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Lot 605
CIRCLE OF GEORGE CHINNERY (1774-1852) A full-length portrait of a young girl in a Colonial interior, probably India, with a palm tree and garden beyond, pencil heightened with colour, 21cm x 13.5cm (unframed) Apparently the subject of this work is Alicia Louise Potts, the niece of Neil Benjamin Edmonstone (1765-1841) the Director of the East India Company
Lot 241
EDWARDIAN NOVELTY BUTTON HOOK, by Arthur Johnson Smith, Chester, date mark rubbed, modelled in the form of an Elephant, a miniature silver fob propelling pencil, in the form of a pistol engraved "July 6th 1840" by Sampson Mordan & Co, a gilt metal and enamel Egyptian revival propelling pencil modelled as Tutankhamun, painted in polychrome and a miniature pen knife (4)
Lot 650
•JOHN STRICKLAND GOODALL (1908-1996) A young boy in a garden holding a large bouquet of roses addressed to 'Emma', signed lower right, watercolour and pencil, 12cm x 17cm Provenance: A letter from the Artist attached verso, reading "Dear Sarah, I hope Emma will like this one day! (Someone has suggested it is a portrait of her first boyfriend!) Best Wishes, John S. Goodall"
Lot 582
HEDLEY FITTON (1859-1929) 'St. Andrew's Castle', signed in pencil to the margin, etching, 29cm x 27.5cm; together with a similar work by the same artist 'Devorgilla Bridge, Dumfries', signed in pencil to the margin, etching, 31cm x 21.5cm (2) Provenance: Acquired from Thomas Agnew & Sons and Robert Dunthorne respectively
Lot 128
William Bertram, Drawing for the design of the North side of Bath Street when the artist was involved with the Spa Scheme. Signed and dated April '83 lower left, 29 x 40cmTogether with a large collection of drawings, watercolours, photograph and prints, including landscapes, architectural studies and pencil sketches of horses (qty)
Lot 48
Edwin Penny (British, 1930-2016), 'Snowy Owl'. Pencil, watercolour and body colour. Signed lower right, inscribed verso. 21 x 9.5cmTogether with a collection of four further watercolours by Penny, each signed and of similar dimensions, including a study of a heron (5)*This Lot may be subject to Artist Resale Rights
Lot 49
Edwin Penny (British, 1930-2016), 'Ptarmigan in Snow'. Pencil, watercolour and body colour. Signed in pencil lower right, 20 x 9.5cmTogether with a collection of four further watercolours by Penny, each signed and of similar dimensions, including 'Fantail Pigeon' and studies of a duck and swan (the latter frame affected by damp) (5)*This Lot may be subject to Artist Resale Rights
Lot 52
Jules Pascin (French, 1885-1930), Paysage à la Havane. Pencil, watercolour and charcoal on paper laid down on card. Signed 'Pascin' (lower right), Executed circa 1915. 18.4 x 25cmEx. Bonhams Lot 200 Sale 23538, Maximilien Luce Collection, Private collection (acquired from the above), Anon. sale, Sotheby's, Paris, 1 July 2015, lot 18, Private collection (acquired at the above sale).
Lot 58
Suzanne Valadon (French, 1865-1938), 'Grand-Mère et Louise Nue Assise par Terre'. Original etching with aquatint and open-bite lavis in black ink on wove, 1910. Signed in pencil in margin, and signed and dated in plate. A proof aside from the edition of 75, 27 x 23cmEx. Bonhams Lot 136 Sale 23544, The William Weston Gallery, London
Lot 91
John Clevelely (British c.1712-1777), 'Brigantines - Dutch small ships and other shipping off the Coast in breezy weather'. Pencil, pen and wash. 25 x 33cm. Signed lower left and inscribed 'Coming with the Wind on the Beam with the Fore Jack to the Cathead' and numbered 3 on reverse of mount.Exhibited at Spink, King Street, label verso
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295537 item(s)/page