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Lot 418

Vintage collection of glass bead necklaces, to include 1930's painted glass bead necklaces, Millifiori versions, vintage floral china brooches, mother of pearl brooch and a tortoiseshell necklace, mother of pearl necklace, a vintage umbrella hair comb, carved vintage earrings, vintage enamel pendant and vintage pencil

Lot 2048

Bernard Boutet de Monral pencil sketch, approx 17 x 10 inches, Angel with Tambourine

Lot 3037

19th-century scrapbook containing original pencil and watercolour sketches by George Austin and Frederick Austin, including botanical illustrations, church fonts, and a couple of foreign topographical views, in disbound half-leather binding

Lot 2012

Gilbert Thomas Webster (1886-1962), original cartoon of jazz singer, 'When in doubt Ruby - always Lily of Laguna', signed 'Tom Webster', pencil, framed & glazed, 20cm by 12.5cm. Together with an original ink cartoon of 'George' and 'Tishy', inscribed 'To Charlie austin junior from Charlie senior's pal', signed, framed & glazed, 17.5cm by 13.5cm (2)

Lot 2088

John Burgess, a collection of pencil sketches, Derbyshire interest to include: Hardwick Hall; Farmyard at Hardwick; Chatsworth and two of Matlock, mounted and unframed, together with a Cox, David Jr., 1809-1885, study of a stately home, mounted and unframed, plus two others (8)

Lot 2079

Motorsport Interest: after Nicholas Watt - The Italian Job (The Maserati 4CLTs heads for victory in the first post war British Grand Prix of 1948 held at Silverstone) a coloured lithograph, limited edition no.148/500 signed in pencil by Alberto Ascuri and Luigi (GiGi) Villoresi

Lot 2089

Captain David Robertson, circa 1794, Derbyshire scenes, landscape pencil sketches, two peaks of Derby and Castleton, mounted and unframed (3)

Lot 2107

Helen Bradley (British, 1900-1979), street scene with steam engine and horse & cart, signed in pencil l.r. with publisher's blind-stamp l.l., colour print, framed and galzed, 48cm by 62cm. Together with four books on the artist's work (5)

Lot 440

A silver ladies pocket watch, floral decoration to the dial, along with a propelling white metal pencil and hook case

Lot 2056

Robert Taylor (British, b.1946), 'Coming Home Together - Wing Commander Bob Stanford-Tuck and Flight Lieutenant 'Johnnie' Johnson return together from a sortie over France 1941', limited edition colour print, signed by Robert Taylor, Wing Commander Bob Stanford-Tuck and Flight Lieutenant 'Johnnie' Johnson and numbered 463/850 in pencil to margin, 42cm x 59cm, framed and glazed.

Lot 2055

Robert Taylor (British, b.1946), 'Flight of Eagles - General Adolf Galland leads the JG26 Fighter Wing Me 109s on an early morning patrol over the Pas de Calias 1941', limited edition colour print, signed by Robert Taylor and General Adolf Galland in pencil to margin, 38cm x 51cm, framed and glazed, with certificate of authenticity.

Lot 249

head and shoulder portrait, pencil sketch on paper, 19.5 x 27.5 cm

Lot 247

"View of Side Street" etching, signed in pencil, framed

Lot 764

"Abstract Study", screen print, numbered, signed indistinctly in pencil, framed

Lot 788

Marriage Procession, Seoul, framed coloured print, signed in pencil

Lot 143

"Swans Flying over Sand Dunes", coloured etching, stamped lower left, titled and signed in pencil, framed

Lot 163

West of Ireland coastal scene, pencil sketch on paper, signed and framed

Lot 272

portrait of a lady, pencil on paper, signed with initials, framed, 12 x 16.5 cm

Lot 230

portrait of a lady seated, pencil sketch on paper, 20 x 27.5 cm

Lot 250

pencil sketch of house, framed, 26.5 x 20 cm

Lot 273

portrait of a young man, pencil sketch on paper, signed with initials, 12 x 17 cm

Lot 653

"Inner Harbour Baltimore", limited edition print, number and signed in pencil, framed

Lot 191

Hermann-Paul (Rene Georges (1864-1940)). Les Voeux Perpetuels, 1906, 15 original pencil and ink drawings on india paper, one with collage, each signed by the artist and mounted on deckle card, each with manuscript caption in ink to tissue guards, the largest 31.5 x 49 cm (12.25 x 19.25 ins), one leaf with two pages of manuscript notes relating to the drawings, front endpapers (one with manuscript title) detached and a little toned, contemporary tan full calf, spine titles in gilt, spine and edges rubbed and scuffed, large folio (the series of original illustrations for the pictorial story published in L'Assiette au Beurre, number 268, in 1906), together with Gerlach (Martin). Festons und Decorative Gruppen nebst einem Zieralphabete aus Pflanzen und Thieren Jagd-Touristen und anderen Gerathen. Vienna: Gerlach & Schenk, [circa 1890], 146 photographic plates, title & plates etc with ink stamp to margins, occasional minor spotting, contents loose (as issued) in original half morocco portfolio, folio, and Flaxman (John). Compositions of the "Acts of Mercy", Miss Flaxman & Miss Maria Denman, Jany. 1st. 1831, title page with near contemporary ink manuscript presentation from the publisher Miss Maria Denman, dated January 1st 1856, eight aquatints by F.C.Lewis, printed in sepia, some spotting and water staining throughout, upper hinge broken, contemporary cloth gilt with contrasting gilt morocco label to upper board, crudely rebacked, worn and frayed at extremities, slim oblong 4to, plus other large format illustrated antiquarian reference, some leather bindings, some original cloth, G/VG, 8vo/folio (2 cartons)

Lot 58

*Denby (Elaine Coventry 1924 - 2010). A collection of approximately twenty-five architectural drawings and plans, some dated 1947, a series of pen, ink, pencil and watercolour architectural prospects, elevations and ground plans for a fictional National Opera House, gardens and glass houses and a country house compiled for her thesis, mostly on paper (a few on architect's tracing paper), various sizes and condition Elaine Denby was an architect and author. Born in 1924 in West Yorkshire, Denby studied at the Leeds School of Architecture. In the late 1940s, she worked in the housing department at Westminster City Council and then in 1957 she established her own practice in London. (approximately 25)

Lot 187

Bible [English]. The Holy Bible, containing the Old and New Testaments: Newly Translated out of the Original Tongues; and with the former Translations Diligently Compared and Revised, Oxford: Printed by John Baskett, 1715, bound with the Book of Common Prayer (lacking title) at front and The Whole Book of Psalms..., Printed by W. Pearson for the Company of Stationers, 1715 at rear of volume, numerous pencil & ink underscoring and annotation marks throughout, some light toning and occasional spotting, contemporary calf, upper board & spine detached, worn, 4to, together with Cassell's History of England, 9 volumes, circa 1880s, and The Family Physician, 5 volumes, New enlarged edition, Cassell, circa 1880s, and Picturesque England, by L. Valentine, circa 1870s, plus other miscellaneous books (a carton)

Lot 65

*Harding (Frank, late 19th/early 20th century). 'The Needles' I of W, etching, signed and captioned in pencil to lower margin below image, plate size 11 x 30cm (4.25 x 11.75ins), mounted, framed and glazed, with framer's label on backboard 'A. Woodgate, 140 Fetter Lane, EC4' (1)

Lot 38

Edwards (Lionel). A Sportsman's Bag, Country Life, [1926], 18 mounted colour plates, each signed in pencil to lower mount, contemporary red half morocco gilt, small water stain and one label rubbed to spine, folio Limited edition 35/100 autographed copies, from a total edition of 650. (1)

Lot 67

*Lee (Debbie, 20th century). Breakfast with the Duchess, 2001, acrylic on paper, 42 x 60 cm (16.5 x 23.5 ins) mount aperture, framed and glazed, Boundary Gallery label to verso, together with "The Caucus Race", 1995, colour print, titled, signed and numbered in pencil at foot, 16.5 x 15 cm (6.5 x 6 ins) mount aperture, framed and glazed, limited edition 4/20 (2)

Lot 87

[Bertoldi, Giuseppe]. Memoirs of the Secret Societies of the South of Italy, Particularly the Carbonari, 1st edition, John Murray, 1821, 12 lithographic plates including some folding, some offsetting to text, a few scattered small stains and several pencil annotations, contemporary boards with neat calf reback, together with Simond (Louis), Voyage en Angleterre, pendant les Ann‚es 1810 et 1811..., 2 volumes, 2nd edition, Paris, 1817, 15 plates including some sepia aquatints, engraved illustrations to text, some spotting, contemporary tree calf gilt, some wear and cracked on joints, plus Frost (Thomas), The Secret Societies of the European Revolution, 1776-1876, 2 volumes, 1876, partly uncut and unopened, original cloth gilt, rubbed, all 8vo, plus three related titles (12)

Lot 24

Byrne (William). Britannia Depicta; A Series of Views (with brief descriptions) of the most interesting and picturesque objects in Great Britain, engraved from drawings by messrs. Hearne, Farington, Smith, Turner, Alexander, 1806-[16], engraved frontispiece, title for first part only, 126 engraved views, occasional light spotting, manuscript list in pencil at front, bookplate, contemporary burgundy half morocco, spine and edges rubbed and scuffed, oblong 4to Views are Bedfordshire, Berkshire, Buckinghamshire, Cambridgeshire, Cheshire, Cornwall, Cumberland and Derbyshire. (1)

Lot 64

*Greenwood (Eileen, 1915-2008). From a Corner of My Garden; Flowers from My Summer Garden; Roses of Late Summer; Flowers of Early Autumn, together four pencil and watercolour drawings, each depicting a medley of different plant and flower stems (e.g. chicory, fuchsias, roses, irises, crocuses, Japanese anemones, violas), one a little spotted to upper margin, each signed in pencil to lower margin, each 23.5 x 12.5cm (9.25 x 5ins), matching mounts and frames, glazed, each with title labels and three with the artist's address label on backboard (4)

Lot 77

Sketchbooks. A group of three Edwardian sketchbooks by Frances Dorothy Beresford Maule Griffiths (nee Kerr), circa 1902-1905, each containing between 38-55 leaves, numerous drawings and sketches, both full-page and smaller, many unfinished, mainly pencil, some pen and ink, approximately 40 heightened with wash, a few with watercolour, captions include: 'Father'; Mrs Curtoys, wife of Capt. Curtoys RM'; 'going to court (Edward VII) Mrs Curtoys'; 'Dutch Girl'; Some Revolting daughters'; 'What splendid photos I can take now, she said'; 'I'm busy making up accounts, so go away'; 'Listen to me you chaps'; 'Messenger boy'; 'Countess of Warwick and Hon. Maynard Greville'; 'Grace singing'; 'Captain Miles Standish'; 'Hyde Park Corner'; 'In Hyde Park'; 'How pretty Sally was tonight in her shining satin dress', first volume with single leaf manuscript letter loosely inserted, neat cut along border of one sketch, one leaf detached, front hinge cracked, front pastedown with adhered label 'With my love, Frances Dorothy Beresford Maule Griffiths', second volume with some soiling and light dampstaining, first page marked, one sketch with surface loss, one with torn area , front pastedown with ink inscription 'Dorothy B.M. Kerr. Dec. 12. 04', stitching strained, textblock detached from binding, third volume with a small image neatly excised (affecting sketch on recto), one leaf detached and edge-frayed, front pastedown with ink inscription 'Dorothy Maule Kerr. April 23rd 1903', stitching somewhat strained, rear hinge splitting, each volume in contemporary cloth-backed boards, worn, second volume with spine cloth detaching, 4to Frances Dorothy Beresford Maule Kerr married William Arthur Griffiths. They were living in Alverstoke, Hampshire, when one of their sons, Patrick Maule Griffiths, died aged 27 in 1940 while serving in the Royal Navy (apparently whilst boarding the French submarine Surcouf). (3)

Lot 397

Cigarette cards, Malta, Cousis, Celebrities, un-numbered, (51 cards), (many with pencil numbers to reverse, most with small worm holes, fair/gd)

Lot 33

Jeremy King b 1933 Bray Mill House, a signed artist proof print, signed in pencil to lower margin, 17 2/8" x 23 2/8", mounted in a glazed gilt frame

Lot 396

Amy Devlin - Mother Earth, an acrylic hand printed silk screen print, signed, titled and dated in pencil to lower margin 2/17, 2000, 22 1/2" x 18 1/8", mounted and glazed in a wood frame, along with after R E James circa 1898, hand coloured print, signed, in a glazed gilt frame

Lot 287

James Priddey, by and afterDerwent Water from Friar's Craggsigned in pencil;John Rudkin, by and afterClumber Parksigned in pencil; Russell Flint print; others. (7)

Lot 102

Pictures and prints - Jane Slagg, bull finches, watercolour signed and framed; Willie RA ****, rustic gateway, watercolour indistinctly signed;C Fothergill Market Placeprint signed in pencil;K Baggaley, across Ponds Forgetowards Sheffieldprint signed in pencil;another Chatsworth, Portrait of a Boyearly 20th Century photograph (6)

Lot 180

Ronald Beavan, by and afterRed Grouselimited edition print 33/100;another Black Grouse 31/100signed in pencil;two hunting printsBreaking Cover and Meeting at Cover;others including still life fruit (7)

Lot 141

Robert E Fuller, by and afterHare Today Gone Tomorrowlimited edition print 215/850signed in pencil, framed.

Lot 34

Local Interest - A 1940s eight day Smiths oak cased mantel clock, Westminster chime, with key and instructions; The Leonardo Collection bowls model; a decorative bowls print; by and after John Rudkin 'Baslow', signed in pencil to margin, framed; others Bakewell Bridge, etc

Lot 274

A silver pencil and a silver stamp case

Lot 291

A 9ct gold telescopic pencil and a 9ct gold mounted penknife, on a chain

Lot 331

A 15ct gold propelling pencil, other pencils and silver cigar prickers

Lot 412

Andrew Vicari, 1967: a pencil study of a cat, 8 1/2" x 6 1/4", in gilt frame

Lot 414

Ralph Brown: a pencil sketch, nude in an armchair, 14" x 13 1/2", in strip frame, a lithograph, two dogs touching noses, 13" x 10", in gilt frame, and an acrylic landscape

Lot 457

Victorian and later silver and gold plated pocket watch cases, a leather cased travel clock, a watch makers tool, Yard-O-Led silver pencil and a plated pencil.

Lot 491

A Rodgers silver bound pen knife, with knife and saw, Sheffield 1995, together with a George V silver pencil holder with engine turned decoration, Chester 1922.

Lot 148

A Victorian gun metal cased necessaire, of oval form with ring suspension, containing a pencil, knife, button hook, and toothpick, 4.5cm L, together with a Victorian silver and agate seal, with intaglio carnelian terminal. (2)

Lot 161

A group of silver vertu, comprising an Edward VII silver stamps envelope case, Chester 1907; pendant enclosing a compass; Victorian whistle, Birmingham 1891; thimble, Chester 1905; a propelling pencil and a crested seal fob.

Lot 408

Eileen Cooper (British, 20thC). Still life with fruit, gouache, signed, 36.5cm x 30cm; together with still life of flowers in three vases, pencil and watercolour, 39cm x 48cm. (2)

Lot 412

James Green (British). Rainbow Trout; Rudd; Carp; Tench, four limited edition prints /500, signed in pencil.

Lot 414

Peter Curling (Irish, b.1955). Hell for Leather, limited edition print 247/495, signed in pencil, 41cm x 86cm.

Lot 399

Two etchings, Harold Wyllie (1880-1973), signed in pencil, 'Sailing Vessels at sea', 20 x 24cm and 13 x 36cm

Lot 205

BRITISH SCHOOL (19th Century), 'Three Cliffs Bay', (Gower), a beach scene with figures, oils on canvas. 21 x 35cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: A little grubby with minor wear in places but basically good. Early 20th Century frame. Annotated in pencil on the stretcher with indistinct possible signature.

Lot 207

JOSEPH ROBERTS (Welsh 20th Century), study of the freighter Trewidden, signed by the artist as chief officer, pencil. 36 x 49cm approx. Note: picture was drawn by an officer on the ship which was subsequently lost and in which disaster he drowned. Probate and general register and record office of shipping and seamen certificates enclosed. (B.P. 24% incl. VAT) CONDITION REPORT: Appearing in good original condition. Tape fading to upper edge but no other obvious damage.

Lot 211

HENRY TONKS (British 1861-1937), lady in a Welsh kitchen, signed with initials, signed with initials, dated 1892, watercolours. 23 x 23cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: The work itself appearing in good condition, bearing pencil written label from the artist verso. Modern glazed frame.

Lot 212

MANNER OF PIETRO TESTA (Italian 1611-1650), mother and two children, red crayon, 27 x 21cm approx. Together with attributed to William Mulready (British 1786-1863), portrait of a kneeling woman, black chalk with heightening. 32 x 19cm approx. (2)(B.P. 24% incl. VAT) CONDITION REPORT: Both pictures are framed. The red crayon work appearing in good condition. Modern frame and mount, worn with stains. The Victorian pencil sketch in modern frame with washline mount. The sketch itself appearing to have some minor discolouring in places.

Lot 239

JOHN ROBERTS (WELSH 1923-2003), abstract study, signed in pencil 'John Roberts FEC' and 'Robert Meyrick Imp', uncoloured etching, 37.5 x 30.5cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Unframed, slightly grubby in places with minor edge creases, basically good.

Lot 251

MARY GRIFFITHS (Welsh born 1956), 'Untitled', portrait of a sleeping man, signed in pencil and dated verso with Martin Tinney Gallery label, oils on panel. 23 x 15.5cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Rather grubby. In original frame.

Lot 253

RAY HOWARD JONES (BRITISH 1903-1996), still life study of fruit and foliage in a bowl, signed Ray and dated '35, pencil and watercolour. 37 x 47cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Within modern glazed frame. Some foxing spots on the work and on the glass. Otherwise good.

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