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Lot 142

Sendak (Maurice) Seven Little Monsters original drawing for the animated series, depicting the characters Two, Four and Five, pencil drawing, 175 x 255mm., signed lower right, framed and glazed.

Lot 144

Sendak (Maurice) Little Bear original drawing for the Nick Jr. children`s television station magazine, depicting the bear dressed in coat and scarf, pencil drawing, 120 x 115mm., signed lower right, framed and glazed.

Lot 145

Sendak (Maurice) Jennie the Dog 2 studies on 1 sheet, for the Sony Metreon building, San Francisco, pencil drawing, 195 x 170mm., signed lower right, framed and glazed.

Lot 158

Vickers (V.C.) Drawings for "The Google Book" one in ink, signed with initials and dated 1913, one coloured crayon, the remainder in pencil on tinted paper, slightly frayed at corners, average size 270mm. by 325mm. ***The book, written and illustrated by V.C. Vickers, was first pubished in an edition of 100 copies in 1913. Subjects of this set of drawings are The Great Skull-Headed Stone Trot, (the ink drawing probably a preminary design preceding the pencil drawing), The Little Horn Back, The Little Horn Back, The Ha! Ha!, The Great McDoo or Dewar Bird, The Mirabelle, The Lemon Squeezer, and The Sun Bird (in crayon).

Lot 489

William Mulready (1786-1863); pencil drawing, portrait of a female, possibly Charlotte Rolf, 25 x 18cm, framed and glazed.

Lot 420

A pencil and watercolour drawing of circus horses, signed L. Knight 20 cm by 25cm

Lot 267

Thomas Rathmell (1912-1990) Standing figure Oil on canvas 91.5 x 71cm; 36 x 28in With a watercolour of a garden by Elizabeth Rathmell and a pencil drawing by Sally Moore (3) ++1. Some surface dirt otherwise good; 2. Good condition

Lot 615

S Whitehead (British, 20th Century), Nude, Back View, signed lower right "S Whitehead", pencil, 24 x 18cm (9.36 x 7.02in) Family history reports that S Whitehead was Drawing Master at an English public school

Lot 65

Robert O Lenkiewicz (1941-2002) Two boys lying in a field pen and ink drawing 24.5 x 32.5cm, together with a pencil drawing of a girl and a folio containing two further drawings. (4)

Lot 66

Robert O Lenkiewicz (1941-2002) Study of two schoolgirls beside a stack of books pencil drawing 26.5 x 33cm, together with two other larger drawings of school children. (3)

Lot 67

Robert O Lenkiewicz (1941-2002) Classroom interior with boy in dunce’s hat pencil drawing on grey paper 33 x 48cm, together with one other similar drawing. (2)

Lot 74

Robert O Lenkiewicz (1941-2002) Study of a school boy pencil drawing on grey paper 34.5 x 22cm, together with two other drawings of boys. (3)

Lot 75

Robert O Lenkiewicz (1941-2002) ‘Len’, a study of a young man seated pencil drawing on grey paper 32.5 x 22cm, together with one other pencil drawing of a boy. (2)

Lot 79

Robert O Lenkiewicz (1941-2002) Four boys in a classroom pencil drawing on grey paper 33 x 48cm together with a similar drawing of two boys reclining. (2)

Lot 407

A group of assorted 19th century watercolours and drawings, including eight sepia watercolours of landscapes and houses, a pencil drawing of a country house, a watercolour of a windmill and an early 20th century watercolour harbour scene. (qty)

Lot 420

A group of six, including a drawing of a horse at cart at a castle gate, a sketch of the Brighton Hog boat, attributed to E.W. Cooke, a sepia watercolour of Holland Park, an etching of fisherfolk on the shore, a pencil drawing of a head study attributed to Johanna Baptiste Lampi, and a grey wash drawing of a Thames scene attributed to Thomas Creswick. (6)

Lot 472

David Veazey (early 20th century), The Lookout, watercolour over pencil, signed, 22cm x 19cm.; together with a drawing of a cottage in St Just in Roseland, Coernwall by the same hand and a wash drawing of a view near Grasmere by another hand.(3)

Lot 412

19th century English school, landscape with a river, a fisherman and a bridge, pencil drawing inscribed, Aberfoyle Bridge, Southern Trossacks 10 x 14in. (25.40 x 35.56cm)

Lot 508

RUSKIN SPEAR (1911-1990), Life Study, pencil drawing, signed and dated 1933, 12 3/4" x 7 3/4", unframed, together with various others, in a portfolio, one with Max Lieberman stamp, and with a letter from The Fine Art Society (9)

Lot 47

JOSEPH STANNARD (1797-1830, BRITISH), Signed and dated 1829, Pencil drawing, Figure Study, 12” x 8”

Lot 190

SIR JACOB EPSTEIN (1880-1959, BRITISH), Signed, Pencil Drawing, A Reclining Nude, 18” x 21”

Lot 680

Lili Rethi, a large pencil drawing, architectural study, "United Nations headquarters, New York", 31 1/2" x 26 3/4", signed

Lot 681

Lili Rethi, a large pencil drawing, "United Nations Site, Fall 1947", signed 34 1/2" x 28"

Lot 1127

* Attributed to Lady Clementina Hawarden. An albumen print titled `Florence Elizabeth Maude` pictured seated in an armchair reading in the drawing room at 5 Princes Gardens, South Kensington c.1860/70. Stuck to paper and inscribed on the reverse in pencil, Taken by Lady Hawarden. 19.5x14cm.

Lot 531

Graham McKean (b.1962) Star Sign Pencil drawing, 13cm x 12cm

Lot 532

Graham McKean (1962) Star Sign Pencil drawing, 11cm x 11cm

Lot 533

Graham McKean (1962) The Lover Pencil drawing, 7cm x 6cm

Lot 534

Graham McKean (1962) The Way Ahead Pencil drawing, 10cm x 9cm

Lot 1991

Marjorie C Bates Coloured Pencil Drawing Print `The Cathedral Bristol` - Framed & Mounted.

Lot 1994

Craig Jay. An Aquatinted Pencil Drawing of a Tidal Inlet with Boats at Low Tide Signed & Dated - Framed & Mounted.

Lot 63

EDWARD NEVIL (19TH/20TH CENTURY) - View of Ghent, signed and titled, watercolour heightened in white, 15" x 10 3/4" and attributed to William Turner of Oxford (1789-1862) - View of a country house in parkland with cattle grazing, inscribed "W Turner", pencil drawing, 7 1/2" x 9 3/4" (2).

Lot 73

NELSON DAWSON (1859-1941) - Seascape with figures in a rowing boat, signed with initials, pencil drawing, 9" x 10 1/2"; and one further by the same hand, both unframed (2).

Lot 180

DAVID COX (1783-1859) - `A Bridge at Combe Martin`, pencil drawing, 5" x 8", Ex. Abbott and Holder (see illustration).

Lot 181

THE REV WILLIAM HENRY BARNARD (1767-1818) AFTER REMBRANDT - Landscape with cottages, grey wash drawing, 6 1/2" x 9"; and two further works to include Bradford Rudge (1805-1885), pencil study of sheep, 3" x 4 1/2"; and a 19th Century View of a Cottage, (3). Ex Abbot and Holder or Applebys.

Lot 184

ANTHONY VAN DYKE COPLEY FIELDING (1787-1885) - View of an arched doorway from a tree lined bank, signed and dated 1826, pencil drawing, 5" x 7 1/2". Ex Abbot and Holder.

Lot 185

CORNELIUS VARLEY (1781-1873) - Study of two girls seated reading a book, pencil drawing, 10" x 7 1/4". Ex. P & D Colnaghi and Co. "Cornelius Varley Exhibition, March 1973, no. 9"; and two further works to include Coastal Scene with beached rowing boat, grey wash drawing; and River landscape with smoking chimney (3).

Lot 186

JOHN SAMUEL HAYWARD (1778-1822) - "St. Michael`s Mount - The Castle Gate, Oct 13 1807", pencil and grey/brown wash drawing, 8" x 10". Ex.: A. Wyld; and one further by the same hand "Devon ships near the mouth of the Dart", Ex.: Abbot and Holder (2).

Lot 187

19TH CENTURY ENGLISH SCHOOL - "Margate, 1865", watercolour, 9" x 11 1/2" and two further works to include a pencil drawing Study of a thatched cottage; and a river landscape (3).

Lot 303

ENGLISH SCHOOL (EARLY 20TH CENTURY) - "Sayed Mustapha Elidrissi, Right Reverend and gallant leader of Arab forces on the Asir against the Turks, 1918 and 1919" indistinctly signed and dated 1918, pencil and colour wash drawing, 11" x 7 1/2".

Lot 309

A. ELSHAM - Desert scene with pyramids and camels, signed, gouache, 11 1/2" x 15" and Rodney Gladwell (1928-1979) - Farndon Bridge, signed and dated `78, pencil drawing, 15" x 19" (2).

Lot 7

GERTLER. Bears signature, pencil drawing on paper `Standing female nude, rear view`, see label verso. 15.1-4" x 8.1-2"

Lot 50

L.S.LOWRY. Bears signature and date 1960, pencil drawing on paper, industrial town scene with figures. 11" x 7"

Lot 98

STYLE OF GAINSBOROUGH. Early unsigned, unframed pencil drawing on paper, wooded river landscape with boats and figures. 7.1-2" x 9.3-4"

Lot 21

Leonard R. Squirrel RWS RE (1893-1979), Mountain and Lake Scene, etching and aquatint, signed lower right in pencil, signed and dated 1937 to the plate, 21.5 x 34.5cm; and The Drawing Class, drypoint etching, signed lower right in pencil, 16 x 12cm (2)

Lot 378

Houghton, M. “Views of the China Seas & Macao taken during Capt. D. Ross’ Surveys by M. Houghton. ” A disbound small folio album containing 40 drawings of various sizes, in pencil and pen and ink,many of the latter with sepia or grey/black washes. The drawings vary in size between approximately 3in x 4in to 8in x 14in and they are dated between 1816 and 1819. With the exception of the title page, the drawings are laid down on to the pages of the album and supplied with simple wash line mounts. Many have been cut out (presumably from sketch books) and have contemporary titles; those without titles are captioned beneath in what would appear to be a later hand. * Captain Daniel Ross was sent by the East India Company to Cochin China to survey the Paracel Islands in 1807, he completed charts of the south coast of China in that year and his work continued throughout the next decade or so and his charts were finally published in 1821. The arrangement of the drawings in the album is not chronological and they are most probably a personal selection from a larger body of work. That they were drawn “on the spot” is evidenced by one of the additional notes beneath the drawing of Hysansue Harbour in the Yellow Sea where the name of H. M S. Alceste is noted. The Alceste was the vessel that took Lord Amherst, in 1814, on his Embassy to China in his efforts to help the East India Company’s trading with the Chinese and which was later, whilst on an exploratory voyage in the region, wrecked on a rock in the Java Sea, the crew rescued and the vessel burnt by Malay Dyaks. It is therefore quite possible that both men were on this vessel at some point (this particular drawing is dated 1816). Two of the highlights of the collection are the view of “Singapore from the Rocky Point. 1819” this was the year that Stamford Raffles established a settlement here; and the fine drawing of the “Franciscan Monastery at Macao. ”

Lot 184

A 19th Century pencil drawing of a mother and child 14.5cm x 13cm

Lot 193

Political highly important group of letters and reports from Sir Worden Chilcott to Sir Martin Conway dated October and December 1924 detailing the political intrigue between the Conservative and Liberal parties in manoeuvring the Labour Government of Ramsey MacDonald into accepting the fatal vote of censure on the ‘Campbell Question’. A total of 7 1/2 pp 4to marked ‘Secret’. The group comprises two carbon copies of reports, dated September 20th and October 1st 1924, the first with pencil alteration of date to December 12th, and a typewritten letter from Chilcott to Conway dated December 12th 1924 This is without question the most important group of documents concerning this case to have emerged in recently years, and could add considerable new information on what was one of the most important political issues of the 20th c The background to the ‘Campbell Case’ involved the election in January 1924 of the first Labour Government under Ramsay MacDonald – something which was abhorrent to both Conservatives and the Liberal Party. The Government was short lived. By October 8th the Government was defeated on a Liberal amendment to a Conservative Vote of Censure resulting from the abortive prosecution for sedition on a British Communist called John Campbell. On the following day the Foreign Office was sent a letter dated September 15th apparently written by Grigori Zinoviev, Head of the Russian Propaganda Committee to the British Communist Party urging an armed uprising. This put the final lid on the Labour Government’s coffin. However, the Russians have always insisted that the Zinoviev letter was a fake and the affair has led to bitterness and recrimination ever since. Even as late as 1999 the then Foreign Secretary Robin Cook commissioned a Memorandum on the whole affair drawing on Secret Intelligence Service sources. Many papers relating to the affair are still thought to be in secret files which even in the late 1990s Cook refused to release. The two copy reports are most revealing. Chilcott was special advisor and friend of F E Smith (referred to in the reports as ‘FE’). The two reports in the present lot indicate that Smith coordinated the Conservative and Liberal parties in the manoeuvring which led to the downfall of the Government The second report implicates the activities of Austen Chamberlain, Jack Seely, Lloyd George, F E Smith and the Air Minister Sam Hoare. It also suggests that it was Conway set the whole matter into motion.

Lot 36

Cade (Tom J.) The Falcons of the World number 4 of 35 specially-bound copies with an original signed pencil drawing colour illustrations by R. David Digby original half green morocco spine gilt in compartments with falcon motifs spine very slightly faded 4to 1982.

Lot 376

A rosewood framed naïve watercolour and pencil drawing of a racehorse "Figaro" signed Brown 1834

Lot 65

A MORIJOT (?) Detailed pencil drawing, Head and shoulders portrait of a man, signed with monogram, 7" x 4.5", mounted.

Lot 512

Misc. items, comprising `Parker` fountain pens (3) & another, all cartridge fill, propelling pencil, ornate wooden box containing small ruler, brass propelling pencil & pair of compasses, antique drawing instruments, boxed, `Fairy-Tale` playing cards & `Evening Party Games`, both boxed (9)

Lot 134

19TH CENTURY ENGLISH SCHOOL, PENCIL DRAWING, Head and Shoulders Portrait of a Gainsborough Lady, 4 ½” x 4”

Lot 445

ROLAND GREEN, UNSIGNED, PENCIL DRAWING, Chicks, 6” x 10”

Lot 662

19TH CENTURY ENGLISH SCHOOL, PENCIL DRAWING, Mountain River Landscape with Figure and Dog, 3 ½” x 5 ½”

Lot 12

ANTHONY TEWFICK A triptych pencil drawing `50th Birthday Party` 2005, 50cm x 100cm

Lot 13

ANTHONY TEWFICK pencil drawing `Nude Lady Standing, 2005` 58cm x 28cm

Lot 14

ANTHONY TEWFICK pencil drawing `Dancing Nude Lady, 2004` 48cm x 37cm

Lot 609

Edward Tennyson Reed (1860-1933), pencil drawing, original drawing for Punch, with inscription and signed, 18" x 18"

Lot 632

A pencil drawing, early C19th, figures on a bridge with hunters below, monogrammed M. H., 13" x 9 1/2"

Lot 473

After Dendy Sadler: 18th century drawing room with men seated round a table, signed in pencil, 19" x 26", framed and glazed; a Spy print, framed and glazed; an etching after W S Perry

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