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Lot 496
*@Holloway (Edgar, 1914-2008). St. Paul's in 1942, etching with plate tone on cream paper, from the published edition of 50 impressions, signed, titled and numbered 10.50 in pencil, plate size 17.6 x 25.2 cm (7 x 9.9 ins), with margins, framed and glazed, together with three other etchings by Edgar Holloway (Mohawk River & Harmony Mills, Kohoes, N.Y., 1973, another American river scene, & Ardingly), each signed and numbered 19/75, 13/75 & 11/100 respectively, framed and glazed (4)
Lot 445
*Fachinetti (Carlo, 1870-1951). Famous figures of the Italian Renaissance, watercolour on card mounted on card with ruled border, depicting various figures of the Italian Renaissance including Raphael, Michelangelo, Savonarola, Dante, Petrarch, and Laura, etc., signed lower left, pencil inscription to verso 'Carlo Fachinetti peintre. Etude vis-… vis a la galleria de beaux arts Rue Ricasoli', 15.5 x 45cm (6.25 x 17.5ins), gilt decorated vellum and leather covered frame, glazed (1)
Lot 553
*@Erte (Romain de Tirtoff, 1892-1990). Sorci‚re, 1964, gouache on thick wove paper, depicting a bare-breasted female in a bejewelled purple gown, with long flowing sleeves lined in green, and wearing a hennin on her head in matching colours, titled in pencil upper right, and signed lower right, slightly dusty in places and a few minor marks, verso with additional pencilled title and blue ink stamp 'Composition originale ERT Romain de Tirtoff', sheet size 48.5 x 30cm (19 x 12ins) (1)
Lot 4
Ceramic designs. A sketchbook of original designs for pottery, circa 1822, approximately 170 pages, with drawings on rectos and versos, mostly pen & ink or pencil, but including approximately 50 watercolours (and a few with monochrome watercolour), depicting figure groups, birds and animals, flowers, with 26 pages contemporary manuscript at rear, mostly pertaining to paint colours, chemicals, and painting and printing techniques, and some notes relating to astronomy (mentioning Gemma Frisius, Uleg Beg, Dr. Bradley, Dr. Halley, and others), paper watermarked W. Weatherley 1822, some dust-soiling and marks, one leaf detached, original sheep with worn pencil slot, spine deficient and covers detached, lacking clasp, 8 x 13cm (3.25 x 5ins), together with another sketchbook of drawings, 1774-75, 60 pages, with pen & ink (and traces of pencil) still life designs on rectos and versos, mostly rectangular but including some circular or oval, each annotated to lower margin, with details of composition (e.g. 'Black Grapes, Peach & Linnets nest'), many mentioning Mr. Ackermann, but also Mr. Bassett, Mr. Stamford, Mr. Roberts, Mr. Nibbs, etc., toned and some marks, some chipping to lower edge (just clipping annotations in one or two places), engraved label to front pastedown 'Ackermann 191 Regent Street', original half roan, with pencil slot, rubbed, 9.5 x 13cm (3.75 x 5.25ins) (2)
Lot 348
*Textile designs. An archive of designs from the Ladies' Work Society, late 19th and early 20th century, a large quantity of original designs in pencil, watercolour, or gouache, e.g. charts, finished drawings, tracings, pouncings, etc., for soft furnishings, including rugs, chairs, church kneelers, altar fronts, depicting dragons, knights, exotic birds, animals, classical figures, Regency-style designs, Chinese motifs, fish, etc., some by Lady Alison Delabere Carleton, some large-scale, including seven framed and glazed, together with some printed patterns and designs, and magazine articles and cuttings Provenance: from the archive of the Ladies' Work Society, an off-shoot of the School of Needlework formed in 1875 by Princess Louise, Duchess of Argyll, to provide employment for impoverished gentlewomen. Lady Alison Delabere Carleton was one of the proprietors of the Society, and an accomplished artist. (-)
Lot 487
*Austen (Winifred Marie Louise, 1876-1964). Budgerigars, colour etching with aquatint, a fine published proof with oval publisher's blindstamp of Warwick Galleries lower right, signed and titled in pencil, plate size 18.8 x 26 cm (7.5 x 10.2 ins), with margins, framed and glazed, with small printed label of Warwick Galleries, 205 Hagley Road, Edgbaston, Birmingham to verso (1)
Lot 581
*@Gillchrest (Joan, 1918-2008). Fruit Selection, oil on board, signed with initials lower right, inscribed to verso in pencil 98/59 Fruit Selection, and with handwritten label by the artist to verso 'J G Still life Joan Gillchrest', 26 x 42 cm (10.25 x 16.5 ins), framed and glazed Provenance: Private Collection, Wiltshire. Copy of purchase invoice available. (1)
Lot 519
*Art Deco. Nuit … Venise, & Veneziana, by S. Chompre, circa 1930, two colour pochoir prints on wove paper, from the published edition of 500, each signed in the image, additionally signed in pencil lower right, and numbered 242 and 111 of 500 respectively, each titled in pencil to lower right corner of the sheet, image size 41.5 x 30.5 cm (16.3 x 12 ins), sheet size 61 x 50.5 cm (24 x 19.75 ins), matching gilt frames, glazed (2)
Lot 498
*@Holloway (Edgar, 1914-2008). Self Portrait No. 16 (Prospect of America), etching with plate tone on pale cream laid paper, from the published edition of 50 impressions, signed and numbered 22/50 in pencil below the image, titled in pencil to lower edge, plate size 19.9 x 15 cm (7.9 x 5.9 ins), with margins, framed and glazed (1)
Lot 283
*Curtains. A large heavy chintz curtain in Warner fabric, mid-late 20th century, handmade glazed cotton curtain, with 'Water Flowers' design from the Eastern Gold Collection by Warner, depicting lotus flowers in pink with green foliage, on alternating narrow green and wide brown stripes, the latter with the addition of herons and ducks in white and brown, lined with dark cream cotton, triple pleated at top, with old brass hooks, weighted at corners, lightly faded along right-hand edge, and a few marks to lining, but overall in good condition, approximate drop 220cm (86.5ins), width 488cm (192ins), together with a pair of long curtains, late 20th century, pale green cotton, lined in cream cotton, pencil pleat rufflette heading, weighted at corners, some faint fading at edges, very small dark mark on one curtain, but generally in good condition, approximate drop 239cm (94ins), width 264.5cm (104ins), plus a pair of matching pale green and cream plaited hold-backs, plus a small quantity of household linen, including napkins, a lace pin cushion, table cloths, lace mats and doilies, etc., most with embroidery or drawn threadwork, some monogrammed, various sizes and condition Established in 1870, Warner Fabrics has been purveyor to the British royal family since 1932. (4)
Lot 505
*Tissot (James Jacques Joseph, 1836-1902). Trafalgar Tavern, Greenwich, 1878, etching with drypoint on cream laid paper, the first state (of 2), with the sky unetched, signed and dated in the plate, and with artist's monogram in red, additionally signed in pencil lower left, the sheet horizontally cut (now laid down on card), plate size 35 x 25 cm (13.75 x 9.8 ins), sheet size 48 x 35.5 cm (19 x 14 ins) Wentworth 36, i/ii. (1)
Lot 488
*@Bone (Sir David Muirhead, 1876-1953). Ayr Prison, 1905, drypoint etching on laid paper, the only state, printed in an edition of 41 proofs only, signed in pencil, with wide margins, in very good condition, plate size 12.5 x 17.8 cm (4.9 x 7 ins), sheet size 22 x 29 cm (8.7 x 11.4 ins), mounted Provenance: Purchased by the current owner from Robin Garton circa 1990. Campbell Dodgson 179. (1)
Lot 429
*Watercolours & artwork. A large collection of approximately 130 watercolours, drawings and artwork, mostly 19th century and early 20th century, including 6 watercolours of maritime scenes with sailing ships (one signed Callow), 18.5 x 27cm (7.25 x 10.75ins) & smaller, 14 pencil and watercolour studies of German ballet dancers, circa 1930s, 25 x 15.5cm (10 x 6ins) & smaller, two small sketch books containing numerous pencil portrait and character studies etc., contents loose, both in original cloth covers with initials AMB and date 1910 to upper cover, together with other landscapes, portraits, still life studies etc. (approx. 130)
Lot 507
*Wilkinson (Norman, 1878-1971). Spey Pool, circa 1930, etching with drypoint, signed in pencil lower right, plate size 22.5 x 30.3 cm (9 x 12 ins), with margins, framed and glazed, with old printed label to verso of Richard Howarth, Dealer in Works of Art, 25 Preston Road, Blackburn to verso, framed and glazed (glass cracked), together with Playing a Trout in the Shadows, circa 1930, etching with drypoint, signed in pencil lower right, xxx x xxx ins, with margins, framed and glazed, with printed label of Richard Howarth, Blackburn to verso (2)
Lot 362
*Italian School. Design for a Ceiling Decoration, early 18th century, pen, brown ink and grey wash on laid paper, of a group of putti on a ledge, surrounding a large vase, appearing to examine drawings, with one holding an artist's palette and brushes, with contemporary ink annotation '3' to upper right corner, pinhole to centre of upper margin, sheet size 10.9 x 17.7 cm (4.25 x 7 ins), together with 3 other English 18th century ink studies, including 2 pen, brown ink and brown wash sketch portraits of a man and woman, the latter in the guise of a shepherdess, one with contemporary annotation to verso in ink 'Figures', and a decorative design in brown ink and pencil of pugilists surrounded by an florid ornamental border, on laid paper, the two portraits 14 x 10.5 cm (5.5 x 4.2 ins), the ugilists drawing 21.5 x 18 cm (8.5 x 7 ins), (corners cut) (4)
Lot 490
*Cowern (Raymond Teague, 1913-1986). V‚zelay, 1937, etching on wove paper, signed, titled and dated in pencil, plate size 14.5 x 18.8 cm (5.75 x 7.4 ins) with margins, framed and glazed, together with a late 19th century etching on wove paper of women in a harbour loft mending fishing nets (possibly by a Newlyn or Staithes artist), unsigned, plate size 16.2 x 26 cm (6.4 x 10.5 ins), with good margins, plus a lithographic portrait of Hilaire Belloc by William Rothenstein (1872-1945), dated in the image 1896, framed and glazed (3)
Lot 381
*Miniature. Portrait of a Regency Lady, 1818, oval watercolour on ivory, half-length portrait of a lady wearing a high-waisted green dress with puffed sleeves, and a white lace cap over her dark curls, verso with indistinct pencil inscription dated 1818, 7.5 x 6cm (3 x 2.25ins), ebonised frame, glazed, together with another 19th century miniature painting, oval watercolour on ivory, of the Virgin Mary, mounted, framed and glazed (2)
Lot 461
*De Morgan (Evelyn, 1855-1919). Male nude, pencil on thick paper, full length study of a male figure seated, with hands clasped around flexed left leg, a little dusty, a few pencil doodles and red pastel marks, sheet size 30.5 x 45.5cm (12 x 18ins), together with another male nude study similar, inscribed by the artist in ink to upper right corner 'Harvey[?] Saturday morning' sheet size 25 x 35.5cm (10 x 14ins), plus Male nude, brown chalk on grey paper, full length study of a foreshortened male figure transported through the air, some edge-creasing and marginal pin holes, 50 x 32cm (20 x 12.75ins), plus A study of arms and a hand, pencil on paper, showing a forearm and foreshortened hand, and an arm bent at the elbow, slightly dusty (especially to margins), sheet size 35 x 25cm (14 x 10ins) (4)
Lot 493
*@Holloway (Edgar, 1914-2008). Self Portrait, 1932, etching on pale cream paper, one of 6 artist's proofs, aside from the published edition of 50, signed, titled and dated in pencil, and marked V/VI AP's to lower margin, and additionally marked in pencil to edge of sheet S.P. No. 6, 1932, a very good impression, plate size 22.7 x 16.2 cm (8.9 x 6.4 ins), with wide margins, framed and glazed (unexamined out of frame) (1)
Lot 462
*De Morgan (Evelyn, 1855-1919). Female nude study for The Dryad, pencil on card, full-length study of a female nude, seated with arms folded across chest, annotated in pencil in the artist's hand to upper right corner 'Thick fog', sheet size 35.5 x 25.5cm (14 x 10ins), together with Male nude with shield, black & white chalk on dark brown paper, three-quarter length study of a male figure holding a shield before him, pin holes to corners, sheet size 31.5 x 24cm (12.5 x 9.5ins) 'The Dryad' was painted in 1884 and was exhibited in 1885 at the Grosvenor Gallery, London; it is now in the Evelyn De Morgan Foundation ('Evelyn De Morgan, oil paintings', DMF, plate 16). The oil painting depicts a hamadryad, a type of nymph in Greek mythology born bonded to a particular tree. The nymph is seen emerging from the tree, with her foot still hidden inside the tree's trunk, and unusually, the artist painted on wood panel, rather than canvas, presumably to echo the theme of the work. This preparatory figure study shows Evelyn working out the precise placement of the limbs and perspective of the flexed left leg; the pose of the figure in the final work differs little from this study. (2)
Lot 464
*De Morgan (Evelyn, 1855-1919). A collection of botanical drawings and sketches, pencil on paper or card, some with watercolour, depicting various botanical subjects, including olive branches, poppies, narcissi, lilies, an iris, trees, apple blossom, some marks and stains, sheet size 66 x 53cm (26 x 21ins) and smaller (9)
Lot 451
*Attributed to John Martin (1789-1854). Biblical landscape with figures harvesting, circa 1830-40, pencil on thick wove paper, 9.7 x 14.7 cm (3.8 x 5.75 ins), 20th century pencil inscription J7253 to verso of mount, framed and glazed with Thomas Agnew label to verso and typed number 47055 (1)
Lot 504
*Richards (Frederick Charles, 1887-1932). Boodles to St. James's Palace, etching on thin wove paper, signed and titled in pencil, plate size 21.8 x 25 cm (8.5 x 9.75 ins), with margins, mounted, together with A City Built Upon A Hill, The Monastery, Ewot Bridge - Durham, Near S. Pietro - Venice, each signed and titled in pencil, various sizes, plus one other etching by the same artist, The Little Shop under the Arches, unsigned, all except two mounted (the small Venice etching laid down on card) (6)
Lot 373
*Continental School. Oval miniature portrait of Queen Louise of Prussia (1776-1810), later 19th century, watercolour and gouache on thin ivory, signed Denise lower right, depicting the famous young wife of Frederick William III of Prussia, who met Napoleon following his defeat of the Prussians in 1807 to ask for leniancy, the figure wearing a white empire-style dress with pink ribbon sash and ermine royal cape, and a diadem with star and veil, 10 x 8 cm (4 x 3.2 ins), period ornate brass frame, together with another Berlin porcelain oval miniature portrait of Queen Louise, pencil inscribed to verso with her name, and with blind impressed stamp '15' to verso mounted on oval brass frame, 9 x 7 cm (3.5 x 2.75 ins), a small oval miniature portrait of a young woman holding red roses in the style of Heinrich Friedrich Fger (1751-1818), probably late 19th century, an English watercolour portrait of a seated widow, unsigned, and one other (5)
Lot 352
Leonard Baskin (American, 1922-2000)'Silence'Artist's Proof Signed and titled in pencil Sheet size 86.5 x 61cm Together with a print designed by Baskin for the 1976 Olympics *This Lot may be subject to Artist Resale Rights20th Century 'The Mind of the Man'1982Artist's Proof, IV of VSigned indistinctly in pencil lower right 76 x 57cm
Lot 1110
Takeo Yamaguchi (1902-1983) 'Travelling to Tanyong villiage', watercolour drawing, signed in pencil and dated 1946, Titled verso, 30cm x 38cmProvenance: Found amongst the papers of Maurice Coombes Perry and purchased by the present vendor from his son Roger Perry. His father was a civil engineer who lived in Kuala Selangor and was put in charge of the reparations of the irrigation canals to the paddy fieldsbetween 1945-1949. In 1945 Takeo Yamaguchi was conscripted into the Japanese Army. It is possible that he was made to work on the reparations after the Japanese surrender. Roger Perry, who also lived in Kuala Selangor believes that the drawing shows the South side of the river mouth leading to the headland..
Lot 926
Alexandre Bailly (1866 - 1947) Oil On Wood Panel Possibly a set design for ballet/opera/cinema. Depicting a building with trees to foreground in expressionistic style, signed to bottom. Atelier stamp to verso, set dimensions in pencil to verso. 16.5 X 26.5 cm. Provenance, Atelier Jambon - Bailly Sale. Please see accompanying image
Lot 298
A Collection of Silver Items five (5) in total, comprising: Edwardian Silver Cigar Holder & Case with Amber Tip, Hallmark Birmingham 1908.Edwardian Period Silver Cased Cigar Cutter, Full Hallmarked for Gloster 1910.Silver Cased Pencil Holder.Victorian Period Silver Bone Handled Fruit Knife, Hallmarked Birmingham 1892.Russian Ornate Handle Caddy Spoon from the early 20th Century, full silver marks to bowl (3) sickle - plus silver purity 916. Please see photos.
Lot 920
David Shepherd (British 1931 - 2017) Artist Signed Print Framed and mounted under glass, depicting a rural landscape and agricultural buildings. Publishers blindstamp to bottom left margin, published by Solomon And Whitehead Ltd. 1980. Pencil signed to bottom right margin. Good condition, image size 32 x 19 inches.
Lot 910
Tom Dodson 1910 - 1997 Pencil Signed by The Artist Ltd and Numbered Edition Colour Lithograph / Print. Titled ' A Carriage For Two ' This Lithograph Is Number 536 of 850 Issues. Published by Studio Arts, Mounted and Framed Behind Glass. Image Size Only 15 x 18.25 Inches - 37.5 x 45.75 cm. Excellent Original Condition.
Lot 916
Tom Dodson (British 1910 - 1991) Limited Edition Artist Signed Print 'Silent Night' Number 781 Of 850 Framed and mounted under glass. published by Studio Arts, 1988. Studio Arts blindstamp to lower left, pencil signed and numbered to lower right. Very good condition. Image size, 14 x 19 inches.
Lot 762
A early 20th century 925 silver pocket / fob watch with traditional floral engraving, roman numerals to the chapter ring and faceting hands, with gilt detailing to the face, bearing London import marks dated 1919, along with a silver hallmarked pencil with scrolled foliate engraving, hallmarked for Birmingham 1902.
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295609 item(s)/page