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Lot 1114
Hockney, David "The Blue Guitar", etchings by David Hockney who is inspired by Wallace Stephens who was inspired by Pablo Picasso, Petersburg Press (1977), boards with pastedown to front cover, dj a little chipped and worn "Six Fairytales from the Brothers Grimm ..., Original Etchings", Petersburg Press, small 16mo"Paul Nash a Memorial Exhibition 1948", The Tate Gallery 17th March to May 2nd 1948 catalogue "Bridget Riley Paintings and Drawings 1951 to 71", The Haywood Gallery, bkpl from the Glasgow School of Art LibraryBlake, William "Visions of the Daughters of Albion", reproduced in facsimile by J M Dent & Sons 1932, beige cloth, gilt titles to front board, dj and other related artists to include Paul Klee, Braque, Stanley Spencer, Etrog, Ben Nicholson and Penguin Modern Painters (8) (23)
Lot 2391
Pablo Picasso (1881-1973) Pair of lithographic prints one Galerie 65 Cannes 1957, published in 1958 lithography br Fernand Mourlot France. The other Galerie Lucie Weill 1956 published in 1957. Plus Marc Chagall (1887-1985) Pair of modernist figural lithographic prints published in New York printed in West Germany 1977. All mounted but unframed, approx overall sizes 20 x 16 inches. Cellophane wrapped.
Lot 73
δ Pablo Picasso (1881-1973)La Biche (Bloch 336, Baer 583/II/B/a)Etching with aquatint and drypoint, 1938, a fine impression, signed in red crayon, from the edition of 47, on Montval laid paper, with full margins, 415 x 317mm., (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 77
δ Pablo Picasso (1881-1973)Peintre et Modèle (Bloch 1381)Etching with aquatint, 1966, signed in pencil, numbered from the edition of 50, on BFK Rives paper, with full margins, sheet 410 x 500mm (16 1/8 x 19 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 78
δ Pablo Picasso (1881-1973)Homme et Femme (Bloch 1210)Etching with aquatint and drypoint, 1965, signed in pencil, numbered from the edition of 50, on Richard de Bas handmade wove paper, with full margins, sheet 330 x 445mm (13 x 17 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 79
δ Pablo Picasso (1881-1973)Le Picador I (Bloch 1013)Lithograph, 1961, signed in pencil, numbered from the edition of 50, printed by Mourlot, Paris, on Arches paper, with full margins, 185 x 220mm (7 1/4 x 8 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 80
** δ Pablo Picasso (1881-1973) (after)La Ronde au SoleilLithograph printed in colours, 1959, signed in pencil, numbered from the edition of 200, on Arches paper, with full margins, sheet 652 x 505mm, (25 5/8 x 19 7/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 81
** δ Pablo Picasso (1881-1973)Colombe (à L'Arc de Ciel) (Bloch 712, Mourlot 214)Lithograph printed in colours, 1952, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper, with full margins, 555 x 762mm, (21 7/8 x 30in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 82
** δ Pablo Picasso (1881-1973) (after)Tête de ArlequinLithograph printed in colours, 1962, signed and inscribed H.C. in pencil, an hors commerce impression aside from the edition, on Arches paper, with full margins, sheet 595 x 448mm, (23 3/8 x 17 5/8 in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 83
** δ Pablo Picasso (1881-1973) (after)Le Cavalier (Mousquetaire a la Pipe)Lithograph printed in colours, 1968, signed and numbered from the edition of 300 in pencil, printed by Mourlot, Paris, published by Yamet Fine Arts, New York, on Arches paper, with full margins, sheet 646 x 494mm (25 1/2 x 19 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 84
** δ Pablo Picasso (1881-1973) (after)Femme Vert Au ChatCollotype in colours, 1955-58, signed in blue crayon, numbered from the edition of 100, on wove paper, with full margins, sheet 562 x 435mm, (22 1/8 x 17 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 85
** δ Pablo Picasso (1881-1973) (after)Arte et Solidarité (Czwiklitzer 197)Lithograph printed in colours, 1961, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on wove paper, with full margins, sheet 660 x 515mm, (26 x 20 ¼ in), (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 87
δ Pablo Picasso (1881-1973) (after)Grand MaternitéLithograph printed in colours, 1973, signed and inscribed H.C. in pencil, an hors commerce impression aside from the edition of 200, printed by Mourlot, published by Éditions Combat de la Paix, Paris, with their blindstamp, on Arches paper, the full sheet printed near to the edges, sheet 895 x 630mm, (35 ¼ x 24 ¾ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 88
δ Pablo Picasso (1881-1973)La Chèvre-Feuille (Cramer 38)The book, 1943, comprising six zincographs, with title-page, text and justification, this copy stamp numbered from the edition of 500, printed by Roger Lacourière, published by Robert-J Godet, Paris, on Lafuma wove paper, the sheets re-bound in grey laid paper wrappers and with a linen covered slipcase, 279 x 232mm (11 x 9 1/8 in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 300014
Sechs Bücher zu Pablo Picasso, 2. H. 20. Jh.: Quinn, Edward u. Penrose R. "Picasso Werke und Tage", Manesse Verlag Zürich 1965; Sabartes, Jaime " Picasso les Ménines et la Vie", Paris 1958; Rubin, William " Pablo Picasso, Retrospektive im Museum of Modern Art, New York", Prestel-Verlag München 1980; Seckel-Klein, Hélène "Picasso und seine Sammlung", Kunsthalle Hypo-Kulturstiftung, München 1998; "Exposition Picasso 1970-1972", Palais des Papes-Avignon 1973; Elgar F. u. Maillard R. "Picasso", München 1956, Einbände Leinen, Broschur u. kartoniert, teils stärkere Altersspuren, 2736 - 0006
Lot 323
PICASSO PABLO: (1881-1973) Spanish Painter. An exceptional illustrated A.L.S., Olga et Picasso (also signing on behalf of his first wife), to one side of a picture postcard depicting a Christmas winter scene to the recto, Paris, 2nd January 1919, to Mr & Mrs [Henri] Defossé, at the Coliseum Theatre in London, in French. At the head of the letter Picasso has executed a wonderful, charming original pen and ink drawing of a Christmas dinner, apparently for four people with a turkey, two bottles of wine accompanied by four glasses and several bunches of grapes and other fruits laid out on a table. A decorative, dark flowing line adorns the upper part of the exquisite drawing with the year 1919 at the head. Beneath his drawing Picasso writes a brief message to his friends, presenting them with the Christmas dinner, 'Dear friends, here you have, with this well-served table, our best wishes', also adding the address of his Parisian home and workshop at Rue la Boetie in his hand beneath his signature. Such detailed original ink drawings by Picasso, particularly from this earlier stage of his career, rarely appear at auction and the present example is enhanced by an interesting association. Some very minor, light age wear, otherwise VG Henri Defossé (1883-1956) French Conductor, Pianist & Composer. Sergei Diaghilev's favourite conductor, Defossé was chosen to lead the Ballets Russe at London's Coliseum Theatre in 1918 & 1919. Olga Khokhlova (1891-1955) Russian Ballet Dancer, the first wife of Pablo Picasso and one of his early artistic muses. Khokhlova first met Picasso whilst dancing in Diaghilev's Parade in 1917 for which the artist had designed the set and costumes. They married in July 1918 and in July the following year they travelled to London together for the performance of Diaghilev's Le Tricorne for which Picasso had again designed the costumes and stage.
Lot 114
BARDOT BRIGITTE: (1934- ) French Actress & Sex Symbol. A good A.N.S., `Brigitte Bardot´, and drawing, to the verso of a 7.5 x 5 photograph. Bardot states `Thank you my dear Horst for the delicious chocolates! 2018 Kisses!´, in English, also adding alongside a large drawing of a daisy flower. The document has been affixed to a card, beneath a 5 x 7 photograph, unsigned, showing Pablo Picasso and Brigitte Bardot, both standing in a three quarter length poses, at Picasso´s studio, to an overall of 8 x 12. VG
Lot 1373
Picasso, PabloMalaga, 1881 - Mougins, 1973Blattgröße: 30 x 28,3 cm; 11,5 x 23,5 cm, o. R."Les dames de mougins", 1963. Radierung auf Bütten. In Bleistift unten rechts signiert und unten links nummeriert 109/150 sowie in der Platte datiert "18.11.63".Bloch, 1131.Privatbesitz, Baden-Württemberg.
Lot 1374
Picasso, PabloMalaga, 1881 - Mougins, 1973Blattgröße: 30,7 x 28,4 cm; 11,5 x 23,5 cm, o. R."Le peintre et son modèle", 1963. Radierung auf Bütten. In Bleistift unten rechts signiert und unten links nummeriert 89/125 sowie in der Platte datiert "4.12.63".Bloch, 1139.Privatbesitz, Baden-Württemberg.
Lot 2394
Pablo Picasso (Málaga 1881 – 1973 Mougins). „Sculpteur et son modèle avec la tête sculptée du modèle“. 1933Radierung auf Montval-Bütten (Wasserzeichen: Vollard). 19,4 × 26,8 cm (34 × 44,5 cm) (7 ⅝ × 10 ½ in. (13 ⅜ × 17 ½ in.)). Signiert.Gaiser/Baer 324 B.d.–Einer von 260 Abzügen aus einer Gesamtauflage von 316 Exemplaren. Paris, Edition Vollard, 1939. [3384]Zustandsbericht: In gutem Zustand. Im Passepartoutausschnitt leicht gebräunt. Entlang der Passepartoutkanten schwacher Lichtrand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig oben kleine Montierunggsreste (weißes Papier). Rückseitig in den oberen Ecken mit Japanpapier am Unterkarton montiert. Harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 30% Aufgeld.
Lot 2395
Pablo Picasso (Málaga 1881 – 1973 Mougins). „La colombe en vol, fond noir“. 1950Lithografie auf Velin, auf Karton aufgezogen. 49,8 × 64,5 cm (50,3 × 66 cm) (19 ⅝ × 25 ⅜ in. (19 ¾ × 26 in.)). Signiert.Rau 504.–Einer von 50 nummerierten Abzügen aus einer Gesamtauflage von 55 Exemplaren. Paris, Galerie Louise Leiris. [3156]Zustandsbericht: Ex. 24/50Das Blatt ist rückseitig an den Rändern auf Karton geklebt. Papier schwach unregelmäßig gebräunt (entlang der Passepartoutkanten schwacher Lichtrand). Der am linken Darstellungsrand optische "Riss" ist keiner, sondern eine Fehlstelle im Stein. Die Blattkanten ohne Einrisse oder Fehlstellen. Entlang der Passepartoutkanten schwacher Lichtrand. Unter UV-Licht schwache Stockflecken.Wir berechnen auf den Hammerpreis 30% Aufgeld.
Lot 2075
Pablo PicassoMinotaure, Buveur et Femmes (aus: La Suite Vollard)1933Radierung auf Papier Vergé de Montval29,8 x 36,5 cm (Plattengröße), 34 x 44,5 cm (Blattgröße)Signiert mit Bleistift rechts unten: PicassoBezeichnet und datiert rechts unten in der Platte (spiegelverkehrt): 18 Juin 1933mit Wasserzeichen "Picasso" am linken BlattrandEdition von 260, herausgegeben von Ambroise Vollard, Paris, 1939Galerie Fetzer, Sontheim;dort 2007 erworben, Privatbesitz, SalzburgGeorges Bloch, Pablo Picasso, Band I, Katalog des graphischen Werkes 1904-1967, Bern 1984, WV-Nr. 200, S. 68 (mit Abb.)
Lot 2357
Josef PillhoferMaxim1958BronzeH. 97 cmBronzeabguss der Steinskulptur aus dem Jahr 1958Auflage: 6 Stück + 1 Künstlerguss mit Signatur PDieses Exemplar ist nicht signiert.österreichischer PrivatbesitzDie intensive Auseinandersetzung mit der menschlichen Figur ist Josef Pillhofers Plastiken aus übereinander angeordneten, kubischen Elementen eingeschrieben. Durch vor- und zurückspringende Formen, durch Flächen, Kanten und Ecken, definiert Pillhofer differenzierte Körperposen und Bewegungstendenzen, und er tut dies stets im Sinne einer Reduktion auf das Wesentliche.Pillhofers bildhauerischer Arbeit geht ein genaues Observieren und detailliertes Skizzieren des Naturvorbilds voraus. Dabei ist ihm ein zentrales Anliegen, die innere Gestalt, das Wesen des Darzustellenden, zu erfassen und wiederzugeben. Dem Betrachter wird eine intensive Rezeption der kubisch-tektonischen Strukturen abverlangt, um die Wesenheit begreifen zu können. Ein wiederholtes Umrunden der Figur ist erforderlich, sowie ein ausgeprägtes räumliches Vorstellungsvermögen.Die Referenz auf die Natur zeigt sich als Konstante im Werk Pillhofers – sowohl in den Arbeiten, in denen er ein kubistisches Formenvokabular anwendet, als auch in seinen realistischen Darstellungen. Beide Darstellungsmodi verortet Pillhofer als gleichwertig. Der unbekümmerte Wechsel zwischen den scheinbar konträren Polen Abstraktion und Realismus stellt einen signifikanten Wesenszug in Pillhofers Œuvre dar und verleiht ihm eine singuläre Position unter seinen Zeitgenossen.Geprägt wird Pillhofer einerseits von Fritz Wotruba, dessen Schüler er war, andererseits von den französischen Wegbereitern der Moderne Henri Laurens, Ossip Zadkine, Alberto Giacometti und Constantin Brancusi, mit denen er während eines längeren Aufenthalts in Paris Anfang der 1950er Jahre regen Austausch pflegt. Pillhofer studiert die Arbeiten der Avantgardisten Aristide Maillol, Paul Cezanne, Henri Matisse und Pablo Picasso, an dessen kubistisches Erbe er anknüpft.Die 1950er und 1960er Jahre stellen für Pillhofer eine bewegte und produktive Zeit dar: Zwei Jahre nach seiner Rückkehr aus Paris nimmt er 1954 einen Lehrauftrag an der Akademie der bildenden Künste an. 1955 wird er Mitglied der Wiener Secession. 1957 erhält Pillhofer ein dreimonatiges Rom-Stipendium. 1959 gründet er gemeinsam mit Heimo Kuchling die "Gruppe 59", zu der auch Oswald Oberhuber, Otto Muehl und Joannis Avramidis zählen. Pillhofer zeigt seine Arbeiten damals nicht nur in ganz Österreich – er ist international präsent, etwa bei Ausstellungen in der Schweiz, in den Niederlanden, in Belgien, in Frankreich, in Kanada, in den USA und in Italien bei der Biennale in Venedig. 1964 nimmt Pillhofer an den Weltausstellungen in New York und in Paris teil.(Isabell Kneidinger)
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8781 item(s)/page