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Click here to subscribeFrank Auerbach (b.1931) R.B. Kitaj, from Six Etchings of Heads (Marlborough 10) etching in grey and black, 1980, on Arches, signed, dated and titled in pencil, numbered 13/50 (there were also ten artist's proofs), published by Marlborough Fine Art, London, with full margins, in very good condition P. 150 x 135mm., S. 400 x 345mm.
Frank Auerbach Julia, from Six Etchings of Heads (Marl. 14) etching, 1981, on Arches, signed, dated and titled in pencil, numbered 13/50 (there were also ten artist's proofs), published by Marlborough Graphics, London, with full margins, pale light-staining, otherwise in good condition P. 135 x 150mm., S. 390 x 335mm.
Frank Auerbach Joe Tilson, from Six Etchings of Heads (Marl. 9) etching, 1981, on wove paper, signed, dated and titled in pencil, numbered 13/50 (there were also ten artist's proofs), published by Marlborough Graphics, London, with full margins, a very soft crease to the extreme upper left sheet corner, a little surface dirt at the lower sheet edge, otherwise in good condition P. 155 x 140mm., S. 405 x 340mm.
Francis Bacon (1909-1992) Right panel, from Second Version of Triptych 1944 lithograph in colours, 1989, on wove paper, signed in pencil, numbered 10/30, published by IRCAM for the Georges Pompidou Centre, Paris, with full margins, a severe tear to the sheet, other repaired tears at the sheet edges L. 1440 x 1060mm., S. 1780 x 1200mm.
Peter Blake (b.1932) James Joyce in Paris the set of nine etchings, 1983-84, on wove paper, each signed in pencil, inscribed 'A/P 6/18', aside from the numbered edition of 50, with full margins, apparently in very good condition, unexamined out of the frames P. 225 x 167mm. (and smaller), S. 330 x 250mm. (9)
Joseph Beuys (1921-1986) Gletscher (Glacier Sponge Deathbed) (Schellmann 309) photogravure in brown, 1979, on Fabriano, signed in pencil, numbered 62/75 (there was also an edition of twenty artist's proofs numbered in Roman numerals), published by Factotum-Art, with full margins, hard creasing at the lower left sheet edge, soft creasing and surface dirt in the margins, otherwise generally in good condition P. 640 x 470mm., S. 990 x 695mm
Eduardo Chillida (1924-2002) Galerie Maeght, Affiche No 73 (Koelen 61003) lithograph in beige, grey and black, 1961, on wove paper, signed in pencil, a proof aside from the numbered edition of 150, published by Maeght, Paris, printed to the edges of the full sheet, a repaired tear at the lower sheet edge and a little associated surface abrasion, otherwise generally in good condition L., S. 515 x 430mm.
A collection of prints by Wilhelmina Barns-Graham (1912-2004) three screenprints in colours, 1991, on wove paper, each signed and dated in pencil, each numbered 20/20, the full sheets, several stains in the upper margin of one of the prints, otherwise generally in good condition L. 760 x 1070mm., S. 920 x 125mm. (and smaller) (3)
Patrick Caulfield (b.1936) Bathroom Mirror (C. 9) screenprint in turquoise and black, 1968, on wove paper, signed in pencil, numbered 52/75 (there were also ten artist's proofs), published by L. Waddington Prints, London, printed to the edges of the full sheet, the signature slightly rubbed, a tiny handling at the lower sheet edge, a tiny fold at the extreme upper right sheet corner, otherwise in very good condition, framed L., S. 710 x 932mm.
Patrick Caulfield Spider Plant (C. 35) screenprint in cream, white and black, 1973, on wove paper, signed in pencil, numbered 41/72 (there were also fifteen artist's proofs), published by Waddington Graphics, London, the full sheet, a small abrasion to the printed surface in the centre of the image, soft handling creasing, a little minor surface dirt close to the sheet edges, other minor blemishes, otherwise in good condition L., S. 728 x 950mm.
Patrick Caulfield Some Poems of Jules Laforge, Petersburg Press, London, 1973 (C. 38) screenprints in colours, on Neobond, Edition A, with title, text in English, justification, 22 plates bound and six plates loose in a seperate sleeve (C. 38a,c,f,h,o and q), the justification signed in pencil, numbered 141/200 (there were also twenty artist's proofs, the total edition including Edition B & C was 560), each of the six loose plates signed and numbered on the reverse, printed to the edges of the full sheets, in very good condition, with pale grey leather covers and slipcase, surface dirt and handling marks to the covers and slipcase, a few abrasions at the seams, otherwise generally in good condition(portfolio)L., S. 405 x 355mm.
Eduardo Chillida (1924-2002) Homenage a Picasso (Koelen 72016) aquatint printed with tone, 1972, on Arches, signed in pencil, inscribed 'E.A.', one of eight artist's proofs aside from the numbered edition of 90 (there were also 40 hors commerce), published by Propylen Verlag, Berlin, with full margins, in very good condition P. 340 x 365mm., S. 760 x 570mm.
Eduardo Chillida Gurutze Gorria 1 - Red Cross (K. 84011) lithograph, 1984, on Arches, signed in pencil, numbered 97/150 (there were also fifteen artist's proofs), published by the International Red Cross, Genva, printed to the edges of the full sheet, pale discoloration at the sheet edges, otherwise in very good condition L., S. 760 x 560mm.
Eduardo Chillida Ulertu (K. 73018) etching, 1973, on japon mounted on BFK Rives, signed in pencil, inscribed 'H.C.', one of seven hors commerce copies aside from the edition of 50 (there were also seven artist's proofs), published by Maeght, Paris, with wide margins, the full sheet, in very good condition P. 140 x 100mm., S. 450 x 355mm.
A collection of prints by Gisele Celan-Lestrange (b.1927) comprising fourteen etching, a few with aquatint, 1966-77, on wove paper, each signed and numbered in pencil, with minor blemishes, otherwise generally in good condition P. 375 x 520mm., S. 505 x 565mm. (and smaller); and a watercolour, 1979, signed in black crayon (15)
Christo (b.1935) Wrapped Sylvette - Project for the Washington Square Towers, New York (Schellmann and Klser 33) colotype and screenprint in colours with collage, on Fabriano, signed in pencil, inscribed 'artist's proof', one of 40 proofs aside from the numbered edition of 90 (there was also an edition of 30 numbered in Roman numerals), published by Propylen Verlag, Berlin, printed to the edges of the full sheet, in very good condition L., S. 648 x 500mm.
Antoni Clave [Untitled] aquatint in colours with carborundum, on wove paper, signed in pencil, numbered 35/75, printed to the edges of the full sheet, apparently in good condition, unexamined out of the frame P., S. 760 x 570mm.; with [Fix], aquatint in colours with carborundum, signed in pencil, numbered 10/50, a small area of paper loss to the upper left sheet corner; and a lithograph in red, brown and black, signed in pencil (3)
Antoni Clave Roi la pipe lithograph in olive green and black, 1958, on BFK Rives, signed and dated in pencil, with margins, a tear (4cm) in the lower margin, a little pale scattered foxing mainly in the margins, darker foxing on the reverse, otherwise generally in good condition L. 700 x 520mm., S. 760 x 565mm.
Jack Coughlin (b.1932) Thirteen Irish Writers on Ireland, David R. Godine, Boston, 1977 etchings, a few with aquatint, on wove paper, with title, text and justification and twelve plates from the set of thirteen (lacking the James Joyce), each signed and titled in pencil, numbered 32/100, with full margins, in very good condition, loose in a cloth-covered solander box(portfolio)S. 310 x 285mm., (overall)
Dame Elisabeth Frink The Grey Rider, (W. 39) lithograph in grey and brown, 1970, on T H Saunders, signed in pencil, numbered 314/500 (there were also fifteen artist's proofs), published by L. Waddington Prints Ltd., London, the full sheet, discoloration mainly at the upper and lower left sheet edges, pale foxing to the left of the image, a horizontal crease at the extreme upper sheet edge, otherwise generally in good condition L., S. 590 x 780mm.
Dame Elisabeth Frink Goggled Head (W. 86) aquatint in brown, 1973, on wove paper, signed and titled in pencil, numbered 32/52 (there were also approximately ten artist's proofs), published by Leslie Waddington Prints Ltd., London, the full sheet, soft creasing in the lower margin, otherwise apparently in good condition, unexamined out of the frame P. 560 x 445mm., S. 920 x 653mm.
Dame Elisabeth Frink Ram, from Eight Animals (W. 31) lithograph in colours, 1970, on J. Green, signed in pencil, numbered 46/70 (there were also five artist's proofs), published by L. Waddington Prints Ltd., London, the full sheet, a soft horizontal crease close to the upper sheet edge, otherwise in good condition L., S. 510 x 655mm.
Dame Elisabeth Frink Hare, from Eight Animals (W. 38) lithograph in brown and ochre, 1970, on J. Green, signed in pencil, numbered 46/70 (there were also five artist's proofs), published by L. Waddington Prints Ltd., London, the full sheet, time-staining, pale discoloration to the extreme upper and right sheet edges, a few pale handling marks at the lower sheet edges, otherwise in good condition L., S. 510 x 645mm.
Dame Elisabeth Frink Badger, from Eight Animals (W. 32) lithograph in pale-brown and grey, 1970, on J. Green, signed in pencil, numbered 46/70 (there were also five artist's proofs), published by L. Waddington Prints Ltd., London, the full sheet, two pin holes in the margins at the left and right of the image, pale discoloration at the extreme upper sheet edge, a light horizontal pressure mark at the lower sheet edge, otherwise in good condition L., S. 520 x 655mm.
Dame Elisabeth Frink Boar, from Eight Animals (W. 35) lithograph in two tones of grey, 1970, on J. Green, signed in pencil, numbered 46/70 (there were also five artist's proofs), published by L. Waddington Prints Ltd., London, the full sheet, pale time-staining, two pin holes in the margins at the left and right of the image, a light horizontal pressure mark to the extreme lower sheet edge, pale discoloration to the extreme upper sheet edge, otherwise in good condition L., S. 520 x 655mm.
Dame Elisabeth Frink Lynx, from Eight Animals (W. 37) lithograph in pale yellow, orange and grey, 1970, on J. Green, signed in pencil, numbered 46/70 (there were also five artist's proofs), published by L. Waddington Prints Ltd., London, the full sheet, time-staining, light horizontal pressure marks to the extreme lower sheet edge, pale discoloration to the extreme upper and right sheet edge, otherwise generally in good conditoion L., S. 520 x 655mm.
Dame Elisabeth Frink Odysseus Meets His Son, from The Odyssey (W. 102) lithograph in yellow and blue, 1974, on wove paper, signed in pencil, numbered 26/30 (there were also an unknown number of proofs), published by L. Waddington Prints Ltd, London, the full sheet, a few tiny scattered fox marks in the upper margin, soft creasing at the extreme lower sheet corners, two very small stains at the lower margin, otherwise in good condition L. 250 x 166mm., S. 572 x 387mm.
A collection of prints by Gunter Grass (b. 1927) seven etchings printed with tone, 1977, on wove paper, each signed and dated in pencil, six numbered 101/150, the other inscribed 'e.a', with margins, a few minor blemishes, otherwise generally in good condition P. 395 x 495mm., S. 500 x 650mm. (7)
Stanley William Hayter (1901-1988) Feu sous l'eau (Black and Moorhead 221) etching, engraving and screenprint in colours, 1955, on BFK Rives, signed, dated and titled in pencil, numbered 35/50 (there were also ten artist's proofs), published by La Jeune Gravure Contemporaine, Paris, with full margins, a little surface dirt and unobtrusive soft creasing in the left margin, two tiny ink stains in the right margin, otherwise in good condition P. 262 x 178mm., S. 447 x 318mm.
Stanley William Hayter Nageuse (B&M. 241) etching and aquatint in colours, 1958, on BFK Rives, signed, dated and titled in pencil, numbered 1/50 (there were also five artist's proofs), with margins, a pressure mark at the extreme left sheet edge, a small fox mark in the upper margin, minor surface dirt in the margins, otherwise in good condition P. 406 x 325mm,. S. 685 x 505mm.
Stanley William Hayter Albatross (B&M. 365) etching in colours, 1973, on BFK Rives, signed and dated in pencil, numbered 99/100 (there were also 25 artist's proofs), published by Editione M'Arte, Milan, with full margins, a tiny tear at the lower sheet edge, soft creasing in the margins, otherwise in good condition P. 491 x 513mm., S. 550 x 750mm.
Stanley William Hayter Seven plates, from Nine Engravings (B&M. 78,89,93,122,127,166 and 192) engravings, 1933-49, on Barcham Green, each signed and dated in pencil, numbered 27/100 (there was also an edition of ten numbered with Roman numerals and ten hors commerce copies), from the edition published in 1973 by Associated American Artists, New York, with full margins, a few minor blemishes, otherwise in good condition P. 220 x 305mm., S. 285 x 400mm. (7)
Patrick Heron (1920-1999) [Interlocking Females] screenprint in colours, 1970, on wove paper, signed and dated in pencil, numbered 25/100, with margins, pale mount-staining, soft creasing and a little minor associated cracking to the printed surface in the left image, otherwise generally in good condition, framed L. 590 x 785mm., S. 710 x 905mm.
Patrick Heron [Female in motion] screenprint in colours, 1973, on wove paper, signed and dated in pencil, numbered 11/72, with margins, light rubbing marks to the printed surface, a crease at the extreme lower right sheet corner, a little surface dirt in the right margin, otherwise in good condition L. 588 x 810mm., S. 685 x 904mm.
Patrick Heron [Interlocking Females] screenprint in colours, 1970, on wove paper, signed and dated in pencil, numbered 89/100, with margins, a minor abrasion in the upper right image, soft creasing, a little surface dirt in the margins, minor surface abrasions associated with the removal of tape to the upper sheet edge on the reverse, otherwise in good condition L. 593 x 785mm., S. 712 x 1010mm.
Yukio Hideshima three mezzotints, on wove paper, each signed and numbered in pencil, with margins, a little soft creasing and surface dirt in the margins, otherwise generally in good condition S. 475 x 440mm. (and smaller); and two mezzotints by Leonard Marehart, each signed and numbered in pencil (5)
David Hockney In an old book, from Fourteen Poems by C.P. Cavafy (Scottish Arts Council 6) etching, 1966, on Crisbrook, signed and dated in pencil, numbered 40/75 (there were also fifteen artist's proofs), published by Editions Alecto, London, with full margins, light- and mount-staining, a stain in the upper left margin on the plate mark but not extending into the image, remains of old tape to the left and right sheet edges on the reverse, other minor blemishes, framed P. 470 x 335mm., S. 560 x 400mm.
David Hockney The carpenter's bench, a knife and fire, from Illustrations for six fairy tales from the Brothers Grimm (S.A.C. 24) etching and aquatint with drypoint, 1969, on Hodgkinson, signed in pencil, numbered 43/100, published by Petersburg Press, London, with margins, pale scattered foxing mainly in the image and to the reverse, light-staining and remains of old glue in the margins P. 153 x 172mm., S. 292 x 293mm.; and Corpses on Fire (S.A.C. 22), from the same series, signed in pencil, numbered 72/100 (2)
David Hockney (B. 1937) Tree (Scottish Arts Council 61) lithograph in colours, 1968, on BFK Rives, signed and dated in pencil, dedicated 'for Jean' in black ink, numbered 64/95 (there were also 22 artist's proofs), published by Petersburg Press, London, the full sheet, light-staining, a large pale moisture stain in the upper half of the sheet, a few handling marks at the sheet edges, other minor blemishes, otherwise generally in good condition L., S. 650 x 500mm.
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