Aristophanes. Comoediae Novem, EDITIO PRINCEPS, Venice: Apud Aldum, 1498, 346 leaves (of 348), lacking two blanks, text in Aldus' large Greek type 146, 41-42 lines of commentary and headline in smaller Greek type 114, Aldus' preface in Roman type, woodcut strapwork initials in two sizes, headpieces, initial spaces with guide-letters, early brown ink annotations in Greek, mainly to the first quarter of the volume, title and final leaf neatly strengthened at gutter, final text leaf with a few marginal repairs and some soiling to verso, a few small marginal tears or repairs, occasional light spotting or soiling, contents generally in very good, clean condition, edges speckled, 19th century manuscript bibliographical notes to front pastedown, and bookplate of Walter Hirst, with Sir Thomas Phillips' pencilled shelfmark below, rear pastedown with early ink lettering, and Quaritch pencil note, later 17th or 18th-century mottled vellum, gilt-decorated spine with thistle motifs and red morocco labels, thin red paint mark to lower cover, folio (314 x 204 mm)QTY: (1)NOTE:Provenance: Sir Thomas Phillipps (1792-1872), Middle Hill library, Broadway, Worcestershire (Middle Hill pencilled shelfmark to front pastedown; his sale, Sotheby's, 28th November 1977, lot 5172); Walter Hirst (bookplate); earlier ink numbering and a Quaritch pencilled note to rear pastedown.BMC V 559. GW, 2333. Goff, A-958. Sander I 580. Essling I 2,2 1163.First printed edition of Aristophanes, comprising Plutus, Nebulae, Ranae, Equites, Acharnes, Vespae, Pax and Contionantes in the recension of the fourteenth-century Byzantine scholar Demetrios Triklinios, and one of the most important productions of the Aldine Press. Aldus was the first to found his career on the publication of Greek texts, printing more of the editiones principes of the major Greek classics than any other printer. The editor was the Greek humanist Marcus Musurus who also wrote the preface on the reasons for studying Greek and the stylistic beauty of Aristophanes. Aldus' dedication to Daniele Clario, teacher of classical languages in Ragusa, commends the plays of Aristophanes as necessary for pupils to immerse themselves in pure Greek, in the way that Terence serves for Latin.One of the greatest English book and manuscript collectors, Sir Thomas Philipps began collecting while still at Rugby School and continued at Oxford. According to A. N. L. Munby he acquired about 40,000 printed books and 60,000 manuscripts, arguably the largest collection created by a single individual.
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Pritt (Thomas Evan). Yorkshire Trout Flies, 1st edition, Leeds: Goodall and Suddick, 1885, 12 lithographed plates, all but one hand-coloured and each initialled by the author in pencil, tipped-in autograph letter signed, 'T.E. Pritt', to E.M. Tod of Brighton, dated at Headingley, Leeds, 28 July 1888, giving Tod information about this copy of the work the author is sending him and embellishing the letter with a small hand-coloured watercolour of another fly, '... a modification of the Broughton point, the hackle being from the inside of a jack snipe's wing... ', one page, 8vo, original green cloth gilt, rubbed with a little wear to extremities, 8vo (215 x 135 mm), preserved in a modern green half calf gilt book boxQTY: (1)NOTE:One of 250 copies, this being one of 50 copies hand-coloured by the author personally, as indicated in the tipped-in letter.
* Prints & Engravings. A collection of approximately 575 prints, mostly 19th-century, engravings, etchings and lithographs including British topographical views, natural history, advertisements, foreign topography, pencil drawings, genre, greetings cards, sporting and caricatures (Dr Syntax series), together with a partially excised scrap album containing greetings cards, scraps, drawings and photographs, with Saxton (Christopher & Hole G.). Glocestriae Comitatus olim sedes Dobunorum [1607 - 10], hand - coloured engraved map, large strapwork cartouche and mileage scale, slight creasing, 285 x 320 mmQTY: (approx. 575)
Folding maps. A collection of 6 folding maps of foreign parts, mostly 19th-century, including Philips's Special Large Scale Map of the North Western Frontier with a map of the Overland Routes and a Military Map of the Indian Empire, George Philip & Son, London & Liverpool, circa. 1897, folding colour lithographic map, lightly toned, laid on linen, folded in original printed cloth wrappers, 550 x 725 mm, together with:Stanford's Map of The Far East & Pacific Ocean to illustrate the international situation..., mandated territories are shown according to the latest information available, London: Edward Stanford, 1941, folding colour photolithographic map, pinholes to upper corners of margins, laid on linen, original wrappers to verso, 550 x 700 mm, plus Bartholomew's War Map of Afghanistan and the indo-Russian frontiers, with a large general map showing the connection between England, Russia, & India, Edinburgh: John Bartholomew, 1885, folding colour lithographic map, a few tears and holes to folds, original wrapper to verso, 830 x 615 mm, plusPhilip's Special Large Scale War Map of The Soudan, Extending to Suakim on the Red Sea, with an enlarged plan of Kharetu, London: George Philip & Son, 1885, folding colour lithographic map, printed in black and blue, some spotting, a few tears to folds, original wrapper to verso, 575 x 795 mm, plusMap of British Malaya including the Straits Settlements, Federated Malay States and Malay States not included in the Federation...., Published under the direction of the Surveyor General, 1924, folding colour lithographic map, light spotting, area of loss to top left corner, laid on linen, 915 x 880 mm, and Town of Accra, circa. 1930, folding colour lithographic map, a few pencil annotations to printed area, margins and manuscript title to verso, light toning, 900 x 450 mm QTY: (6)
Ware (Isaac). Designs of Inigo Jones and Others, published by I. Ware, [London]: Printed for J. Millan opposite to the Admiralty Office White Hall, 1743, engraved title-page with indistinct signatures at head, engraved index leaf with pen, ink and pencil design for a chest of drawers to verso, 48 copper engraved plates by P. Fourdrinier, including six folding, (numbered 1-53, complete as list), folding plate 17/18 with repaired fold to verso, plate 48 with manuscript captions, manuscript notes to verso of final plate, few plates with light stain to fore-edges, some light dust-soiling, free endpapers discarded, contemporary mottled calf, with morocco title label, joints cracked and some wear, 8voQTY: (1)NOTE:The volume contains designs for fireplaces, staircases, ceilings, obelisks and buildings, etc. First published in 1735, this issue is particularly scarce.
Glaisher (James, 1809-1903) [and Glaisher, Cecilia Louisa, 1828-1892]. Snow Crystals, Observed by James Glaisher, Esq., F.R.S., from February 8th to March 10th, 1855, no place, [1855], letterpress drop-title and 63 wood-engraved monochrome plates printed individually in black, blue, brown, green or grey on rectos of thin card, images 75 x 75 mm, three ownership inscriptions to title, P[eter] Le Neve Foster, W[illiam] B[olger] Gibbs (in pencil) and Michael K[ingsley] Williams, sepia half-tone illustration of ‘Spray Ridges of Ice’ after a photograph by Herbert Ponting bound before title, all edges gilt, early 20th-century green morocco gilt by Zaehnsdorf (dated 1907), slightly rubbed, spine browned, 8voQTY: (1)NOTE:Provenance: Peter Le Neve Foster (1809-1879) was an English barrister and mathematician. He is known as an innovative secretary of the Royal Society of Arts. Foster was an early amateur photographer, and was one of the founders of the Photographic Society and a pioneer photographer of the Calotype Club. He was a contributor to scientific and technical journals; in the Journal of the Society of Arts he wrote a good deal, but generally anonymously. He would have crossed paths with Glaisher at scientific meetings.One of his sons was Sir Clement le Neve Foster FRS (1841-1904), an English geologist and mineralogist.William Bolger Gibbs FRAS (1834-1925), was a Member of the Stock Exchange, but took a great deal of interest in astronomy, mathematics, microscopy and geology. He would have come into contact with the Foster family through shared scientific interests and related society meetings.Michael Kingsley Williams (1929-1958) switched from studying engineering to medicine while at Merton College, Oxford. He worked as a GP in Surrey for most of his life. The address given by him on the title-page is 12 Tower Park, Fowey, where his father was a vicar.Christie’s New York sold an identical set (loosely contained in a box) for USD 20,160 (27 January 2023, lot 35). Their suggestion that it was perhaps a unique set is now clearly incorrect but no other sets beyond these two have been located.As part a ‘Wonders of the Microscope’ soirée held by the [Royal] Microscopical Society of London on 11 April 1855 James Glaisher presented a special exhibition of photographs depicting snow crystals. Preparation for the exhibition was undertaken in collaboration with his wife, Cecilia Louisa Glaisher, a photographer and printer who redrew the observations for publication. During his presidency, the R.M.S. was granted a Charter and one of the Glaishers' magnified snowflakes was selected to be the Society’s official emblem, and remains so today.‘At the same time as making her photogenic drawings of ferns, Cecilia Glaisher was working with her husband, James Glaisher, superintendent of the Meteorological and Magnetic Department at the Royal Observatory, Greenwich, on a study of snow crystals.Their observations, made through lenses of different power, resulted in an important scientific paper, 'On the Severe Weather at the beginning of the year 1855; and on Snow and Snow-Crystals'. It was read by James Glaisher at the Fifth Annual General Meeting of the British Meteorological Society on May 22nd, 1855, and was subsequently published by the Society in their 5th Annual Report.The paper was illustrated by 151 reproductions of precise schematic drawings of snow crystal forms which, Glaisher wrote, ‘were executed by Mrs Glaisher from rough sketches of my own.’ These illustrations have been described as ‘the most accurate observations published before the development of photomicrography.’’ (Ceciliaglaisher.com)The first four pages of Glaisher’s paper (including title-page with decorative rule) contain 88 numbered black and white illustrations of snow crystals reproduced at a diameter of 2 cm each. Glaisher wrote that ‘the greater number [of snowflakes] fell during the present year (1855), and before Feb. 8’ and that they had been observed through ‘a lens of very moderate power’, adding that ‘they are chiefly valuable as showing the general effect to the naked eye.’ These are followed by 63 crystals [as in the lot offered here] seen more greatly magnified, often examined under a microscope, the result of observations on 8 days between 8 February and 10 March. They were reproduced two to a page at a diameter of 7.5 cm and were ‘selected rather as varieties illustrative of a class, than for any special symmetry of form’.
Newton (Isaac). Opticks: Or, a Treatise of the Reflectons, Refractions, Inflections and Colours of Light. The Second Edition, with Additions, London: W. and J. Innys, Printers to the Royal Society, 1718, 10 (of 12) folding engraved plates, lacks Book I, Part I, Plate I and Book III, Plate I, also lacks advert leaf at rear, heavy old dampstaining, browning and dust-soiling throughout, ink ownership signature of C. W. Boyce at head of first page of text (and pencil inscription of Carrington William Boyce, 1834, to front pastedown), contemporary calf, covers detached and some wear to spine, 8voQTY: (1)NOTE:Babson 134; Wallis 176.The second issue of the second edition with the four title and preliminary leaves reprinted from the very rare first issue of 1717, with the plates newly engraved, ‘and the number of Queries at the end increased from 16 to 31, including the celebrated Query No. 28 on the nature of light’ (Babson). The present edition also contains Query 31, which is Newton's only chemical treatise.
Manuscript Shahnameh. [The Shahnameh of Ferdowsi, Rabi' al-Thani 1132: February 1720], 268 leaves in black nastaliq manuscript in four columns within red-ruled borders, headings in red ink, 17 watercolour and gouache miniatures, heightened in gold and silver, the largest 27 x 18.5 cm, a few miniatures rubbed with some loss of paint, lacking title and some other leaves?, a few leaves and miniatures laid down, some repairs and worming, some water stains, toning and smudging to manuscript, bound in later sheep, spine faded, light edge wear, folio, 38.5 x 25.5 cm QTY: (1)NOTE:Provenance: modern pencil note to front endpaper giving the title and date.
Shanghai. Stanfords (publisher), Plan of Shanghai, published under Authority of the Municipal Council, 1928, colour printed lithographic map, sectionalised and laid on linen, printed table of explanation highlighting the drainage and creek system, facsimile signature of the Commissioner of Public Works, 820 x 1620 mm, bound in contemporary morocco with gilt title to the spine, slight wear to extremities, supplied with six sheets of personal notes and the career progression of Noel William Bailey Clarke M. Eng, M. Inst C. E., together with a contemporary photograph (with a pencil signature of the photographer) of Noel Clarke measuring 170 x 110 mm, tipped onto thin card and presented in a contemporary card wallet, overall size 245 x 165 mmQTY: (3)NOTE:Noel Bailey Clarke was a civil engineer who worked on the engineering staff of the Public Works Department of the Shanghai Municipal Council. He was particularly responsible for wharves, river walls, underground sewage pumping stations, sewage purification plants, incinerators and public swimming baths. He rose to become the President of the Engineering Society of China and served as Vice-Chairman of the Shanghai Association of the (British) Institution of Civil Engineers.The two-line key printed in the bottom right corner of the plan relates to drainage and canals and is hand-coloured on the main plan in green and dark blue. This would only be of use to an engineer responsible for drainage and sewage and is indicative that this map is a personalised and possibly unique variant made for Noel Bailey Clarke's sole use. This hypothesis is strengthened by Noel William Bailey Clarke's most comprehensive publication being entitled 'Buried Pipelined: A Manual of Structural Design and Installation'. It would make sense that, with this being his speciality, his focus in Shanghai would have related to drainage and as such the plan may have been specially customised for his use.We have only been able to trace three extant but variant copies of this map. The British Library, Library of Congress Geography and Map Division Washington, D.C. and one held by a London map dealer. This example appears to be a unique example, specifically annotated for Noel Bailey Clarke.
Bossewell (John). Workes of Armorie devided into three Bookes, entitled, the Concordes of Armorie, the Armorie of Honor, and of Cotes and Creastes, Collected and gathered by John Bossewell Gentleman, London: Printed by Henrie Ballard, dwelling without Temple-barre, ouer againft Saint Clements Church, at the figne of the Bears, 1597, woodcut illustrations throughout, lacking ¶3, D1 closed tear, G1 lower edge nibbled, M4 with closed tear to outer margin, N4 closed tear to outer margin touching some letters, B7 - C7 with small burn hole to upper page affecting some letters, Dd3 closed tear to margin, final four leaves with repairs, outer margin to title-page strengthened to verso, a few near contemporary notes to margins, previous ownership inscriptions to front pastedown 'Thomas Care His Book ? yr 7th 17..?' and another in pencil dated 1847, first three leaves partially detached, some soiling, 17th-century sheep, rebacked, with later gilt label to spine, joints split, worn particularly to corners with partial loss, 8vo (177 x 120 mm)QTY: (1)NOTE:STC 3394.
India. Ghose (R. S.), Sketch map of River Hooghly from Hooghly to Ulabaria, Showing Jute and Cotton Mills, Factories, Presses and Port Commissioners Ferry Service Route, published under the Authority of the Calcutta Port Commissioners by the Deputy Conservator of the Port, Calcutta, 1920, helizincographic map printed in red and black, the map names and lists 122 cotton, wool, paper, bone, flour and jute mills, a glass factory, chemical works, distilleries, gun and shell factories, rope factories, brickworks and presses, sectionalised and laid on linen, very slight staining, marbled endpapers, near contemporary pencil ownership signatures to the verso of the map, 795 x 540 mmQTY: (1)NOTE:Rare. No institutional copies found.
Empress Marie Louise Bindings. Charles Millevoye. Charlemagne, ou la défaite des Lombards, poème heroique en dix chants, & Charlemagne à Pavie, poème en six chants, 2 volumes, Paris: Didot, [1812], & Chez Firmin Didot, 1814 respectively, first volume with half-title, engraved title, manuscript note in pencil by Arthur Jaffé to half-title, second volume with wood-engraved device to title, all edges gilt, uniformly bound in contemporary crimson full morocco gilt, covers stamped with large gilt armorial of the Empress Marie-Louise (1791-1847), fine copies in excellent condition, 8voQTY: (2)NOTE:Provenance: Collection of Arthur Jaffé OBE (1880–1954), thence by descent. 'This volume and an earlier edition given to Arthur Jaffé. Part of Napoleon's Library purchased by John Jaffé in 1933. The main portion given to the Musée Malmaison and a set of English poets and maps of the Russian Campaign to the Royal Library Windsor Castle, Arthur Jaffé' (pencil note in Arthur Jaffé's hand at front of the first volume).Following the pencil note of provenance, it is possible that these two volumes came from the sale of the Napoleonic Collection of the Earl of Rosebery, which was sold at auction by Sotheby & Co., London in 1933: Catalogue of the well-known and very valuable library formed at Durdans, Epsom, by the late Rt. Hon.ble. the Earl of Rosebery, KG, KT, sold by order of his daughter Lady Sybil Grant, and (in the case of heirlooms) with the consent of the court. The third and final portion: the Napoleonic collection, Sotheby & Co., London, 24-25 July 1933, or shortly thereafter.Empress Marie-Louise (1791-1847), Duchess of Parma, daughter of Francis II of Austria, and second wife of Napoleon Bonaparte (until his death in 1821). Marie Louise married Napoleon in 1810, and was Empress of France until his abdication in 1814
England and Wales. Dobbs & Co.'s Relievo Maps, Drawn & Engraved from the Highest Official Authorities. Geological Map of England & Wales. Arranged by permission from an Improved Index Map by R.I. Murchison Esqr. F.R.S. Resid, London: Dobbs & Co., [1843], folding geological relief map with contemporary hand-colouring, table of geological strata and reference table of English counties with vertical scale, pasted on boards, dissected and on linen, light surface wear and toning from varnish, pencil initials to lower margin, juvenile drawings to verso (some partially erased), folded into original blind stamped boards with gilt decoration to upper board, slightly faded, extremities rubbed, 550 x 450 mm QTY: (1)NOTE:Rare. Only 2 institutional copies (The British Library, The Geological Society).
WW2 Colour Print Titled Train Busters by Nicolas Trudgian. Limited 13 of 800. Signed in Pencil by Nicolas Trudgian the Artist and Flight Lieutenant Charles A. Krause. Measures 17x14 inches appx. Very Good Condition. Est £. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WW2 Print by Robert Taylor, Limited, picturing American bomber being prepared for action, includes USAF wings inserted, Signed in pencil by the pencil by the Artist Robert Taylor. Framed print measures 26 inch by 20 inch appx. Good condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WW2 Colour Print Titled Mosquito Coast by M A Kinnear. signed in pencil by the artist. Measures 24x28 inches appx. Very Good Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
NASA Space Shuttle 27x20 inch limited edition colour print titled Challengers Glory signed in pencil by Astronaut Bob Overmyer and the artist Christopher Neale 267/850. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Little Friends WWII print 32x24 inch framed and mounted signed in pencil by the artist Robert Taylor, Lieutenant Colonel CLYDE B. EAST and Flight Lieutenant LEONARD L. SPIVEY. With machine gun turret positions in the nose, atop the fuselage, under the belly, in the tail, and with two side gunner positions, it was anticipated no hostile fighter would penetrate a B-17 defensive formation. The sheer mass of defensive fire from a group of B-17s flying in geometrically calculated boxes would be enough to see off any Luftwaffe fighter pilot brave enough to make an attack. But, at terrible cost, the B-17 crews quickly learned that their masters' theory didn't stand up when they met Messerschmit Me109 and Focke Wulf Fw190 pilots in mortal combat. With no escort fighters to worry about, the Luftwaffe fighters circled their prey, carefully chose their line of attack, and ripped into the American bombers from angles they were least able to defend. They were chopping the B-17s down seemingly at leisure. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WWII. Harley Copic Colour Print Titled Rat Catchers 18 of 1000 Signed in pencil by The Artist and Pierre Henri Clostermann DSO, DFC and Bar, Measures Approx 24 x 28. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Stephen Teasdale 18x13 inch Black and White multi signed Print Titled Evasive Action. 55/100. Signed in pencil by the Artist, Harry Irons, Jim McGilluray, Jack Linaker, Ken Johnson, S Saunders and others. Measures 18 x 13 inches. Good Condition. Est. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WWII 28X20 inch multi signed colour print titled N2980 The Loch Ness Wellington signed in pencil by the artist Ivan Berryman and 7 other includes Sir George Edwards, Spud Boorer OBE, Peter Berry DFC, Robin Holmes, Morag Barton, Julian Temple and Robert Casbard. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WW2 Colour Print Titled A Hard Lesson to Learn by Adrian Rigby Signed in Pencil by Adrian Rigby and by Air Commander W J Burnett. Limited 112 of 295. Measures 22x14 inches appx. Very Good Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WW2 Colour Print Titled Predator To Prey Royal Air Force. By Melvyn Buckley. Signed in Pencil by Melvyn Buckley the Artist. Measures 18x12 inches appx. Very Good Condition. Est £. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WW2 Colour Print Titled The Veteran by Simon Smith. Limited Edition 59/500 signed in pencil by Simon Smith and Colonel Robert Morgan Measuring 24x28 appx Very Good Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
WW2 Colour Print Titled Home James And Don`t Spare The Horses by John Young. Signed in Pencil by John Young the Artist. Limited 46 of 95. Print in in a Cardboard Frame with the Original Certificate of Authenticity on the back along with Information on John Young . Measures 35x28 inches appx. Very Good Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Fighter Escort WWII print 29x24 inch framed and mounted limited edition 3/10 signed in pencil by the artist Robert Taylor and Lt Leo Kems. Includes USAF wings inserted. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A pair of Victorian silver salts, HS, Birmingham 1890, of lobed reeded form, together with a pair of plated salt spoons, a silver mounted mother of pearl salt, a five piece silver and enamel mounted dressing table set comprising a hand mirror, two clothes brushes and two hair brushes, a silver engine turned cigarette case, a silver mounted glass perfume bottle with funnel and a cased 'Yard O Led' silver pencil (a lot)
A collection of various pieces of jewellery and costume jewellery, to include; a 15ct gold split seed Pearl and black enamel mourning ring, weight approx 3g, a 9ct gold band and two 9ct gold brooches, total weight approx 9g, a yellow metal retractable pencil stamped ‘9c’, brooches, bead necklaces, a Ronson lighter etc (a lot)
A cased set of six Victorian silver and gilt decorative teaspoons, Hilliard & Thomason, Birmingham 1893, the stems designed as clusters of three leaf clovers, together with a cased set of six silver coffee spoons with bean terminals, a cased set of six silver handled side knives, a cased single silver spoon, a cased silver egg cup and spoon, a cased silver spoon and fork set, three commemorative silver and spoons to celebrate the Coronation of George VI, a part set of cased set of six silver spoons, loose silver and white metal spoons and a cased yellow metal retractable pencil, total weighable silver approx 15oz (a lot)
An engine turned silver cigarette case, Frederick Field, Birmingham 1937, together with a further silver cigarette case with bright cut engraved decoration, a Russian silver match box holder, a silver vesta case, a Sampson Mordan silver retractable pencil, a plated match box holder and a plated vesta, total weight of silver approx 11.6oz (7)
Tōshi Yoshida (1911 – 1995)Mt. Fuji from gotemba, dated 1987, signed in pencil to the bottom right corner, framed and glazed, 31 x 20.5cm measured to the printed area.Condition Report: Please note this lot has not been examined out of the frame.Very tiny foxing to the top left corner, general wear to the frame.
Iwao Akiyama (1921 - 2014)A woodcut print of a lady, signed 1986, edition no. 2/200, signed in pencil to the bottom right corner with a red seal, 59.5 x 43.5cm, measured to mount.Condition Report: Creasing and minor foxing to the print, a crack in the glass. Please note this lot has not been examined out of the frame.
Sidney Whitehead-Smith – Portrait of a Man wearing a Beret in a Mountainous Landscape, early 20th century scraperboard, signed, 36cm x 27cm, together with a pen with ink illustration, four pencil drawings by the same hand, and approximately 30 further watercolours and drawings by different hands including examples from the 19th and 20th century, within a folio. Note: Sidney Whitehead-Smith was an artist, sculptor and illustrator who lived for many years in Rugby, Warwickshire. He provided illustrations for John H. Fuller Davies ‘Infirmary’ (Arthur Stockwell Ltd, 1934) and A.J. Cronin’s ‘Kaleidoscope in K’ (1933). A posthumous exhibition dedicated to his artwork was held at Galerie 39, Rugby, Warwickshire in 1967.
Nat Long [Nathaniel John Long] – Lady pointing a Revolver at a Gentleman, mid-20th century monochrome watercolour with charcoal and pencil on card, signed, 27cm x 38cm, together with eight further watercolour and charcoal works by the same hand. Note: Nat Long (1893-1955) studied at the Bournemouth School of Art and later worked as a graphic designer for Garrett & Atkinson and Birn Brothers amongst others. He served in the First World War with 1/4th Hants in India and Mesopotamia.
Trevor Willougby – Nude Female Ballet Dancer, pencil, signed, inscribed and dated 1967, 54cm x 37cm, within a painted wood frame. Note: Trevor Willoughby was a painter, illustrator, and teacher, born in Hull, Yorkshire, in 1926. He studied at Belfast Technical College, Hull College of Art and London College of Printing, later teaching at Central St Martin’s, Sir John Cass Colleges of Art and Middlesex Polytechnic. Trevor exhibited at many of the principal London venues including the Royal Academy, the Royal Society of British Artists and the Royal Society of Portrait Painters, to which he was elected a member in 1970. Provenance: the artist’s estate.
Enid Marx – ‘Goosey, Goosey, Gander’, 20th century wood engraving, signed and editioned 9/50 in pencil recto, titled Sally Hunter Fine Art label verso, 14cm x 10cm, within an ebonized frame, together with a collection of 11 wood engravings and screenprints by Dee Beale, Hilary Paynter, Suzette Broad, Sarah Ross-Thompson, Elaine Marshall, Kit Boyd, Nigel Swift, J.A. Sadars, Chitra Merchant and Tom Dimmock.
David Humphreys – ‘Girl washing’, 20th century monotype on wove paper, signed in pencil recto, titled verso, 57.5cm x 43cm, within a stained wood frame, together with a lithograph in colours by Klaus Kawalski, ‘Three Monkeys at Gozo’. Provenance: collection of notable Arundel based artist Ann Sutton O.B.E.
Sheree Valentine-Daines – ‘Destiny’ (Rugby player Martin Johnson holding the World Cup), 20th century colour print, signed, titled and editioned 193/500 in pencil and with blindstamp, counter signed by Martin Johnson, 57.5cm x 46.5cm, together with a small collection of prints by different hands, including two etchings by Terence Millington, signed limited edition prints by David Dancey Wood, Anthony Gibbs, David Shepherd, Robert Taylor, Nel Whatmore, Gary Brandham and Peter Cornwell amongst others.

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295620 item(s)/page