We found 15174 price guide item(s) matching your search

Oswald Partridge Milne (b. 1881), Dutch canal scene, pencil drawing, unframed

Ronnie Wood Pencil drawing of Andrew Lloyd Webber signed by Ronnie Wood with Julien's auction catalogue and photograph of Ronnie working on the drawing, flat approx 42 x 29.5 cm.

Peter Holloway, Maurice Bishop, David Andrew Rodgers, Arthur Rackham, F. Robson, and other prints, Kristan Baggaley, Brian Albridge signed prints, Mediterranean oil, Head wearing glasses, pencil drawing, 'Study of P.K. dated '91 abstract work and two Oriental pictures; F. Collier, Winter Farmhouse with Distant Church, watercolour, signed lower right, 24.5 x 35cm, two other watercolours:- Two Boxes

Henry George Cogle (1875-1957), View of the Mendip Hills, watercolour, signed and dated 1934, frame 41 x 54cm, along with a signed coloured pencil drawing of a Blackcap by Peter S. Britton, signed, frame 44 x 34cm.(2)

Elizabeth Blackadder (1931 - 2021), wild roses, pencil drawing, signed and dated 1964, 19cm x 16cm, framed Slight paper discolouration along the bottom edge

John Buckland Wright (1897-1954) Seated Nudecatalogue no.25, from drawing book dated 1934-36, stamped verso with studio stamppen, ink and pencil14 x 10cmProvenance:With Blond Fine Art Limited, London

§ Edward Burra CBE (1905-1976) A double-sided drawing; one side with studies of a seated man, the reverse with two male figures, one in orthodox boxing stancesigned and dated 'F.Burra / Februar[y] 1924' (lower right)ink and coloured pencil26 x 36.5cm

Books and documents – Uranian interest: Chubb (Ralph): Flames of Sunrise, 2 pp, large 4to. decorated on recto with a half-tone portrait of the author at the age of twelve in herald's costume. Printed on coated stock. paperclip indentation; A Sibylline Book 2pp large 4to, decorated on recto with one lithograph and printed on handmade paper; The Heavenly Cupid or The True Paradise of Loves, printed on handmade paper. 2pp large 4to. Decorated with one lithograph; books by Ralph Chubb, list printed on handmade paper, 10 books and their details, decorated with one lithograph; order form (unused) for The Heavenly Cupid with illustrations from four pages, incl. opinions about Chubb's work as artist and poet; order form (unused) for Water Cherubs with illustrations from title page, bound book and a full page, 2pp, incl opinions about Water Cherubs; a prospectus, 2pp, incl. drawing of Chubb by Stanley Spencer inviting a visit to Fair Oak Cottage 'if you wish to acquire a book or a picture'; The Children of Dawn, original maquette (1947) for a page in this book, ink and pencil, with colour illustration of naked boy and seascape, margins showing Chubb's holograph pencil notes minutely detailing colour requirements for printing 5 x 7.75in (12.7 x 19.7cm) framed; The Child of Dawn or The Book of the Manchild, prospectus, 2pp large 4to decorated with one lithograph, printed on handmade paper & framed; Water Cherubs, prospectus 2pp large 4to, decorated with one hand-coloured lithograph, printed on handmade paper and framed. Autumn Leaves – two fragments’ (1940) 17pp with 14 lithographic illus., original paper & grey d. w. lettered black, no. 21/24 copies as part of an edition of 39 also O’Connor (John), The Boy and the Heron. (1977) wood engravings by author, also signed by him, no. 22/100 including signed framed print on Japanese paper, original wax protective paper over cover with printed title The Boy and the Heron’, all printed at the Foulis Archive Press in 12pt on Basingwerk Parchment (qty)

Flora Lion (1880 - 1958)Portrait of Mrs H Lionsigned, dated 1903, paper label to verso for Society of Portrait Painters, pencil drawing, 22cm x 16cm

Ernest Howard Shepard OBE MC (British, 1879-1976).  'No 1 Little dayliight', an original drawing of a man coming across a hidden house in the woods, where a woman is hanging out her laundry, inscribed 'He came upon the strangest little house', pencil on paper, 24.5 x 19.5cm, framed, accompanied by a copy of a hand-written letter from Mary Knox, daughter of Shepard and illustrator of Mary Poppins.   Note: Ernest Howard Shepard OBE MC was an English artist and book illustrator. He is known especially for illustrations of the anthropomorphic animal and soft toy characters in The Wind in the Willows and Winnie-the-Pooh.Provenance: Given to vendor by E. H. Shepard's daughter, Mary Knox (illustrator of the Mary Poppin's books).

Edmund Gillingwater: 'An Historical Account of the Ancient Town of Lowestoft, in the County of Suffolk. To which is added some cursory remarks on the adjoining parishes and a general account of the island of Lothingland.', London & Norwich, [1790], 1st edition, profusely extra illustrated copy, containing eight well executed watercolours circa early 1900's including fishing trawler (LT124) with tug boat "Rainbow" alongside and rowing boat in foreground, approx. size 21 x 27.5cm, watercolour of Lowestoft beach looking southwards with cliffs, fishing boats on beach, and boats at sea visible, approx. size 20 x 27cm, watercolour of Great Yarmouth beach and pier, approx. 14 x 22cm, watercolour of Lake Lothing/Lowestoft harbour, with fishing trawlers, rowing boat, warehouses, customs house and first bridge visible, approx. 16 x 23cm, four watercolours, all by same artist and dated 1910, "Low Light Lowestoft" depicting the low lighthouse and beach looking northwards, "On the Waveney" depicting broadland river scene with wherry, "Pakefield" depicting cottages at low cliff edge and beach looking northwards towards Lowestoft, "Lowestoft" depicting harbour entrance with boats visible, all approx. 13 x 19cm, large pencil drawing of St. Benet's Abbey app. 27 x 21cm, well executed pencil drawing of Pakefield Church dated 1897 and signed by artist, app. 16 x 25cm, pencil sketch depicting the wreck of the brig "Julian Heinrich" off Lowestoft, app. 11 x 18cm, large folding engraving 'A Perspective View of Lowestoft from the N.E. Battery by Powles/Cook, 1790, plus approximately 200 further items bound in or loosely inserted, mainly engraved views, prints, maps, items of ephemera, some folding mas/plates, some hand coloured views, some engravings from Stark's 'Rivers of Norfolk', some cuttings and relevant manuscript pen & ink notes by the compiler, Madoc Llewellyn Powell (1875-1952), of the Powell family of Lavengro Lodge, Oulton Broad, built in the late 19th century on the site of the earlier Oulton Cottage, which was the home of the author George Borrow, large 4to, thick 19th century half calf gilt. An excellent grangerized copy of Lowestoft born historian and topographer Edmund Gillingwater's (1736-1813) history of Lowestoft & environs

The Great Escape (1963) Limited Edition Illustration: 48/150 - A pencil sketched drawing of a scene from The Great Escape. Matted, framed & Glazed. 37cm x 32cm.(1).Condition Report: Framing provided by Centrado Fine Frames.

After Nancy Bradfield - A 1979 'Clifton Suspension Bridge' etching by Harold Sayer from an original drawing made in 1935 by Nancy Bradfield. Numbered 7/50. Local Bristol harbourside interest. Signed by the artist, dated and numbered in pencil along the bottom of the etching. Mounted, framed and glazed. Measuring approx. 41cm x 51cm.

Opera memorabilia: programmes, postcards and handbills. SIGNED postcards include Rudolph Berger, Maria Muller, Josef von Manowarda, Maria Cebotari, Winifred Wagner, Hermann Winkelmann, and Erich Zimmermann. Also over 200 unsigned postcards mainly Wagnerian performers, with a couple of photographs and cigarette cards. George Whitefield Chadwick SIGNED library cards (borrowed a Strauss book)_TREVELYAN, R. C. From the Shiffolds Christmas 1949, SIGNED presentation copy, slim vol._ SIGNED letter from Fanny Davis._ Max Lorenz and Berislav Klobucar SIGNED playbill._ Franz Volker SIGNED playbill._ Friedrich Gernsheim calling card with initialled message._ Siegfried Wagner two SIGNATURES on card._ Tiana Lemnit SIGNED card._ Hans-Hermann Nissen SIGNED card._ Carl Reinecke SIGNATURE._ Wilma Halle SIGNED card._ Adelina de Lara SIGNED card._ Adrian Boult framed autograph._ Paul Althouse and Tudor Williams SIGNED playbill._ Alice Strauss SIGNED typed letter._ Lauritz Melchoir SIGNED souvenir book._ Winifred Wagner bookplate._ Lener String Quartet framed SIGNED photograph._ Gwladys Garside SIGNED photograph._ Carl Maria von Weber pencil drawing._ all in fair condition with occasional wear/toning, some postcards with contemp. writing on back, w/a/f, (qty) 

MUELLER-KAEMPFF, Paul, zugeschrieben(1861 - 1941) Zwei Ansichten AhrenshoopKohle-, Bleistiftzeichnung auf getöntem Papier. Gerahmt & hinter Glas : 53 x 37 cm / 2,7 kg. Bezeichnet: Querformat "Ahrenshoop 7. Aug. 1902", etwas fleckig / Hochformat "Ahrshp. 5. Juli 1903". Aufrufzeit 01. | März 2025 | voraussichtlich 10:20 Uhr (CET) MUELLER-KAEMPFF, Paul, attributed to(1861 - 1941) Two views of AhrenshoopCharcoal and pencil drawing on tinted paper. Framed & behind glass : 53 x 37 cm / 2,7 kg. Inscribed: Landscape format "Ahrenshoop Aug. 7, 1902", somewhat stained / portrait format "Ahrshp. July 5, 1903". Aufrufzeit 01. | March 2025 | probably 10:20 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

THOMA, Hans, zugschrieben Sitzender KnabeAquarellierte Bleistiftzeichnung. 18,5 x 23,5 cm. Gerahmt & hinter Glas : 28 x 33 cm / 0,7 kg. Auf dem getönten Blatt leichte Spuren einer weiteren Skizze. Aufrufzeit 01. | März 2025 | voraussichtlich 10:31 Uhr (CET) THOMA, Hans, inscribed Sitting boyWatercolor pencil drawing. 18.5 x 23.5 cm. Framed & behind glass : 28 x 33 cm / 0,7 kg. On the tinted sheet slight traces of another sketch. Call time 01 | March 2025 | presumably 10:31 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

AM ENDE, Hans(1864 Trier - 1918 Stettin) LandschaftszeichnungKohlezeichnung. Bleistiftsignatur. 22 x 13 cm. Gerahmt & hinter Glas : 38 x 29 cm / 1,2 kg. Rückseitig kleine Landschaftsskizze mit Berglandschaft. Deutscher Impressionist, studierte an den Akademien München und Karlsruhe. Mitbegründer der Künstlerkolonie Worpswede. Literatur : Thieme/Becker. Aufrufzeit 01. | März 2025 | voraussichtlich 10:41 Uhr (CET) AM ENDE, Hans(1864 Trier - 1918 Stettin) Landscape drawingCharcoal drawing. Pencil signature. 22 x 13 cm. Framed & behind glass : 38 x 29 cm / 1,2 kg. Small landscape sketch with mountain landscape on the reverse. German Impressionist, studied at the Munich and Karlsruhe academies. Co-founder of the Worpswede artists' colony. Literature : Thieme/Becker. Aufrufzeit 01. | March 2025 | probably 10:41 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

*STEPHEN HARPER (b. 1951) A study of a fishsigned lower right, inscribed verso "Original drawing from A Line On The Water..." and with a further message and signature from the artist, pencil on paper, 13cm x 18cm

ALFRED CROWDY LOVETT C.B.E (BRITISH 1862-1919): A PENCIL DRAWING ON PAPER DEPICTING AN INDIAN STREET SCENE WITH GUARDS BY BUILDINGS AND PEOPLE, WITH VERSO ANOTHER DRAWING OF CAMEL, INDIAN SOWAR ON CAMEL, NUDE INDIAN SEATED LADY35.5cm x 25cmMonogrammed.Alfred Lovett was an army officer commissionsed into the Gloucestershire Regiment in 1883, and he was promoted through the ranks to Brigadier General. He was posted to India with his regiment as a lieutenant in 1883, initially in Karachi. He then moved to Poona, Ahmedmagar, Bombay and Narisabad. He commanded the 1st Battalion, the Gloucestershire Regiment with the BEF in 1914. He was appointed Brigade Commander in the First Division and made Companion of the Order of the Bath, and awarded CBE in 1919.While in India, Lovett illustrated an important book written by Major Macmunn, 'Armies of India' published originally in London by A&C Black in 1911.Lovett died from illness aged 57 years old and is buried in Scarborough Manor Road Cemetry, North Yorkshire.He was a very talented artist, painting landscapes, Indian Army uniforms and soldiers and his work is held in the Royal Academy.Provenance: British Private Collection.

A PENCIL DRAWING OF A NUDE LADYSigned 'Ethel' and dated 1934.41cm x 33cmFramed and glazed 65cm x 51cm

ALFRED CROWDY LOVETT C.B.E (BRITISH 1862-1919): A WATERCOLOUR PAINTING AND PENCIL DRAWING DEPICTING AN INDIAN FORTRESS WALL WITH FIGURES BY RAMPARTS AND ANOTHER OF INDIAN TEMPLE IN WATERCOLOUR AND PENCIL WITH INDIAN ARMY SOLDIER VERSO IN PENCIL,Monogrammed.25cm x 18cm22.5cm x 24cmAlfred Lovett was an army officer commissionsed into the Gloucestershire Regiment in 1883, and he was promoted through the ranks to Brigadier General. He was posted to India with his regiment as a lieutenant in 1883, initially in Karachi. He then moved to Poona, Ahmedmagar, Bombay and Narisabad. He commanded the 1st Battalion, the Gloucestershire Regiment with the BEF in 1914. He was appointed Brigade Commander in the First Division and made Companion of the Order of the Bath, and awarded CBE in 1919.While in India, Lovett illustrated an important book written by Major Macmunn, 'Armies of India' published originally in London by A&C Black in 1911.Lovett died from illness aged 57 years old and is buried in Scarborough Manor Road Cemetry, North Yorkshire.He was a very talented artist, painting landscapes, Indian Army uniforms and soldiers and his work is held in the Royal Academy.Provenance: British Private Collection.

JOHN TENNENT, signed pencil drawing "Duck and Mallard", 20cm x 28cm

Albert Fuller (20thC). Font at Lincoln Cathedral, pencil drawing, dated 1924, 21.5cm x 14cm.

A 19th century Victorian pencil on paper study / sketch drawing with donkey, foal and sheep. Unsigned. Framed & glazed.Measures approx. 40cm x 57cm.

† DAVID WILDE (1913-1978); pencil drawing, 'Beaumaris Castle', signed, 27 x 38 cm, framed and glazed.

IN THE MANNER OF LAURENCE STEPHEN LOWRY RA RBA (1887-1976); pencil drawing, 'Man with Cart', signed LSL 61, 19 x 21cm, framed and glazed. Provenance: Given to the vendor by Harold Riley who was friends with the family, February 1968 as a wedding gift.

Contemporary school female nude, pencil drawing, 33x40cm, together with one other being 3 nudes, and a photographic print of a Mediterranean coastal outpost (3)

19th century English school - Wooden bridge across a stream, sepia watercolour, 19 x 24cm; together with another English school pencil drawing heightened with wash (2)

Schiestl (Würzburger Künstlerfamilie), 5 Werke, alle rücks. Stempel: Aus dem Nachlass Rudolf Schiestl, Altersspuren: 2 x Bleistiftzeichnungen mit Hirten und Engeln, ca 11 x 15 cm; Matthäus Schiestl, Anbetung der 3 Könige, Skizzen I - III, , Bleistiftzeichnung mit Beschriftung sowie Aquarelle, ca 15 x 19 cm / Schiestl (Würzburg artist family), 5 works, all stamped on the reverse: From the estate of Rudolf Schiestl, traces of age: 2 x pencil drawings with shepherds and angels, ca 11 x 15 cm; Matthäus Schiestl, Adoration of the Magi, sketches I - III, , pencil drawing with inscription and watercolours, ca 15 x 19 cm

David Waterson R.E. [1870-1954]Original Pencil & pastel drawing titled "In the Sand Dunes" Frame- 40x55cm.

Benjamin Burnell (1769- 1828) British.Original pencil drawing of Mrs Elizabeth Stratton of Stratton Park. Drawn in 1819. Details to the reverse side. Signed lower left hand corner. Fitted within a gilt frame. 46x40.5cm.

Brian Edwards, 20th Century; Design for the National Theatre 1965, pencil and watercolour the design with Brutalist overtones, 59x78cms, signed to reverse, framed and glazedNB Brian Edwards is a retired architect whose practice and teaching exploit the interface between art, nature and architecture. His colourful paintings explore how buildings sit in the landscape and seascape of North Norfolk. He is the author of the much acclaimed book ‘Understanding Architecture through Drawing’ and is currently Emeritus Professor at ECA Edinburgh University. He has exhibited in the Architecure Section of Royal Academy summer exhibition and also at the RSA and Edinburgh Festival’ 59x78cms good condition

(ARR) David Morrison Reid-Henry (British, 1919-1977) - A 20th century pencil on paper detailed study of a Falcon - bird of prey on brick wall drawing. Unsigned. Mounted, framed, & glazed.Measures approx. 14cm x 17cm excluding frame.

(ARR) André Masson (French, 1896 –1987) – Dancing Woman (To Tina, friendly respects) - A pastel / chalk on paper Surrealist drawing painting personally dedicated to current owner's grandmother from artist himself. Signed lower right in pencil. Mounted, framed and glazed.The drawing is visible in a photograph from the artist's studio in 1933 featured in the book "Andre Masson and his Universe" (Horizon books 1947). Andre Masson was a French painter, sculptor, illustrator, designer and writer, born at Balagny (Oise). Spent most of his youth in Brussels, where he worked as pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. Participated from 1924-9 in the Surrealist movement. Made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. Lived 1934-6 in Spain; paintings of bullfights, Spanish myths, etc. Since 1998 the record price for this artist at auction is 3,125,485 USD for GRADIVA, sold at Sotheby's Paris in 2010. In the past 12 months, their paintings have averaged 15,389 USD, while his sculptures have sold for an average of 12,686 USD. Measures approx. 45cm x 56cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

EAST AFRICAN SCHOOL (EARLY 20TH CENTURY) Study of a young girl, pencil drawing, Uganda Bookshop label verso, unsigned, 11.25" x 5" (28.5cm x 13cm)

MODERN BRITISH SCHOOL Two studies of a seated man with bare torso, pencil drawing, signed indistinctly and dated '28, 21.5" x 14.5" (55cm x 37cm)

Pablo Picasso, Spanish 1881-1973,Don Quixote, after the drawing of 1955;monochrome lithograph on wove, signed in pencil and inscribed H.C (Hors Commerce), printed by Editions Combat pour le Paix, Paris, with their blind stamp, sheet: 65 x 50 cm, (framed) (ARR)Note: WVZ Czwiklitzer 184 (SLS) Ref 500 

Musch, Evert (Groningen 1918-2007) "View of the Magnus Church", signed in full l.o and '51, pencil drawing/paper, h 30 x w 48.5 cm.

Simon, P.C (Leeuwarden 1832-1866) "Watermill in landscape", signed in full r.o, annotation verso, pencil drawing/paper, h 11 x w 19 cm. Includes three engravings, up to 4x.

A framed and glazed Mike Coot life drawing in pencil, approx 39cm x 55cm. Shipping category D. NO RESERVE

William Leighton Leitch (1804-1883) pencil drawing - Tantallon Castle, stamped and dated Sept. 2nd 1863, 15cm x 34cm, in glazed frame

Helen Allingham (1848-1926) pencil drawing 'Study of a Lady', from a sketchbook, 17.5cm x 11cm, in glazed frame

*Terry Frost (1915-2003) collage - Abstract, 1999, signed in pencil and further signed and dated and drawing verso, 27cm x 20cm in box frameGood original condition and ready to hang.

*William Patrick Roberts (1895-1980) pencil, watercolour wash drawing from a sketch book - 'Swan Upping', signed, 23cm x 18.5cm, unframedImage 7 & 9 are taken in front of a light, hence the different look. Please see further images now uploaded to illustrate the condition best.

William Peter Vannet, (Scottish 1917-1984), Pencil Drawing, Harbour Scene, 22x34cm

PAUL LUCIEN DESSAU (BRITISH, 1909-1999) (8)Harlequin and a swan signed 'P. A. DESSAU' (lower right) watercolour and gouache 14.5 x 19cm (unframed) ARRTogether with a pencil drawing of a harlequin, signed 'Hugh Robson', 34.5 x 18cm; two studies of nudes, signed 'Deidre Borlase', each 56 x 41cm; a pencil sketch of a coastal landscape, signed 'Lurch', 27 x 35cm; a pencil sketch of a group of figures attributed to George Richmond, 15.5 x 20.5cm; a watercolour in black of a man wearing a hat, 40.5 x 25cm; and a pencil drawing by Phil May of a gentleman, dedicated and signed 'To my friend with best wishes from Phil May', 32 x 21.5cm, (all unframed)(8)ProvenanceThe Estate of the Late Kenneth Partridge(https://www.bellmans.co.uk/story/the-collection-of-the-kenneth-partridge)

ERNA PLACHTE (GERMAN, 1893-1986) (2)Horse and cart signed 'E Plachte' (lower right) pencil and charcoal 26.5 x 34cm ARR together with Mines , pencil drawing by Owen James (2)

HELEN STEINTHAL (1911-1991), a group of pictures comprising two drawings the first depicts nude female figures frolicking in the sea, unsigned pencil on paper, approximate size 21cm x 27cm, the second depicts nude female figures surrounded by foliage, unsigned pencil on paper, approximate size 27cm x 41cm, (the first drawing has some foxing), and a picture showing three abstract figures, depicting a female nude in repose on the land, a nude female figure in the sea and a winged nude figure in the sky, initialled bottom right, mixed media on paper, approximate size 39cm x 27cm, together with a nude figure on a horse verso, mixed media on paper, approximate size 39cm x 29cm, (dirty marks to the drawing verso, frame marked in places), together with four female figure studies, comprising a seated nude leaning on her arms, signed top right black ink on paper, approximate size 26cm x 35cm, a seated nude resting on one arm, blue ink in paper, a standing nude depicted from behind, blue ink on paper and a seated nude wearing a cloak, blue ink on paper, all signed to the upper edge, (the seated nudes have some foxing), together with a painting attributed to Helen Steinthal 'Mythical Figures', two mythical figures are surrounded by multiple human figures and foliage, mixed media on paper, attribution verso, approximate size 49cm x 40cm, frame size 67cm x 58, (small chips and marks to the frame) (8) (Condition Report: most obvious damage is mentioned in the description)

An original pencil drawing, thought to be the hand of Jason Bratby (son of John Bratby) Mediterranean Church, unframed 30cm x 37cm overall sold along with a William Heaton Cooper colour print Burnmoor Tarn, 25cm x 30cm overall and an Alfred Wainwright print 'Muker' unframed, 20.5cm x 25cm

Artist unknown, pen and pencil drawing depicting Eric Morcambe and Harold Wilson, signed indistinctly lower left, dated 1976, within black frame and under glass. 14.5cm x 19.5cm, 16.5cm x 21.5cm overall. Sold along with a framed page from book 'The New Act of Parliament for old maids, wives, widows and others' within off white frame and under glass. 24cm x 19cm 27.5cm x 22.5cm overall.

Jean BRUSSELMANS (1884-1953), pencil drawing Rugged nude, signedJean BRUSSELMANS (1884-1953), potloodtekening Ruggelings naakt, getekend23.5 x 17 cm

Roger WHITEVRONGEL (1933), pencil drawing Bed, signedRoger WITTEVRONGEL (1933), potloodtekening Bed, getekend30.5 x 24.5 cm

Oscar COLBRANDT (1879-1959), pencil drawing Madonna, signedOscar COLBRANDT (1879-1959), potloodtekening Madonna, getekend60 x 37 cm

Ferdinand DE BRAEKELEER (1818-1904), pencil drawing The narrator, signed and dated 1856Ferdinand DE BRAEKELEER (1818-1904), potloodtekening De verteller, getekend en gedateerd 185639 x 47 cm

Jurgen SCHNEIDER (1941), pencil drawing on paper ‘By pass in my backyard’, signed and dated 1/2013Jurgen SCHNEIDER (1941), ptloodtekening op papier 'By pass in mijn achtertuin', getekend en gedateerd 1/201324 x 32.5 cm

Roger Marcel WITTEVRONGEL (1933), pencil drawing Saint-Paul, signed and dated 1978Roger Marcel WITTEVRONGEL (1933), potloodtekening Saint-Paul, getekend en gedateerd 197873 x 94 cm

Jules LISMONDE (1908-2001), pencil drawing 'Espace est sans bornes III', signed and dated 1977Jules LISMONDE (1908-2001), potloodtekening 'Espace est sans bornes III', getekend en gedateerd 197748 x 62 cm

Makkum hand painted tiles depicting a picture of a windmill, stilt walkers and a sweet seller. Two Maw & Co tiles of a musician and a bar scene. Two other framed tiles and a tiled tray together with a framed pencil drawing of a windmill signature indistinct and a hand painted scene ships.

Peter Brook (British 1927-2009): 'Man Refusing an Offer for His Dog' 'Drawing the Mill' and 'A Greeting', three colour prints signed in pencil max 44cm x 52cm (3)

Pietro Annigoni OMRI (Italian 1910-1988): Portrait of a Veiled Lady, pencil drawing signed inscribed and dated 'XLIX' 20cm x 15cm