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Lot 159
A miscellaneous lot to include a pair of 1935 George V silver sixpence coin cufflinks and others, earrings to include white metal examples, mixed wallets, evening bags, leather goods, a Parker pen, vintage aviator glasses, an unused Salter toaster, a Retro Nokia mobile, a desk top shredder, photo frames, an Omega watch box A/F, golf balls, an Aynsley trinket dish and other items Location:RWB
Lot 228
A quantity of Royal Doulton Hampton Court dinner plates, entrée plates and saucers together with a large milk jug and mixed mid 20th century ceramics, glass and a set of Viking scales with weights, a mummified piranha on stand, dolls of the worked and a Schaeffer pen with a 14ct gold nibLocation: A3
Lot 208
Autographed Man United Postcard, Issued To Commemorate The 25th Anniversary Of United's 1968 European Cup Final Victory, Nicely Signed To The Reverse By Crerand, Aston, Stepney And Sadler In Blue Biro Pen. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.9
Lot 210
Autographed Steve Perryman First Day Cover, Dated 14th May 1981 Issued To Commemorate The 1981 Fa Cup Final Replay, Signed By Tottenham's Winning Captain Steve Perryman In Black Biro Pen. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.9
Lot 17
JOHN HARDMAN POWELL (1827-1895) FOR HARDMAN & CO. COLLECTION OF ORIGINAL DESIGNS, CIRCA 1860 to include: ORIGINAL DRAWINGS FOR A TEAPOT AND SUGAR BOWL WITH TONGS, CIRCA 1860, pencil, pen and ink on paper, mounted onto card, 17cm x 21cm and 14cm x 11.5cm; also an ORIGINAL DRAWING BY THE SAME HAND, depicting studies of medieval caps and cap badges, pencil, pen & ink on paper, mounted verso, 25cm x 20cm, card inscribed 72/ 30856/15 (1) and 71/ 30856 (15); together with THREE SHEETS OF ORIGINAL DRAWINGS, ATTRIBUTED TO A.W.N. PUGIN FOR HARDMAN & CO., the FIRST SHEET comprising two drawings of INKWELLS, for the Palace of Westminster, 9cm x 16.5cm and 9cm x 17.3cm; two of THURIBLES ON STANDS, 17.5cm x 7cm and 15cm x 6cm; one of a GOTHIC REVIVAL WALL MOUNTED BRACKET, 14cm x 5cm; a MONUMENTAL CLOCK, 17.5cm x 11cm and five further drawings of MEDALLIONS; A CASKET; A DEPICTION OF THE VIRGIN; and a WALL BRACKET; the SECOND SHEET comprising a drawing of a PAIR OF SIDE DISHES, 21cm x 20cm; a SWORD HANDLE, 10cm x 21cm; and verso a FONT COVER, 20cm x 14.5cm; and a STATUE OF CHRIST ON A PEDESTAL, 23cm x 11.3cm; the THIRD SHEET with drawings of a GOTHIC FRAME, 17.3cm x 11.7cm; a POLE SCREEN, 23cm x 8.5cm; a CHAMBER CANDLESTICK, 12.5cm x 16cm, each pencil, pen & ink on paper, mounted onto card; and ORIGINAL DESIGN FOR A PULPIT FOR THE MARQUIS OF BUTE BY JOHN HARDMAN POWELL FOR HARDMAN & CO., pencil, pen & ink on paper, with inscription "Design for a Pulpit in oak "carved"/ Marquis of Bute", bears makers embossed stamp HARDMAN & CO., 61cm x 26cmFootnote: Provenance: Hardman Archive Note: See V&A collection, museum number 8119-1863 for the realised teapot in silver dated 1861-2
Lot 229
§ JESSIE BAYES (1876-1970) I SING OF ENGLAND: ARTS & CRAFTS ILLUMINATED MANUSCRIPT, EARLY 20TH watercolour, bodycolour, pen and ink on vellum with gold embellishments, inscribed to one page WRITTEN AND ILLUMINATED BY JESSIE BAYES, and comprising five illuminated pages on three folded sheets, unbound, each page approx. 27.5cm x 21cm, contained within card folder with applied label inscribed I SING OF ENGLAND/ BY ROBERT OF GLOUCESTER/JESSIE BAYES/82 FELLOWS ROAD/LONDON NW'Footnote: Provenance: From Castle of Park, Aberdeenshire Note: Jessie Bayes, best known for her remarkable book illuminations, was born into a family of artists in 1876. Her father Alfred Walter Bayes was an etcher and book illustrator who regularly exhibited at the Royal Academy of Arts and encouraged his four children in the arts from an early age. She studied under her brother Walter Bayes, who was a well-known artist and critic at the time and was sister to the sculptor Gilbert Bayes and the painter Emmeline Bayes. Bayes exhibited widely with the Arts & Crafts Exhibition Society, and at the Royal Academy and the Baillie Gallery in London. In 1922, Bayes exhibited some of her illuminated books, as well as paintings on vellum, fans, and panels, at the Art Center in New York. She gradually expanded her repertoire to include painted and gilded decoration on furniture as well as interior design and stained-glass work.
Lot 236
WILLIAM JAMES NEATBY (BRITISH, 1860–1910) ‘MAVOURNEEN’ watercolour highlighted with gilt, signed and dated lower right W.J. NEATBY 1906, bears artist’s label and inscription verso, 24.5cm x 16.5cm; together with BRITISH SCHOOL, THE KNAVE OF DIAMONDS, pen and ink, signed and dated with initials W.S.G.N. ‘13, 10cm x 10cmFootnote: Provenance: From Castle of Park, Aberdeenshire Exhibited: Walker Art Gallery, Liverpool Royal Society of Miniature Painters, London
Lot 253
§ MARY NEWBERY STURROCK (1890-1955) PHILLIS pen and ink, inscribed, bears gallery label verso, 24cm x 20cm; together with EDMUND LUCCHESI (1871-1964) HEAD OF A GIRL, pen and ink, signed with initials and dated EL/ 1920, 34.5cm x 32cm; and a print by the same hand, signed and editioned in pencil 14/2, 30cm x 22cmFootnote: Provenance: From Castle of Park, Aberdeenshire
Lot 272
§ PATIENCE ARNOLD (1901-1992) ‘NURSERY TALES’ watercolour and gouache; and two others by the same hand ‘GIRLS & BOYS COME OUT TO PLAY’ and ‘THE PICNIC’, each signed lower right PATIENCE ARNOLD, each 34cm x 44cm; together with THREE BRITISH SCHOOL BOOK ILLUSTRATIONS, each of popular fairy stories, pen and ink and watercolour, each 15cm squareFootnote: Provenance: From Castle of Park, Aberdeenshire
Lot 396
JESSIE MARION KING (1875-1949) 'ALL THE YEAR ROUND' pen and coloured inks, mounted and framed(13.5cm x 8.5cm)Footnote: Provenance; Jessie M. King and E.A. Taylor: The Collection of Miss Merle Taylor, sold Sotheby's, Glasgow, June 21st, 1977, Lot 138 Note: The cover art for a book published by Collins, 1923
Lot 117
A Study for the 'Bird's-Nesters', circa 1874 with artist's studio stamp in brown ink lower right 'J.F.M' (Lugt: 1460) black crayon on paper 27 x 16.5cm sight size; 44.5 x 33cm framedFootnote: Provenance: [By repute: The Leicester Galleries] From the collection of the art critic David Thompson (1929-2019) and Freda Dowie (1928-2019) The present work is a study for the central figure in Millet's 'Bird's-Nesters', one of his last works painted right at the end of his life, now in the Philadelphia Museum of Art. It depicts a scene from the artist's childhood whilst growing up on the Contentin coast of Normandy. He would go at night with other peasants to hunt the flocks of wild pigeons that migrated across the Channel. When the birds settled in trees at night, the peasants blinded them with light from torches and then clubbed hundreds to death. For peasants living a hard existence, this communal hunt was one of the few sources of meat in an otherwise limited diet. Millet worked out the positions of the figures in numerous small pen and ink sketches, as well as in pencil and crayon, known examples of which are in the Louvre Cabinet des Dessins and in the Indianapolis Museum of Art. A much larger charcoal underdrawing on canvas of the final composition was sold at Sotheby's New York on 15th November 2017, lot 129, for $150,000.Condition report: Slight toning and creasing to the paper. A tear left of the figure's right elbow along the left margin. This area is also discoloured. Light staining and discolouration in top corners. A small circular stain and two pinholes visible left of the figure's right hand. Little dirt under glass. Examined out of frame but not outside the glass.
![A Mounted cavalier on a prancing horse inscribed lower left '[?Casa] delin....is [? Augffurg]' pen, ink and grey wash on pape](https://cdn.globalauctionplatform.com/e02280a3-e9ac-468f-90f2-acfa00d83176/add0e9da-06b9-46f3-9872-acfd00ef14c7/468x382.jpg)
Lot 70
FRED ADLINGTON (1886-1931) THREE ORIGINAL ILLUSTRATIONS, EARLY 20TH CENTURY pen and ink, to include a framed example, signed FRED ADLINGTON/18 and inscribed verso FRED ADLINGTON/ 142 ST HELENS AVENUE/SWANSEA, 30cm x 24.5cm; an illustration depicting a Girl with Doll, signed lower right FRED ADLINGTON 1919, pen and ink, inscribed verso FRED ADLINGTON/ 142 ST HELENS AVENUE/SWANSEA, unframed, 31.5cm x 23cm; and another illustration depicting a man with valentine, signed lower right FRED ADLINGTON 1918, unframed; together with an AUBREY BEARDSLEY ILLUSTRATION FOR LE MORT D'ARTHUR, print, later framed, 21.5cm x 17.5cm
Lot 133
Attributed to Johann Wolfgang Baumgartner (Austro-German, 1712-1761), Saint Jerome, 1760, pen and black ink, brush and grey wash, white heightening over traces of black chalk, black chalk framing lines on brown paper laid onto oatmeal paper, bearing signature and opus date in brown ink within the drawing, bearing signature -J.W. Baumgartner- in pencil on verso as well as further annotation in pencil, further annotation in pencil to card mount -Neues Fenster Sebaldus Kirche Nürnberg, 1760-, partly mounted on card, H.21cm W.15.5cm
Lot 17
QUALITY WARINGS STAMPED STRING INLAID MAHOGANY FALL-FRONT BUREAU, the fall with boxwood inlaid segmented veneers opening to reveal a good interior arrangement of cupboards, drawers and pigeonholes with pen tray and ink pot rest over two short and one long drawer with drop handles on Queen Anne supports with shaped cross stretcher, 104cms H, 96cms max W, 51cms overall D
Lot 280
A GEORGE III SATINWOOD AND PURPLE HEART BONHEUR DU JOUR ATTRIBUTED GILLOWS, C.1790-1800 with kingwood banding, the raised lift-off back with a pair of oval panelled cupboard doors (locked), flanking a central shelf, above a hinged front inset with a plush lined writing surface, above a frieze drawer, the right side with a pull-out drawer for pen and ink, on square tapering legs 114.8cm high, 64.2cm wide, 43cm deep Catalogue Note See Susan E. Stuart, 'Gillows of Lancaster and London, 1730-1840', volume 1., p.297, pl.323, for a similar satinwood writing table and bookshelf, also p.298, pl.324, which shows the original design of 1794 for a Mr Briscoe which the present lot derives from.
Lot 415
A REGENCY MAHOGANY CHAMBER TABLE IN THE MANNER OF GILLOWS, C.1815-20 inlaid with boxwood and ebonised stringing, the reeded edge top with a hinged pen and ink compartment, above a frieze drawer, the reverse with a false front, on slender turned and ribbed legs and brass castors 72.2cm high, 67cm wide, 45.4cm deep
Lot 437
A LATE REGENCY RED LEATHER WORKBOX EARLY 19TH CENTURY with brass mounts, of sarcophagus shape, the hinged lid with a brass plaque engraved with initials, above a vacant paper lined interior, the underside of the lid with a velvet floral decorated panel, with a gilt tooled leather border, inscribed 'Stammers, 99, Strand, London', the base with a drawer with a hinged plush lined writing slope and compartments for pen and ink, on cast paw feet and with lion's mask ring handles 19.3cm high, 30cm wide, 24.4cm deep
Lot 57
A GEORGE III HAREWOOD AND MARQUETRY WRITING SLOPE C.1790-1800 with fruitwood feather banding and inlaid with barber's pole stringing, a wreath of husks and three oval panels with book-matched veneers, the hinged lid revealing a paper lined interior with two drawers, the right side with a long pen and ink drawer 10.2cm high, 35cm wide, 31cm deep Provenance The Estate of the late Jane Sumner.
Lot 651
A PAIR OF GILT BRASS PORTRAIT MEDALLIONS OF LORD NELSON AND CHARLES FOX AFTER PETER WYON, EARLY 19TH CENTURY depicting a bust of Admiral Lord Nelson, within a band of oak leaves and acorns, signed with initials 'P W F' (Peter Wyon fecit), the other of Charles James Fox, also with a band of oak leaves and acorns and signed 'P. Wyon', with pen inscription to verso 'Presented to my Grandfather John Watts, who was secretary to Captain Hardy, on board H.M.S. Victory + other .....Lord Nelson ..Admiral of the Fleet 1812-1815', in moulded ebonised and glazed frames (2) 17cm diameter
Lot 764
A WALNUT AND MARQUETRY CENTRE TABLE IN LOUIS XV STYLE C.1870 with gilt bronze mounts, the shaped top with kingwood banding and inlaid with scrolls and leaves, above a frieze drawer fitted with a pen and ink compartment, on cabriole legs, decorated with espagnolettes 74.5cm high, 137.5cm wide, 83.2cm deep
Lot 110
λ AN ANGLO-INDIAN ROSEWOOD AND SADELI WORKBOX PROBABLY BOMBAY, EARLY 19TH CENTURY the hinged lid with ebony, sandalwood, ivory and sadeli bands, revealing a fitted interior, with a lift-out mirror to the underside, above lidded divisions and compartments, with ivory sewing utensils, including reel barrels, a tape measure, a thimble holder, rulers and boxes with covers, with a pin cushion and other accoutrements, above a sandalwood lined drawer fitted with a velvet hinged writing slope, with compartments for pen and ink and with a large ivory ruler, with silver hinges, handles and rests 14.6cm high, 44cm wide, 30.3cm deep Provenance The Estate of the late Jane Sumner.
Lot 193
*Josef Herman RA (1911-2000)Going Homedated '17.4.76' l.l., pen and ink and watercolour19 x 24.5cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper a little cockled from watercolour pricess but does not affect appearance. Appears to be in good condition.
Lot 284
*Stik (b.1979)Holding hands - red, orange, yellow, blue, tealfive offset lithographs in colours, 2020, all signed in pen, all with a central horizontal and vertical fold crease as issued50 x 50cm, unframed (5)Sold with one copy of 'Hackney Today' newspaper, 21 September 2020, in which they were distributed.*Artist's Resale Right may apply to this lot.Condition report: All with the occasional half-moon crease. The red has a very small tear to the surface of the paper in the left margin and a large crease centre of the lower edge. The orange has a white spot of ink loss in left area and a little surface dirt in margins. The newspaper is worn and creased.
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166223 item(s)/page