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* After Pablo Picasso L'Odalisque aka Portrait of Genevieve Laportegiclée print, from an edition of 1000 62 x 52.5cmCondition ReportFramed size: 52 x 61cm. Not viewed out of glazed frame, generally appears to be in good condition.

* After Pablo Picasso'Femme Assise' (1979-82)lithograph in colours on Arches paper, signed 'Collection Marina Picasso' l.r. and numbered '90/500' l.l., bears blind stamp74 x 53.5cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.

* After Pablo Picasso'Femme au Beret' (1979-82)lithograph in colours on Arches paper, signed 'Collection Marina Picasso' in pencil l.r. and numbered '132/500' l.l., bears blind stamp73.5 x 52.5cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.Condition ReportPaper has yellowed, please see images, otherwise fine.

* After Pablo Picasso'Femme au Fauteuil Canne' (1979-82)lithograph in colours on Arches paper, signed 'Collection Marina Picasso' in pencil l.r. and numbered '74/500' l.l., bears blind stamp76 x 55.6cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.Condition ReportA crease to lower left corner, otherwise in good order.

* After Pablo Picasso'Fillette Couronee au Bateau' (1979-82)lithograph in colours on Arches paper, signed 'Collection Marina Picasso' in pencil l.r. and numbered '489/500' l.l., bears blind stamp75 x 54.5cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.Condition ReportOverall in good order.

* After Pablo Picasso'Notre Dame' (1979-82)lithograph in colours on Arches paper, signed 'Collection Marina Picasso' l.r. and numbered '254/500' l.l., bears blind stamp75.5 x 55.5cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.Condition ReportIn good condition.

* After Pablo Picasso'Pasage' (1979-82)lithograph in colours on Arches paper, signed 'Collection Marina Picasso' in pencil l.r. and numbered '193/500' l.l., bears blind stamp73.5 x 54cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.Condition ReportSome time staining to the sheet so yellow-brown tone to margins, please refer to images, no other obvious flaws.

A mixed lot including a 19thc print of Malvoli from Twelth Night, measures 26cm x 36cm, a Pablo Picasso and Dali print, photograph of Durham (6)

δ Pablo Picasso (1881-1973) after.Faunes et Flore (see Czwiklitzer 167)Lithograph printed in colours, 1960, signed in blue crayon, numbered from the edition of 40, on Arches paper, with full margins, sheet 758 x 555mm (29 1/8 x 21 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973) after. Nu au Faubourg St. Honoré (Czwiklitzer 357)Offset lithograph printed in colours, 1970, signed in red crayon, numbered from the edition of 100, published by Ets. St. Martin Imp., Paris, on glossy wove paper, the full sheet printed to the edges, sheet 1184 x 1560mm (46 1/2 x 59in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) after.Femme en Buste (see Czwiklitzer 103)Lithograph printed in colours, 1955, signed in red pencil, a proof without text aside from the edition of 500, printed by Mourlot, Paris, on Arches wove paper, with full margins, sheet 734 x 530mm (28 7/8 x 20 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) after.Colombe au SoleilLithograph printed in colours, 1962, signed in pencil, numbered from the edition of 200, on Rives paper, with full margins, sheet 588 x 760mm (23 1/8 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) after.Tête de femme au Chapeau (see Czwiklitzer 120)Lithograph printed in colours, 1956, signed in blue crayon, inscribed 'Essai' in pencil, an 'Artist's Proof' aside from the edition of 500, printed by Mourlot, Paris, published by Galerie Beyeler, Basel, on BFK Rives paper, with full margins, sheet 715 x 545mm (28 1/4 x 21 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) after. One lithograph, from Verve No 29-30Lithograph printed in colours, 1954, signed in pencil, numbered from the edition of 75, published by Editions de la Revue Verve, Paris, with their blindstamp, on wove paper, with full margins, sheet 272 x 379mm (10 3/4 x 14 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973)Tête d'homme à la pipe (Bloch 23)Etching, 1912, signed in pencil, from the edition of 100, published by Edition Henry Kahnweiler, Paris, 1912, on wove paper, with wide margins, sheet 252 x 217mm (9 7/8 x 8 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)347 Series Untiled (Bloch 1725)Etching, 1968, signed in pencil, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on wove paper, with full margins, sheet 455 x 325mm (12 ¾ x 17 ¾in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Femme nue se couronnant de Fleurs, from La Suite Vollard (Bloch 135)Etching, 1930, signed in pencil, from the edition of 260, published by Vollard, Paris, with their watermark, on laid paper, with full margins, sheet 450 x 340mm (17 3/4 x 13 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973) after.Femme Vert Au ChatCollotype in colours, 1955-58, signed in blue crayon, numbered from the edition of 100, on wove paper, with full margins, sheet 563 x 459mm (22 1/8 x 18 1/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) after.Venus et l'amour voleur de miel (d'après Lucas Cranach l'Ancien)Lithograph printed in colours, circa 1957, signed in red crayon, printed by Mourlot, Paris, with lithographed text verso, on Arches wove paper, with full margins, sheet 710 x 555mm (28 x 21 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973)Vallauris Exposition (Bloch 1271; Czwiklitzer 19)Linocut printed in colours, 1956, signed and inscribed 'Pour André Stil' in blue crayon, a proof aside from the edition of 200, printed by Arnéra, Vallauris, published by the Association des potiers, Vallauris, on thin wove paper laid on to card, with full margins, sheet 995 x 655mm (39 1/4 x 25 3/4in) André Stil was the editor-in-chief of the communist newspaper L'Humanité. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973)La Colombe en Vol (Bloch 679)Lithograph, 1950, signed in pencil, numbered from the edition of 50, on Arches wove paper, the full sheet, sheet 555 x 720mm (21 7/8 x 28 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973) after.Le Ronde de la JeunesseLithograph printed in colours, 1959, signed in pencil, numbered from the edition of 200, on Arches paper, the full sheet, sheet 650 x 500mm (25 5/8 x 19 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) afterIllustration from Amitiés de MontmartreEtching, 1949, signed in ink, from the edition of 85, published by François Bernouard, Paris, on wove paper, with full margins, sheet 267 x 330mm (10 1/2 x 13in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1885-1971) Le Frère Mendiant Pl.1 (Bloch 876)The rare drypoint, 1959, signed in pencil numbered from the edition of 3, printed by Roger Lacourière, published by Iliazd, Paris, on vieux Japon paper, with full margins, 312 x 525mm (12 ¼ x 20 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Homme Devoilant une Femme (Bloch 138; Baer 203)Drypoint with burr, 1931, from the edition of 260, with the H.M. Petiet blindstamp recto, on Montval laid paper with the Vollard watermark, with full margins, sheet 341 x 449mm (13 3/8 x 17 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Reventos,R.: Dos Contes. Paris u. Barcelona, Editions Albor 1947. Gr.4°. Mit ╔4 ganzseitigen Orig.-Radierungen von Pablo Picasso╗ sowie mehrere Blatt mit faksim. Schrift des Künstlers. 32 Bl. Lose Doppelbogen in läd. OU. (dieser gebräunt) in Pappelholzdeckeln mit 2 Schließbändern. Goeppert-Cramer 44. Bloch 468-471. - Eines von 230 num. Exemplaren (GA 250). Die spanische Originalausgabe mit den 4 Kaltnadel-Radierungen von Picasso. Der Druckvermerk nennt 5 Radierungen, das Werk erschien jedoch mit einer Radierung weniger. Reventos gehörte zu den Jugendfreunden Picassos, der ihn zusammen mit seinem Freund Cinto 1900 portraitierte. - In den breiten Rändern leicht gebräunt. - Spanish original edition with 4 drypoint etchings by Picasso. One of 230 numbered copies. Loose in original wrappers, damaged. Slightly browned.

Verschiedene Grafiker des 20. Jh.Konvolut mit 5 unterschiedlichen Arbeiten von: Maurice Esteve, "Corne à Licou"; wohl Kopie nach Pablo Picasso, "Le seigneur et la dame"; wohl Kopie nach Jacques Villon, "Portrait eines Mädchen"; wohl Kopie nach Maurice Estève, "Alalito"; wohl Kopie nach Serge Poliakoff, "Composition rouge, verte et bleue", verschiedene Techniken und Größen, HxB: bis ca. 32,5/25 cm. Gebräunt, Altersspuren. Jeweils hinter Glas gerahmt.

AFTER PABLO PICASSO (SPANISH 1881-1973) BUSTE DE FEMME  Limited Edition Lithograph on Papier des Arches from the "Marina Picasso Collection", with original investors name on print, 56 x 46cm To be sold with Certificate of Authentication and Certificate of Guarantee and Authenticity Condition Report:Available upon request

NO RESERVE Picasso (Pablo).- Mesens (E.T.) & Roland Penrose, editors. London Bulletin, No.6 [featuring Picasso's Guernica], partly printed on coloured papers, lightly faded or browned, original printed wrappers, October 1938 § Gilot (Françoise) & Carlton Lake. Life with Picasso, first edition, inscribed by Gilot on half-title, New York, 1964 § Stein (Gertrude) Picasso, first English edition, light foxing, 1938, illustrations, the last two original cloth with dust-jackets, slightly rubbed and frayed at edges; and another on Picasso, 4to & 8vo (4)⁂ Françoise Gilot's was Picasso's lover from 1943-53 and mother of his children, Claude and Paloma.

Robert Gustave Mouzillat (French, 1913-2010), "Hiver 1984/85 La Cote d'Azur". oil on canvas, signed lower left "Robert Mouzillat", titled and dated on stretcher "Hiver 1984/85 La Cote d'Azur", wooden tray frame. 39 x 32in. (99 x 81.3cm.). * Robert Mouzillat was an early pioneer of 3D photography and television, founding the RoMo company with his father, Gustave and inventing a two lens 3D camera in the 1950s. Pablo Picasso was intrigued by the 3D photo process and invited Mouzillat to his home over the Easter weekend in 1957, resulting in thousands of images, some released commercially for the 3D RoMo viewer. ** Minor paint losses, otherwise in good condition.

Robert Gustave Mouzillat (French, 1913-2010), "Hiver 84 85 Printemps L'amour". oil on canvas, unsigned, titled and dated on stretcher "Hiver 84 85 Printemps L'amour", wooden tray frame. 39 x 32in. (99 x 81.3cm.). * Robert Mouzillat was an early pioneer of 3D photography and television, founding the RoMo company with his father, Gustave and inventing a two lens 3D camera in the 1950s. Pablo Picasso was intrigued by the 3D photo process and invited Mouzillat to his home over the Easter weekend in 1957, resulting in thousands of images, some released commercially for the 3D RoMo viewer..

Pablo Picasso (1881-1973)Title page Picasso Lithographe, notices et catalog etablis par Fernand Mourlot, II 1947-1949, Andre Sauret, Editions du livre Monte Carlo, illustrated with crayon, 29x23 cm, outer dimensions 53x47 cm

PABLO PICASSO (Spanish, 1881 - 1973) 'Elegy of Ihpetonga, Masques', a set of four original lithographs, on Arches wove paper with deckled edge, dated in the plate, printed by Mourlot Freres, copy of numbered justification page attached, 32cm x 25cm each, framed. (4) (Subject to ARR - see Buyers Conditions)

PABLO PICASSO (1881-1973), 'Femme', quadrichrome, framed, 69.5cm x 43.5cm.

PABLO PICASSO, 'Les Pigeon- Cannes', signed in the plate, print on silk scarf, 1957, 77cm x 77cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, 'Maitres De L'Art Moderne', lithographic poster, signed in the plate, Galerie Beyeler, 1956, printed by Mourlot, 86cm x 65cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Les Trois Musiciens, Spadem Collection, print on silk scarf, 77cm x 76cm.

PABLO PICASSO (1881-1973) Keramikkrug ¨Yan le barbu¨ - MADOURA, Frankreich, 1963, ¨Edition Picasso¨, Ex. 222/300, Figurenkrug aus roter Keramik mit schwarz bemaltem Gesicht und Kerbdekor, H 27cm, am Boden gemarkt ¨Madoura, Edition Picasso, 222/300¨

Picasso, Pablo (1881 - 1973) Marmite haute, homme et femme allonge Stamped 'Société Stella/ n° 12 / Vallauris A-M' Dated under the base '10.8.50 I Vallauris' Unique piece Fired clay, painted   Property of a Lady Dimensions: 18.5 cm (H) x 27 cm (W) 7.25 in (H) x 10.5 in (W)    Provenance: Estate of the artist;Marina Picasso (the artist?s granddaughter; acquired from the above);Present owner (acquired form the above) in 2008.Exhibited: Valencia, Fundación Bancaja; Alicante, Fundación Bancaja & Tacoma, Tacoma Art Museum, Picasso, A Dialogue with Ceramics, Ceramics from the Marina Picasso Collection, 1998-99, no. 18, illustrated in colour in the catalogue

Picasso, Pablo (1881 - 1973) Marmite ronde, frise de femmes Stamped 'VALLAURIS AM' on the side (indistinctly) Date painted on the side 'Vallauris 11.8.50' Painted II on the base Unique piece Fired clay, painted Property of a Lady   Dimensions: 7.5 in (H) x 10.25 in (W) 19 cm (H) x 27 cm (W)   Provenance: Estate of the artist;Marina Picasso (the artist?s granddaughter; acquired from the above);Present owner (acquired from the above) in 2008.Exhibited: Valencia, Fundación Bancaja; Alicante, Fundación Bancaja & Tacoma, Tacoma Art Museum, Picasso, A Dialogue with Ceramics, Ceramics from the Marina Picasso Collection, 1998-99, no. 17, illustrated in colour in the catalogue

Picasso, Pablo (1881 - 1973) A very large, double-handled vessel in white clay with a portrait on either side: one of a bearded and moustachioed man, the other of a woman, possibly Jacqueline Roque. Incised 23.8.52 Unique piece White terracotta, incised Property of a Lady   Dimensions: 12.25 in (H) x 13.75 in (W) 31 cm (H) x 35 cm (W)   Provenance: Estate of the artist; Marina Picasso (the artist?s granddaughter; acquired from the above); Present owner (acquired from the above) in 2008. Exhibited: Galerie Jan Krugier, Ditesheim & Cie, Le feu et la Terrie, 7 December 2004 ? 25 February 2005

RICARDO BAROJA NESSI (Riotinto, Huelva, 1871 - Vera de Bidasoa, Navarre, 1953).Peones camineros" ("Road workers"), 1925-1928.Oil on cardboard.Signed with monogram and dated. Titled and dated on the back.Provenance: private collection of Doña Teresa Cañaréis de Marshall, heiress of Enrique Granados, a well-known Spanish musician who was a contemporary of Ricardo Baroja. Both people moved in the same artistic circle of the time, which establishes a solid historical traceability of the present work.Size: 56.5 x 37 cm; 64 x 45 cm (frame).Ricardo Baroja's passion for the landscapes of the inland villages of Spain, some of which were even lost, is demonstrated in the present work. At the beginning of the 20th century, the Huelva-born artist travelled the country from inn to inn, either for his work as a painter or for his hobby as a hiker. There he immortalised the inn maids and muleteers who transported him, the taverns where he was fed and the boarding houses where he stayed overnight. Through his particular technique, agile and swift, Baroja captured like no one else the popular life of the most inhospitable villages in Spain, and his unique and highly identifiable style.A painter, engraver and writer of the Generation of '98, and brother of Pío Baroja, he was self-taught. Developing a style contrary to the aesthetic taste of the artistic juries of the beginning of the century, Baroja took part in the Bilbao Modern Art Exhibition from 1900 onwards, and exhibited his work in different places, preferably San Sebastián and Madrid. Around 1900-1906 he devoted himself to etching, and came to be considered the best Spanish master in this field after Goya, standing out from the outset as a profound portraitist, the author of beautiful etchings and scenes of popular life, somewhere between Goyaesque and lyrical. He also devoted himself to writing at the same time. In 1903 he founded, in collaboration with Pablo Picasso and Francisco de Asís Soler, the "Arte Joven" group. In 1928 he was appointed professor at the National School of Graphic Arts. However, following a traffic accident, the artist lost an eye and was forced to give up painting, concentrating from then on on literature. Gradually he took up brushwork again, but he hardly ever painted from life. During the Civil War he lost contact with his brother, who fled to France, and he earned his living by painting. After the war he continued to paint, although only in summer, and to write. From 1940 onwards he again held exhibitions in the art galleries of San Sebastian, Bilbao and Madrid, obtaining great commercial success. In San Sebastián he founded, together with Martiarena, the Guipúzcoa Artistic Association. In 1952, a year before his death, his success was confirmed with the sale of all his paintings at an exhibition held in San Sebastian. Ricardo Baroja is represented in the Provincial Museum of Lugo, the Fine Arts Museums of Bilbao and Álava, and the San Telmo Museum in San Sebastián, among others.

Pablo Picasso (1881 - 1973), La Tauromaquia - 1957, III, Cannes Edition, copie d'epreuve, signed & titled in pencil, stamped verso in red '20c Art International, Nice, France', 20cm x 29.5cmPrivate collection. No written or anecdotal history available

Pablo Picasso, 1881 Málaga – 1973 MouginsKERAMIKSCHALE Keramik. 31,5 x 38,5 cm. An der Unterseite in Mangan eingebrannte Aufschrift: Legiertes Monogramm CR, daneben „Madoura/ d‘après Picasso/ Nouvelle Edition“.Querovale Schale mit hochgezogener Fahne, schwarz glasiert, im Spiegel weiße Taube nach links, leicht im gravierten Relief, auf der Fahne ochsenblutrote Pinselstriche. (†) (13013134) (11)Pablo Picasso,1881 Málaga – 1973 MouginsCERAMIC BOWLCeramic.31.5 x 38.5 cm.Burnt-in inscription in manganese on underside: monogram CR, in ligature alongside “Madoura / d’après Picasso / Nouvelle Edition”. (†)

Pablo Picasso, 1881 Málaga – 1973 MouginsPLATTE MIT ZIEGENKOPF Breite: 51,2 cm. Rückwärtig Signaturstempel der Manufaktur Madoura.Rötlicher Scherben, weiß glasiert bzw. polychrom staffiert. Alters- und Gebrauchssp. (1321995) (13)Pablo Picasso, 1881 Málaga – 1973 MouginsPLATE WITH GOAT’S HEADWidth: 51.2 cm.Signature stamp of the “Madoura” manufactory on the reverse.

Francisco Bores, 1898 Madrid – 1972 ParisNATURE MORTE AU NUAGE, 1939Öl auf Leinwand.54 x 65 cm.Links unten signiert und datiert „Bores 39“.In dekorativem teilvergoldetem Rahmen.Der Stil von Bores wurde nach seinem engen Kontakt mit den größten Malern der ersten Avantgarde geschmiedet: Pablo Picasso (1881-1973) und Henri Matisse (1869-1954). Beide hatten Einfluss auf sein Werk und sogar darüber hinaus. Seine Werke werden im Museo de Arte Contemporáneo in Madrid ausgestellt.Provenienz:Aufkleber verso auf Keilrahmen „Svensk-franska konstgalleriet 61453 Francisco Bores“ mit Titel und Datumsangabe.Niederländische Privatsammlung.Literatur: Hélène Dechanet Bores, Francisco Bores. Catalogue raisonné de l‘oeuvre peint, Bd. 1, Madrid 2003, S. 373. (1321553) (18))

PABLO PICASSO (1881-1973)COTE d'AZURlithographic poster in colours, 1962, printed by Mourlot, Paris , cond. A, backed on linen 39½ x 26ins (100 x 66cm)Footnotes:Ref:Czwiklitzer 177This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

Pablo Picasso (1881-1973)Colombe Volant (à l'Arc-en-ciel) (Bloch 712; Mourlot 214) Lithograph in colours, 1952, on Arches wove paper, signed and numbered 152/200 in pencil, the full sheet, with pale mount and time staining, in good condition, framedImage 508 x 650mm. (20 x 25 5/8in.); Sheet 548 x 767mm. (21 1/2 x 30 1/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (1881-1973)Etreinte I (Bloch 1110; Baer 1103 V.B.b) Etching with drypoint, 1963, on BFK Rives wove paper, signed and numbered 37/50 in pencil, published by Galerie L. Leiris, Paris, 1967, the full sheet, in good condition, framedPlate 426 x 570mm. (16 3/4 x 22 3/8in.); Sheet 586 x 765mm. (23 x 30 1/8in.)Footnotes:ProvenanceGalleria del Milione, Milano (inv. no. 10Z58)Galleria del Girasole, Udine (inv. no. I797)Private Collection, Italy (acquired from the above, circa 1963-1970)Thence by descent from the above to the present owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso: A 1960's framed lithograph from the Museum of Vallauris, frame size 68 x 13cm.

Pablo PicassoMinotaure, une Coupe à la Main, et Jeune Femme, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Vollard"; ungerahmt19,4 x 26,8 cm (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert links unten in der Platte (spiegelverkehrt): Paris 17 Mai XXXIIIWasserzeichen Vollard am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Privatbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 190, S. 67 (mit Abb.)

Pablo PicassoMinotaure vaincu, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Picasso"; ungerahmt19,3 x 26,9 cm (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert rechts unten in der Platte (spiegelverkehrt): Paris 29 Mai XXXIIIWasserzeichen Picasso am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Privatbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 197, S. 68 (mit Abb.)

Pablo PicassoLe Repos du Sculpteur devant le Jeune Cavalier, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Picasso"; ungerahmt19,3 x 26,8 cm (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert rechts oben in der Platte (spiegelverkehrt): Paris 30 Mars XXXIIIWasserzeichen Picasso am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Priavtbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 164, S. 61 (mit Abb.)

Pablo PicassoSculpteurs, Modèles et Sculpture, aus "La Suite Vollard"1933Radierung auf Papier Vergé de Montval mit Wasserzeichen "Vollard"; ungerahmt29,2 x 36,2 (Plattengröße), 34 x 44,5 cm (Blattgröße)Handsigniert rechts unten: PicassoBezeichnet und datiert rechts unten in der Platte (spiegelverkehrt): Paris 20 Mars XXXIIIWasserzeichen Vollard am linken BlattrandEdition von 260 Stück, herausgegeben von Ambroise Vollard, Paris, 1939Privatbesitz, ItalienGeorges Bloch, Pablo Picasso. Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 149, S. 58 (mit Abb.)

Pablo PicassoLa Danse1961Lithographie in Farbe nach Picasso 58 x 48 cm (Passep.-Ausschnitt)Signiert und datiert in der Platte: Picasso / 25.7.61Lithographie in Farbe nach PicassoNummeriert links unten: 616/1000österreichischer Privatbesitz 

Pablo PicassoCarneval1958Farblithografie auf Papier49 x 39 cm (Passep.-Ausschnitt)In der Platte zweimal signiert, datiert und bezeichnet: Picasso / 26.1.58 / Picasso, Bon à tirerLithographie in Farbe nach PicassoNummeriert links unten: 785/1000österreichischer Privatbesitz

Abraham Mintchine (Ukrainian/Russian, 1898-1931)Interior of a studio (Siesta)signed in Latin (lower right) oil on canvas 38.5 x 55cm (15 3/16 x 21 5/8in).Footnotes:ProvenancePurchased from Crane Kalman Gallery, London, by B. I. Harris Esq. on May 1960 (according to the label on verso)Acquired from the above by Jacques Spreiregen (1894 - 1982) Thence by descentExhibitedWorthing Art Gallery, Sussex, Impressionism to Surrealism, no. 2, 1970 (according to the label on verso)Jacques (Jakob Henryk) Spreiregen was born in 1894 in Warsaw into a Jewish family. To escape the Tsarist regime in Poland, in 1910, the family emigrated to France, where he changed his name to Jacques Henry Sergene. During the First World War, a young Spreiregen moved to England and began working as a headwear manufacturer and importer of basque berets. Having joined the British Army, he was sent back to France to serve in the Medical Corps before returning to England after the war. In 1938, the Kangol brand was born and owing to the exceptional popularity of its berets, soon became the official supplier of the British Army during the Second World War. As a philanthropist and collector, Spreiregen is known to have built an extraordinary collection of 20th century art led by European avant-garde masters such as Paul Cezanne, Claude Monet, Pierre Bonnard, Pablo Picasso, Mark Chagall, Mikhail Larionov and Natalia Gontcharova. Maintaining close ties with France, he was avid in his support of the community of Jewish artists in Paris, which included Chaïm Soutine, Pinchus Krémègne, Abraham Mintchine and Maurice Blond, and acquired the majority of his collection directly from the artists' studios. This remarkable collection was exhibited several times during Spreiregen's lifetime: in January 1960, at the Rouen Museum of Fine Arts, at the Katia Granoff Gallery in Paris (May – June 1963) and at the Brook Street Gallery in London in December 1963.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Picasso, Pablo & Dominguin, Luis MiguelToros y Toreros, Köln, DuMont, 1980, mit zahlr. tls. farb. Illustr. von Picasso, farbig illustr. Originalhalbleinenband, Folio. Guter Erhaltungszustand. Mit orig. Schuber.

Picasso, PabloMálaga/Spanien 1881 - 1973 Mougins/Frankreich. "Les deux tourterelles doubles", Darstellung: "Die zwei doppelten Turteltauben", unten rechts mit Bleistift sign. und num. 5/50, unten links in der Platte dat. "29.6.1946", Farblithographie in Violett und Gelb/brauntonigem Papier, HxB: ca. 49,8/65,5 cm (Blatt). Gebräunt. Mit verglastem Rahmen.

'Exposition Vallauris' Pablo Picasso lithographic print approx. 47cm x 38.5cm