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Lot 283
Attributed to James Abbott McNeill Whistler (American 1834-1903) Fishing Village No. 14 (landscape with ruin) Inscribed with a device Pastel 11 x 18cm; 4¼ x 7in Provenance: Nordness Madison Gallery, New York General condition report Stain to right side and further mottled staining, faded, join or crease to paper lower margin
Lot 288
Mint Plate block of four with HPFs #59i broken upper right scroll and #60 broken lower right scroll, the stamps unmounted, selvedge reinforced at base. The frame colour a delicate pastel shade. 'Foxley' recorded only one other surviving Plate block, and notes that Ludington did not possess such a block. SG 116b, bd, be (£4700)/CW 17, A, B
Lot 319
Lewis Vaslet (1742-1808)PORTRAIT OF ROBERT EDWARD PETRE, HALF LENGTH IN A BLUE COATSigned and dated 'L Vaslet fecit Bath 1793', pastel, oval45 x 35cm, in the original giltwood frameRobert Edward Petre, 9th Baron Petre (1742-1801) was a member of the English Roman Catholic nobility, a philanthropist who employed James Paine to design the new Thorndon Hall in 1764. (The family seat is now Ingatestone Hall)
Lot 103
An 18ct gold and multi gem necklace, set to the front with a line of alternating pastel shades of cushion shaped cabochon stones thought to be principally quartzes (amethyst, honey-coloured citrine and smoky quartz) and blue topaz, and suspending from the centre a line of three more similar, to a fine flattened curb link back chain, London hallmarks 2016, length 40.5cm, stone set length 14.5cm, length of pendant centre 4.2cm
Lot 392
Attributed to Hugh Douglas Hamilton (Irish, 1739-1808) Portrait of a gentleman in a striped waistcoat and buff jacket in a painted feigned oval oil on canvas 25 x 20cm (10 x 8in) Other Notes: Hugh Douglas Hamilton was born in Dublin and studied at the Royal Dublin Society from 1750 until 1756, when he moved to London. There he found success as a portrait painter of the aristocracy, producing oval portraits in pastel and oil. He travelled to Rome in 1778 and returned to Dublin in 1792. Vertical line of wear to the left of the sitter. Craquelure overall. Oil on canvas which has been lined. Paint layer stable, slightly raised craquelure in areas. Small areas of paint loss have been retouched. Some wear and abrasion in areas. Retouchings slightly matte and discoloured. Frame in good condition.
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