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Lot 24
REVEREND JOHN LOUIS PETTITT (1801-1880) A Collection of Watercolours, principally Landscape and Architectural subjects, including Theodoric`s Palace, Rouen; Versailles Cathedral; S. Cartamza. Capri; Auch; Pau; Villandry; Guyan Court; Herblay on the Seine; S. Ambrose, Milan; and Tower of Abbey Church, Conquery, watercolour over pencil outlines, varying sizes, unframed 11 x 15 1/2in (27.9 x 39.4cm) and smaller (22)
Lot 609
Circle of James Abbott McNeill Whistler, American, 1834-1903- Study of a reclining nude; pencil on buff paper, 19x28cm Note:The positioning and composition of the sitter is similar to that of the painting "Symphony in White, no.3", c.1865-7 (Barber Institute) and bearing a striking resemblance to the overall finished composition. (the head, arms and sofa in particular with subtle changes to the seating) The Pre-Raphaelite influence is clear in this particular painting especially that of Rossetti, the painting was an early experiment in white on white, with a woman in a white dress in front of a white background. Three paintings that would be given the titles of Symphony in White, No.1 and No.2 (1864) and Symphony in White, No.3 (1865-67). The sitter appears almost confrontational, with her direct gaze at the viewer; her features are strong and highly individualised. His famous signature in the shape of a stylised butterfly possessing a long stinger for a tail. The symbol was apt, for it combined both aspects of his personality, his art was characterized by a subtle delicacy, (displayed especially in the contours of his nudes) while his public persona was considered abrupt.
Lot 696
Eugene Lami, French 1800-1890- "Duchess of Sutherland, at a Fancy Dress Ball, Londonderry"; watercolour, signed in pencil, bears inscription "Portraits of Costume, Taken at a Fancy Dress Ball given by the Marchioness of Londonderry"; 24x17.5cm: together with three further costume designs depicting the Countess of Jersey, Hon. Thomas Liddel, the Late Mrs Charles Arbuthnot, each signed and with inscription, (4) (unframed)
Lot 779
Ceri Geraldus Richards 1903-1971- "Violin d`Ingres"; screenprint in colours, signed, titled numbered 41/60 and dated 70 in pencil, 55x76cm: Josef Herman RA 1911-2000- Three farm workers and a donkey; lithograph printed in colours, signed and numbered 62/70 in pencil, 59x76.5cm: together with one other lithograph by the same hand of a single crouching figure, signed and numbered 26/70 in pencil, 59x76.5cm: Harold Cohen b.1928- "Richard H"; screenprint in silver, signed, titled, numbered 2/50 and dated 1967, 68.7x77cm: together with eleven further screenprints by Harold Cohen, all signed, numbered and dated in pencil: "First Folio F", 36/50 signed and dated 1965; "First Folio G", 36/50, signed and dated 1965; "First Folio C2, 27/50, signed and dated 1965; "#5", 5/70, signed and dated 1967; "#3", 14/70, signed and dated 1967; "#3", 35/70, signed and dated 1967` "#4", 1/70, signed and dated 1967; "#4", 14/70, signed and dated 1967; "#1", 10/70, signed and dated 1967; #2", 13/70, signed and dated 1967; 2#3", 13/70, signed and dated 1967, 68x68cm., (15) (may be subject to Droit de Suite)
Lot 843
John Liston Byam Shaw ARWS RI 1872-1919- "Private affection bereaves us easily of True Judgement", "Esteem not thyself better than others lest in the sight of God Thou be accounted worse than they", "There was never Saint so highly rapt Who first or last was not Tempted"; black ink and watercolour, 19x12cm., ea: together with five other drawings and watercolours by the same hand to include: "Why", pen and black ink, signed, 27x18cm; "End of Act II", set design, charcoal heightened with white on grey-brown paper, inscribed, 19x26cm; "We Fear No Thistle at The Crown", pen and brown ink, signed and dated August 1917, 21x17cm; "In Memory of Many Happy Days"; pen and brown ink, signed and dedicated, 22x34.5cm; Portrait of a man seated three-quarter length, pencil, signed, dedicated to `The Boss of the Crown and Thistle` and dated 1918, 33.5x24.5cm., (8) (part unframed)
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295537 item(s)/page