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Lot 68
Composer Edward German signed 7 x 3 inch piece of Music page with pencil autograph and score from Richard III. English musician and composer of Welsh descent best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. Some of his light operas, especially Merrie England, are still performed. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 354
A pair of pencil and Ink Cartoons for stained glass window by Florence Camm, T.W. Camm Studio. Depicting Norman Knight Robert de Ouilly and his wife Ealdgitha, both at prayer. Dated November 1926 signed by F. Camm, order numbers 4041, drawing numbers 1145 & 1146. Each cartoon approx. 98 x 46 cm.
Lot 196
Norman Rockwell (1894 - 1978) "County Agent" exhibited pencil signed artist proof lithograph. Pencil signed and numbered in lower margin. Exhibited at Art Museum of South Texas' "In Search of Norman Rockwell's America" exhibition (May 5-July 10, 2011). Labels verso. Image Size: 14.5 x 28 in. Overall Framed Size: 26 x 39 in. Framed behind glass.
Lot 197
Norman Rockwell (1894-1978) Young Lincoln, 1964 Advertising illustration for Lincoln Savings Bank, 1964 Media print lithography on paper. Pencil signed in lower margin. Originally created in 1964 for a Lincoln Savings Bank advertisement, Young Lincoln was hand proofed and printed by Atelier Ettinger. Full color limited edition lithograph print. A total of 309 prints of this kind were produced. A set of 200 were numbered. Another set of 35 were A/P's numbered with Roman numerals. A set of 60 were unnumbered; another set of 14 were unnumbered and printed on Japon paper. All of the prints made were signed in pencil by Norman Rockwell. This title depicts a young Abraham Lincoln, reading a book as he walks home from his job as a young railsplitter. The idea of creating the image of Lincoln as "the railsplitter" was the inspiration of Illinois politician Richard J. Oglesby. He sought to find "one thing in Mr. Lincoln's unsuccessful career as a worker that could be made an emblem ? [to] make enthusiastic the working people." Rockwell decided to recreate this image in Young Lincoln, an advertisement for Lincoln Savings Bank. Rockwell's ability to move his viewer's emotions was prized not only by magazine art editors, but by advertisers as well. Like most Post cover artists, Rockwell painted advertisements for everything from socks to Jell-O to insurance. Image Size: 29 x 15 in. Overall Framed Size: 40 x 26 in. Framed behind glass.
Lot 199
Norman Rockwell (1894-1978) "Three Boys Fishing" exhibited artist proof pencil signed seven color collotype on paper. Pencil signed and numbered in lower margin. Exhibited at Art Museum of South Texas' "In Search of Norman Rockwell's America" exhibition (May 5-July 10, 2011). Labels verso. In September 1975 Atelier Ettinger Inc. hand proofed and printed Three Boys Fishing, a seven-color collotype. This is a limited edition print. A total of 295 prints of this kind were produced. A set of 200 were numbered. Another set of 35 were A/P's numbered with Roman numerals. A set of 60 were unnumbered. All of the prints made were signed in pencil by Norman Rockwell. The original oil painting was created for the July 18th, 1937 edition of This Week magazine, and initially depicted the boys pulling a watermelon out from the fishing hole. Image Size: 26 x 16.5 in. Overall Framed Size: 38 x 28 in. Framed behind glass.
Lot 275
Mihail Chemiakin (New York, Russia born 1943) "Untitled VII" Color serigraph. Numbered (33/225) lower left. Pencil Signed lower right. Watermark "Arches France". Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 19 x 16.5 in. Sheet Size: 30 x 21 in. Unframed.
Lot 368
Paul Calle (American, 1928 - 2010) and Chris Calle (American, B. 1961) "First Man on the Moon" Signed lower right. Lead Pencil on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was used on the $5 First Men on the Moon Coin issued by the Republic of the Marshall Islands January 1, 1994. "It's a great honor and privilege for us to be here representing not only the United States, but men of peace of all nations." This excerpt from Neil Armstrong's conversation with President Richard Nixon, during a phone call made from the Oval Office of the White House to the surface of the Moon, established the astronauts' desire to share their historic lunar landing with the rest of the world. To emphasize that the Apollo 11 mission was one of peace, they left behind a gold olive branch as well as a small silicon disk that was microscopically-etched with goodwill messages from leaders of 73 countries. As ambassadors from Earth, Neil Armstrong and Edwin Aldrin proudly became the first visitors to a strange and distant land that has long intrigued peoples from every nation and walk of life. Image Diameter: 10 in. Overall Size: 16 x 15.75 in. Unframed. (B14555)
Lot 403
Umberto Romano (1905 - 1984) "Kennedy - The Visionary" Lithograph. Pencil signed, titled and numbered (89/175). 20th Century American artist was a passionate painter, sculptor and teacher from the 1920?s till his death in 1982. Highly acclaimed as a mid-century artist, his works are part of the collections of Metropolitan Museum, Whitney Museum of American Art, the Frick Collection and the Smithsonian Museum of American Art as well as dozens of other museums across the country. Sight Size: 18 x 14 in. Overall Size: 25.5 x 21.5 in. Both Framed behind glass.
Lot 772
A collection of gentleman's jewellery to include a wide selection of cufflinks including some gold plated examples, a stick pin set with a opal, a silver bar brooch set with a red stone, moonstone and a purple stone, a silver propelling pencil, a 9ct gold stud set with an opal, a 9ct gold stud, mother of pearl cufflinks etc.
Lot 750
A mixed group of silver jewellery and other silver and silver plate items to include a silverplate ladies purse, repousse decorated silver brooch, silver necklace chain and swallow pendant, silver brooch set with a purple stone, silver identity bracelet, silver Egyptian moses basket with enamel work, pen, silver propelling pencil etc.
Lot 685
A good mid 20th Century silver hallmarked propelling pencil having an engine turned body being marked ' Yardioiled'. Hallmarked for Birmingham date letter U 1969, makers mark for E Baker & Son. Together with another hallmarked for London date letter G 1882, makers mark for Sampson Mordan & Co. Total weight 37g. Longest measures 12cm long.
Lot 639
§ IVOR ROBINSON (1924-2014) DESIGN FOR BOOK COVER OF AGAMEMNON pencil, gold pen and gouache (Dimensions: 8.7cm x 13.3cm (3.37in x 5.25in))(8.7cm x 13.3cm (3.37in x 5.25in))Footnote: Literature: The New Bookbinder, Journal of Designer Bookbinders , Volume 35, 2015, p.70, fig. 7 illustrating the book cover. Note: Ivor Robinson MBE was considered a master craftsmen and one of the finest artist bookbinders of his generation, if not the most important of the late 20th century. Robinson's bindings are held in private and public collections around the world, including the British Library; the Bodleian Library, Oxford and the Morgan Library and Museum, New York, and have been included in over one hundred exhibitions since 1951. Due to the fact that he worked for much of his life as a teacher of the bookbinding craft, he restricted his fine binding commissions to only three a year. Consequently there are now only around 150 of his cover designs in existence, which makes his work comparatively rare.
Lot 562
§ SIR NORMAN HARTNELL (1901-1979) GROUP OF ROYAL FASHION DESIGNS, 1950S including 'Her Majesty The Queen/ Sketch No.2', 35cm x 25.5cm; 'H.R.H. The Princess Elizabeth', 35cm x 25.5cm; and two designs for 'H. R. H. The Princess Margaret', 35cm x 25.5cm, all signed by the artist in pencil, lower right, together with a signed photograph of Norman Hartnell, 21cm x 16cm (Qty: 5)
Lot 282
§ FRANK BRANGWYN (1867-1956) AND YOSHIJIRO URUSHIBARA (1888-1953) 'BRUGES AT DAWN' woodblock print, signed in pencil lower left Y. URUSHIBARA, and lower right FRANK BRANGWYN (Dimensions: 38cm x 50cm)(38cm x 50cm)Footnote: Literature: Marechal, Dominique Frank Brangwyn , Bruges 1987, p. 254, Inv. 0.2/ 56.II and III.
Lot 494
SIR ROBERT LORIMER (1864-1929) DRAWINGS OF FURNITURE AND WOOD CARVING DETAILS, EARLY 20TH CENTURY to include PLANS FOR A TABLE, pencil with coloured pencil on tracing paper, 101cm x 65cm; THREE DESIGNS FOR A CARVED SCREEN, one bearing inscriptions KELLIE CASTLE, No 50, 88.5cm x 22cm; No 15. 94cm x 22cm and 92cm x 19.5cm; and EIGHTEEN FURTHER DESIGNS, to include details of carved panels, chairs, tables and other furniture items (measurements and images of all items available on request or see our website www.lyonandturnbull.com) (Qty: 22)Footnote: Provenance: Sir Robert Lorimer, 54 Melville Street, Edinburgh Gibliston, Fife thence by direct descent Note: Lorimer executed similar designs for a carved screen/altar table for St. James Church, Cupar exist in Historic Environment Scotland's Lorimer & Matthew Collection, ref DP 050365 .
Lot 210
§ MILLICENT SOWERBY (1878-1967) SEVEN ORIGINAL ILLUSTRATIONS FROM 'CHILDHOOD', CIRCA 1907 watercolour, unsigned, one with pencil inscription HE SAW BELINDA THERE PEELING SOME APPLES FOR A PIE, another inscribed ON SUNDAY, WHEN I GO TO CHURCH, each with gilt slip and frame (Dimensions: 16.5cm x 12cm) (Qty: 7)(16.5cm x 12cm)Footnote: Note: Millicent Sowerby was born in Northumberland, England, the daughter of designer and illustrator John G. Sowerby. Her style was clearly influenced by the Victorian illustrator Kate Greenaway. ‘Childhood’, written by her sister Githa, was published by Chatto & Windus, London in 1907 and was her third illustrated book. A 1911 review of three books produced with Githa proclaimed "Millicent Sowerby is Kate Greenaway come to life again."
Lot 493
SIR ROBERT LORIMER (1864-1929) DRAWINGS OF ARCHITECTURAL DETAILS, EARLY 20TH CENTURY to include TWO DRAWINGS OF PILASTER DETAILS FROM THE HOTEL DE VILLE, PARIS, pencil on linen back paper, one with photograph, 4179cm x 32cm and 159cm x 29.5cm; a DESIGN FOR AN ALTAR FOR THE CHURCH OF THE GOOD SHEPHERD, EDINBURGH, 45cm x 35cm; and FORTY-ONE FURTHER DRAWINGS IN PENCIL, depicting various architectural and plasterwork details in France, Milan and Westminster (measurements and images of all items available on request or see our website www.lyonandturnbull.com) (Qty: qty)Footnote: Provenance: Sir Robert Lorimer, 54 Melville Street, Edinburgh Gibliston, Fife thence by direct descent Literature: Savage, P., Lorimer and The Edinburgh Craft Designers, Paul Harris, 1980, p.24, pl. 32.
Lot 492
SIR ROBERT LORIMER (1864-1929) DRAWINGS OF EMBROIDERY AND TEXTILE DETAILS. EARLY 20TH CENTURY comprising a DESIGN FOR A BEDSPREAD, 30.5cm x 32cm; a DESIGN FOR AN EMBROIDERY, 36cm x 135cm; and FIVE FURTHER DETAILS OF EMBROIDERY DESIGNS, pencil and coloured pencil on paper, variously inscribed (measurements and images of all items available on request or see our website www.lyonandturnbull.com) (Qty: 7)Footnote: Provenance: Sir Robert Lorimer, 54 Melville Street, Edinburgh Gibliston, Fife thence by direct descent Literature: Savage, P., Lorimer and The Edinburgh Craft Designers, Paul Harris, 1980, p.79 & 80, pl. 72 & 73 Note: The bedspread for which this design was produced exists in the National Museum of Scotland Collections, ref.H.SVL 31 A
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295537 item(s)/page