975. Bildgröße: 35,5 x 45,5 cm. Blattgröße: 47,8 x 63 cm. Gedruckt von den Original-Formen durch Daniel Jacomet in Paris, für EURO ART. - Leicht gebräunt, der Kleber des Etiketts auf der Rückseite schlägt schwach auf die Vorderseite durch, verso mit Spuren einer früheren Montierung.
Lot 1238
Picasso, Pablo. La Petite Corrida. Farblithographie auf glattem Velin. Signiert und datiert im Stein unten rechts "23.11.57". Darstellung: 30 x 23 cm. Blattgröße: 33 x 26 cm.Bloch 839 - Mourlot 302 - Goeppert/Cramer 92. - Eschienen 1958 in "XXe Siècle" No. 10, gedruckt von Mourlot in einer Auflage von 2000 Exemplaren. - Verso entlang der oberen Blattkante unter Passepartout montiert, im Passepartout-Ausschnitt etwas gebräunt.
Lot 1741
Picasso, Pablo - - Bloch, Georges. Band 3: Catalogue de l'oeuvre gravé céramique 1949-1971. Katalog des graphischen Keramikwerkes 1949-1971. Mit zahlreichen teils farbigen Abbildungen. Bern, Kornfeld und Klippstein, 1972. 198 S. 29,5 x 24,5 cm. Original-Leinwand mit Original-Umschlag.Minimal gebräunt. - Gutes Exemplar.
Lot 1742
Picasso, Pablo - - Bloch, Georges. Pablo Picasso. Catalogue de l'oeuvre gravé et lithographié. Katalog des graphischen Werkes. Bände 1-2 und 4 (von 4). Bern, Kornfeld, 1968-1979. 29,5 x 25 cm. Original-Leinwandbände mit Original-Umschlägen.Werkverzeichnis der Druckgraphik. - Band I: 1904-1967, Band II: 1966-1969 und Band IV: 1970-1972. - Gute Exemplare.
Lot 100
SEBASTIÁN JUNYENT SANS (Barcelona, 1865 - 1915)."Landscape with figure".Oil on canvas.Signed and dedicated in the lower right corner.Size: 26 x 43 cm; 45 x 62,5 cm (frame).Sebastián Junyent trained at the School of Fine Arts of Sant Jordi in Barcelona, specialising in genre and landscape painting, also cultivating the tapestry technique mainly during his early years. A close friend of Pablo Picasso, with whom he shared his artistic interests, around 1900 he published several articles on aesthetic themes in the magazine "Joventut", one of the main magazines of the modernist movement in Catalonia. Throughout his career he held several individual exhibitions and took part in artistic competitions and contests such as the National Exhibition of Fine Arts of 1899, where he exhibited his canvas "Ex voto", and the Barcelona Exhibitions of 1894, 1896 and 1898, among others. Among his works, it is worth mentioning the following, all presented at official exhibitions: "Un pregón en un pueblo del Montseny" (1894), "Matinada" (1896), "Una vegada era un rei" (1898), "Prometença", "Clorosi", "Mater dolorosa" (1904), "Cazador", "Bosquet de Vallvidrera" (1904), "Cabeza de estudio" and "Anunciación" (1901), among others.
Lot 552
Pablo Picasso (1881-1973) "Dans l'arene. Jeune homme achevant le minotaure", 1933 (May 21, Paris). Edition of 50, etching on Vergé de Montval paper, signed "Picasso" lower right. The signature of Picasso has been pressed into the paper in intaglio printing. Published in the oeuvre catalogue "Picasso. Peintre-Graveur tome II. Catalogue raisonnee de l'oeuvre grave et des monotypes 1932-1934", pp. 199. Authentified by the Picassso Authentification (Claude Ruiz-Picasso), Paris. Ets, 194 x 268 mm.
Lot 135
Lithografie Pablo Picasso1881 Málaga - 1973 Mougins "Figure" 1948 u. re. sign. Picasso Exemplar außerhalb der Auflage von 50 nummerierten Exemplaren. 66 x 50 cm, freiliegend gerahmt Wkvz.: Bloch 580; Mourlot 129 Provenienz: Privatsammlung Hessen. Guter Zustand, gleichmäßig gebräunt, keine Defekte oder Restaurierungen erkennbar. Freiliegend u. säurefrei gerahmt.
Lot 136
Radierung/Aquatinta Pablo Picasso1881 Málaga - 1973 Mougins "Le Peintre et son Modèle" 1963/65 u. re. sign. Picasso eines von insges. 15 Künstlerexemplaren, vor der nummerierten Auflage von insges. 50 Stück, verso gestempelt: "Succ. Pablo Picasso - Col. Marina Picasso" 35 x 42,5 cm Edition der Galerie Louise Leiris, Paris, 1965. Wkvz.: Bloch 1144; Baer 1142. Provenienz.: Galerie Herbert Meyer-Ellinger, Frankfurt (verso m. Etikett); Privatsammlung Hessen.
Lot 461
Lithografie Pablo Picasso1881 Málaga - 1973 Mougins "Don Quixote" 1955 unten li. im Stein sign. u. dat. Pablo Picasso 11.3.55 oben re. m. Wasserzeichen von Arches, Prägestempel Editions Combat Pou La Pae X Copyright S.P.A.B.E.M. Paris, am unteren Rand beschnitten, Lithografie auf Velin, 54 x 37,5 cm, o. R. Minimaler Lichtrand, gleichmäßig gebräunt.
Lot 616
Pablo Picasso (1881-1973) Illustration VI for Verve 1954 HeliogravureSigned in pencil lower rightCertificate of signature authenticity to verso signed by Hamilton Bland, Sportizus LimitedImage size 26 x 21cmTogether with its framed National Art Guild Certificate of Authenticity dated 1988 Provenance - From a good autograph collection.Overall this piece is in good condition.
Lot 71A
PICASSO Pablo, " Picasso Lithographe - III 1949-1956" Andre Sauret Editions du Livre Monte Carlo, card boards, with paper wrappers, the front wrapper and the frontis are from original lithographs made by Picasso for this work, 33 x 25 cms , the front wrapper is detached from the hinge, the text and plates are clean
Lot 8231
Pablo Picasso (1881-1973), ''Carnet de la Californie'', 25 Blatt in Spiralheftung mit 39 (davon 17 farbigen) Lithographien nach Zeichnungen aus der Schaffenszeit vom 8.11.55 bis 14.1.56. in orig. illustrierter Flügelmappe mit dazugehörigem Begleitheft, Paris, Cercle d'Art, 1959, Exemplar 1080 von insg. 1500, etwas gebräunt und lichtrandig, die Mappe fleckig, 43 x 28 cm
Lot 8147
Konvolut von 4 Grafiken versch. Künstler des 20. Jh: Pablo Picasso (1881-1973): Helene, Lithographie gedruckt bei Georges Aubert, unsign., Paris 1955, Graham Vivian Sutherland (1903-1980), Hommage à San Lazzaro, Farblithgr. 1975, unsign., HAP Grieshaber (1909-1981), Panzer und Herbizide 1971, Farbholzschnitt, knapp beschn., Läsur am u. Rand, Ernest Engel-Pak (1885-1965), informelle Komp., Lithogr., u. re. handsign., jeweils hinter Pp., bis 50 x 40 cm
Lot 1346
Pablo Picasso (Málaga 1881 – 1973 Mougins). "Caricature". 1958Kaltnadel auf festem Papier. 5,9 × 5,9 cm (12,1 × 13 cm) (2 ⅜ × 2 ⅜ in. (4 ¾ × 5 ⅛ in.)). Signiert.Baer 1023 A. a (von b) / Cramer 93.–Einer von 36 nummerierten Abzügen. Illustration zu: Pierres. Alès, Pierre André Benoit,1958. [3229]Zustandsbericht: Ex. 17/36. Schöner harmonischer Gesamteindruck. Im linken Randbereich die vertikale Pfalz der ursprünglichen Heftung (1,1 cm breit). Entlang der Falz vier Löcher der Bindung. Am oberen Rand der Darstellung minimal knittrig. Das Blatt schwach gebräunt und in den Randbereichen minimal angestaubt. Rückseitig in den oberen Blattecken jeweils mit einem kleinen Papierklebestreifen auf den Unterkarton montiert.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 1725
Picasso, Pablo (Malaga 1881 - 1973 Mougins, Studium an der KA Madrid, Maler, Grafiker und Bildhauer) nach, "Portraits Imaginaires", Lithografie auf Karton, datiert und signiert oben links 12.3.69 I Picasso, unten links nummeriert HC (horce comers) Drucker Marcel Salinas, 65 x 50 cm (Blattmaß), unter Glas gerahmt.Zertifikat von Kunsthaus Failer beiliegend
Lot 1735
Picasso, Pablo (Malaga 1881 - 1973 Mougins, Studium an der KA Madrid, Maler, Grafiker und Bildhauer), "Ohne Titel", Aquatinta auf Papier, in der Platte datiert II.86.5.72, 12 x 6 cm (Plattenmaß), unter Glas gerahmtWVZ: Bloch 1603.Das Blatt ist die Illustration Nr. 64 der Tragikomödie "La Celestine" von Fernando de Rojas, Paris1968/71.
![§ Chana Orloff (Ukranian / French 1888-1968) Jeune Fille A La Natte [Young Girl With a Braid], 1951 signed and dated 'Ch. Orl](https://cdn.globalauctionplatform.com/84b3284f-8a63-4067-9f7a-af23009ac9df/2934e13b-6a18-4007-a019-af3b00b934f2/468x382.jpg)
Lot 119
§ Chana Orloff (Ukranian / French 1888-1968) Jeune Fille A La Natte [Young Girl With a Braid], 1951 signed and dated 'Ch. Orloff 51', 'Susse Fondeur Paris' foundry mark, patinated bronzeDimensions:45cm high, 27.5cm wide (17 3/4in high, 10 3/4in wide)Provenance:Provenance:Christie's, New York, Fine 20th-Century Decorative Art, 22 March 1986, Lot 54;Private Collection.Note: Literature:Felix Marcilhac, Chana Orloff, Paris, 1991, no.322. " At first I am attracted by the plastic decorative side, if you prefer, and the character... I would like my works to be as alive as life... " (Chana Orloff - E.des Courières in Chana Orloff, Editions of the NRF, Gallimard. 1927) Born in Ukraine in 1888, Chana Orloff settled in Paris in 1910 becoming a naturalised citizen in 1926. She was associated with the Fauves and Cubists early in her career, and was a greatly admired and successful member of the École de Paris artists during the 1920s and 1930s. Alongside the likes of Amedeo Modigliani, Pablo Picasso, Jean Cocteau and Marc Chagall, she exhibited regularly in all the major Salons and exhibitions in Paris. She worked in a wide variety of media, sculpting primarily genre subjects and portraits of which the present model is a graceful example.
Lot 157
§ Pablo Picasso (Spanish 1881-1973) Meurtre, Avec Spectateurs, 1966 (B. 1436; Ba. 1466) 44/50, artist's stamped signature and numbered in pencil (in the margin), etching, printed by Crommelynck, published by Galerie Louise Leiris, Paris, on wove paperDimensions:22.4cm x 32cm (8 7/8in x 12 5/8in)
Lot 256
§ Pablo Picasso (Spanish 1881-1973) for Madoura Pottery Deux Oiseaux (no. 95, A.R.487), Conceived 1963 85/150, numbered, painted ‘Edition Picasso’ and ‘Madoura’, partially glazed and painted earthenware. Dimensions:25.7cm diameter (10 1/8in diameter)Provenance:Provenance: Galerie Ritthaler, Munich;Private Collection, London.
Lot 31
§ After PABLO PICASSO (SPANISH 1881-1973) Cote d'Azur lithographic poster, 1957, condition A; not backedDimensions:39 x 26 in. (99 x 65 cm.)Note: Note: In the 1960’s, President Charles de Gaulle, in the act of promoting France and French culture, appointed Andre Malraux as the Minister of Cultural Affairs. Malraux, who was a novelist and an art historian as well as a fervent supporter of de Gaulle, commissioned a series of lithographic posters by well known artists to promote French culture around the world.Many of the artists, if not French themselves, were active in France. Most of the artists (or the artist’s estates) agreed to have the best lithographers (mostly Charles Sorlier and Henri Deschamps) make faithful lithographic copies of their paintings.These lithographic posters were produced by the world-renowned lithographic printers – Mourlot of Paris.The current owner's father collected them at the time of the printing and has kept them flat and away from the light for 60 years.
Lot 10
PABLO PICASSO (Malaga, 1881- Mougins, 1973)."Pichet Poule", 1954, Vallauris.Glazed and painted ceramic.Print run of 500 copies.With Madoura and D'Apres Picasso stamp on the base.Size: 12 x 18 x 9 cm.Since Pablo Picasso discovered ceramics with his brilliant style in Vallauris (the town where the Madoura workshop was located), this town became the great town of ceramics in France. The artist had already known the town in 1936, but it was after the Second World War, in July 1946, that he became infatuated with ceramics. He was spending a holiday in Golfe Juan-les Pins, a nearby town, and after discovering the Madoura workshop, heir to a long family tradition of ceramic work, the artist began a frenetic production that gave birth to more than two thousand pieces in one year.Pablo Ruiz Picasso is the great genius of contemporary painting. Pablo Ruiz Picasso is the great genius of contemporary painting. The creator of cubism together with Braque, his capacity for invention and creation places him at the top of world painting. He was born in Malaga, where his father was a drawing teacher and director of the Municipal Museum. The Ruiz Picasso family soon moved to La Coruña, and from there to Barcelona, where the young Pablo began his artistic studies at the Provincial School of Fine Arts (1895). Although the school's style was entirely academic, the painter soon came into contact with modernist groups which changed his form of expression. Only two years later, in 1897, Picasso held his first solo exhibition at the café "Els Quatre Gats". Paris was to become Pablo's great goal and in 1900 he moved to the French capital for a short period of time. When he returned to Barcelona, he began to work on a series of works in which the influences of all the artists he had known or whose work he had seen could be seen. He is a sponge that absorbs everything but retains nothing; he is searching for a personal style. Between 1901 and 1907 he developed the Blue and Pink Stages, characterised by the use of these colours and by their subject matter with sordid, isolated figures, with gestures of grief and suffering. The painting of these early years of the 20th century was undergoing continuous changes and Picasso could not remain on the sidelines. He became interested in Cézanne, and based on his example he developed a new pictorial formula together with his friend Braque: Cubism. But Picasso did not stop there and in 1912 he practised collage in painting; from that moment on, anything goes, imagination became the master of art. Picasso was the great revolutionary, and when all the painters were interested in Cubism, he was preoccupied with the classicism of Ingres. The surrealist movement of 1925 did not catch him unawares and, although he did not participate openly, it served as an element of rupture with what had gone before, introducing into his work distorted figures with great force and not exempt from rage and fury. As with Goya, Picasso was also greatly influenced in his work by his personal and social situation. His often tumultuous relationships with women had a serious impact on his work. However, what had the greatest impact on Picasso was the outbreak of the Spanish Civil War and the bombing of Guernica, which led to the creation of the most famous work of contemporary art. Paris was his refuge for a long time, but the last years of his life were spent in the south of France, working in a very personal style, with vivid colours and strange forms.
Lot 192
Picasso (Pablo) Verve, Volume VIII No. 29/30, Suite de 180 Dessins de Picasso, 28 Nov. 1953 to 3 Feb. 1954, Paris, 1954, folio, a special double number of Verve devoted to Picasso, English text, chromolithograph and Heliogravure illustrations, original illustrated boardsComplete with all illustrations
Lot 193
Picasso (Pablo) & Jean Cocteau. Laporte (Genevieve) Les Cavaliers d'Ombre; Sous le Manteau de Feu, 2 parts in 1 bound dos à dos, Exemplaire d'Artiste, from an edition limited to 300, signed and inscribed by the author with 3 lines of verse to head of half-title of first, illustrations by Picasso and Cocteau respectively, loose as issued in original lithographed pictorial wrappers by Cocteau printed in red, green and black, 8vo, Paris, 1956 ⁂ Geneviève Laporte was mistress and model to Picasso in the early 1950s. very slightly soiled
Lot 275
MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nizza) "Nu bleu"Farblithografie. In der Platte signiert. In der Platte datiert: [19]52. Passepartoutausschnitt: 58,5 x 45 cm. Gerahmt & hinter Glas : 69,5 x 56 cm. Aus einer Serie von ca. 12 abstrakten weiblichen Akten, die ursprünglich aus blau koloriertem Papier geschnitten wurden und zu den letzten Werken des Künstlers gehören. Er nannte diese Technik "mit der Schere zeichnen". Blatt knickspurig. Französischer Maler, Grafiker, Zeichner und Bildhauer; Wegbereiter des Fauvismus; zählt neben Pablo Picasso zu den bedeutendsten Künstlern des 20. Jh. "Wer eine Rose malen will, muß zuerst alle Rosen vergessen, die jemals gemalt geworden sind." (Zitat: HM, www.altertuemliches.at). MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nice) "Nu bleu"Color lithograph. Signed in the plate. Dated in the plate: [19]52. Passepartout detail: 58.5 x 45 cm. Framed & behind glass : 69.5 x 56 cm. From a series of about 12 abstract female nudes, originally cut from blue colored paper, which are among the last works of the artist. He called this technique "drawing with scissors". Sheet creased. French painter, graphic artist, draftsman and sculptor; pioneer of Fauvism; counts, along with Pablo Picasso, among the most important artists of the 20th century. "Who wants to paint a rose, must first forget all the roses that have ever been painted." (Quote: HM, www.altertuemliches.at). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 268
PICASSO, Pablo(1881 Málaga - 1973 Mougins) Weiblicher AktGranolithografie auf Bütten. Blindstempel "Picasso". Exemplar: 190/333, Blindstempel "Picasso", "Pablo Picasso Spadem Edition of 333". Abbildung: 18,7 x 22,7 cm, im Passepartout: 50 x 40 cm. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). PICASSO, Pablo(1881 Málaga - 1973 Mougins) Female nudeGranolithography on laid paper. Blind stamp "Picasso". Copy: 190/333, blindstamp "Picasso", "Pablo Picasso Spadem Edition of 333". Image: 18.7 x 22.7 cm, in mount: 50 x 40 cm. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 279
PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 Werke aus "Suite Vollard"Je in der Platte signiert. [1973]. Editeur S.P.A.D.E.M., Paris. Blatt je: 33 x 42 cm, je auf Karton montiert: 40 x 50 cm. 2 lithografische Abzüge nach den Radierungen aus "Suite Vollard": Blatt 84 - "Minotaure Caressant une Femme" (Exemplar: 476/1200) und Blatt 92 - "Minotaure, Buveur et Femmes" (Exemplar: 220/1200). Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literatur : WVZ Bloch Nr. 191 und Nr. 200. PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 works from "Suite Vollard"Each signed in the plate. [1973]. Editeur S.P.A.D.E.M., Paris. Sheet each: 33 x 42 cm, each mounted on cardboard: 40 x 50 cm. 2 lithographic prints after the etchings from "Suite Vollard": sheet 84 - "Minotaure Caressant une Femme" (copy: 476/1200) and sheet 92 - "Minotaure, Buveur et Femmes" (copy: 220/1200). Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literature : WVZ Bloch No. 191 and No. 200. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 277
PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 Werke: "Le Bouquet" und "Toros y Toreros"2 Farblithografien auf Bütten. Max. 70 x 50 cm. "Le Boquet", Blatt: 65 x 49,5 cm, im Druck signiert, Blindstempel "Editions Combat pour La Paix, Copyright S.P.A.D.E.M Paris", Blatt knickspurig, rechter Rand mit Wasserschaden und Plakat "Toros y Toreros" zur Einbandgestaltung des gleichnamigen Buches mit Texten von Luis Miguel Dominquin, Blatt: 69 x 50 cm, oberer Rand verso mit Bereibungen. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 works: "Le Bouquet" and "Toros y Toreros"2 color lithographs on laid paper. Max. 70 x 50 cm. "Le Boquet", sheet: 65 x 49.5 cm, signed in print, blind stamp "Editions Combat pour La Paix, Copyright S.P.A.D.E..M Paris", sheet creased, right margin with water damage and poster "Toros y Toreros" for the cover design of the eponymous book with texts by Luis Miguel Dominquin, sheet: 69 x 50 cm, upper margin verso with rubbing. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 276
PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Abbildung: 16 x 22 cm, im Passepartout: 30 x 40 cm. Lithografischer Abzug nach der Radierung aus "Suite Vollard", 1 von 540 Exemplaren, Editorial Gustavo Gili, Barcelona, 1956; mit Expertise. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literatur : Bloch Nr. 165. PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Image: 16 x 22 cm, in mount: 30 x 40 cm. Lithographic print after etching from "Suite Vollard", 1 of 540 copies, Editorial Gustavo Gili, Barcelona, 1956; with expertise. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literature : Bloch No. 165. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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