We found 52649 price guide item(s) matching your search
There are 52649 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
52649 item(s)/page
Omega- A gents Omega 1950s Constellation Automatic Chronometer pie pan watch. Champagne dial and arrow head hour markers. Auto bumper movement. Watch was working at time of cataloguing. Weight 78g. If further detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect, nor does the mention of one fault preclude the presence of another. Griffin's does not guarantee the working order or accuracy of any watches sold.
Kokoschka,O.: Pan. Siebzehn Original-Lithographien zum Roman von Knut Hamsun. Hbg., Hoffmann & Campe 1978. Imp.Fol. Mit 17 sign. Orig.-Lithogr. von Oskar Kokoschka. 10 S., 2 Bl., 17 Bl. Lose Bogen in schwerer Ohldr.-Decke mit mont. Deckelillustration in Ohldr.-Kassette. Wingler-W. 543-559. Steinbrink 383, 29. - Eines von 75 Ex. (GA 114), vom Künstler im Druckverm. sign. Die Lithographien wurden in der Graphischen Anstalt J.E. Wolfensberger Zürich gedruckt. Die Lithographie-Steine wurden nach dem Druck abgeschliffen. Mit einem Vorwort von Werner Helwig ("Hamsun und Pan").
Ovidius,N.P.: Lehrbuch der Liebe. Deutsch von Ernst Hohenemser. Bln., Cassirer 1921. 4°. Mit lithogr. Titel und 7 Orig.-Lithogr. im Text von M. Slevogt, sowie einer â•”Extrasuiteâ•— mit den 8 Lithogr. (alle sign.) auf Japan unter Passep. 90 S., 2 Bl., 1 w. Bl. Oschweinsldr. (Sign.: H. Fikentscher Leipzig 1920) mit Goldpräg. u. Kopfgoldschn., zus. mit der Suite in Schuber. (Fleckig u. berieb.). (= XVIII. Werk der Pan-Presse). - Rümann 69 a. Rodenberg 454. Söhn 473-480 a. - Eines von 100 Ex. der Vorzugsausgabe in Ganzleder mit der sign. Suite (GA 320). - Tls. etw. fleckig.
Slevogt, Max,: Randzeichnungen zu Mozarts Zauberflöte. Mit 39 signierten Orig.-Radierungen von Max Slevogt u. 8 Tafeln nach Radierungen. Bln., Cassirer 1920. Folio. Lose Blätter in Opbd.-Kassette. (Ecken leicht bestossen, Kanten berieben, 2 Eckkanten eingerissen). Rümann 67 a. - 17. Werk der Pan-Presse. - Eines von 100 Exemplaren. - Die signierten Orig.-Radierungen auf Bütten und unter Passepartouts. - Acht Radierungen konnten nicht von den Platten abgezogen werden, weil diese verlorengegangen waren. Sie wurden deshalb in Lichtdruck reproduziert. - Kassette gering bestoßen, sonst sehr schönes u. vollständiges Exemplar dieser berühmten Radierfolge von Max Slevogt. - Passepartouts mit Bleistift numeriert. - â•”Titelbl. mit Widm. und Signatur v. Slevogt, datiert 1929.â•—
Frezza, Giovanni Girolamo (Johann Hieronymus,: 1659 Canemorto - Rom 1743). Diana und Pan. Kupferstich n. D.Zamper u. P.Ferlonis. Plgr. 27 x 21,5 cm. Mit Namenszügen i.d.Pl. - Leicht wasserrandig u. knickspurig, Ecken angestoßen. -â•”Dabei: Ders.:â•— Lantona mit Diana und Apoll auf Delos. Kupferst. n.D.Zamper u. P.Ferlonis. Plgr. 27,3 x 16,7 cm. Mit Namenszügen i.d.Pl. - Leicht wasserrandig, knickspurig u. Ecke n angestoßen. â•”Ders., zugeschr.:â•— Toilette der Venus. - Ceres. - Tartarus. 3 Kupferst. Plgr. 31,5 x 18 cm - 31,3 x 21 cm. -Auf weißem Rand tls. wasserrandig. D
Quantity of boxed magic lantern slides to include Peter Pan, Jack and the beanstalk, Robin Hood etc 24boxes and seven oblong slides***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Everard Meynell (b.1950), simulated lead composition garden statue of Peter Pan, mounted on natural tree trunk plinth, height 100cm, height overall 135cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A sterling double lipped pan with turned wooden handle, 17.5cm and a modern silver mounted cut glass scent bottle.***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A LARGE AND SMALL CARDBOARD BOXES CONTAINING UK COINS AND COMMEMORATIVES, to include many gold layered items Royalty, Exployers, Queen Victoria, Mayflower, large and Crown size gold coverered, a one Pond Zuid Africa Copy 120 grams coin, other large gold layered, boxed date stamp 2021 £5, 1890 Crown, GB Events! 12x gold layered Crown size Items, words that Won the War small album with special £5, VE Day 6x boxed coins, 4x gold 14ct 0.5 gram coins, Peter Pan 2020 Fifty Pence collection of six coins, lots of other coins and commemoratives etc
A BAROMETER, COACHING/HUNTING HORNS, A RATTLE AND A WARMING PAN, comprising a horn, brass and plate hunting horn, with plaque reading 'AOF' and stags head detail, two brass and copper horns, the largest with a wooden case, length of horn 124cm, an aneroid banjo style barometer, a football/bird scaring rattle, and a bed warming pan (7) (sd)
THE FOLIO SOCIETY, one box containing thirteen fictional titles, comprising Dumas; The Count of Monte Cristo, Mayhew; Henry, London Characters & Crooks, Grahame; Kenneth, The Wind In The Willows, Grimm's Fairy Tales, illustrated by Arthur Rackham, Wells; H.G, The Invisible Man, The Time Machine and The War of the Worlds, Stoker; Bram, Dracula, Shelly; Mary, Frankenstein, Baum; L. Frank, The Wonderful Wizard of Oz, Stevenson: Robert Louis, Treasure Island, Dickens; Charles, A Christmas Carol and Barrie; J.M. Peter Pan and Wendy, illustrated by Debra McFarlane, all titles in original slip-cases, the last four titles listed are sealed
AN ANTIQUE FLINTLOCK PISTOL APPARENTLY IN THE INITIAL STAGES OF CONVERSION TO PERCUSSION, its lock is marked Patrick and it has had the pan cut off and its frizzen and related spring removed, its cock is broken in half, the 11'' octagonal barrel bears a London raised view mark, a raised letter F (used to indicate the maker was not a London gunmaker) and an obliterated definitive proof mark, it has a rear sight and small foresight, its walnut stock is fitted with a slab sided grip and steel butt cap, the trigger guard terminal bears an acorn which dates its production to the last quarter of the 18th century when the acorn design was replaced by the pineapple which first appeared on small arms in 1772, a section of the stock under the muzzle is damaged and its ramrod has lost both of its end fittings
After Arthur Pan (1894-1983) Portrait of Winston Churchill Colour lithograph The lower margin clipped and the PM's facsimile signature and the excerpt from his December 5th 1942 Bradford speech pasted verso ('We are all of us defending a cause, the cause of freedom and justice...' Oak frame 33" x 25½" (53 x 64.5 cm)
Hans Unger 1872 Bautzen - 1936 Dresden Akt mit Paradiesvogel. Wohl um 1908. Öl auf Holz. Verso auf dem Schmuckrahmen mit diversen Ausstellungetiketten, handschriftlich bezeichnet und nummeriert sowie mit dem Brandstempel mit Künstlernamen. 170 x 140 cm (66,9 x 55,1 in). PROVENIENZ: Sammlung John Knittel (1891-1970), Schweiz (seither in Familienbesitz). AUSSTELLUNG: Künstlerbund Hagen, Wien, 1912, Nr. 668 (auf dem Schmuckrahmen mit Etikett). Kunstpalast Düsseldorf, Nr. 2568 (auf dem Schmuckrahmen mit Etikett). Leipziger Kunstverein, Nr. 8.627 (auf dem Schmuckrahmen mit Etikett). Große Berliner Kunstausstellung, 12.5.-31.8.1926, Nr. 897. Hans Unger gehört zu den zentralen, wenn auch bisher weniger beachteten Vertretern des Symbolismus und Jugendstils in Deutschland um die Jahrhundertwende. Ursprünglich als Dekorationsmaler am Königlichen Hoftheater Dresden ausgebildet, nimmt er daselbst ein Studium an der Kunstakademie in der Landschaftsklasse Friedrich Prellers auf, nach dem er auf seinen Reisen durch Italien und im Austausch mit der Goppelner Schule mit der aufgehellten freien Palette des Impressionismus Bekanntschaft macht. Ungers künstlerische Tätigkeit fasziniert durch die Vielzahl an Techniken und Materialien, mit denen er sich zwischen Symbolismus, Impressionismus und Jugendstil beschäftigt, darunter Plakatkunst, Illustrationen für Zeitschriften wie 'PAN' und 'Jugend', Bühnenvorhänge und Mosaiken. 1897 kauft die Dresdner Gemäldegalerie sein Werk 'Die Muse', mit dem er größere Bekanntheit als Maler erlangt. Im selben Jahr begibt sich Unger nach Paris, um dort ein halbes Jahr an der Académie Julian zu studieren. Prägend dürfte der Kontakt mit Werken der Maler des französischen Symbolismus gewesen sein, wie Pierre Puvis de Chavannes und Gustave Moreau, deren traumverlorene, sinnende Frauengestalten auch Ungers Schaffen in Zukunft beeinflussen. Dabei inszeniert Unger diese oftmals in allegorischem Kontext, etwa als die Sonne, der Frühling oder die Natur. Elemente impressionistisch-pastoser Lichtmalerei, die Schönlinigkeit weiblicher Formen im Jugendstil sowie exotistische Anklänge vereint Unger im vorliegenden Gemälde auf großem, wandfüllenden Format. Der reduzierte Bildinhalt mit den großen Flächen des Körpers und des Himmels wird durch äußerst lebendige, irisierende Farbsplitter zusammengesetzt. Rätselhaft mutet die ihr Haar richtende Frauengestalt auf der marmornen Terrasse an, in Zwiesprache mit ihrem Spiegelbild, bewundert von dem mit langen eleganten Federn ausgestatteten Paradiesvogel. Der mit perlmuttschimmernden Intarsien versehene Hocker mag auf Inspirationen durch Ungers Reise nach Ägypten zurückzuführen sein. Überlebensgroß gewinnt die exotische Venus bei ihrer Toilette einen erhabenen, monumentalen Charakter. In Ungers Werk sind die Frauengestalten keine Individuen, sondern stets Sinnbilder für die Kraft und Rätselhaftigkeit des Weiblichen. [KT] Aufrufzeit: 09.12.2023 - ca. 15.00 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONHans Unger 1872 Bautzen - 1936 Dresden Akt mit Paradiesvogel. Wohl um 1908. Oil on panel. With several exhibition labels, inscribed and numbered, as well as with the artist's stamp on the reverse. 170 x 140 cm (66.9 x 55.1 in). PROVENANCE: John Knittel Collection (1891-1970), Switzerland (ever since family-owned). EXHIBITION: Künstlerbund Hagen, Vienna, 1912, no. 668 (with the label). Kunstpalast Düsseldorf, no. 2568 (with the label). Leipziger Kunstverein, no. 8.627 (with the label). Große Berliner Kunstausstellung, May 12 - August 31, 1926, no. 897. Hans Unger is one of the central, albeit hitherto less recognized, representatives of Symbolism and Art Nouveau in Germany at the turn of the century. Originally trained as a decorative painter at the Royal Court Theater in Dresden, he began to study at the Academy of Fine Arts in Friedrich Preller's landscape class, after which he became acquainted with the brighter and free palette of Impressionism on his travels through Italy and in exchange with the Goppeln School. Unger's artistic activity is fascinating for the variety of techniques and materials he employed between Symbolism, Impressionism and Art Nouveau, including poster art, illustrations for magazines such as 'PAN' and 'Jugend', stage curtains and mosaics. In 1897, the Dresden Gemäldegalerie bought his work 'Die Muse', which earned him greater fame as a painter. In the same year, Unger went to Paris to study at the Académie Julian for six months. His contact with the works of French Symbolist painters such as Pierre Puvis de Chavannes and Gustave Moreau, whose dreamy, contemplative female figures would also influence Unger's work in the future, was probably formative, too. Unger often staged them in an allegorical context, for example as the sun, spring or nature. In the present painting, Unger combined elements of impressionist, pastose light painting, the beauty of female forms found in Art Nouveau and exotic echoes in a large, wall-filling format. The reduced pictorial content with the large areas of the body and the sky is composed of extremely lively, iridescent splashes of color. The female figure straightening her hair on the marble terrace appears enigmatic, in dialog with her reflection, admired by the bird of paradise with its long, elegant feathers. The stool with its shimmering mother-of-pearl inlays may have been inspired by Unger's trip to Egypt. Larger than life, the exotic Venus gains a sublime, monumental character. In Unger's work, the female figures are not individuals, but always symbols of the power and mysteriousness of the feminine. [KT] Called up: December 9, 2023 - ca. 15.00 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).
Pair of French Empire-style bronze and gilt metal table lustres, each with cut glass drip pan enclosing gilt metal nozzle, over faceted beads and droplets and an eagle with outstretched wings, a ring in its beak, on cylindrical plinth mounted with foliate swags on spreading stepped foot, 36.5cm high

-
52649 item(s)/page