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William Russell Flint, RA (1880-1969) "Aphrodite," pencil drawing, inscribed and dated with initials 'WRF 2.2.65' lower left, approx. 21cms x 17cms (8" x 7"), mounted and framed. (1)

Dame Laura Knight, RA (1877-1970) "The Dancer," pencil drawing, signed lower left, approx. 31cms x 21cms (12" x 8") with inscribed 'Ferguson Gallery,' label on reverse, mounted, black frame. (1)

Blaise Smith, RHA (b. 1967) "Jacks Green Spreader," pencil drawing, inscribed lower left, signed  with initials and dated lower right, Exhibited Paperwork May-June 2003, approx. 36cms x 59cms (14" x 23") mounted and framed. (1)

Blaise Smith, RHA (b. 1967) "Black Ash near Scart," pencil drawing, approx. 28cms x 20cms (11" x 8"), signed  with initials and dated lower left 'B.S. '99', mounted and framed. (1) Provenance:   Paperwork Exhibition May-June 2003.

John Butler Yeats, RHA (1839-1922) "Portrait of an elegant young Lady," pencil drawing, depicting side profile view of a Lady wearing wide brim hat, signed  with initials and dated '1910 - JBY' approx. 18cms x 13cms (7" x 5"). (1)

Francis Nicholson, OWS, British 1753-1844- Album of drawings; 79 drawings with indices, including views of Kent, Yorkshire, Lancashire, Hampshire, Shropshire, Somersetshire, Monmouthshire, and Wales in leather boards (binding detached), variously pencil on paper and pen and black ink on paper, variously inscribed, the album 50.5 x 38 cm. Provenance: Collection of William Drummond.; Private Collection, UK.Note: The lead drawing depicts one of the famed ancient trees at Fountains Abbey in Yorkshire. Its grand scale is emphasised by the artist's placement of a figure by its trunk, who is dwarfed in comparison with the tree's colossal form. Further illustrations depict Beckenham, Dover, Wookey Hole, Brenton Hall at Cheshire, near Hayes in Kent, near Plaistow in Kent, the church at Old Melton, Whitby Abbey, St Mary's Abbey in York, Fountains Abbey, Rievaulx Abbey, Furness Abbey, Kirkstall Abbey, and Kirkham Priory. Please refer to department for condition report

Richard Cooper, Jnr, British 1740-c.1814- Couple in a woodland; pencil on paper, signed 'R. Cooper' (upper right), 15.3 x 18.6 cm., together with eight further sketches by the artist, variously signed and inscribed, 29.9 x 22.6 cm. and smaller, a book of six engravings by Cooper, published 30 May 1799, 23 x 27 cm., and a book of 15 pencil sketches of Rome by an unknown Italian artist, 28 x 43.5 cm., eleven (11), (unframed). Provenance: Collection of William Drummond.; Private Collection, UK. Note: For comparison, see the artist's album of drawings which sold at Sotheby's, London, 6 July 2010, lot 213 (£13,750). Cooper Junior was the son of the engraver Richard Cooper (c.1696-1764). Born in Edinburgh, he trained under his father until 1758, and was then in Paris studying under the French engraver Jacques Philippe Le Bas (1707-1783). By 1761 he was living in London and exhibiting drawings and engravings at the Society of Artists. During the early 1760s he toured Spain but by 1786 he had returned to England to take up the position of drawings master at Eton College. Cooper then travelled to Italy in 1771 and was not to return until 1778. Information relating to his Grand Tour is sparse. He is understood to have been acquainted with fellow Scot Jacob More (1740-1793) whilst in Rome. He apparently enjoyed the patronage of Sir William Hamilton (1731-1803) whilst in Naples, and there are references to him travelling with a Thomas Merriman between 1771 and 1772. Upon his return to Britain Cooper settled in Charles Street, Westminster and married Frances Ramsay. He exhibited work at the Royal Academy between 1778 and 1809 and was drawing master to the Prince Regent's daughter, Prince Charlotte (1796-1817).Please refer to department for condition report

λ MICHAEL LEONARD (BRITISH B. 1933)ON THE BED (2)Coloured pencil Signed with initials and dated 76 (lower left)14.5 x 13.2cm (5½ x 5 in.)Provenance:Fischer Fine Art, Ltd., London, no. C. 4465Mr Gonzalez, Private CollectionLexan and Mylar Waef, by June 2008 Sale, Christie's, The Art of Design, 4 June 2014, part lot Regarded as one of Britain's leading photorealist painters most notable for his precise brushwork, tight formed compositions, and distinctive colour palette. Leonard, an exceptionally talented draughtsman started his career as an illustrator and featured notably in The Sunday Times Colour Magazine. By the mid-1970s his attention was turned to fine art. His series 'Portraits in Time' showing figures dressed in the style of Old Masters together with elements of tromp l'oeil proved extremely popular and continue to do so. Leonard was honoured in the mid-1980s to accept the commission to paint the Queen to celebrate her 60th birthday, now held in the National Portrait Gallery.  This collection of figurative drawings highlights Leonard's interest in the human form but even more simply the act of everyday chores and movements. He highlights the graceful movements and unusual shapes a human creates undergoing mundane daily activities, such as putting on a T-shirt or getting out the bath. This detailed study and fascination with the human figure has continued throughout Leonard's body of work. The use of colour highlights the moment-to-moment of everyday actions and frames the peach flesh of the male figure.  Lot 206 and 209 illustrate examples of Leonard's work in monochrome. This series was inspired by the work of Egon Schiele and Georges Seurat. In the work of Schiele Leonard looks towards the erotic power that emanated through Schiele's detailed drawings and the attention to the design and perfection in execution. Leonard admired Seurat's treatment of negative space and how the space around the figures could bring as much energy to a piece as the drawing itself.   Condition Report: Unexamined out of glazed frame. Appears to be in good original condition.  Condition Report Disclaimer

λ MICHAEL LEONARD (BRITISH B. 1933)DRESSING AT NIGHT (5)Coloured pencil Signed with initials and dated 76 (upper left) 11.7 x 14.5cm (4½ x 5½ in.)Provenance:Fischer Fine Art, Ltd., London, no. C. 4472Mr Gonzalez, Private CollectionLexan and Mylar Waef, by June 2008 Sale, Christie's, The Art of Design, 4 June 2014, part lot Regarded as one of Britain's leading photorealist painters most notable for his precise brushwork, tight formed compositions, and distinctive colour palette. Leonard, an exceptionally talented draughtsman started his career as an illustrator and featured notably in The Sunday Times Colour Magazine. By the mid-1970s his attention was turned to fine art. His series 'Portraits in Time' showing figures dressed in the style of Old Masters together with elements of tromp l'oeil proved extremely popular and continue to do so. Leonard was honoured in the mid-1980s to accept the commission to paint the Queen to celebrate her 60th birthday, now held in the National Portrait Gallery.  This collection of figurative drawings highlights Leonard's interest in the human form but even more simply the act of everyday chores and movements. He highlights the graceful movements and unusual shapes a human creates undergoing mundane daily activities, such as putting on a T-shirt or getting out the bath. This detailed study and fascination with the human figure has continued throughout Leonard's body of work. The use of colour highlights the moment-to-moment of everyday actions and frames the peach flesh of the male figure.  Lot 206 and 209 illustrate examples of Leonard's work in monochrome. This series was inspired by the work of Egon Schiele and Georges Seurat. In the work of Schiele Leonard looks towards the erotic power that emanated through Schiele's detailed drawings and the attention to the design and perfection in execution. Leonard admired Seurat's treatment of negative space and how the space around the figures could bring as much energy to a piece as the drawing itself. Condition Report: Unexamined out of glazed frame. Appears to be in good original condition.  Condition Report Disclaimer

λ MICHAEL LEONARD (BRITISH B. 1933)DRESSING (9) Pencil Signed with initials and dated '76 (to left edge, in gentleman's shirt)11.5 x 13.7cm (4½ x 5¼ in.)Provenance:Fischer Fine Art, Ltd., London, no. C. 4455Sale, Christie's, The Art of Design, 4 June 2014, part lot Regarded as one of Britain's leading photorealist painters most notable for his precise brushwork, tight formed compositions, and distinctive colour palette. Leonard, an exceptionally talented draughtsman started his career as an illustrator and featured notably in The Sunday Times Colour Magazine. By the mid-1970s his attention was turned to fine art. His series 'Portraits in Time' showing figures dressed in the style of Old Masters together with elements of tromp l'oeil proved extremely popular and continue to do so. Leonard was honoured in the mid-1980s to accept the commission to paint the Queen to celebrate her 60th birthday, now held in the National Portrait Gallery.  This collection of figurative drawings highlights Leonard's interest in the human form but even more simply the act of everyday chores and movements. He highlights the graceful movements and unusual shapes a human creates undergoing mundane daily activities, such as putting on a T-shirt or getting out the bath. This detailed study and fascination with the human figure has continued throughout Leonard's body of work. The use of colour highlights the moment-to-moment of everyday actions and frames the peach flesh of the male figure.  Lot 206 and 209 illustrate examples of Leonard's work in monochrome. This series was inspired by the work of Egon Schiele and Georges Seurat. In the work of Schiele Leonard looks towards the erotic power that emanated through Schiele's detailed drawings and the attention to the design and perfection in execution. Leonard admired Seurat's treatment of negative space and how the space around the figures could bring as much energy to a piece as the drawing itself. Condition Report: Unexamined out of glazed frame. Appears to be in good original condition.  Condition Report Disclaimer

λ MICHAEL LEONARD (BRITISH B. 1933)SNEAKERS ENGLOUTIESColoured pencil 13.5 x 13.5cm (5¼ x 5¼ in.)Drawn in 1976. Provenance:Fischer Fine Art, Ltd., London, no. C. 4716Sale, Christie's, The Art of Design, 4 June 2014, part lotRegarded as one of Britain's leading photorealist painters most notable for his precise brushwork, tight formed compositions, and distinctive colour palette. Leonard, an exceptionally talented draughtsman started his career as an illustrator and featured notably in The Sunday Times Colour Magazine. By the mid-1970s his attention was turned to fine art. His series 'Portraits in Time' showing figures dressed in the style of Old Masters together with elements of tromp l'oeil proved extremely popular and continue to do so. Leonard was honoured in the mid-1980s to accept the commission to paint the Queen to celebrate her 60th birthday, now held in the National Portrait Gallery.  This collection of figurative drawings highlights Leonard's interest in the human form but even more simply the act of everyday chores and movements. He highlights the graceful movements and unusual shapes a human creates undergoing mundane daily activities, such as putting on a T-shirt or getting out the bath. This detailed study and fascination with the human figure has continued throughout Leonard's body of work. The use of colour highlights the moment-to-moment of everyday actions and frames the peach flesh of the male figure.  Lot 206 and 209 illustrate examples of Leonard's work in monochrome. This series was inspired by the work of Egon Schiele and Georges Seurat. In the work of Schiele Leonard looks towards the erotic power that emanated through Schiele's detailed drawings and the attention to the design and perfection in execution. Leonard admired Seurat's treatment of negative space and how the space around the figures could bring as much energy to a piece as the drawing itself. Condition Report: Unexamined out of glazed frame. Appears to be in good original condition. Condition Report Disclaimer

THOMAS DANIELL (BRITISH 1749-1840) AND WILLIAM DANIELL (BRITISH 1769-1837)MAUSOLEUM OF NAWAUB ASOPH KHAN, AT RAJE MAHELPencil and grey wash48.5 x 64.5cm (19 x 25¼ in.)Engraved:T. and W. Daniell, aquatint engraving, for Oriental Scenery, 1805, series 3, no. 24Literature:cf. Archer, Mildred, Early Views of India, The Picturesque Journeys of Thomas and William Daniell 1786-1794, 1980, no. 19A preliminary study with rapid pencil drawing executed on the spot while in India, with distinctive handling attributable to William Daniell, later worked up with watercolour and eventually engraved for Oriental Scenery 1801.Condition Report: Under glass and unexamined out of frame. Overall discolouration of the sheet, particularly around the edges. Some foxing. A diagonal fold of approx. 12 cm running from the trees into the sky upper right. A repair of approx. 6 x 7 cm in the corner upper right. A few abrasions, including in the dome of the temple and in the foliage in the upper left quarter of the sheet. Condition Report Disclaimer

λ SUE MACARTNEY SNAPE (TANZANIAN B. 1957)THE INCREDIBLY GRAND COUPLE Watercolour, pencil and pen, heightened with white Titled and inscribed (upper right)49.5 x 32.5cm (19¼ x 12¾ in.)Together with a framed print of the drawing from The Daily Telegraph's, long running Social Stereotypes column, written by Victoria Mather. The inscription reads 'He is distantly related to the Royal Houses of Europe hence has no need of good looks. They're seen at every party but never look as though they're enjoying themselves (ie. The Linley's, Ashley and Sheila Hicks)'  Condition Report: Unexamined out of glazed frame. A small crease to the upper left quadrant circa. 3cm. Two areas of very small staining to the centre of the extreme left edge. Some light splashes of brown pigment, scattered to the upper left quadrant, most likely at stage of conception. There is a patch of white pigment, most likely at point of conception, to the left side of the lower edge, just below the woman's hem line. There appears to be some yellowing around the edges of this pigment.   Condition Report Disclaimer

Two botanical studies of Iris from the collection of William Curtis (1746-1799),attributed to Sydenham Teaste Edwards (1768-1819), 'Iris Varigata' (Hungarian Iris) and 'Iris Hydrophylla' (uberosa), watercolour and pencil (2)the first 22.4cm x 15cm Condition:Borders removed on both works, mottling to paper, foxing and some staining visible. From the collection of William Curtis (1746-1799) - thence by descent. For a very similar drawing of an 'Iris Variegata' see William Curtis 'The Botanical Magazine' Volume 1 Plate 16.

Richard Conway-Jones. A coloured pencil Drawing. Houses in brook street Twyford. Signed Lower right. In a gilt frame.

After L S Lowry Country House, Pendlebury pencil drawing, 25cm x 36cm

William Kentridge (born 1955)Casspirs Full of Love, 1989 signed and inscribed IX/X in pencil, a proof aside from the edition of 30drypoint167 x 98cm (65 3/4 x 38 9/16in).printed by Jack Shirreff at the 107 Workshop, Wiltshire, 2000, published by David Krut Fine Art, LondonFootnotes:LiteratureNeal Benezra, Staci Boris and Dan Cameron, William Kentridge (Chicago: Museum of Contemporary Art and New York: Harry N. Abrams Publishers, 2001) p. 80Dan Cameron, Carolyn Christov-Bakargiev, J.M. Coetzee, William Kentridge (London and New York: Phaidon Press Limited, 1999) p.50Carolyn Christov-Bakargiev, William Kentridge (Brussels: Société des Expositions du Palais des Beaux-Arts de Bruxelles, 1998), pg. 29Judith B. Hecker and William Kentridge, William Kentridge – Trace – Prints from the Museum of Modern Art (Verona: Trifolio SRL, 2010) p.19Milena Kalinovska and Eric Denker, William Kentridge, Oleg Kudryashov: Against the Grain (Washington, DC: The Kreeger Museum, Washington, 2009) p.16William Kentridge, William Kentridge: Prints (Johannesburg: David Krut Publishing, 2006) pp. 36-37Margaret K. Koerner, William Kentridge: Smoke, Ashes, Fable (Brussels: Mercatorfonds, 2017) p.31Casspirs Full of Love as a group of works is a testament to William Kentridge's multi-disciplinary and multi-layered practice. The various incarnations of the subject, made between 1988 and 1989, include a drawing, an encaustic, a screenprinted banner and the present drypoint, itself printed in two phases, between 1989 and 2000. The satirical title of the work, inscribed prominently to the right in looping cursive handwriting, refers to a personal message overheard by Kentridge on a popular radio program, from a mother to her son in the white South African defence force: this message comes to you from your mom with Casspirs full of love. Casspirs were armoured riot-control vehicles deployed by the South African defence force under the National Party regime of apartheid (1948-94), for the forceful patrol of black townships during the state of emergency declared in 1985 and renewed until 1990, leading to arbitrary racial arrests and persecution. The tense juxtaposition of love and death, affection and violence, also expressed textually: what comfort now? at left, Not A Step at lower centre, highlight the contradictions inherent to the apartheid state. The work also resonates with scenes from William Kentridge's 1989 film Johannesburg, 2nd Greatest City after Paris (see Lot 1 on previous page), while the heads were inspired by drawings the artist made in 1988 in Florence, based on Giotto's early 14th century frescoes in Santa Croce, that he later cut up and rearranged, and were also influenced by a Tony Cragg bronze sculpture of carved beetroot heads he saw in Florence that same year. As William Kentridge said: The print became a combination of Giotto, Cragg and 1980s South African radio. It has come to be known as one of Kentridge's most overtly political projects, and its importance is reflected in the fact that impressions of the print appear in significant international collections such as those of the Metropolitan Museum and the MOMA in New York, the Johannesburg Art Gallery, and the Tate in London.Printmaking has always been primary to Kentridge's practice as an artist, and the highly charged, textural surface and intensity of contrasts in the inking and composition of Casspirs Full of Love demonstrate his masterful exploration of the etching and drypoint mediums. The impression presented here provides the final version of the image as printed by master printer Jack Shirreff at 107 Workshop, Wiltshire, England in 2000. BibliographyWilliam Kentridge, William Kentridge: Prints (Johannesburg: David Krut Publishing, 2006) p. 36Roger Malbert, 'William Kentridge: Printmaker' in A Universal Archive: William Kentridge as Printmaker (London: Hayward Publishing, 2012) p. 13Elizabeth Manchester, William Kentridge: Casspirs Full of Love (London: Tate, 2002)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tin Stanton Lovers Leap, 2022 Ink and Charcoal on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel. With several works claiming finalist positions in galleries in London, Birmingham and Doncaster in 2021, Tin Stanton has also had his own solo exhibition in the D31 Art Gallery, Doncaster in 2022 as well as a painting displayed in the Royal Academy Summer Exhibition.   Education   2019-22 - First Class BA (hons) Drawing & Print (University of West of England) 2022 - 2023 MA Graphic Art (current study)   Select Exhibitions/Awards   Visitors - D31 Art Summer Exhibition Finalist (D31 Doncaster) 2021 The Heat - Clifton Arts Summer Exhibition (Bristol) 2021 From Dust - UK Coloured Pencil Society 2oth Anniversary Gala(OXO Tower Bargehouse, London) 2021 Above New London - The Artist Lounge Finalist, Artist of the Year (Online, Magazine) 2021 Day at the Beach / Above New London - April Fish - Round Lemon (Zest, Birmingham, Online, Magazine) 2021 Sol IX / The Towers - D31 Art Gallery Winter Exhibition (D31 Doncaster) 2021 Visitors Solo Exhibition - D31 Art Gallery (D31 Doncaster) 2022 Visitors II - Objects In Mirrors Are Closer Than They Appear - UWE / Jan-Philipp Fruehsorge (Centrespace Gallery, Bristol) 2022 Perspective / GET OFF MY LAND! / The Towers II - Doncaster Art Fair (Doncaster, Online) 2022 The Clearing / Dreaming Northward / Fire at Fox Cove - D31 Art Gallery Summer Exhibition (D31 Doncaster) 2022 The Towers II - Royal Academy Summer Exhibition (London) 2022 Statement about AOAP Submitted Artwork   Tin Stanton's postcard submissions form part of his ongoing futuristic exploration 'Visitors'; a collection of beautiful yet haunting paintings underpinned by a dark, insightful world of drawings, photographs, digital works, sculpture and text, which raise questions about aspects of our own futures in a way that is both convincing and compelling. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Tin Stanton The Point, 2022 Ink and Charcoal on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel. With several works claiming finalist positions in galleries in London, Birmingham and Doncaster in 2021, Tin Stanton has also had his own solo exhibition in the D31 Art Gallery, Doncaster in 2022 as well as a painting displayed in the Royal Academy Summer Exhibition.   Education   2019-22 - First Class BA (hons) Drawing & Print (University of West of England) 2022 - 2023 MA Graphic Art (current study)   Select Exhibitions/Awards   Visitors - D31 Art Summer Exhibition Finalist (D31 Doncaster) 2021 The Heat - Clifton Arts Summer Exhibition (Bristol) 2021 From Dust - UK Coloured Pencil Society 2oth Anniversary Gala(OXO Tower Bargehouse, London) 2021 Above New London - The Artist Lounge Finalist, Artist of the Year (Online, Magazine) 2021 Day at the Beach / Above New London - April Fish - Round Lemon (Zest, Birmingham, Online, Magazine) 2021 Sol IX / The Towers - D31 Art Gallery Winter Exhibition (D31 Doncaster) 2021 Visitors Solo Exhibition - D31 Art Gallery (D31 Doncaster) 2022 Visitors II - Objects In Mirrors Are Closer Than They Appear - UWE / Jan-Philipp Fruehsorge (Centrespace Gallery, Bristol) 2022 Perspective / GET OFF MY LAND! / The Towers II - Doncaster Art Fair (Doncaster, Online) 2022 The Clearing / Dreaming Northward / Fire at Fox Cove - D31 Art Gallery Summer Exhibition (D31 Doncaster) 2022 The Towers II - Royal Academy Summer Exhibition (London) 2022 Statement about AOAP Submitted Artwork   Tin Stanton's postcard submissions form part of his ongoing futuristic exploration 'Visitors'; a collection of beautiful yet haunting paintings underpinned by a dark, insightful world of drawings, photographs, digital works, sculpture and text, which raise questions about aspects of our own futures in a way that is both convincing and compelling. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Tin Stanton Dreaming Northward, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel. With several works claiming finalist positions in galleries in London, Birmingham and Doncaster in 2021, Tin Stanton has also had his own solo exhibition in the D31 Art Gallery, Doncaster in 2022 as well as a painting displayed in the Royal Academy Summer Exhibition.   Education   2019-22 - First Class BA (hons) Drawing & Print (University of West of England) 2022 - 2023 MA Graphic Art (current study)   Select Exhibitions/Awards   Visitors - D31 Art Summer Exhibition Finalist (D31 Doncaster) 2021 The Heat - Clifton Arts Summer Exhibition (Bristol) 2021 From Dust - UK Coloured Pencil Society 2oth Anniversary Gala(OXO Tower Bargehouse, London) 2021 Above New London - The Artist Lounge Finalist, Artist of the Year (Online, Magazine) 2021 Day at the Beach / Above New London - April Fish - Round Lemon (Zest, Birmingham, Online, Magazine) 2021 Sol IX / The Towers - D31 Art Gallery Winter Exhibition (D31 Doncaster) 2021 Visitors Solo Exhibition - D31 Art Gallery (D31 Doncaster) 2022 Visitors II - Objects In Mirrors Are Closer Than They Appear - UWE / Jan-Philipp Fruehsorge (Centrespace Gallery, Bristol) 2022 Perspective / GET OFF MY LAND! / The Towers II - Doncaster Art Fair (Doncaster, Online) 2022 The Clearing / Dreaming Northward / Fire at Fox Cove - D31 Art Gallery Summer Exhibition (D31 Doncaster) 2022 The Towers II - Royal Academy Summer Exhibition (London) 2022 Statement about AOAP Submitted Artwork   Tin Stanton's postcard submissions form part of his ongoing futuristic exploration 'Visitors'; a collection of beautiful yet haunting paintings underpinned by a dark, insightful world of drawings, photographs, digital works, sculpture and text, which raise questions about aspects of our own futures in a way that is both convincing and compelling. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Caroline Wong Magnum, 2022 Acrylic and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Caroline Wong's work responds to traditional, restricted representations of East Asian women. For Wong, subverting these ideals is the essence of her practice. Her beginnings, as an artist, lay in more traditional forms of portraiture, yet, as she has grown, she has nurtured the epicurean side of herself, moving towards more excitable, expressive mark-making driven by a hedonistic desire for fun. She likens creating to eating. In both, she becomes consumed by the moment of pleasure, detaching herself from the world. The final image presents a hot, sticky portal of pleasure and the senses. The scintillating heat of her portraits is a visual representation of this joy and decadence, whilst also being reminiscent of the chaos and colour of Southeast Asia. Whether depicting female friendships or obdurately exhibiting female pleasure in food, her work is a joyful push-back against tradition, celebrating the beauty in excess.   Education   2019-2021 Masters in Fine Art, City and Guilds of London Art School, London 2016-2018 Diploma in Contemporary Portraiture, The Art Academy, London   Select Exhibitions/Awards   2022 Angels with Dirty Faces, Ojiri Gallery, London Artificial Paradises (solo), Soho Revue, London Cats and Girls (solo), Soy Capitán, Berlin Go Figure!, Daniel Raphael Gallery, London À la carte, Tchotchke Gallery, New York Eat Drink Man Woman, 180 Strand, London Lotus Eaters, Indigo + Madder, London Friends and Family, Pi Artworks, London In the Land of Cockaigne, Quench Gallery, Margate 2021 ING Discerning Eye, Mall Galleries, London MA Show, City and Guilds of London Art School Drawn Out, Drawing Room, London Drawing Biennial 2021, Drawing Room, London 2019 Society of Women's Artists 158th annual exhibition, The Mall Galleries, London 2018 Society of Women's Artists 157th annual exhibition, The Mall Galleries, London Prizes Drawing Biennial Bursary Award (2021) Liberty Specialty Markets Art Prize (2018) Society of Women Artists' Derwent Special Prize for Materials (2018) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Dan Gluibizzi Fish, 2022 Acrylic and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lives and works in Portland, OR   Education   1997MFA, University of Cincinnati, OH 1994BFA, Kutztown University, PA   Select Exhibitions/Awards   2021Ensemblecast, Russo Lee Gallery, Portland, OR Platform backed by David Zwirner Gallery, featured December 2021 Meta Open Arts, site-specific 45' mural, Bellevue, WA 2020Looking Outside, James Harris Gallery, Seattle, WA Somebody, Hashimoto Contemporary, San Francisco, CA 2019A Coupled Search, Russo Lee Gallery, Portland, OR Portluck, Hashimoto Contemporary, San Francisco, CA A Couple Kisses, Commune Gallery, Tokyo, Japan 2018Together we follow, Russo Lee Gallery, Portland, Oregon If a tree falls in the woods, Hashimoto Contemporary, San Francisco, CA What we don't realize when we see things, The Wassaic Project Wassaic, NY Over & Over, Glass Curtain Gallery, Columbia College, Chicago, IL 2017Friends & Stangers, Russo Lee Gallery, Portland, Oregon Hope and Hazard: A comedy of Eros, curated by Eric Fichl, Hall Art Foundation, Reading, Vermont Go Figure, Spoke Art, New York, New York. 2016Spring/Summer, The Battery, San Francisco, California Miami Project, FMLY Projects booth, Miami, Florida Pleasures and Treasures, Ampersand Gallery and Fine Books, Portland, Oregon Watermill Art Center Summer Benefit, Watermill, NY 2015You don't have to be alone tonight, CULT Aimee Friberg Exhibitions, San Francisco, CA Texas Contemporary, FMLY, Houston, Texas Blazermania, Gallery 135, Portland, Oregon Other Threads, P:ear, Portland, Oregon 2014A Frenzied Balance, Ampersand Gallery + Fine Books, Portland, OR Between Friends, Kopeikin Gallery, Los Angeles, CA Head, Western Exhibitions, Chicago, IL Sports, Compound Gallery, Portland, OR 2013Tomorrow it's time for the future, Kunstraum Kreuzberg/Bethanien, Berlin, Germany New York Art Book Fair / MoMA's PS1, Ampersand Gallery + Fine Books booth What if?, TEDxPortland, White Box, University of Oregon, Portland, OR LA MOCA Printed Matter artbook fair, Ampersand Gallery booth, Los Angeles, CA 2012Undressing Room, Froelick Gallery, Portland, OR There is no finish line, Ampersand Gallery + Fine Books, Portland, OR Uncharted Territory, TEDxPortland, Portland, OR Dangerous Curves, curated by Nathan Tabor, Compound Gallery, Portland, OR 2011Seven for Science, curated by Jonathan Cartledge, Smith College, Northampton, MA Our Time, Ampersand Gallery + Fine Books, Portland, OR 2010I'll Tumblr for ya, By and By, Brooklyn, NY Horror Vacui, Nudashank, Baltimore, MD 2009I-lines, Engineer's Office Gallery, New York, NY Don't Flee the ArtMarket#, curated by Paulina Bebecka, Postmasters, New York, NY The Exquisite Corpse, Paul Robeson Galleries, Rutgers University, NJ 2008The Object Direct, Elizabeth Heskin Contemporary, New York, NY New Work, The Object Direct in Recent Art, curated by Matthew Fisher, Mississippi State University 2007Paper Bombs, curated by Bart Exposito, Jack Hanley Gallery, Los Angeles, CA Mystic Truths, curated by Dan Gluibizzi, Eckhaus, Kutztown, PA Pierogi, Flat files, Brooklyn, NY Helter Swelter, curated by Seth Adelsberger, Sara Nightingale Gallery, Water Mill, NY 2006The Drawing Center Viewing Program, New York, NY Flux Factory, Lennon Weinberg Inc., New York, NY Night of 1000 Drawings, Artists Space, New York, NY 2004Harvard University Art Museums, Staff exhibtion,organized by Dan Gluibizzi, Cambridge, MA 1999Plain Brown Paper, ABC No Rio, New York, NY 1998The Fourth Independents' Biennial, Charas/ El Bohio, New York, NY Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Dan Gluibizzi Puzzle Piece, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lives and works in Portland, OR   Education   1997MFA, University of Cincinnati, OH 1994BFA, Kutztown University, PA   Select Exhibitions/Awards   2021Ensemblecast, Russo Lee Gallery, Portland, OR Platform backed by David Zwirner Gallery, featured December 2021 Meta Open Arts, site-specific 45' mural, Bellevue, WA 2020Looking Outside, James Harris Gallery, Seattle, WA Somebody, Hashimoto Contemporary, San Francisco, CA 2019A Coupled Search, Russo Lee Gallery, Portland, OR Portluck, Hashimoto Contemporary, San Francisco, CA A Couple Kisses, Commune Gallery, Tokyo, Japan 2018Together we follow, Russo Lee Gallery, Portland, Oregon If a tree falls in the woods, Hashimoto Contemporary, San Francisco, CA What we don't realize when we see things, The Wassaic Project Wassaic, NY Over & Over, Glass Curtain Gallery, Columbia College, Chicago, IL 2017Friends & Stangers, Russo Lee Gallery, Portland, Oregon Hope and Hazard: A comedy of Eros, curated by Eric Fichl, Hall Art Foundation, Reading, Vermont Go Figure, Spoke Art, New York, New York. 2016Spring/Summer, The Battery, San Francisco, California Miami Project, FMLY Projects booth, Miami, Florida Pleasures and Treasures, Ampersand Gallery and Fine Books, Portland, Oregon Watermill Art Center Summer Benefit, Watermill, NY 2015You don't have to be alone tonight, CULT Aimee Friberg Exhibitions, San Francisco, CA Texas Contemporary, FMLY, Houston, Texas Blazermania, Gallery 135, Portland, Oregon Other Threads, P:ear, Portland, Oregon 2014A Frenzied Balance, Ampersand Gallery + Fine Books, Portland, OR Between Friends, Kopeikin Gallery, Los Angeles, CA Head, Western Exhibitions, Chicago, IL Sports, Compound Gallery, Portland, OR 2013Tomorrow it's time for the future, Kunstraum Kreuzberg/Bethanien, Berlin, Germany New York Art Book Fair / MoMA's PS1, Ampersand Gallery + Fine Books booth What if?, TEDxPortland, White Box, University of Oregon, Portland, OR LA MOCA Printed Matter artbook fair, Ampersand Gallery booth, Los Angeles, CA 2012Undressing Room, Froelick Gallery, Portland, OR There is no finish line, Ampersand Gallery + Fine Books, Portland, OR Uncharted Territory, TEDxPortland, Portland, OR Dangerous Curves, curated by Nathan Tabor, Compound Gallery, Portland, OR 2011Seven for Science, curated by Jonathan Cartledge, Smith College, Northampton, MA Our Time, Ampersand Gallery + Fine Books, Portland, OR 2010I'll Tumblr for ya, By and By, Brooklyn, NY Horror Vacui, Nudashank, Baltimore, MD 2009I-lines, Engineer's Office Gallery, New York, NY Don't Flee the ArtMarket#, curated by Paulina Bebecka, Postmasters, New York, NY The Exquisite Corpse, Paul Robeson Galleries, Rutgers University, NJ 2008The Object Direct, Elizabeth Heskin Contemporary, New York, NY New Work, The Object Direct in Recent Art, curated by Matthew Fisher, Mississippi State University 2007Paper Bombs, curated by Bart Exposito, Jack Hanley Gallery, Los Angeles, CA Mystic Truths, curated by Dan Gluibizzi, Eckhaus, Kutztown, PA Pierogi, Flat files, Brooklyn, NY Helter Swelter, curated by Seth Adelsberger, Sara Nightingale Gallery, Water Mill, NY 2006The Drawing Center Viewing Program, New York, NY Flux Factory, Lennon Weinberg Inc., New York, NY Night of 1000 Drawings, Artists Space, New York, NY 2004Harvard University Art Museums, Staff exhibtion,organized by Dan Gluibizzi, Cambridge, MA 1999Plain Brown Paper, ABC No Rio, New York, NY 1998The Fourth Independents' Biennial, Charas/ El Bohio, New York, NY Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Oona Grimes Etruscan Puppet b, 2022 Pencil and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oona Grimes is a London based artist, primarily a chaser of language through drawing, clay making & film. During Grimes' 2018 Bridget Riley Fellowship at The British School at Rome she segued from thieving Lorenzetti tartans and cartoon detail from Etruscan paintings, to the appropriation of neorealist films - mis-remembered, imitated and low tech re- enacted: a physical drawing of herself captured on i-phone. Recently a Visiting Lecturer at The Royal College of Art London, The Ruskin School of Art Oxford University & University of The Arts London   Education   Norwich School of Art BA Hons; Slade School of Art MA   Select Exhibitions/Awards   Bridget Riley Fellowship British School at Rome 2018; Brian Robertson Award 2022   Gallery Representation   Danielle Arnaud Gallery London   Statement about AOAP Submitted Artwork   A set of three fuzzy-felt warrior puppets, battling against unseen predators. Their defining nature and only hope is their quickness and lightness. What Calvino calls, "the irreplaceable outline of all human stories."   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Eugenia Cuellar Pensive, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pomeline and Louis, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Oona Grimes Etruscan Fool a, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oona Grimes is a London based artist, primarily a chaser of language through drawing, clay making & film. During Grimes' 2018 Bridget Riley Fellowship at The British School at Rome she segued from thieving Lorenzetti tartans and cartoon detail from Etruscan paintings, to the appropriation of neorealist films - mis-remembered, imitated and low tech re- enacted: a physical drawing of herself captured on i-phone. Recently a Visiting Lecturer at The Royal College of Art London, The Ruskin School of Art Oxford University & University of The Arts London   Education   Norwich School of Art BA Hons; Slade School of Art MA   Select Exhibitions/Awards   Bridget Riley Fellowship British School at Rome 2018; Brian Robertson Award 2022   Gallery Representation   Danielle Arnaud Gallery London   Statement about AOAP Submitted Artwork   A set of three fuzzy-felt warrior puppets, battling against unseen predators. Their defining nature and only hope is their quickness and lightness. What Calvino calls, "the irreplaceable outline of all human stories."   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Stephen Earl Rogers Life Drawing Class x4, 2022 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Stephen Earl Rogers is an artist whose work is held in collections across the world. He is a highly sought-after portrait painter whose clients include major, international art collectors, public institutions, private individuals and families. Working mainly in oils, he creates striking contemporary portraits through a highly collaborative process. His work brings together a deep understanding of the traditions of portraiture with a very broad range of cultural references. His clients are drawn to a vivid sense of character and atmosphere and the clarity of colour and light present in all his paintings. In addition to his portrait work he creates paintings, in series, based around a common theme; these include 'What To Do In An Emergency' and the ongoing 'Stirchley Twitcher'. Education   BA Hons Fine Art University of Derby.   Select Exhibitions/Awards   RA Summer Show 2022; 'What to do in an Emergency', Ikon Gallery 2011; BP Portrait Award 2016/09/07/06/05/04/02/01; Sunday Times Watercolour Competition 2017; 'Walls have Ears' 400 years of Change, Arts Council Collection, Aston Hall, Birmingham 2018.   Gallery Representation   Fine Art Commissions, Quantum Contemporary Art, Colley Ison gallery   Statement about AOAP Submitted Artwork Life Drawing Class x4: I run a weekly life drawing class and thought it would make for an interesting image if I combined a drawing of my own with that of three of my students. The viewer can form their own view as to who, tutor or student, is responsible for the different drawings.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ian Ritchie OBE RA Have You Seen My Piano?, 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I begin developing my art, architecture, and industrial designs through language: poetry, prose, and the occasional aphorism, influenced by subjects ranging from physics and neuroscience to remote landscapes and history. The scientists, artists, actors, and musicians I am lucky enough to call friends lead me to explore and enjoy every wider field of learning, stretching my imagination further. At the stage when I can sense the emerging project, I attempt to translate the concepts visually. Pencil, pen, biro - all instruments that mark are valid. But the greatest pleasure comes when I draw with a Japanese brush soaked in Sumi black ink. The drawing - a few simple lines of architectural calligraphy - attempts to synthesise and reveal the essential from the words in a way that is immediately tangible as an object or space. I then produce these drawings as etchings in the London studio of the artist and printmaker Norman Ackroyd RA - a good friend who taught me to see the rainbow in black. My late friend John Hoyland RA introduced me to the life and language of colour, which resulted in the monoprints I create in Barbara Rae RA's Edinburgh studio. Her friendship and generosity allows me to feel colour while she encourages me to think less. During recent years I have also been producing figurative works which are reproduced as etchings for the Royal Academy of Arts Summer Exhibition, and as Christmas cards. My art is held in public collections including the Royal Academy of Arts, Reina Sofia Museum of Modern Art, Madrid, Lodz Gallery, Poland, the Hugh Lane Gallery, Dublin, and the Royal Collection Trust / Queen Elizabeth II. I have published several books on architecture and one book of poetry. I am an elected member of the Royal Academy of Arts, and the Akademie der Künste in Berlin, and lead ritchie*studio, an award-winning architecture and design practice renowned for glass architecture, material-technical innovation, and intelligent environmental and sustainable design Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ian Ritchie OBE RA The Owl + The Pussycat, 2022 Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I begin developing my art, architecture, and industrial designs through language: poetry, prose, and the occasional aphorism, influenced by subjects ranging from physics and neuroscience to remote landscapes and history. The scientists, artists, actors, and musicians I am lucky enough to call friends lead me to explore and enjoy every wider field of learning, stretching my imagination further. At the stage when I can sense the emerging project, I attempt to translate the concepts visually. Pencil, pen, biro - all instruments that mark are valid. But the greatest pleasure comes when I draw with a Japanese brush soaked in Sumi black ink. The drawing - a few simple lines of architectural calligraphy - attempts to synthesise and reveal the essential from the words in a way that is immediately tangible as an object or space. I then produce these drawings as etchings in the London studio of the artist and printmaker Norman Ackroyd RA - a good friend who taught me to see the rainbow in black. My late friend John Hoyland RA introduced me to the life and language of colour, which resulted in the monoprints I create in Barbara Rae RA's Edinburgh studio. Her friendship and generosity allows me to feel colour while she encourages me to think less. During recent years I have also been producing figurative works which are reproduced as etchings for the Royal Academy of Arts Summer Exhibition, and as Christmas cards. My art is held in public collections including the Royal Academy of Arts, Reina Sofia Museum of Modern Art, Madrid, Lodz Gallery, Poland, the Hugh Lane Gallery, Dublin, and the Royal Collection Trust / Queen Elizabeth II. I have published several books on architecture and one book of poetry. I am an elected member of the Royal Academy of Arts, and the Akademie der Künste in Berlin, and lead ritchie*studio, an award-winning architecture and design practice renowned for glass architecture, material-technical innovation, and intelligent environmental and sustainable design Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bijijoo Seed, 2022 Ink, Coloured Pencil and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Bijijoo (given name: Michael Todd Horne; nickname/preferred name: B) was born in Atlanta, Georgia (USA) in 1975 and has lived in New York City; Seattle, Washington; and Eugene, Oregon. B currently resides in Portland, Oregon with his wife and daughter. B has been painting and drawing since childhood. He has experimented with figurative, abstract and conceptual work in a variety of media, including writing, music and video (an archive of B's music from 1993-2017 can be found here). B diverged from art practice to pursue technical studies in mathematics, physics, computer science and chemistry, culminating in a Ph.D. in biophysics in 2008 (select scientific publications can be found here). He then returned to painting by creating several series of surrealist works, including The Presidential Ham, Celebrity Still Life, and The Arthropod Companion. After pausing to remodel an old house and become a father, he began resetting his painting practice in 2018. B's current work draws on his technical background in math, science and computer programming, as well as his daughter's imagination and love of monsters.   Education   Ph.D., Chemistry (Biophysics), Portland State University (2008) Mathematics Graduate Studies, University of Washington (2000-2002) Bachelor's degree, Mathematics, Physics, Computer Science, Hunter College (CCNY) (2000)   Select Exhibitions/Awards   Sept. 2022: Kiaf SEOUL with Lorin Gallery, Seoul Aug. 2022: Group Show, VINS Gallery, Taipei July 2022: Group Show, Artual Gallery, Beirut June 2022: Solo Show, Villazan, Madrid May 2022: Group Show, Art Central HK with Lorin Gallery , Hong Kong May 2022: Group Show, 571 Art Space curated by City of Talents , Hangzhou, China April 2022: Group Show, MePaintsMe , Online Feb. 2022: Group Show, Cohle Gallery , Paris, France Dec. 2021: Solo Show, VINS Gallery, Taipei, Taiwan. Nov 2021: Group Show, La Luz De Jesus Gallery (Los Angeles, CA) Nov. 2021: Art Monster with VINS Gallery (Taipei, Taiwan) Oct. 2021: The Tax Collection / Guy Hepner Editions, New York, NY Sept. 2021: Group Show, Maison Ozman, Paris, France Sept. 2021: D'Arte (group show), Marian Cramer Projects, Amsterdam, Netherlands. Aug 2021: Group Show, VINS Gallery, Taipei, Taiwan. May 2021: Duo show with Vickie Vainionpää , GR Gallery, New York, NY. Nov. 2020: Amsterdam Art Gallery Weekend, Marian Cramer Projects, Amsterdam, Netherlands. Oct. 2020: Online Exhibition #4, Top Top, curated by Meredith Rosen. Oct. 2020: LIMBO, Act II (group show), Everday Gallery, Antwerp, Belgium. Sept. 2020: LIMBO (group show), Everyday Gallery, Antwerp, Belgium. Aug. 2020: Salt & Vinegar (group show), La Luz De Jesus Gallery, Los Angeles, CA. June 2020: Hot Paper supporting ACLU & Showhouse JayJay x Hot Paper, GIFC (online). June 2020: Showhouse JayJay #2 (online), curated by Sasha Bogojev, Heidi Ukkonen & Ralf Kokke. April 2020: Showhouse JayJay (online), curated by Heidi Ukkonen & Ralf Kokke. April 2020: Bijijoo - Monster, La Luz De Jesus Gallery (online), Los Angeles, CA. March 2020: Everything but the Kitschen Sync (group show), La Luz De Jesus Gallery, Los Angeles, CA. Sept. 2013: Unnatural Histories II (group show), Antler Gallery, Portland, OR. June 2013: Bugs, Holes, Heads, and How-tos (solo show), Good: A Gallery, Portland, OR. Feb. 2013: Night of the Hunter (group show), Antler Gallery, Portland, OR. Oct. 2012: Happy Little Trees, Bob Ross Tribute Art Show (group show), Screaming Sky Gallery, Portland, OR. April 2012: The Anthropod Companion (solo show), Antler Gallery, Portland, OR. Feb. 2012: The 100 Show (group show), Wieden + Kennedy, Portland, OR. Oct. 2011: The Celebrity Still Life (solo show), Good: A Gallery, Portland, OR. Feb. 2011: The Presidential Ham (solo show), The Basil Hallward Gallery, Portland, OR. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Howard Fonda Untitled (1), 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Howard Fonda is an artist, former educator, father and husband living in Portland, OR. Philosophical and introspective, Fonda's work expresses a romantic worldview and mystical inner journey within a painterly dialogue. Previously an instructor at the School of the Art Institute of Chicago, Fonda has lectured, served on jurying and critique panels and pursued curatorial projects at numerous universities and art centers. The artist's work has been exhibited throughout the United States and abroad for nearly 20 years.   Education MFA, Painting and Drawing, School of the Art Institute of Chicago BS, History and Fine Art, Nazareth College of Rochester, Rochester, NY School of Visual Arts, New York, NY Sorbonne, Paris, France   Select Exhibitions/Awards   SOLO EXHIBITIONS Singing the Body Electric, Asia Art Center, Taipei, Taiwan, 2022 Dreamer, The Pit, LA, CA, 2022 Quand la cage set faite, l'houseaux s'envole, Ampersand, Portland, OR, 2021 The Message or the Messenger, Goldfinch Gallery, Chicago, IL 2020 Licorice, Grifter, New York, NY 2019 Carry Me, Space, Portland, ME, 2019 Yesterday's and Today's, Ditch Projects, Springfield, OR, 2019 You Can't Stop the Spring, Melanie Flood Projects, Portland, OR, 2018 Les Premiers Seront Les Derniers, Art in the Governor's Office, Salem, OR, 2017 Thoughts From a Stolen Land, The Dot Project, London, UK, 2016 Everything and Nothing, Mixed Greens, New York, NY, 2014 Howard Fonda: Howard Fonda, Mixed Greens, New York, NY, 2011 I'm Here, You're There, Ebers Moore Gallery, Chicago, IL, 2011 Squonk's Tears, Mixed Greens, New York, NY, 2010 Between Thought and Feeling, Roots and Culture, Chicago, IL, 2009 A Healthy Sense of All I Do Not Know, Mixed Greens, New York, NY, 2008 Gallery Representation   The Pit, Los Angeles, CA Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Howard Fonda Untitled (2), 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Howard Fonda is an artist, former educator, father and husband living in Portland, OR. Philosophical and introspective, Fonda's work expresses a romantic worldview and mystical inner journey within a painterly dialogue. Previously an instructor at the School of the Art Institute of Chicago, Fonda has lectured, served on jurying and critique panels and pursued curatorial projects at numerous universities and art centers. The artist's work has been exhibited throughout the United States and abroad for nearly 20 years.   Education MFA, Painting and Drawing, School of the Art Institute of Chicago BS, History and Fine Art, Nazareth College of Rochester, Rochester, NY School of Visual Arts, New York, NY Sorbonne, Paris, France   Select Exhibitions/Awards   SOLO EXHIBITIONS Singing the Body Electric, Asia Art Center, Taipei, Taiwan, 2022 Dreamer, The Pit, LA, CA, 2022 Quand la cage set faite, l'houseaux s'envole, Ampersand, Portland, OR, 2021 The Message or the Messenger, Goldfinch Gallery, Chicago, IL 2020 Licorice, Grifter, New York, NY 2019 Carry Me, Space, Portland, ME, 2019 Yesterday's and Today's, Ditch Projects, Springfield, OR, 2019 You Can't Stop the Spring, Melanie Flood Projects, Portland, OR, 2018 Les Premiers Seront Les Derniers, Art in the Governor's Office, Salem, OR, 2017 Thoughts From a Stolen Land, The Dot Project, London, UK, 2016 Everything and Nothing, Mixed Greens, New York, NY, 2014 Howard Fonda: Howard Fonda, Mixed Greens, New York, NY, 2011 I'm Here, You're There, Ebers Moore Gallery, Chicago, IL, 2011 Squonk's Tears, Mixed Greens, New York, NY, 2010 Between Thought and Feeling, Roots and Culture, Chicago, IL, 2009 A Healthy Sense of All I Do Not Know, Mixed Greens, New York, NY, 2008 Gallery Representation   The Pit, Los Angeles, CA Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Howard Fonda Untitled (3), 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Howard Fonda is an artist, former educator, father and husband living in Portland, OR. Philosophical and introspective, Fonda's work expresses a romantic worldview and mystical inner journey within a painterly dialogue. Previously an instructor at the School of the Art Institute of Chicago, Fonda has lectured, served on jurying and critique panels and pursued curatorial projects at numerous universities and art centers. The artist's work has been exhibited throughout the United States and abroad for nearly 20 years.   Education MFA, Painting and Drawing, School of the Art Institute of Chicago BS, History and Fine Art, Nazareth College of Rochester, Rochester, NY School of Visual Arts, New York, NY Sorbonne, Paris, France   Select Exhibitions/Awards   SOLO EXHIBITIONS Singing the Body Electric, Asia Art Center, Taipei, Taiwan, 2022 Dreamer, The Pit, LA, CA, 2022 Quand la cage set faite, l'houseaux s'envole, Ampersand, Portland, OR, 2021 The Message or the Messenger, Goldfinch Gallery, Chicago, IL 2020 Licorice, Grifter, New York, NY 2019 Carry Me, Space, Portland, ME, 2019 Yesterday's and Today's, Ditch Projects, Springfield, OR, 2019 You Can't Stop the Spring, Melanie Flood Projects, Portland, OR, 2018 Les Premiers Seront Les Derniers, Art in the Governor's Office, Salem, OR, 2017 Thoughts From a Stolen Land, The Dot Project, London, UK, 2016 Everything and Nothing, Mixed Greens, New York, NY, 2014 Howard Fonda: Howard Fonda, Mixed Greens, New York, NY, 2011 I'm Here, You're There, Ebers Moore Gallery, Chicago, IL, 2011 Squonk's Tears, Mixed Greens, New York, NY, 2010 Between Thought and Feeling, Roots and Culture, Chicago, IL, 2009 A Healthy Sense of All I Do Not Know, Mixed Greens, New York, NY, 2008 Gallery Representation   The Pit, Los Angeles, CA Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Howard Fonda Untitled (4), 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Howard Fonda is an artist, former educator, father and husband living in Portland, OR. Philosophical and introspective, Fonda's work expresses a romantic worldview and mystical inner journey within a painterly dialogue. Previously an instructor at the School of the Art Institute of Chicago, Fonda has lectured, served on jurying and critique panels and pursued curatorial projects at numerous universities and art centers. The artist's work has been exhibited throughout the United States and abroad for nearly 20 years.   Education MFA, Painting and Drawing, School of the Art Institute of Chicago BS, History and Fine Art, Nazareth College of Rochester, Rochester, NY School of Visual Arts, New York, NY Sorbonne, Paris, France   Select Exhibitions/Awards   SOLO EXHIBITIONS Singing the Body Electric, Asia Art Center, Taipei, Taiwan, 2022 Dreamer, The Pit, LA, CA, 2022 Quand la cage set faite, l'houseaux s'envole, Ampersand, Portland, OR, 2021 The Message or the Messenger, Goldfinch Gallery, Chicago, IL 2020 Licorice, Grifter, New York, NY 2019 Carry Me, Space, Portland, ME, 2019 Yesterday's and Today's, Ditch Projects, Springfield, OR, 2019 You Can't Stop the Spring, Melanie Flood Projects, Portland, OR, 2018 Les Premiers Seront Les Derniers, Art in the Governor's Office, Salem, OR, 2017 Thoughts From a Stolen Land, The Dot Project, London, UK, 2016 Everything and Nothing, Mixed Greens, New York, NY, 2014 Howard Fonda: Howard Fonda, Mixed Greens, New York, NY, 2011 I'm Here, You're There, Ebers Moore Gallery, Chicago, IL, 2011 Squonk's Tears, Mixed Greens, New York, NY, 2010 Between Thought and Feeling, Roots and Culture, Chicago, IL, 2009 A Healthy Sense of All I Do Not Know, Mixed Greens, New York, NY, 2008 Gallery Representation   The Pit, Los Angeles, CA Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Laura Collins Shy Di, 2022 Gouache and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education   2021 Master of Fine Arts in Painting + Drawing, The Art Institute of Chicago 2015 Graduate Certificate in Women and Gender Studies, DePaul University 2013 Master of Arts in New Media Studies, DePaul University 2008 Bachelor of Fine & Applied Arts in Painting, University of Illinois School of Art + Design 2003 Early College Program, The School of the Art Institute of Chicago   Select Exhibitions/Awards   SOLO EXHIBITIONS The Real Housewives Pointing Fingers, Bravocon - The Real Housewives Museum, New York, NY, 2019 Anna Wintour Double-Crossing Her Legs, THNK1994 Museum, New York, NY, 2018 Warm & Fuzzy: A Solo Exhibition by Laura Collins, Night Light Studios, Chicago, IL, 2018 The Real Housewives Pointing Fingers, THNK1994 Museum, New York, NY, 2017 The Olsen Twins Hiding From The Paparazzi, THNK1994 Museum, New York, NY, 2016 Laura Collins Solo Exhibition, Gallery 2622, Milwaukee, WI, 2014 Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Laura Collins Diana With Her Hand On Her Chin, 2022 Gouache and Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education   2021 Master of Fine Arts in Painting + Drawing, The Art Institute of Chicago 2015 Graduate Certificate in Women and Gender Studies, DePaul University 2013 Master of Arts in New Media Studies, DePaul University 2008 Bachelor of Fine & Applied Arts in Painting, University of Illinois School of Art + Design 2003 Early College Program, The School of the Art Institute of Chicago   Select Exhibitions/Awards   SOLO EXHIBITIONS The Real Housewives Pointing Fingers, Bravocon - The Real Housewives Museum, New York, NY, 2019 Anna Wintour Double-Crossing Her Legs, THNK1994 Museum, New York, NY, 2018 Warm & Fuzzy: A Solo Exhibition by Laura Collins, Night Light Studios, Chicago, IL, 2018 The Real Housewives Pointing Fingers, THNK1994 Museum, New York, NY, 2017 The Olsen Twins Hiding From The Paparazzi, THNK1994 Museum, New York, NY, 2016 Laura Collins Solo Exhibition, Gallery 2622, Milwaukee, WI, 2014 Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elizabeth Chisholm Proximity To Moon Station B, 2022 Archival Permanent Ink, Pigment Ink Pen and Brush, and Fine Art Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Canadian born, UK citizen   Education   NSCAD, SFAI, (BFA); Institute Of Continental Philosophy (Post Grad dip).   Select Exhibitions/Awards   Top Graduating Painter (female) SFAI, Anna Leon Owens Gallery, NS., Group Drawing MOWA, "Women At Work", group show, London C&C Gallery, solo exhibition, London Royal Academy Summer Exhibition(s) Havelock Walk Studios, ongoing Open events   Statement about AOAP Submitted Artwork   I work from the "surveillance gaze". We surveil our own lives (reflectively), we surveil our profession (linkd In), online we also surveil new people we've just met, people we'd like to have sex with, we surveil celebrities, and (doubling down on the surveillance!) we do most of this as we look down on our phones... like a CCTV camera; we become the surveillance gaze. This gaze creates a thread through all my work, but also gives me the freedom to consider all sorts of subjects. (Hint: the titles give some indication of where my head was at when I created these work of art). Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Linn Backside, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Adam Linn (b. 1995, Pittsburgh, PA) is an artist from Pittsburgh, PA currently residing in Mt. Vernon, NY. Linn works in drawing, painting and printmaking. He holds a BFA in Printmaking from the Rhode Island School of Design. He has completed residencies at the Vermont Studio Center in Johnson, VT, the Anderson Ranch Arts Center in Snowmass Village, CO, and the Distillery Program at the Brewhouse Association in Pittsburgh, PA. Linn has exhibited at Below Grand, 5-50 Gallery, Trestle Art Space, Nonfinito Gallery, Shin Gallery and Ortega y Gasset Projects in NYC, the Westmoreland Museum of American Art in Greensburg, PA, Bunker Projects and the Brewhouse Association in Pittsburgh, PA and Martha's Contemporary in Austin, TX. In July, Linn opened his first international solo exhibition with JPS Gallery Tokyo in Tokyo, Japan. Forthcoming, his debut solo exhibition with Steve Turner will open in Los Angeles, CA on January 9th 2023. Adam is currently enrolled in the MFA program for studio art at SUNY Purchase. Linn's work explores queer self discovery, masculinity and the uncanny through the lens of anthropomorphism. He primarily works in a drawing based practice using colored pencils, pastels and watercolor. Education BFA Printmaking Rhode Island School of Design 2017 MFA SUNY Purchase College 2024 (expected) Select Exhibitions/Awards Solo and Group Exhibitions   2022 Crystal Topcoat, Martha's Contemporary, Austin, Texas Touch Wood, Prior Art Space, Berlin, Germany Curtain Call Solo Exhibition, JPS Tokyo, Tokyo, Japan Honey in the Hive, Shin Haus of Shin Gallery, New York, NY Art Central Hong Kong, JPS Gallery, Wan Chai, Hong Kong Himerica, Eve Leibe Gallery, London, UK Ortega Y Gasset Flat>ile Exhibition, Brooklyn, NY 2021 Art for Change, PERSAD BeneTit Auction, Pittsburgh, PA Not Just Another Anthropocentric Love Story, Trestle Gallery, Brooklyn, NY FlatTile September 2021, Paperview Auction FlatTile July 2021, Paperview Auction Borough Baroque, 5-50 Gallery, Queens, NY 2020 Sit...Play Dead, Super Duchess Gallery, New York, NY Seeking Truth, Distillery Group X Exhibition, Brewhouse Association, Pittsburgh, PA 2019 Associated Artists of Pittsburgh 107th Annual Group Exhibition, Westmoreland Museum of American Art, Greensburg, PA Witness, Group Exhibition with Pittsburgh Print Group, G1CW Gallery, Pittsburgh, PA Soak Rinse Repeat, Dual Exhibition with Bridget Quirk, Bunker Projects, Pittsburgh, PA Pittsburgh Print Group 2019 New Members Exhibit, PullProof Studio, Pittsburgh, PA Sugar In The Tank-A Solo Exhibition by Adam Linn, Imagebox Gallery, Pittsburgh, PA 2018 The End-AAP Curated Group Exhibition, Framehouse and Jask Gallery, Pittsburgh, PA Fragmented Realities, NonTinito Gallery, NY, NY Sight Lines-2018 AAP New Member Exhibition, Butler St. Lofts, Pittsburgh, PA   Publications   2022 LVL3 Artist of the Week, September 2022 It's Nice That, April 2022 Shin Gallery Blog, March 2022 2021 Ultra Contemporaries, December 2021 The Coastal Post: Remote Visits Part VII 2020 ArtMaze Magazine Anniversary Edition 20: curated by Zoe Fisher of Fisher Parrish Gallery   Residencies   2020 Distillery Residency at the Brewhouse Association-Artist in Residence, Pittsburgh, PA 2017 Anderson Ranch Arts Center-Artist in Residence, Snowmass Village, CO Vermont Studio Center-Artist in Residence, Johnson, VT Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Linn Minutes, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Adam Linn (b. 1995, Pittsburgh, PA) is an artist from Pittsburgh, PA currently residing in Mt. Vernon, NY. Linn works in drawing, painting and printmaking. He holds a BFA in Printmaking from the Rhode Island School of Design. He has completed residencies at the Vermont Studio Center in Johnson, VT, the Anderson Ranch Arts Center in Snowmass Village, CO, and the Distillery Program at the Brewhouse Association in Pittsburgh, PA. Linn has exhibited at Below Grand, 5-50 Gallery, Trestle Art Space, Nonfinito Gallery, Shin Gallery and Ortega y Gasset Projects in NYC, the Westmoreland Museum of American Art in Greensburg, PA, Bunker Projects and the Brewhouse Association in Pittsburgh, PA and Martha's Contemporary in Austin, TX. In July, Linn opened his first international solo exhibition with JPS Gallery Tokyo in Tokyo, Japan. Forthcoming, his debut solo exhibition with Steve Turner will open in Los Angeles, CA on January 9th 2023. Adam is currently enrolled in the MFA program for studio art at SUNY Purchase. Linn's work explores queer self discovery, masculinity and the uncanny through the lens of anthropomorphism. He primarily works in a drawing based practice using colored pencils, pastels and watercolor. Education BFA Printmaking Rhode Island School of Design 2017 MFA SUNY Purchase College 2024 (expected) Select Exhibitions/Awards Solo and Group Exhibitions   2022 Crystal Topcoat, Martha's Contemporary, Austin, Texas Touch Wood, Prior Art Space, Berlin, Germany Curtain Call Solo Exhibition, JPS Tokyo, Tokyo, Japan Honey in the Hive, Shin Haus of Shin Gallery, New York, NY Art Central Hong Kong, JPS Gallery, Wan Chai, Hong Kong Himerica, Eve Leibe Gallery, London, UK Ortega Y Gasset Flat>ile Exhibition, Brooklyn, NY 2021 Art for Change, PERSAD BeneTit Auction, Pittsburgh, PA Not Just Another Anthropocentric Love Story, Trestle Gallery, Brooklyn, NY FlatTile September 2021, Paperview Auction FlatTile July 2021, Paperview Auction Borough Baroque, 5-50 Gallery, Queens, NY 2020 Sit...Play Dead, Super Duchess Gallery, New York, NY Seeking Truth, Distillery Group X Exhibition, Brewhouse Association, Pittsburgh, PA 2019 Associated Artists of Pittsburgh 107th Annual Group Exhibition, Westmoreland Museum of American Art, Greensburg, PA Witness, Group Exhibition with Pittsburgh Print Group, G1CW Gallery, Pittsburgh, PA Soak Rinse Repeat, Dual Exhibition with Bridget Quirk, Bunker Projects, Pittsburgh, PA Pittsburgh Print Group 2019 New Members Exhibit, PullProof Studio, Pittsburgh, PA Sugar In The Tank-A Solo Exhibition by Adam Linn, Imagebox Gallery, Pittsburgh, PA 2018 The End-AAP Curated Group Exhibition, Framehouse and Jask Gallery, Pittsburgh, PA Fragmented Realities, NonTinito Gallery, NY, NY Sight Lines-2018 AAP New Member Exhibition, Butler St. Lofts, Pittsburgh, PA   Publications   2022 LVL3 Artist of the Week, September 2022 It's Nice That, April 2022 Shin Gallery Blog, March 2022 2021 Ultra Contemporaries, December 2021 The Coastal Post: Remote Visits Part VII 2020 ArtMaze Magazine Anniversary Edition 20: curated by Zoe Fisher of Fisher Parrish Gallery   Residencies   2020 Distillery Residency at the Brewhouse Association-Artist in Residence, Pittsburgh, PA 2017 Anderson Ranch Arts Center-Artist in Residence, Snowmass Village, CO Vermont Studio Center-Artist in Residence, Johnson, VT Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Russell Herron Janet, 2022 Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Russell Herron produces work about history, place, identity, perception and documentation.   Select Exhibitions/Awards   Royal Academy Summer Exhibition, Trinity Buoy Wharf Drawing Prize, Derwent Prize for Art, Matthew Burrows Selects, A Generous Space.   Statement about AOAP Submitted Artwork   These two postcards are part of an ongoing series of works exploring portraiture through pencil drawings of faces made in cardboard. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Russell Herron John, 2022 Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Russell Herron produces work about history, place, identity, perception and documentation.   Select Exhibitions/Awards   Royal Academy Summer Exhibition, Trinity Buoy Wharf Drawing Prize, Derwent Prize for Art, Matthew Burrows Selects, A Generous Space.   Statement about AOAP Submitted Artwork   These two postcards are part of an ongoing series of works exploring portraiture through pencil drawings of faces made in cardboard. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Markus Vater Birds, 2022 Ink and Pencil on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Markus Vater was born 1970 in Düsseldorf. His practice is diverse and includes : Drawing, painting, animation, video, sculpture and performance. He is Professor for Painting/Drawing and interdisciplinary Studies at the HBK Essen.   Education   1992 Kunstakademie Münster 1994 - 1998 Kunstakademie Düsseldorf 1998 - 2000 Royal College of Art London Select Exhibitions/Awards   Markus Vater took part in numerous exhibitions. Among others at the Kunstmuseum Bonn, Museum Gertsch in Switzerland, at the Kunsthalle Mannheim, the Royal Academy in London, at Museum Kunstpalast in Düsseldorf, the Wilhelm Hack Museum in Ludwigshafen and recently at the Sprengel Museum in Hannover. He had shows with Timothy Taylor, Vilma Gold, ibid-projects, Anthony d'Offay and Centre of Attention in London, with Sies+Hoeke Gallery in Düsseldorf, Gallery Johnen in Cologne and Galerie Schoettle in Munich. Recently at Galerie Rupert Pfab in Düsseldorf, at Union Gallery in London. Between 1995 and 2003 he has been part of the art collective hobbypopMuseum. His works are in the Falkenberg Collection Hamburg , the Graphic Collection of the Museum Kunstpalast Düsseldorf, the Collection of the Wilhelm Hack Museum Ludwigshafen and the Collection of the Franz Gertsch Museum Switzerland among others. In 2003 he received the prestigious Villa Romana Scholarship for Florence. Gallery Representation   Galerie Rupert Pfab in Düsseldorf , Galerie Peter Zimmermann in Mannheim   Statement about AOAP Submitted Artwork   The works are from a series of Ink drawings, that try to capture light and air and transparency, rather than objects. The subject matter is something transient. Something that is there only for a moment. It deals with the beauty and fragility of being.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Markus Vater Hovering Bird, 2022 Ink and Pencil on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Markus Vater was born 1970 in Düsseldorf. His practice is diverse and includes : Drawing, painting, animation, video, sculpture and performance. He is Professor for Painting/Drawing and interdisciplinary Studies at the HBK Essen.   Education   1992 Kunstakademie Münster 1994 - 1998 Kunstakademie Düsseldorf 1998 - 2000 Royal College of Art London Select Exhibitions/Awards   Markus Vater took part in numerous exhibitions. Among others at the Kunstmuseum Bonn, Museum Gertsch in Switzerland, at the Kunsthalle Mannheim, the Royal Academy in London, at Museum Kunstpalast in Düsseldorf, the Wilhelm Hack Museum in Ludwigshafen and recently at the Sprengel Museum in Hannover. He had shows with Timothy Taylor, Vilma Gold, ibid-projects, Anthony d'Offay and Centre of Attention in London, with Sies+Hoeke Gallery in Düsseldorf, Gallery Johnen in Cologne and Galerie Schoettle in Munich. Recently at Galerie Rupert Pfab in Düsseldorf, at Union Gallery in London. Between 1995 and 2003 he has been part of the art collective hobbypopMuseum. His works are in the Falkenberg Collection Hamburg , the Graphic Collection of the Museum Kunstpalast Düsseldorf, the Collection of the Wilhelm Hack Museum Ludwigshafen and the Collection of the Franz Gertsch Museum Switzerland among others. In 2003 he received the prestigious Villa Romana Scholarship for Florence. Gallery Representation   Galerie Rupert Pfab in Düsseldorf , Galerie Peter Zimmermann in Mannheim   Statement about AOAP Submitted Artwork   The works are from a series of Ink drawings, that try to capture light and air and transparency, rather than objects. The subject matter is something transient. Something that is there only for a moment. It deals with the beauty and fragility of being.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.    

PLOOS van AMSTEL, Jaap (1926-2022). (No title). (N.d.). Drawing in pencil and chalk. 340 x 440 mm. Signed in pencil. Under passepartout. -- Elbert PLOOS VAN AMSTEL (1954-). (No title). 1988. Drawing in black chalk & grey wash. 265 x 350 mm. Signed and dated in pencil. Under passepartout. -- (2).

KRABBÉ, T. De man die de Babson task wilde maken. Arnhem, Nova Zembla, 1986. 2 vols. W. ill. by K. Gubbels. Ohcl. w. marbled paper on sides & in or. slipcase by G. v. Daal. One of 14 copies ("J") with or. drawing in pencil by Klaas Gubbels, monogrammed and dated in pencil, framed, glazed & under passepartout. -- Added: Id. The same work. Arnhem, Nova Zembla, 1986. 2 vols. W. ill. by K. Gubbels. Owrps., tog. in 1 dust-j. Printed in 441 copies, this copy "h.s." -- (5).

DAAMEN, Theo (1939-2021). (Two nudes). 1995. 200 x 185 mm. Washed ink drawing. Signed and dated in pencil. Under passepartout. -- Id. (Similar). 1995. 200 x 185 mm. Washed ink drawing. Signed and dated in pencil. Under passepartout. -- (2).

KAT, Otto B. de (1907-95). (Landscape with trees). 1971. Drawing in black chalk. 190 x 265 mm. Signed and dated in pencil. Under passepartout.

VROOM, Johannes Paul ('Jean-Paul') (1922-2006). "Bar". 1941. Drawing in black ink and colour wash. 185 x 165 mm. Signed "Jean Paul" and dated in pencil in lower left corner. (Slightly browned, traces of former fixing to passepartout visible on back side).

LÖB, Kurt (1926-2015). (Two men at a table). 1965-66. Chalk drawing. 170 x 120 mm. Signed and dated in pencil. under passepartout.

VALCKENBORCH, Marten v. (1534-1612), surroundings of. Three Marys at the Tomb in a landscape with an extensive city view. Drawing in black ink and grey washings, heightened w. white topcoat on greyish paper. 297 x 403 mm. NOTE:Old attribution to Hans Rottenhammer in pencil on v°. Also on v° study in black chalk of a man sitting.

HORST, Theo van der (1921-2003). 18 etchings. 1964. Dif. sizes. All signed, dated, titled and numb. in pencil. Under passepartout. -- Id. 6 woodcut New Year's wishes. 1968, 1973, 1978, 1994, 1998, 2001. Dif. sizes. With handwritten dedication (except 1). -- Id. 4 etchings. 1964-65. Signed, dated, titled in pencil. With handwritten letter by the artist. -- Id. "Thema met 11 variaties". (Voor Emma Eekman). 1948. W. 11 etchings. Loose in owrps. w. small etching on front side. All etchings signed, dated, numb. (1/10) (& titled) in pencil. -- Added: 1 or. pen drawing & book.

A pencil drawing of John Griffiths Esq. of Durham, by Monsieur Bouet

Original vintage travel advertising poster – Brighton by train - Network South East railways, featuring a great image of the Brighton Royal Pavilion in pencil drawing on white and blue background. Screen Printed in Great Britain by Planet Displays LTD. Good condition, creasing. Country of issue: UK, designer: Edward Pond, size (cm): 102x64, year of printing: 1989.

Ernest Howard Shepard MC, OBE (1879-1976)"If Our Ancestresses Had Played Energetic Games"Inscribed, pencil, 14.5cm by 21.5cm Provenance: The artist's estate; Christie's, South Kensington, December 1998; Chris Beetles, LondonExhibited: The Other E H Shepard (1879-1976), Chris Beetles Gallery, September 2012; E H Shepard at Punch, 1907-1952, Chris Beetles Gallery, July 2019This work is a preliminary drawing for Punch, 6th November 1922, Almanack for 1923 (unpaginated)

A Parker pen and pencil set, 1/10th 12ct rolled gold, part drawing set, scientific instrument, slide rule, etc.

Framed pencil drawing of Hugh MacDairmid (Scottish Poet)  Signed Coia (Scottish Artist 1911-97) [53x44cm]

Collection of militaria, Collection of militaria, to include a German Alphine rucksack with side sling pouch, reproduction gas mask tin, pair of GPO 1958 binoculars, a 25 pounder shell case with '50 years of service with the Artillery Company 1940-1990', dedication, a metal Phantom GR2 aircraft runway board display sign and a Charles Stadden framed pencil drawing.

WARWICK REYNOLDS (1880-1926), Indian leopard, pencil drawing, signed lower left, 12cm x 12cm, frame size 42cm x 32cm, label verso 'James McClure and Son Glasgow'.

Helen Kapp, pen landscape drawing, signed along with a 19th century engraving of a cherub with a lamb and a signed pencil drawing of a nude woman. H.53 W.40cm. (largest)