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MATT GROENING (American, born 1954); original cell and unique coloured pencil drawing of scene, 'Marge Simpson at The Mirror with Hair Curlers', 28 x 33.5cm, unframed.From a private Cheshire collector.

A quantity of pictures including an oil on board depicting a river scene, print of a squirrel, framed and mounted pencil drawing of a figure in a churchyard with sheep, 'The Boyhood of Raleigh' print by Millais, etching of a cathedral, etc.

A framed Pencil Drawing on paper 'Steps to two doors Withington', signed Barbara Graham '85.

A framed Pencil Drawing 'Church Porch Eastnor', signed F. B. Hawcutt 2001.

Einbände - - Prachtvoller Einband des Königlichen Hofbuchbinders Karl Ernst Lehmann. Um 1824. Mit zahlreichen montierten Handzeichnungen und kolorierten Original-Graphiken. Quer-4° (21 x 27 cm). Dunkelroter Maroquin auf fünf Bünden mit reicher floraler goldgepr. Verzierung. Vorder- und Hinterdeckel reichhaltig vergoldet mit Eckfleurons sowie gestaffelten floralen Bordüren im horror vacui und montierten Mittelstücke mit floralen Jacquard-Stickerein im geprägten vergoldeten Messingrahmen. Steh- und Innenkantenfileten, reiche goldgepr. Doublure, dreis. Goldschnitt, Vorsätze aus Moiré-Seide. (Schließe fehlend, Kapitale und Ecken minimal bestoßen). Mit Etikett des Buchbinders auf dem hinteren Vorsatzblatt: "Carl Lehmann Königl. Hof-Buchbinder und Academischer Künstler in Berlin, Gertrautenstr. Nr. 18". Einige leere weiße Blätter mit Wasserzeichen Whatman 1824. - Das Album umfasst 60 nicht nummerierte Blätter mit verschiedenfarbigen Papieren. Darauf montiert sind u.a. 5 Aquarelle, 15 Bleistiftzeichnungen sowie 15 handkolorierte Lithographien von verschiedenen Künstlern. Die meisten Graphiken sind französischer Herkunft und stellen Kostüme und Genreszenen dar. Die Bleistiftzeichnungen zeigen überwiegend Ansichten in England, Schottland und Irland, einige sind umrandet von geprägtem Luxuspapier. Es gibt einen mutmaßlichen Hinweis auf den Besitzer: Infrage käme eine ausgewanderte Engländerin, die in der Umgebung von Windsor aufgewachsen ist. Eine Zeichnung trägt den Vermerk "my first cottage, at Old Windsor". - Ein lose eingelegtes Blatt aus glasiertem Papier in fast der gleichen Größe wie die Einbände mit einer Stickerei, die einen Blumenstrauß innerhalb einer vergoldeten Zierbordüre zeigt, könnte einen verworfenen Entwurf für die Einbände darstellen. - Lehmann (1806-1848) war berühmt für seine luxuriösen Kommissionseinbände für den preußischen Königshof von König Friedrich Wilhelm III (1770-1840). Die Familie führte zwischen 1781-1848 in drei Generationen Arbeiten für den Berliner Hof sowie für die Königliche und andere Berliner Bibliotheken aus. Bereits Goethe lobte Karl Ernsts herausragenden Fähigkeiten als Buchbinder: "Von dem oben genanntem, sorgfältig und geschmackvoll arbeitenden Landsmanne haben wir mehreres zur Hand, was mit englischen und französischen Einbänden gar wohl wetteifern könnte." - Ein ungewöhnlicher und schöner Einband von diesem deutschen Buchbindermeister. Bindings - Splendid binding by the royal court bookbinder Karl Ernst Lehmann. Circa 1824. With numerous mounted hand drawings and coloured original graphics. Dark red morocco on five bands with rich floral gilt decoration. Front and back covers richly gilt with corner fleurons as well as staggered floral borders in horror vacui and mounted centrepieces with floral jacquard embroidery in an embossed gilt brass frame. Standing and inner edge fillets, rich gilt doublure, gilt edges, endpapers of moiré silk. (Clasp missing, capitals and corners minimally bumped). - With label of the bookbinder on the back flyleaf: "Carl Lehmann Königl. Hof-Buchbinder und Academischer Künstler in Berlin, Gertrautenstr. Nr. 18". Some blank white leaves with watermark Whatman 1824. - The album contains 60 unnumbered leaves with different coloured papers. Mounted on them are among others 5 watercolours, 15 pencil drawings as well as 15 hand-coloured lithographs by different artists. Most of the prints are of French origin and depict costumes and genre scenes. The pencil drawings show mainly views in England, Scotland and Ireland, some are bordered by embossed luxury paper. There is a presumed clue to the owner: an emigrant Englishwoman who grew up in the Windsor area would be a possible candidate. One drawing bears the note "my first cottage, at Old Windsor". - A loosely inserted sheet of glazed paper, almost the same size as the covers, with embroidery showing a bouquet of flowers within a gilded decorative border, may represent a discarded design for the covers. - Lehmann (1806-1848) was famous for his luxurious commission bindings for the Prussian royal court of King Frederick William III (1770-1840). The family carried out work for the Berlin court as well as for the royal and other Berlin libraries in three generations between 1781-1848. Goethe already praised Karl Ernst's outstanding skills as a bookbinder. - An unusual and beautiful binding by this German master bookbinder.

XIX Century School, Study of a Castle, pencil drawing, oval 11 x 16.5cm.

Continental School, Church Driveway, watercolour circa 1900 31 x 20.5cm, Harbour scene, pencil drawing, two others. (4).

§ Bernard Meadows (British 1915-2005) Drawing for Sculpture, 1955 signed and dated in pencil (lower left), pencil on paper(the sheet 20.7cm x 17.5cm (8.1in x 6.9in))Provenance: Gimpel Fils, London

Small pencil drawing of an old town bridge monogram WNL dated 1905

Ronald Searle CBE, HRWS (1920-2011)"Nehru, On Kashmir/On Suez"Inscribed, pencil, together with two further works by the same hand "Quick Acceleration" and "Young Woman Looking Down", 19cm by 20cm, 10cm by 12.5cm and 16cm by 13cm respectively (3)Provenance: Chris Beetles, LondonExhibited: Ronald Searle Remembered, Chris Beetles, May 2012, no.111 and no.132 "Nehru, On Kashmir/On Suez" is a preliminary drawing for Punch Magazine, 23rd January 1957, page 168

Nic Jonk (Dutch, 1928-1994). Group of four graphite on paper drawings and one ink on paper drawing depicting nude women and a mother and child. One graphite drawing signed and dated 1986 in pencil. The ink drawing is signed and dated 1982 in ink.Reclined Woman; height: 13 1/2 in x width: 10 in. All others; height: 13 in x width: 10 in.

Alberto Vasquez Navarrete (Mexican, b. 1950), study of nude couple embracing (1972). Pencil drawing. Signed and dated lower right. Framed and glazed. Label verso. Image size 33 x 44cm.

EDMUND THOMAS PARRIS (BRITISH, 1793-1873) MAIDEN BY A FOUNTAINsigned E T Parris and dated 1836 lower left, pencil drawing A PORTFOLIO OF OLD MASTER, watercolour on vellum together with 5 further drawings by varying handsall unframedParris 33 x 24cms Vellum 13.5 x 7.5cmsQty: 7

19th C. IRISH SCHOOL. PORTRAIT OF THE HONOURABLE MRS NORTON, OVAL PENCIL DRAWING, EXTENSIVELY INSCRIBED VERSO. 23 x 19cms

19th C. CONTINENTAL SCHOOL. PORTRAIT OF LADY, PASTEL AND PENCIL DRAWING. 28 x 22cms. 18th C. EBONIZED FRAME

LOUISA GURNEY (1784-1836) LAKE LAND VIEW, INSCRIBED AND SIGNED, PENCIL DRAWING. 25 x 40cms

SIR WILLIAM ROTHENSTEIN (1872-1945) A PREPATORY DRAWING FOR A FIGURE IN THE FINISHED WORK 'JEWS MOURNING IN A SYNAGOGUE', PENCIL DRAWING. 42 x 26cms

A. RASSENFOSSE (1862-1934) DANCING MAIDEN, SIGNED, PENCIL DRAWING, GALLERY LABEL VERSO. 36 x 26cms

Ditton Park [Slough?], four folded basic outline designs for details of steps, doors and arches, dated 1816; with a small drawing book 'Captain Summer Ship Elphinstone 1825' having 3 pages of pencil sketches

Swiss scenic views, three coloured aquatints, 19th century, together with a pencil drawing and three other prints including two coloured later date botanical studies (7)

A collection of figural prints and artwork, most loose or mounted, including an etching 'La Toilette' by W Collette 1899, an etching by William Strang, an early 19th century head-studies pencil drawing marked 'dessine p. Alsel (?) a la hate' on laid paper, mounted; also character prints by William Nicholson, a pen and ink French drawing of a procession of marchers with banners (probably for a publication), and various others (36)

Francis Joseph Baigent, quarter size ink and watercolour drawing of a 'Painted lid of a Reliquary Chest of oak given in the Reign of Edward II .... to the Cathedral Church of Winchester', signed and dated 1861-72, 21 x 61cm, old label mounted to verso of modern frame; with another similar, also quarter size, by Baigent of a 15th century embroidered cope, unframed, pencil text verso, 68 x 98cm (sheet) (2)

Paul Granlund (American, 1925-2003). Colored pencil on paper drawing of a seated nude figure, shown from the back. Signed in red pencil and dated 1976 along the lower right edge. With a label from Premier Gallery affixed to the verso of the frame.Lot Essay:Paul Granlund was born in 1923 in Minneapolis. His father was a Lutheran pastor, who instilled in him the background in religion which would provide a major inspiration for his work throughout his life. After high school, Granlund served in World War II, an experience which deeply affected him, strengthening his interest in understanding and conveying the human experience in all its facets.Following the war, Granlund went to Gustavus Adolphus College in St. Peter, Minnesota. He graduated with his BA in 1952, then, after some graduate work at the University of Minnesota, moved to Michigan to continue his education at Cranbrook Academy of Art, from which he graduated with his MFA in 1954. He received the Fulbright scholarship to study sculpture in Italy, and on this trip and a subsequent period of study as a Guggenheim Fellow in Rome, he was exposed to important works of traditional sculpture as well as new sculptural techniques.After studying in Italy, Granlund returned to Minnesota, and was a faculty member at the Minnesota College of Art and Design throughout the 1960s. He returned to Gustavus Adolphus as sculptor in residence in 1971, a title he kept until 1996, when he retired, although he kept a studio at Gustavus Adolphus until his death in 2003. His art adorns much of the campus there, often demonstrating his adeptness at using sculpture as a method of Biblical interpretation.During his long career, Granlund taught and exhibited throughout the United States, as well as creating many important pieces of public art, including the Vietnam War Memorial at the Minnesota Governorís Mansion. His dedication to creating all parts of the sculpture himself, including casting his own bronze, made him unique among sculptors, as did his versatility, with his sculptures ranging from traditional-seeming figural works to mind-bending abstract pieces.Sight; height: 13 1/4 in x width: 7 3/4 in. Framed; height: 20 3/4 in x width: 15 1/4 in.

Charles Schulz (American, 1922-2000). Original "Peanuts" comic strip, the daily strip for September 25, 1968. Black ink over pencil on drawing board. Signed in the fourth panel. The United Feature Syndicate copyright notice is affixed to the board in the first panel.Charles Schulz grew up in St. Paul, Minnesota, and fostered a love of comics throughout his childhood. He spent his later teen years studying drawing and cartoon work through a correspondence course with Art Instruction Schools. Following deployment in Europe during WWII, Schulz returned to St. Paul and got a job working as an instructor for the Art Instruction Schools. After a short lived comic strip for the St. Paul Pioneer Press, he hit it big with Peanuts in 1950, which was syndicated by United Features. The strip quickly became an enormous success, with legions of fans across the countryñand worldñfalling in love with his quirky cast of characters and charming illustrations.The present lot typifies the characteristics for which Schulzís comics were best-loved. It shows the charactersí personalities, always distinctive and lovingly mocked by Schulz. Here, Lucy, the ìcrabby face,î is at her crabby finest, and Snoopy is lively and impetuous, torturing Lucy with the dog germs she so hates. The strength of the character depictions, together with Schulzís crisp, mobile linework, makes this a wonderful example of a Peanuts daily strip and of Schulzís facility with character.Sight; height: 5 1/4 in x width: 26 1/2 in. Framed; height: 11 in x width: 32 1/4 in.

WW2 Rare Leonard Cheshire, Bill Reid, James Tait and Maurice Scrivener Signed Original Pencil Drawing by the Iconic Artist Nicolas Trudgian. Drawing Shows a Lancaster Bomber. Set Within a wooden frame measuring 20x18 Overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Peter Lee a pencil drawing of a leveret, together with a pair of book ends picturing a dog Rtrelley Poinsetta, a silver coloured stag figure and a brass fallow book door knocker and a tankard.

Koloman Moser (Austrian 1868-1918), seven pencil drawings and one ink drawing, c.1912, each stamped 'Nachlass Koloman Moser' (Estate of Koloman Moser), Comprising mostly figurative pencil sketches and one landscape in ink dated 5.7.12,largest 27cm x 20cm (8) (VAT charged on hammer price)Please refer to department for condition report

*Roberto Domingo [1883-1956]-Matador,:- signed bottom rightinscribed in pencil 'Gitanillo de Triana ....'pen, ink and pencil drawing on a page from a sketch book15 x 21cm, unframed.

Circle of Antonio Fontanesi [1818-1882]-City outskirts with a river and view to a bell tower,:-pencil and mixed media drawing, 20.5 x 33cm.

ELSIE MARION HENDERSON. Two drawings by Elsie Marion Henderson. (Baroness de Coudenhove). 'Snarling Tiger', a charcoal drawing, signed E.M. Henderson. To the reverse a Redfern Gallery Ltd. label dated 18.4.29 giving the artist's name & the purchaser's name. 20 x 33cm. Also, one other charcoal drawing by E.M. Henderson, a leopard eating, signed in pencil. 16 x 28cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk  

Circle of Benjamin West [1738-1820]-Portrait of a lady in profile, half-length,:-pencil and charcoal drawing, 21.5 x 16.5cm.

Frederick Cecil Jones, Barge on the stocks, signed and titled, pencil drawing with wash, 17x24cm; and a sheet of pencil studies of pigeons, by another hand.

Follower of Sam Prout, Gate Tower, ink and wash drawing, 21x26cm; a watercolour of farm animals; and a pencil drawing of a windmill. (3)

George Denholm Armour (1864-1949) pencil drawing - Hunters at Grass, initialled, 15.5cm x 25.5cm, in glazed gilt frame

19th century English School pencil and wash drawing - portrait of John Ward Esq of Weslerham, Kent, on his hunter, with hound beside, titled, 45cm. 55cm, in good quality rosewood frame

A pencil drawing of a 1930's man and woman, indistinctly signed lower right, framed L67cm x H58cm

A collection of prints, watercolours and a drawing, including: an engraving of Lugano, a watercolour of daffodils, another of a wooded river landscape and a pencil sketch of Lincoln Cathedral, 35cm x 43 cm

Francis Hewlett (British 1930-2012)/Still Life with Fruit Bowl and Glass/signed and dated '50/pencil drawing, 9.5cm x 14cm and/Female Statue/signed and dated 1950/pencil drawing, 13.5cm x 9.5cm [2] CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Sir David Muirhead Bone (1876-1953)/View of Lake Garda/with figures in rowing boats and on the shore, a town in the distance/signed Muirhead Bone HCA and inscribed Christmas 1926, Sirmione from Desenzano, Lago di Garda/pencil and watercolour, 15cm x 24cm/Stephen Bone (1904-1958)/Sunset, Iona/signed and inscribed/woodcut, 16.5cm x 23cm/both mounted but unframed/and a book, 'The Cope' by Gertrude Bone, decorated by Stephen Bone, 1930 [3] CONDITION REPORT: Muirhead Bone: drawing on a page torn from a scrapbook with ragged edges, paper slightly browned, top cellotaped to mount, paper slightly wavy, foxing to mount Stephen Bone: bad foxing Book: pages slightly browned but intact, inscription to fly leaf 'from Gertrude Bone Oxford 1930'Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfectionARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

A Great War Christmas card from Private William Vasey to Mother and Father, with pencil drawing of the landscape at Épehy, dated 1918; together with Gallant Conduct Certificate to Private William Vasey, dated 22nd September 1918 during operations East of Épehy. (2)

Geoff Williams, pencil drawing, study of a sleeping female nude, signed, 13.75ins x 29ins, in a silvered frame

Geoff Williams, pencil drawing, study of a sleeping female nude, signed, 11ins x 28ins approximately, in a silvered frame

Pre-Raphaelite style pencil drawing, head study of a young lady, 6.5ins x 5.5ins

Watercolour and pencil drawing, portrait of an Eastern gentleman, signed Cardenas, 9.5ins x 8ins

Sheila Fairman - 1924-2013, framed pencil drawing of pixies. 51 x 42cm

KIRCHNER, ERNST LUDWIG (1880-1938), "Weg unter Bäumen", wohl im Park in Dresden, u.re. mit Bleistift signiert 'E L Kirchner' und undeutlich datiert '190?' (letzte Ziffer vom Passepartout verdeckt), Tuschpinselzeichnung/chamoisfarbenes Papier, HxB: Passepartoutausschnitt ca. 42x32,5 cm (62x51 cm mit Rahmen). Alters- und Knickspuren, gebräunt und leicht wellig. Im Passepartout mit Papier hinterlegt und mit Papierklebestreifen montiert, hinter Glas gerahmt (Rahmenleiste minim. beschädigt).| KIRCHNER, ERNST LUDWIG (1880-1938), "Path under trees", probably in the park in Dresden, signed in pencil 'E L Kirchner' and indistinctly dated '190?' (last digit covered by the passe-partout), ink brush drawing/chamois-colored paper, HxW: passe-partout cut-out approx. 42x32.5 cm (62x51 cm with frame). Signs of age and creases, browned and slightly wavy. Backed with paper in the passe-partout and mounted with paper adhesive strips, framed behind glass (frame bar minim. damaged).

Gerda Henning (1923 - 2007)Offener Raum I (braun/ grau). 1981. Farbstiftzeichnung auf Papier. 33,2 x 23,2 cm. Signiert und datiert, verso nochmals signiert, datiert sowie betitelt und mit dem Nachlassstempel. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Verso und recto vereinzelt mit leichten Atelierspuren. Insgesamt in gutem Zustand. Delikat-zarte Arbeit. Coloured pencil drawing on paper. Signed and dated, on the verso again signed, dated as well as titled and with the estate stamp. Mounted in spots on backing and framed under glass. - Verso and recto with a few traces of studio work. At all in good condition. Delicate drawing.

LIFE DRAWING, DU CANE ROAD, 2004Conte pencil on paperImage size: 20 x 14.5cm. (7.87 x 5.70in.)Provenance: Acquired by the present owners from the Fine Art Society in 2004. Exhibited: The Fine Art Society, Shades of Grey, 2004, no.28

J. Horsburgh Guild (20th/21st century) - a still life of anemones and other flowers in a blue and white jug, signed, pencil and watercolour, 10.25" x 14"; together with three further pictures including a watercolour of an Eastern Mosque scene, a loch scene with blue flowers in the foreground and a charcoal drawing which is indistinctly inscribed depicting a head and shoulder portrait of a lady, various sizes (4)

Holbein - two prints in the manner of Holbein, together with a Victorian pencil drawing

Paul JOOSTENS (1889-1960) 'No Title', a drawing, pencil on paper. (23,5 x 32,5cm)

Henry G. Gastineau (1791-1876), coastal scene. Pencil drawing. Framed and glazed. Image size 5.5 x 7.5cm.

JOHN FAED The finding of the watch, pencil and wash drawing, 17 x 15cm Condition Report:Available upon request

JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923).Lot comprising four drawings:- "Sketch in the café, gentleman reading", Paris, 1889.- Sacks of Potatoes", Ávila, June 1912.- Reading in the Salon", Paris, 1889.- A sacar la barca". Valencia, summer 1903.Works executed in composite pencil on fine, light beige, smooth, slightly satin-finished paper.We are grateful to Blanca Pons Sorolla for cataloguing and researching these works.Provenance; Sorolla's Testamentary, inventoried in the R Series, and included in the folder of drawings no. 43. Elena Sorolla García; Elena Lorente Sorolla; 1980, private collection.They have a photocopy on the back of the certificate of authenticity of Don Francisco Pons-Sorolla y Arnau dated 30-x-1980. One of them has autograph inscriptions in pencil "Sacos/patatas" and "A", (middle right area).Measurements: 10.5 x 13.3 cm; 10.7 x 15.2 cm; 9.5 x 14.5 cm; 13.3 x 16 cm."Sacks of potatoes", Ávila, June 1912, is one of the drawings he made on his journey through Castile, to make studies and sketches for his "Visions of Spain". A sacar la barca" ("To take the boat out"). Valencia, summer 1903 is one of the studies for "Sol de Tarde" which belongs to the collection of the Hispanic Society of America in New York.As early as his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending the drawing classes given by the sculptor Cayetano Capuz at the School of Artisans in the afternoons. Awarded a prize at the end of his preliminary studies at the Escuela Normal Superior, he entered the prestigious San Carlos School of Fine Arts in Valencia in 1879. During his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco in the Prado Museum. Two years later he was a great success at the National Exhibition of Fine Arts with a history painting, which prompted him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, Sorolla left for Rome in 1885, spending several months in Paris before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first-class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master would abandon the themes of unhappy children that we see in "Triste herencia", which had won prizes at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his more cheerful and pleasant works, with which he achieved international fame. In 1906 he held his first solo exhibition at the George Petit gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla led to the most important commission of the painter's life: the creation of the immense canvases intended to illustrate the regions of Spain on the walls of the Hispanic Society.

Paul Scheurich (1883-1945): dessin d'une scène de ballet et ensemble d'impressions sur le thème du théâtre et de l'opéra, années 1920-1930 Paul Scheurich (1883-1945): A ballet drawing and selection of prints from theatre and cabaret, 1920s-30sComprising: a drawing of a ballet scene (16 x 17.7cm), a print with the scene from the Strauss opera 'Ariadne auf Naxos' (38 x 29cm), two prints depicting vaudeville scenes signed 'Scheurich 38' (each 42 x 27cm) and a print depicting a Paris cabaret (30 x 40cm) inscribed in pencil on the reverse '17. Jahrgang der Freunde grafischer Kunst 1929', each signed by Scheurich (5)For further information on this lot please visit Bonhams.com

DOROTHY MORTON (XX) 'Trees at Clare Country Park' pencil drawing, monogrammed, framed and glazed, 29 x 53cm

Three pictures and prints including Indian watercolour, pencil drawing of pigs and a map of Surrey

G Firth 'Ring Road Bus', pencil drawing, label signed and dated '87, label verso, 41 x 57.5cm.

Louis William Wain (British, 1860-1939)Cat and Dog signed and indistinctly inscribed 'Louis Wain./I am a Toy Time Keeper .../barks 5' o'clock.' (lower left)coloured pencil on paper25.5 x 21cm (10 1/16 x 8 1/4in).with a further coloured pencil drawing of two head studies, dogs and a bird, on the reverse, by the same handFor further information on this lot please visit Bonhams.com

Sydney Maiden - 'Royal Albert Docks', watercolour and ink, signed, titled and dated Sept 1951, 33cm x 43.5cm, within a stained wood frame, together with another watercolour and a pencil drawing by the same hand.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.