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Paul Van Hoeydonck (1925) & Félix Labisse (2) Lithograph 15/150. Signed and dated 71 Lithograph 124/145. Signed in pencil. Lithograph 76/175. Signed in pencil. Een lithografie van Paul Van Hoeydonck 15/150, gesigneerd in potlood. 2 lithografien van Félix Labisse 124/175 en 76/175, gesigneerd in potlood. 54 x 71, 45.5 x 54.5 and 54.5 x 46 cm
Léon Spilliaert (1881-1946) Trees and Branches 1941 Pencil, gouache (black) East Indian ink pen on paper Signed and dated L.Spilliaert/1941 On back label: Palais des Beaux-Arts de Bruxelles / 10 Rue Royale Exposition: Spilliaert n ° 23 (Exposition 1944, Léon Spilliaert. Peintures, 27 mei tot 11 juni 1944) Work is included in the catalog raisonné Leon Spilliaert in preparation by Dr. Anne ADRIAENS-PANNIER Bomen en takken 1941 Potlood, gouache (zwart) Oost-Indische inktpen op papier. Gesigneerd en gedateerd L.Spilliaert / 1941 Op achter etiket: Paleis voor Schone Kunsten van Brussel / Koningsstraat 10 Expositie: Spilliaert n ° 23 (Expositie 1944, Léon Spilliaert. Peintures, 27 mei tot 11 juni 1944) Werk is opgenomen in de oeuvrecatalogus Leon Spilliaert in voorbereiding door Dr. Anne ADRIAENS-PANNIER 49 x 36 cm Collection Heer De Ryck, Sint-Joost-ten-Noode (1944)
Stylish, early 2.3-litre Pagoda in a fabulous colour combination.An early, UK-supplied, right-hand drive car with a manual gearboxFitted with the desirable factory Pagoda hardtop and pencil-whitewall tyresSubject to a painstaking body and trim restoration in 2017Superbly presented in a stylish mid-grey metallic with a fabulous red leather interior.In current private ownership since 2017. Specialist SS Motors have looked after the car past few years (July 2020 last visit)Would make an ideal classic car proposition and looks wonderful in any environment.The second generation of Mercedes’ SL-Series, the W113, began with the 230 of 1963. Designed by Paul Bracq and sketched by Freiderich Geiger, it offered elegant simplicity within its compact proportions, the wide track and short wheelbase, with big steel wheels filling the arches, suggesting comfort rather than performance. The wonderfully crisp styling clothed a monocoque chassis equipped with all-round independent suspension, power-assisted disc/drum brakes, recirculating ball steering and a 2306cc straight-six engine of 150bhp and 145 lb-ft of torque mated to either a four-speed manual or automatic transmission. The car was an international hit for Mercedes-Benz throughout the 1960s and has retained lasting appeal with enthusiasts, celebrities, musicians, retired Grand Prix drivers and enthusiasts alike.According to an official copy of the Mercedes-Benz data card, this early, manual gearbox, right-hand drive 230SL was ordered in 1963 and first registered in the UK on 7th April 1964. The factory specification details an exterior colour of White Grey with a medium red interior and it was ordered with a factory hardtop and optional paint protection.In 2017, ‘DBV 102B’ enjoyed a comprehensive body and trim restoration, all finished to a very high standard. The exterior was repainted in a slightly darker shade of metallic grey with a stunning red leather interior, which was beautifully re-trimmed. Indeed, there are numerous invoices on file detailing the work including some from the ‘SL Shop’ acknowledged marque specialists.Purchased by its current private owner in 2017, through Silverstone Auctions, this simply lovely early ‘Pagoda’ is now being offered to the market. The car was looked after by the Mercedes specialist ‘SS Motors’ during our vendor's ownership, again with invoices on file, with the most recent dating from July 2020, ensuring that this smart little SL230 is up to date and ready to be enjoyed by its next lucky owner.With its timeless looks, sophisticated mid-grey coachwork, stunning red leather interior, pencil white-walls, manual gearbox and factory ‘Pagoda ‘top, this is a cracking example of Paul Bracq’s little Mercedes ‘boulevardier’ and we invite you to come and have a look for yourselves.SpecificationMake: MERCEDESModel: 230SL PAGODAYear: 1964Chassis Number: 11304220002648Make: Click here for more details and images
Taxidermy: A Eurasian Otter Mask (Lutra lutra), circa 1926, by Peter Spicer & Sons, Taxidermists, Leamington, adult otter mask facing slightly to the right with mouth agape, mounted upon a typical shaped oak shield, 23cm from the wall, taxidermist's impressed text to verso. small split to right corner of the mouth, slightly faded to right side, tongue replaced, mouth interior re-painted, in previously restored condition, dated in pencil to verso of head board 1926, - 26/03/21
RÖTH, PHILIPP (1841-1921), "Enten am Wasser", Landschaft mit Haus am Seeufer, u.re. signiert 'Röth', Öl/Karton, HxB: ca. 25,5x34,5 cm (45,5x54 cm mit Rahmen). Restauriert und retuschiert, part. leichter Firnisgilb und Flecken. Mit Rahmen (leicht beschädigt, geklebt). VERSO Bleistiftbezeichnung 'Professor Philipp Röth, Enten am Wasser' und Etiketten mit handschriftl. Bezeichnung. | RÖTH, PHILIPP (1841-1921), "Ducks by the water", landscape with a house on the lake shore, signed 'Röth', oil / cardboard, HxW: approx. 25.5x34.5 cm (45.5x54 cm with frame). Restored and retouched, part. light yellow varnish and spots. With frame (slightly damaged, glued). VERSO pencil inscription 'Professor Philipp Röth, Enten am Wasser' and labels with handwritten. Designation.
BASELITZ, GEORG (geb. 1938), "Tama", Farbaquatintaradierung (dunkelrot/orangegelb/schwarz)/Bütten, u.re. mit Bleistift von Hand signiert und datiert 'Baselitz 02', u.li. mit Bleistift num. 7/18, HxB: Platte ca. 49,8x32,8 cm, Blatt ca. 75,5x57 cm, Außenmaße Rahmen ca. 80x62 cm. Minim. Fleck am unteren Rand. Mit verglastem Rahmen. Leichte Altersspuren. | BASELITZ, GEORG (geb. 1938), "Tama", Color aquatint etching (dark red / orange yellow / black) / handmade paper, lower right signed and dated 'Baselitz 02' by hand in pencil, below left with pencil num. 7/18, HxW: plate approx. 49.8 x 32.8 cm, sheet approx. 75.5 x 57, external dimensions frame approx. 80 x 62 cm. Minim. Stain on the lower edge. With a glazed frame. Slight signs of age.
SCHAD, CHRISTIAN (1894-1982), "Midinette", Damenportrait, Holzschnitt/Papier, u.re. mit Bleistift signiert und datiert 'Schad 15', u.li. mit Bleistift betitelt, HxB: Platte ca. 18x12 cm, Passeartotausschnitt ca. 22x16 cm, Außenmaße Rahmen ca. 39x32 cm. Im Passepartout hinter Glas gerahmt. Leichte Altersspuren. | SCHAD, CHRISTIAN (1894-1982), "Midinette", Portrait of a lady, woodcut / paper, lower right signed and dated 'Schad 15' in pencil, lower left titled in pencil, HxW: plate approx. 18x12 cm, Passeartot cutout approx. 22x16 cm, external dimensions frame approx. 39x32 cm. Framed behind glass in a passe-partout. Slight signs of age.
SCHAD, CHRISTIAN (1894-1982), "Mrs. de Marville", Holzschnitt/Papier, u.re. signiert und datiert 'Schad 17', u.li. mit Bleistift betitelt, HxB: Platte ca. 15x14,5 cm, 28x27 cm, Außenmaße Rahmen ca. 47x45 cm. Im Passepartout hinter Glas gerahmt. Leichte Altersspuren. | SCHAD, CHRISTIAN (1894-1982), "Mrs. de Marville", Woodcut / paper, lower right signed and dated 'Schad 17', below left titled in pencil, HxW: plate approx. 15x14.5 cm, 28x27 cm, external dimensions of frame approx. 47x45 cm. Framed behind glass in a passe-partout. Slight signs of age.

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295537 item(s)/page