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Brockbank & Atkins, London, an English brass cased carriage clock, key wind movement, with platform escapement, calendar/time day and month display and roman glided panel front display, hand engraved and cased with Corinthian style corner columns, oval glass top with handle, signed 'Brockbank and Atkins' inside case, height 16cm handle up.
A Chinese rectangular needlework panel, embroidered in coloured threads with a pair of pheasants, peonies and blossoming foliage, within a border of meandering scrolls and outlined by a further border shaped foliate reserves, further foliate fringe, 49cm x 56cm, c.1900, maple frame Condition Report: generally good condition, signs of light ware, colours good, see images
Two 19th Century sewing boxes each of rectangular form comprising a rosewood example the lid inlaid in brass, wood and pearl with commemorative panel of Queen Victoria, the interior with re-covered tray, 25cm, the other with inlaid lid panel of a figure being pulled in a sleigh within multiple geometric borders, 33cm wide (2)
Two good 19th Century wooden inlaid knitting sheaths, the first Durham, of typical curved form, inlaid to three faces with bone hearts, brass and wood diamonds and initialled in brass pins ïJLÍ, brass end plaque, 21cm the other Northumberland of scroll form and pierced to the sides, the face with oval inset handwritten panel ïE HopperÍ under glass (cracked), and inlaid with hearts and other motifs and bone dots, inset bone diamond end, 17.5cm (2)
A pair of Norwegian turquoise and white enamel scissors in sheath and a similar pendant seam knife as a dagger in sheath, the scissors with steel blades, the silver arms with raised scrolling wire work, the sheath of conforming deign but with additional white dot decoration, s.d.g. 11.5cm, the dagger of matching design with sheath and suspension chains to a pierced panel and hanging clip, 13cm, the blade with mark, a little indistinct but probably David-Anderson (2)
A rosewood sewing box circa 1830, of rectangular form the lid with canted borders and centered by a circular painted panel of a young woman within borders of cut steel pins arranged in patterns, the lid interior in watered blue silk with cut steel mount, over a matching lidded and compartmentalised tray, with key, 25.5 x 18 x 13cm
A Regency rosewood sewing box of sarcophagal form inlaid to the lid, front and sides with cut brass leaf and flower motifs and brass lines, gilt brass side ring handles and paw feet, the interior with green ruched silk panel over a lidded and compartmentalised tray covered in green silk with silver handled scissors and a few other accessories, with key, 30 x 22 x 15.5cm
A fine chained wooden knitting stick Ex. W J Shepherd Collection, the square section mahogany mount inlaid to one side with a panel of dark stained oak, to the other a glazed panel with ink inscribed panel ïRemember Me When This You See And Bear Me In Your Mind Wm Nelsons Nov 9th 1831Í with a six link chain and swivel to a double hook lantern block, 42cm
A good 19th Century wooden chained knitting stick Durham of typical form inlaid to the face with boxwood heart and other motifs and a heart picked out in copper pins, one side with further inlay and a brass plaque engraved ïJM/BSÍ, brass top panel, the scroll with a metal mount to a swivel, chain and hook, 36cm
A Scottish penwork snuff box, the lid with a panel of The Statue of William Of Orange, Formerly Outside Trinity College, Dublin, within a garland of flowers issuing from a harp and crown and inscribed ñThe Glorious And Immortal Memoryî within broad berried leaves, the side and base with conforming decoration, foil interior very worn, 8.2cm
A rosewood Tunbridge ware sewing box circa 1840, of sarcophagal form, the lid with panels and bandings in stickware with a broad band of stickware to the sides, on turned feet, the interior with ruched silk panel, over a compartmentalised try lined in blue paper with box form pincushion, 22 x 16.5 x 12cm
A Tunbridge ware rosewood sewing box of sarcophogal form, the lid with a panel of cube work within canted stickware border, the sides with a conforming band, on four stickware bun feet, the blue paper lined interior with a compartmentalised tray with box form lift out pincushion, two lift out boxes with sliding stickware lids, a set of four stickware reels, a further pair, a stickware tape measure, sd to spindle, tape shortened, a rosewood thimble, and a silk winder a/f, with a later key, 24.2 x 19 x 14cm
An unusual papier mache book form sewing box commemorating The Great Exhibition, 1851, titled tooled leather spine, the lid with central rectangular reverse glass panel depicting the exhibition building within a gilt border and outer border in gilt and mother of pearl, the lid interior with tooled leather border, the compartmentalised interior in red silk and paper with a few accessories, 22.5 x 16.5 x 4cm
A Tunbridge ware panel and six pieces of unused Tunbridge ware, comprising a rosewood panel, probably from a blotter, with central mosaic panel of Hurst Wood Cottage, within various borders, veneer and inlay lacking in parts, 33 x 23cm, three unused cube work pieces, 7 x 4 and three smaller mosaic panels 3.5 x 2.3cm (7)
A very rare and large continental porcelain knotting shuttle, probably French 19th Century, each side with a ground of diagonal blue lines within gilt borders, one side with a panel initialled ïCEÍ as garlands of flowers within a gilt circular frame and further floral borders, the other with a conforming panel with musical instruments and floral garlands, the post undecorated and without hole, 14cm
A mid Victorian rosewood sewing box of rectangular form and well fitted, the front and lid inlaid with pewter lines and cut mother of pearl, the interior with ruched yellow silk panel within a tooled leather surround, over a yellow paper, silk and tooled leather tray with three tooled leather lids, pair of needlebooks, thimble mount and tool card, with a set of eight mother of pearl top reel holders, emery and waxer, silver thimble and thimble guard, and a selection of other tools, 30.5 x 22 x 12.5cm
A Norwegian enamel and white metal bracelet and a similar brooch, the bracelet of eight panels in alternate plain white and silhouette landscape panels, stamped 925S, 19cm, the brooch with domed central panel in enamel of bids over sea and rocks with setting sun flanked by stylised leaves with enamel dots, stamped ï925S Made in Norway-SterlingÍ with double plier mark of Aksel Holmsen, 6cm (2)
An early 20th Century mahogany counter reel cabinet for ñClark and Co, Anchor Millsî of two drawers, one with inset glazed panel in gilt on white ñClark and Coî the other ñAnchor Millsî, brass drop handles, ebonised plinth worn to front, the back painted in gilt on black with anchor trade mark, 55 x 31 x 16cm
Bindings. A Room of One's Own, by Virginia Woolf, 1st edition, 3rd impression, 1929, upper hinge cracked, all edges gilt, contemporary green calf, gilt decorated spine and blind and gilt panel to boards, faded to spine, extremities slightly rubbed, 8vo, together with The Garden of Kama and other Love Lyrics from India, Arranged in Verse by Laurence Hope, reprinted 1912, all edges gilt, contemporary maroon morocco gilt by Hatchards, 8vo, with Songs and Verses and The True Cross, by G. J. Whyte-Melville..., Illustrated by S.E. Waller, published by Ward, Lock & Co., Ltd., [1906?], black & white plates, all edges gilt, contemporary maroon morocco gilt by Hatchards, 8vo, plus other decorative leather bindings (including few odd volumes), mostly early 20th century (12)
Le Carre (John). The Looking-Glass War, 1st edition, 1965, blindstamp to title, original cloth, price-clipped dust jacket, spine faded, 8vo, together with Tinker Tailor Soldier Spy, 1st edition, 1974, a few spots to fore margins, previous owner inscription, original cloth, price-clipped dust jacket, closed tear to rear panel, 8vo, plus The Honourable Scoolboy, 1st edition, 1977, original cloth, dust jacket, 8vo, with others by Le Carre including Smiley's People, 1979 and uncorrected proofs for Little Drummer Girl, 1983 and Single & Single, 1999 (2 copies) (50)
Greene (Graham). The Power and the Glory, 1st edition, 1940, usual toning to endpapers, original yellow/green cloth lettered in red in bright condition (very slight lean), dust jacket, tiny nicks at head of spine and upper corners, light toning to spine and rear panel, 8vo An excellent copy of what is generally considered to be Graham Greene's greatest novel. (1)

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359435 item(s)/page