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Lot 374
AGNES HOLDING (BRITISH, 20TH CENTURY) (4)Still life of eggs in a nestsigned 'A Holding' (lower left)watercolour heightened with white18 x 27.5cmtogether with another watercolour by the same hand, Still life of flowers in a jug, signed, 20 x 17cm; and a pair of 19th century pencil and watercolour sketches of ladys, each 23.5 x 20cm(4)
Lot 471
WILHELM GIMMI (SWISS, 1886-1965) (2)Epicure D'Essaisigned, titled and inscribed in pencil 'Gimmi meister Amiet gewidmet' (in lower margin)lithograph27.5 x 36cmtogether with another lithograph by the same hand of an empty cart on a country lane, signed, inscribed and numbered in pencil '8/25' (in lower margin), 26 x 35cm(2)
Lot 576
ROBERT ST. JOHN ROPER, (1913 - 1977) A COLLECTION OF THEATRE COSTUME DESIGNS 1950s;A group of twelve designs for Mother Goose, London Palladium, pencil and gouache on board, five signed, three designs for Principal Boy, one with silver fabric swatch attached, printed green stamps R. St. John Roper Ltd., a design for George Mitchell as Sailors, together with five smaller designs for various characters including Miller, Blacksmith, Beadle etc., stamped 'Production Department Moss's Empires Limited, two costume designs for unknown characters and a sheet of designs for various animal costumes
Lot 618
A COQUILLA NUT RELIEF CARVED SCENT BOTTLE TOGETHER WITH A VICTORIAN SCOTTISH HORN QUAICH AND VARIOUS OTHER ITEMS (9)Late 18th Century & LaterThe scent bottle of ovoid form with figures, engraved silver mounts and glass eyes, 7.5cm long; the Scottish quaich with engraved monogram to the mounts, thistle and Celtic cross, 14cm wide; together with a horn sherbet spoon, two horn and bone oval snuff boxes; an Italian relief carved cameo shell, depicting Diana the Huntress, 6.5cm wide, and a cast metal Dairy Maid bottle stopper, 9cm high; a gilt-metal engine milled pencil holder, 6.5cm long; and a gilt gesso and polychrome decorated wood snuff box, possibly Italian, 10cm diameterCondition report: Inevitable scuffs, scrathes, dents, small chips and marks commensurate with wear, use and age.Tarnishing. Dirt and use.
Lot 816
BELL SILVERMAN? (LATE 19TH/EARLY 20TH CENTURY) (2)An elegant lady seated in a gardensigned 'Bell Silverman'? (lower left) and dated '1904' (lower right)pencil39 x 31cmtogether with a pencil sketch of a woman, indistinctly signed and dated (lower left), 30 x 21cm(2)Condition reportBell Silverman: Very small spot of foxing centre right and top right to margin.Otherwise appears generally good.The first work in this lot is a pencil sketch.
Lot 134
Walter Cunningham, Walter Schirra or Donn EiseleAn aerial Hasselblad photograph of Himalayas, snowlines clearly visibleApollo 7, 11-22 October 1968A vintage chromogenic print on fibre-based paper, 25.3 x 20.5cm (10 x 8 in), RED NUMBERED AS7-11-1982 in margin, with A KODAK PAPER watermarks on the verso (NASA/North American Rockwell)Condition Report: Light pencil note on the verso ('UDX Himalayas')Condition Report Disclaimer
Lot 140
James LovellThe first photograph of the Earth taken by a human from a lunar trajectory. Bahamas, Cuba and Florida are seen through a storm systemApollo 8, 21 December 1968Vintage chromogenic print on fibre-based Kodak paper, 25.5 x 20.5 cm (10 x 8 in), RED NUMBERED NASA AS8-16-2581 in upper margin, with A KODAK PAPER watermarks on the verso (NASA/North American Rockwell)Footnotes:Apollo 8 orbited the Earth twice, then separated from the Saturn V third stage (S-IVB) and broke free of Earth's gravitational pull on a trajectory for the Moon. At this point the Apollo 8 spacecraft was further out in space than man had ever flown. The crew can see spectacular views of the Earth. Normally William Anders would take on the photography task but James Lovell has the camera and over the next few minutes takes photographs of the Earth and Saturn V third stageCondition Report: Light pencil annotation on verso, otherwise very goodCondition Report Disclaimer
Lot 151
William Anders Very rare, black and white version of the second colour photograph of the Earthrise, taken moments after the first - most celebrated - photograph of the same view. The view was photographed at 75h 49m and 06s hours of the mission and during the fourth orbit of the Moon. Taken with a 70 mm Hasselblad camera, 250 mm telephoto lens, colour magazine 14/DApollo 8, 24 December 1968 16.50 GMTVintage gelatin silver print on fibre-based paper, 25.2 x 20.5 cm (10 x 8 in), [NASA photo no AS08-14-2384], with a number printed in lower margin 18567-8Condition Report: A line of abrasion to the right portion of the image and a crease to the right margin, light pencil annotation on versoCondition Report Disclaimer
Lot 171
David Scott Two views of Russell Schweickart's EVA during which he tested the new Apollo Extravehicular Mobility Unit (EMU). Earth is reflected in his visorApollo 9, 6 March 1969Two vintage chromogenic prints on fibre-based paper, 25.5 x 20.5 cm (8 x 10 in), RED NUMBERED NASA AS9-19-2983 and AS9-19-2994, on A KODAK PAPER watermarked stock, one with a NASA Manned Spacecraft Center caption attached by tape and the second one a caption mimeographed on versoFootnotes:On the fourth day of the mission Schweickart was scheduled to exit the Lunar Module and make his way to the hatch of the Command Module, where Scott would stand by to assist. The objective of the experiment was to demonstrate that this could be done in the event of an emergency. During the EVA Schweickart tested the primary life support system later to be used on lunar surface and this was the only such EVA scheduled prior to lunar landingCondition Report: Photo AS9-19-2994 has four small pin holes in corners; light pencil annotations on verso, otherwise very good.Condition Report Disclaimer
Lot 2
The first photograph taken from 100 miles up in space by an automatic camera installed on V2 launched from White Sands Proving Ground, New Mexico, released by the NAVY on the 20 March 19477 March 1947Vintage gelatin silver print on fibre-based paper, 18 x 25. 3 cm (7 x 10 in), a press photograph with Associated Press Wirephoto logo and cropping marks on the recto, press notes and date stamps on the verso, dating the print 21 March 1947Footnotes:'More than 200 square miles of the US and Mexico are shown. Distance from bottom to curved horizon is 900 miles. Past clusters of small clouds are Gulf of California (dark area, upper left), 65 miles wide, and beyond it, Lower California and Pacific Ocean (smaller dark fingers extending from left). Scene is looking west.' (AP Wirephoto caption)Condition Report: Recto: cropping marks applied with white marker (or concealer), Wirephoto sticker attached to front, surface cracks to emulsion, '81' annotated on the cropping frame in pencil. Verso: pencil annotations and cropping notes, archival date stamps (dating the print to March 1947)Condition Report Disclaimer
Lot 246
Neil ArmstrongBuzz Aldrin deploys the Passive Seismic Experiment Package (PSEP)Apollo 11, 20 July 1969Vintage chromogenic print on fibre-based Kodak paper, 25.5 x 20.2 cm (10 x 8 in), [NASA AS11-40-5949], on A KODAK PAPER watermarked stock, negative number stamp on the verso Condition Report: One minor crease in top left corner, lightly numbered in pencil on the versoCondition Report Disclaimer
Lot 274
Pete Conrad'Glowing' Alan Bean sets up a scientific experiment (ALSEP)Apollo 12, 14-24 November 1969Vintage chromogenic print on fibre-based paper, 20.5 x 25.5 cm (10 x 8 in), [NASA AS12-46-6826], with A KODAK PAPER watermarks on the verso (NASA/Kennedy Space Center)Condition Report: A small crease in top left corner, minor processing marks, pencil annotations on the versoCondition Report Disclaimer
Lot 324
David ScottJames Irwin and the Lunar Rover in front of Mount Hadley, EVA 1Apollo 15, 26 July - 7 August 1971 Vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), [NASA photo no AS15-86-11603], NASA caption affixed to the versoCondition Report: Annotations in pen and pencil on the verso, caption affixed by tapeCondition Report Disclaimer
Lot 403
Mars, the first two photograph taken on the Martian Surface by the first probe to land on the planetViking 1, 20 July 1976 Two vintage gelatin silver prints on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), BLACK NUMBERED NASA S-76-27212 and S-76-27212 Condition Report: Light processing marks to small portion of each print, no watermarks or captions on verso, the first print bears a pencil annotation on verso; very goodCondition Report Disclaimer
Lot 79
TWO FOB PENDANTS AND A GOLD PENCIL, composed of a gold and carnelian fob seal, the intaglio depicting a coat of arms with Latin inscriptions 'Semper Fidetis' (always faithful/loyal) on rose gold mount, intaglio dimensions 2.6x3.1cm, length of fob 3.2cm, together with another fob pendant and a gold pencil signed 'B. Mordan & Co.', length 8.7cmCondition Report: Carnelian fob seal tested by the jewellery department to be 9K gold - total gross weight approx. 23.3gSecond fob pendant - does not respond to gold tester - total gross weight approx. 25.10gPencil - tested by the jewellery department to be possibly 18K gold - total gross weight approx. 5.2g
Lot 403
Robert Smirke (1752-1845) Coloured Engraving Published by J Harris 1788, Titled in Pencil 'The Attack Upon Pocklington's Island Sept 5th 1787'. Image Size 55x38.5cms Framed and Glazed with Verso Details 'Pocklington Island is on Lake Windermere Near Keswick, In Cumberland. the Scene Depicted is the Attack on Pocklington's Island for the Roast Beef and Home Brewed at Keswick Regatta in 1787. Framed 70x55cms
Lot 367
Small Continental circular porcelain plaque depicting classical figures with Cupid, transfer decorated, after an original by Kaufmann, 9cm diam., in circular pierced foliate giltwood frame, 21cm diam., the matching frame containing a small hand coloured etching of the Madonna and Child after an original by Isabel Saul, signed in pencil. (2).
Lot 366
Three Matthew Grayson limited edition signed prints, including 'The Facade of the San Marco Basilica', 23.5cm x 23.5cm no.8/25, 'The Geometrical line construction of the Drawing Study of the Piazza San Marco' no.0/20, 30cm x 41cm and 'The Piazza San Marco' no.1/10, 38cm x 49cm, all signed in pencil, framed and glazed
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295609 item(s)/page