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Lot 95

Colin Moss (1914-2005) Museum Piece, 1980 signed, titled, and dated in pencil (in the margin) linocut 43 x 32cm.

Lot 115

John Thompson (1924-2011) Street Scene, 1951 signed and dated (lower left) charcoal and pencil 17 x 25cm.Paper has two small rips that meet in the bottom left corner. Sheet toned as evidence of old mount line across the bottom edge. Well presented in contemporary gallery frame.

Lot 226

Henry Cliffe (1919-1983) Untitled, 1952 signed in pencil (lower right) lithograph 51 x 70cm, unframed and rolled.

Lot 132

William Orpen (1878-1931) Portrait of Harold Spender pencil on paper 9.5 x 8.5cm.   Provenance: The collection of Oliver Carey.

Lot 228

A James Bond Archives Golden Edition A, Taschen Collectors limited edition book, signed by Daniel Craig, in golden leather clamshell box and original packaging, also containing an original half second of celluloid film strip from Dr No film, sealed and unopened book, 190/250, along with the accompanying pigment print depicting a stage set design from the film Goldfinger, signed in pencil by Sir Ken Adams, in original box with label 190/250, circa 2012, If there is no condition report shown, please request

Lot 20

λ&nbspALLAN MITELMAN (POLISH/AUSTRALIAN B. 1946) UNTITLED Coloured pencil Signed with initials and dated 77 (lower left) 26.5 x 23cm (10¼ x 9 in.)

Lot 927

KAY BOYCE (ENGLISH 20th CENTURY)  PORTRAIT OF A LADY  Pencil on paper, signed lower left, dated (19)96, 45 x 20cm   Condition Report:Available upon request

Lot 955

PETER HOWSON OBE (BRITISH B.1958)  CHILD  Etching, signed, dated (19)94 and no.12/50 in pencil, 15 x 10cm Condition Report:Good condition

Lot 400

A tortoiseshell snuffbox, with yellow metal plaque inset to lid engraved with the arms of the Armstrong family; a brass whistle by S. Auld of Glasgow; a silver-mounted miniature Book of Common Prayer; a small fortune teller's crystal ball; a cased Wahl's Eversharp gold-filled propelling pencil; a Bushman's Friend Bowie knife by Cambridge & Co. of Sheffield etc. Condition Report:Available upon request

Lot 18

2 Cambridge prints, 'college Entrance' and 'King's Parade', both pencil signed, framed and glazed. Largest 30cm x 56cm approx 

Lot 22

Pastel and Pencil nude studies signed Caroline 48c60cm/ 39x52cm

Lot 476

2 Victorian propelling pencils one with wax seal and one with pink gem stone and a Parker gold nib fountain pen  pencils missing the catch to lower pencil

Lot 84

6 19th/20thC books- Just Dogs pencil and pen sketches by K.F Barker, Rag, Tag and Bobtail by Edith Farmiloe, The Quoks by Luxor PriceHong Kong by E. Thorbecke, Nursery Land by Frederic E. Weatherly, Jumbles by Lewis Baumer

Lot 90

Edward Brian Seago – Horseracing Study, 20th century ink with wash and gouache over pencil, signed, 23cm x 23cm, within a gilt frame.

Lot 249

Leonard Charles Renton – ‘Arboreal’, 20th century mixed media with pencil and cut paper collage, signed with initials and titled recto, labels verso, 47cm x 35cm, within a silvered frame.

Lot 18

Hendrik de Meijer II – ‘Flemish Farmstead with Figures and Cattle’, 18th century watercolour over pencil, Frost & Reed labels verso, 41.5cm x 57cm, within a gilt frame.

Lot 288

Ken Symonds – ‘Sumo Wrestlers 2’, 20th century watercolour over pencil, signed recto, title and labels verso, 22cm x 26cm, within a limed wood frame.

Lot 120

John Bratby – ‘Patti on the Beach at Shoreham’, 20th century pastel with pencil, signed and titled, 27cm x 19cm, within a gilt frame.

Lot 209

Anthony Devis – Anglers in a Lakeland Landscape, late 18th/early 19th century monochrome watercolour over pencil on laid paper, signed with initials, 23cm x 31.5cm, within a gilt frame.

Lot 63

Frederick James Shields – Portrait of a Lady (possibly a study for ‘Mercy fainting at the Gates’), 19th century pencil, signed with monogram, 9.5cm x 8cm, within a stained wood frame.

Lot 200

JEWELLERY BOX & CONTENTS, green faux leather jewellery box containing ATS enamel badge, military buttons, silver plated propelling pencil, boxed air raid precautions services tags silver badge, manicure set, miniature bone dominoes, etc

Lot 388

AUGUSTUS EDWIN JOHN O.M., R.A. (WELSH 1878-1961) HEAD OF A GIRL IN PROFILE Pencil 12cm x 9.5cm (4.75in x 3.75in) Provenance: Thos. Agnew & Sons Ltd, London, no.34679

Lot 385

HENRY TONKS (BRITISH 1862-1937) AN ENGLISH LANE Signed, pencil and watercolour 23.5cm x 35cm (9.25in x 13.75in) Provenance: The private collection of the late David Hutcheson, sold in aid of St Mary’s Music School Trust Ltd, SC014611H. Jefferson Barnes;Bourne Fine Art, Edinburgh

Lot 371

EDWARD LEAR (BRITISH 1812-1888) MONTE GENEROSO Signed, inscribed and dated ‘19 July, 1878, 4.50pm’, pencil and pen and ink 9cm x 15cm (3.5in x 6in) Provenance: The Rt. Hon The Lord Clwyd

Lot 387

SIR EDWARD COLEY BURNE-JONES A.R.A. (BRITISH 1833-1898) LADY ELIZABETH LEWIS Signed with initials and inscribed and dated with sitter's initials E.B. 1881, pencil 36.25cm x 24.25cm (14.25in x 9.5in) Provenance: Lady Lewis, and thence by descent through the family Exhibited: Burlington Fine Arts Club, London 1896, no.186;Hayward Gallery, London; Southampton Art Gallery; City Museum and Art Gallery, Birmingham, The Paintings, Graphic and Decorative work of Sir Edward Burne-Jones 1833-1898, 1976, cat.no.238Note: Elizabeth (Betty) Eberstadt, daughter of Ferdinand Eberstadt of Mannheim , married George Lewis in 1867. He was one of the most eminent solicitors of the day and was knighted for his services in connection with the Parnell Commission. Burne-Jones relied on him for professional advice, and by the 1880's and 90's had become a close friend of the Lewis family. He corresponded at length with Lady Lewis and the younger of the two daughters, Katie, and both mother and daughter sat to him for portraits or pencil drawings. 

Lot 369

EDWARD LEAR (BRITISH 1812-1888) TIVOLI Signed, inscribed and dated 1839, pencil heightened with white on blue/grey paper 22.5cm x 33cm (8.75in x 13in) Provenance: The Rt. Hon. The Lord Clwyd

Lot 177

Albert Irvin RA, British 1922-2015, Copperas, 1991; screenprint in colours on wove, signed, dated, titled and numbered 9/90 in pencil, published by Advanced Graphics, London, with their blind stamp, sheet 147 x 118cm, (framed) (ARR) 

Lot 56

Victor Pasmore CH CBE, British 1908-1998, Variation of Points of Contact No. 9, 1966; screenprint on wove, signed, dated and numbered 8/70 in pencil, sheet: 79.5 x 59cm, (framed) (ARR) 

Lot 157

Norman Ackroyd CBE RA,British b.1938- Windrush Afternoon, 1991; etching with aquatint on wove, signed, dated, titled and numbered 27/90 in pencil, plate: 43.7 x 57.5 cm, (unframed)(ARR)

Lot 113

Giovanni Bianconi, Swiss-Italian 1891-1981, Neutralità; Trasloco; 2 Novembre; each woodblock print on laid paper, each signed and titled in pencil, largest sheet: 68.4 x 32.6 cm, (unframed) (3)Provenance: The Carmen Thyssen Collection 

Lot 98

Jacques Villon after Pablo Picasso, French 1875-1963, Maternité, etching and aquatint on wove, titled and inscribed 'Picasso Pinxt' and 'Jacques Villon Sct.' in pencil, sheet: 76 x 52cm, (unframed) (ARR) 

Lot 28

David Hockney OM CH RA, British b.1937- Corpses on Fire, from Illustrations for Six Fairy Tales from the Brothers Grimm, 1969; etching with aquatint on Hodgkinson handmade paper, signed and numbered 62/100 in pencil, published by Petersburg Press, London, sheet: 44.7 x 40cm, (framed) (ARR) 

Lot 352

Giuseppe Penone, Italian b.1947- Intersecting Gaze / Sguardo Incrociato, 2012 (poster); offset lithographic poster on wove, signed and dated in pencil, published by the Gagosian Gallery, sheet:  61.2 × 76.2 cm, (unframed) (ARR) 

Lot 51

Dame Laura Knight DBE RA RWS, British 1877-1970,The Three Graces (Second State);  soft-ground etching, signed titled and inscribed in pencil, plate: 34.8 x 24.7 cm, (framed)(ARR)

Lot 181

Albert Irvin RA,British 1922-2015, Thames, 1990; screenprint in colours on wove, signed, dated, titled and numbered 33/90 in pencil, sheet: 76 x 104.5 cm, (framed)(ARR)

Lot 175

John Hoyland RA, British 1934-2011, Hating and Dreaming, 1990; screenprint in colours on wove, signed, dated and numbered 35/40 in pencil, published by Waddington Graphics with their blind stamp, sheet: 112 x 105 cm, (framed) (ARR) 

Lot 227

Beryl Cook OBE, British 1926-2008, In the Snug, 2003;  6 colour offset lithograph on wove,  signed and numbered 503/650 in pencil,  published by Alexander Gallery Publications, image: 40.7 x 43.2 cm,  (framed) (ARR) Note: together with a certificate of authenticity issued by Alexander Gallery Publications.

Lot 3

Lill Tschudi, Swiss 1911-2004,Moon, 1952;linocut in colours on Japan paper, signed in pencil and numbered 6/50 (under the mount), sheet: 28 x 31 cm, (framed) (ARR)Provenance: Gordon Cooke Ltd, London, 1994

Lot 158

Norman Ackroyd CBE RA, British b.1938-From Polglass,1991; Wenlock Edge, 1992; Cul Mor, 1991; On Long Mynd, 1993; Loch Broom, Western Ross, 1993; Rudland Rigg,1993; Wiltshire Skyline, 1993; The Stour at Mistley, 1992; St David’s, 1992; each etching with aquatint on wove, each signed, titled, numbered and dated in pencil, each sheet: 32.5 x 26 cm,  (framed) (ARR) (9)

Lot 202

Wilhelmina Barns-Graham CBE, British 1912-2004,Millennium Series, 2000;screenprint in colours on wove, signed in pencil and numbered 44/100, sheet: 22 x 28 cm, (unframed) (ARR)Provenance: Art First Contemporary Art, London

Lot 226

Billy Childish, British b.1959- Volcano, 2022;22 colour screenprint with lithography on Somerset wove,signed, dated and numbered 5/100 in pencil,published by Counter Editions, London, sheet: 76 x 60 cm, (unframed)(ARR)

Lot 142

Patrick Procktor RA RE RWS,British 1936-2003,Ossie, Gervaise and Eric, from Invitation to a Voyage, 1969;etching in colours on wove,signed and numbered 4/75 in pencil, image: 31 x 92 cm,(framed) ARR)

Lot 448

Various Artists,  British 21st Century,Other Men's Flowers Portfolio, 1994;  complete portfolio including fifteen works of various media, on various papers, with title and justification pages,  signed in pencil or ink by the participating artists and numbered 5/100 on the justification page,  the full sheets, loose as issued, in original blue box with printed title,  overall: 62.0 x 49.0 cm  (unframed)Note: artists included - Henry Bond, Stuart Brisley, Don Brown, Helen Chadwick, Matt Collishaw, Itai Doron, Tracey Emin, Angus Fairhurst, Liam Gillick, Andrew Herman, Gary Hume, Sarah Staton, Sam Taylor-Wood, Gavin Turk and Max Wigram. 

Lot 72

John Brunsdon ARCA, British 1933-2014,  Low Cloud over Snowden; Eddlesborough Church; each etching with aquatint in colours on wove, each signed, titled and numbered from the edition of 100 in pencil, each sheet: 57.3 x 79.5 cm, (unframed)(ARR)(2)

Lot 49

Sir Frank Brangwyn RA RBS RBA, British 1867-1956,Bruges at Night (Bridge of the Predikheren);woodblock print in colours on wove, signed by Brangwyn and Urushibara Mokuchuin (printer) in pencil, image: 37.5 x 49.5 cm, (framed) (ARR)

Lot 133

Josef Albers,  German/American 1888-1976, Homage to the Square (Blue with Orange Square); Homage to the Square (Red with Orange Square); Homage to the Square (Purple with Pink Square); each offset lithograph in colours on thick wove,  each edition of 250 numbered in pencil on the reverse,  each published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979,  each sheet: 33 x 33 cm,  (framed) ( ARR) (3) Note: together with the book 'Josef Albers: Small Paintings', 2009, published by Waddington Galleries, and the catalogue book 'Joseph Albers, Homage to the Square, 1950-1976', published by Hatje Cantz Verlag GmbH, Berlin.

Lot 87

Arnulf Rainer, Austrian b.1929-Red Abstract;drypoint etching in colours on wove, signed in pencil and numbered 1/30, image: 31.5 x 43.5, (framed) (ARR) 

Lot 84

After Georges Braque, French 1882-1963,L'ordre des oiseaux (The Order of Birds); lithograph printed in colours, after the original aquatint published in 1962,signed within the plate,numbered 111/500 in pencil,image: 44 x 34 cm, (framed)

Lot 317

Bob Dylan, American b.1941-Midnight Caller;giclée print in colours on Hahnemühle 350gsm Museum Etching paper,  signed and numbered '267/295' in pencil, printed by GTZ Fine Art Editions, New York,  published by Washington Green Fine Art in association with Black Buffalo Artworks,  sheet: 76.2 x 58.5 cm,  (framed) Note: together with a certificate of authenticity issued by Washington Green Fine Art. 

Lot 127

Victor Vasarely, Hungarian/French 1906-1997, Dell-Dell, 1976; screenprint in colours on wove, signed and numbered 23/225 in pencil, sheet: 116 x 72cm, (framed) (ARR) 

Lot 35

Atta Kwami, Ghanaian 1956-2021,Father’s House, 1992/3;  monochrome stone lithograph on Fabriano cotton wove, signed in pencil, numbered 2/6 and dedicated 'For Sue Clive with thanks', sheet: 37.5 x 51.5 cm,  (framed)

Lot 195

Dame Paula Rego DBE RA, Portuguese/British 1935-2022, Carmen and Bird, 1997;screenprint on Somerset wove paper,  signed in pencil and numbered 6/30 (there were also 5 artist's proofs),  printed by Gresham Studios, Cambridge, published by the artist, London, sheet: 85 x 71 cm,  (framed) (ARR)

Lot 323

Bob Dylan, American b.1941-Train Tracks, 2012;giclée on 350gsm Hahnemühle Museum Etching wove, signed and numbered 78/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 91.5 x 71 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity published by Washington Green Fine Art. 

Lot 339

Katherine Bradford, American b.1942- Person with Colors, 2024; 26 colour screenprint on Somerset 410gsm Tub sized Satin Radiant White wove, signed, dated and numbered from the edition of 75 in pencil, printed by Counter Studio, Margate, published by Counter Editions, Margate, sheet: 60 x 76cm, (unframed) 

Lot 103

Joan Miró, Spanish 1893-1983,L'Inhibe, 1969;etching, aquatint and carborundum on wove, signed in pencil and numbered 37/75, sheet: 69 x 53.5 cm, (framed) (ARR)Provenance: Halcyon Gallery LondonUK Private Collection 

Lot 176

John Hoyland RA, British 1934-2011, Root, 1992; screenprint in colours on wove, signed, dated and numbered 47/50 in pencil, produced with Kip Gresham, published by Curwen Chilford Prints, Cambridge, with their blindstamp, sheet: 91 x 75cm, (framed) (ARR) 

Lot 19

John Minton,British 1917-1957, Quayside and Lighthouse, 1948; linocut printed in three colours on thin tissue paper, signed, dated and numbered 2/6 in pencil, image: 20.3 x 31 cm, (framed)(ARR)Provenance: Osborne Samuel, Modern and Contemporary Art Gallery, London | Private UK Collection

Lot 524

Mr Brainwash, French b. 1966-  Follow You Heart (Red), 2020;  screenprint on archival paper, signed in pencil, from the edition of 25, sheet: 76.2 x 55.9 cm,  (framed) (ARR) Note: together with a Mr Brainwash certificate of authenticity. 

Lot 4

Samuel Palmer, British 1805-1881,The Sleeping Shepherd, Early Morning, 1857;etching on India paper, signed in pencil, published as plate 5 in 'Etchings for the Art Union', image: 9.5 x 7.8 cm, (framed)Note: Ref: Lister 6 IV/4Provenance: P and D Colnaghi, London, 1976

Lot 141

Nicholas Garland, British b.1935- Annabel's, 1985; incomplete set of 12 linocuts on Arches wove, each signed, titled and numbered 193/250 in pencil, with title and justification pages, list of plates and introduction by Lucian Freud, printed by I M Imprimit, London, published by Mark Birley, London, each sheet: 50.5 x 38cm, (unframed)(ARR)(2)Note: Please note this folio is incomplete as it lacks plate 8. Man at The Bar, and plate 14. Couple in The Bar. Contained within original black fabric covered portfolio box.

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