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Click here to subscribeBen Nicholson (1894-1982). Jan 68. (Variations on a theme - scissors) no. 5. Pencil on embossed paper. 37.2cm x 31.7cm. Provenance: with Marlborough Fine Art Ltd. The Estate of the late Dame Miriam Rothschild. Exhibited: Ben Nicholson, New works: wash drawings in relief and mixed media, Marlborough Fine Art, October-November 1968, Cat No. 37. Visit www.dnfa.com for condition reports.
English School (20th century). Still life Study: Gloriosa Virescens var. Rothschildiana. Watercolour. Inscribed lower right. 54cm x 39cm. Together with a pencil and watercolour study of an orchid (2). Provenance: The Estate of the late Dame Miriam Rothschild. Visit www.dnfa.com for condition reports.
John Fullwood FSA 1854-1931- "The Hour of Nightfall, Staines-on-Thames"; etching, artists proof, signed in pencil, 26x36cm: together with one other similar etching by the same hand: British School, late 19th century- Portrait of a woman, bust length wearing a black dress and bonnet; oil on canvas, 70x60cm: together with two 19/20th century frames of various styles, (5)
German School, early 20th century- "Ein Platzchen An Der Sonne..."; drypoint etching, monogrammed `LH` and indistinctly signed in pencil, 30x13cm: Maurice Blieck 1876-1922- "Bruges..."; dry point etching, signed and titled in pencil: Chas, c.1914- "Near Kew Bridge"; etching signed and titled, together with three other similar views by the same hand, (6)
European/British School, early 20th century- Portrait of a gentleman quarter-length turned to the left in a black coat; black chalk and watercolour heightened with white on buff paper, 39.5x27.8cm: European School, late 19th century- A fortuneteller and a musician; pen and brown ink on buff paper, 50.5x37.7cm: English School, early 20th century- "In an Eastern Bazaar"; etching printed in colours, signed in pencil, 17.5x20.5cm: together with a mixed folio of drawings and prints by various hands, (a lot), (unframed)
Thomas Williamson, early-mid 19th century- "Summer Amusement" after George Morland, orig publ by R Lambe, Fleet Street, 10th Sept 1812; hand-coloured stipple engraving, this being an early 20th century impression, 52x63cm: Charles Knight & Henri Merke, 18th/19th century- "Inside a Cottage in Buckinghamshire" and "Outside a Cottage in Buckinghamshire", after Edward Orme, publ by Edward Orme, Bond Street, London Jan 1st 1807; hand-coloured aquatints, a pair, in matching ebonised frames, 25x33.5cm: H Black, mid-late 20th century- "Early Morning Under Southwark Bridge"; aquatint printed in colours, signed, titled and numbered 7/50 in pencil, 26.5x27.5cm., (4)
A P Brown, British, circa 1935- "Girls Dancing, Chari River"; (sic) watercolour, signed, 39x43cm: together with an extensive folio of watercolour, pencil, lithograph and screen prints, mostly signed and dated , covering the 1930`s, 1940`s and 1950`s by the same hand, various subjects, (a lot) (folio) (unframed)
Linda LeKinff, French/Brazillian b.1949- Woman seated with a cat; lithograph in colours, signed and inscribed in pencil, 64x49.5cm: Urban- "The Great Shawl"; aquatint in colours, signed, titled, numbered 1/25 and dated 69 in pencil: European School, late 20th century- Two figures in a doorway; lithograph in colours, signed with initials ``AK` and numbered 8/11 in pencil: together with a quantity of pictures and prints including three oriental pictures of flowers and a further watercolour of flowers, (8) (may be subject to Droit de Suite)
After William Tillyer b.1938- "Chicago International Art Exposition, Navy Pier, May 8-13, 1985", publ by The Lakeside Group in Association with Bernard Jacobson Gallery, 1985, framed exhibition poster, offset lithograph in colours/poster, 98x67cm: Jonathan Kaufman, mid-late 20th century- "Pilgrim`s Way near Westerham"; woodcut in colours, signed, titled, numbered 1/50 and dated 78 in pencil, bears label for Lumley Cazalet, London attached to the reverse of the frame, 49x60cm., (2) (may be subject to Droit de Suite)
Bartolomeu dos Santos, Portuguese b.1931- "Atlantis"; aquatint printed in colours, signed, titled, inscribed and dated 72 in pencil, 50x67cm: Brigitte Coudrain b.1934- Untitled; etching with aquatint in colours, signed and numbered 15.50 in pencil, 31x35cm., (2) (may be subject to Droit de Suite)
Follower of William Callow RWS 1812-1908- Italian scene, possibly depicting Venice; pencil and grey watercolour wash, 19x26cm: Jagues Rigaud c.1681-1754- "A View of One of the Wings of Fontainebleau taken from the Court of Fountains", published by H Overton at White Horse without Newgate 1749; hand-coloured engraving, 17x26cm: together with five further engravings from the same or similar suite depicting views of Notre Dame, Palace of Marli the Bastille and others by the same hand, together with further engravings by other hands depicting views of London and Paris, in matching Hogarth frames, (9)
* John Absolon RI 1815-1893- "Shakespeare Introduced to Queen Elizabeth to Read a PLay"; watercolour, 17x19.2cm. Cirlce of Richard Westall 1765-1836- "The Murder of the Princes in The Tower; pen and black ink and wash, 14.7x11cm: Circle of Thomas Stodhart RA 1755-1834- Standing female figure; pencil and watercolour, 12x9.5cm., (3) Provenance: with Abbott & Holder, London according to inscription on the back board of two of the above
C Cobby, British Provincial School c.1890- "Moors Pig Farm, 1720-1890"; watercolour, signed and dated 1890, 24x28cm, oval mount: together with other 19/20th century studies, various mediums and subjects: Anthony Gross RA 1905-1984- "Paysage du Sol"; etching, signed within the plate, signed, titled, dedicated and inscribed `Epreuve d`Artiste` in pencil, 24.5x34cm: Modern British School, circa 1930`s- Portrait of a lady half-length in a red coat; oil on unstretchered canvas, 74x62cm: together with one other similar portrait study in oils on unstretchered canvas by the same or related hand, (a lot) (unframed)
Patrick Procktor RWS RE RA 1936-2000- "Yellow Dragon Cave"; etching with aquatint printed in colours, signed and numbered 53/75 in pencil, 44.5x59.5cm: Alison Neville b.1945- "The Mathematical Bridge, Cambridge"; etching with aquatint printed in colours, signed, titled and numbered 4/50 in pencil, 47x65cm., (2). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
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