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Lot 182

Salvador Dali (1904-1989) - Galatea of the Spheres, lithograph printed in colours, signed and numbered '173/300' in pencil to the lower margin, visible sheet dimensions 65.5 x 49.5cm

Lot 222

§ Marlow Moss (1889-1958) - Untitled, pencil and blue wax crayon pigment on paper, signed and dated '1944' in pencil to the lower margin, unframed, the full sheet 23.8 x 18.8cmThe vendor states that this work come from the estate of his late brother-in-law, who lived in Hampstead and had friends and associates in the modern British art world. Unfortunately, there is no documented paperwork to support this. The suggestion is that this would have been a gift at some stage.Paper is slightly unevenly cut to edges.Very minor areas of spotting and handling to edges.Overall good.Unframed and loose.

Lot 163

Karolina Larusdottir (1944-2019) - Imagined Journey, etching, signed and titled in pencil to the lower margin, this example an Artist's Proof, visible sheet dimensions 11 x 18cm

Lot 198

§ Eric Arnold Roberts Ennion (1900-1981) - Collared Doves, pencil and watercolour on paper, signed lower left, with 'The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London', label verso, dated '1972', 37 x 45cm

Lot 223

Mary Newcomb (1922-2008) - The Mill, pencil and watercolour wash, unsigned, with 'Crane Kalman Gallery' label verso, suggested date circa 1980, visible sheet dimensions 17.5 x 23cm

Lot 246

§ John Yardley (b.1933) - Hotel Avenida, watercolour with traces of pencil, signed lower left, with 'Alexander Gallery, Bristol' labels verso, 32.5 x 46cm

Lot 148

Eric Ravilious (1903-1942, illustrator); James Maude Richards (1907-1992, author), High Street, London; Country Life Ltd. printed by the Curwen Press, first published 1938, with woodcut illustration on title page and a total of 24 coloured lithographic plates, all illustrated by Eric Ravilious24 plates – each generally very good, complete, colours good and original, however there are several with finger/thumb print marks to extremities.Front and rear blank inner pages with foxing and some discolouration throughout.Pages appear all complete and good.Pencil inscription to inside front blank page.Outer cover tired and with losses to extremities.Ole tape to top and bottom of spine.Further discolouration and grubbiness.

Lot 183

Salvador Dali (1904-1989) - Geopoliticus Child Watching the Birth of the New Man, lithograph printed in colours, signed and numbered '260/300' in pencil to the lower margin (paper has slipped in mount), visible sheet dimensions 53.5 x 60cm

Lot 249

John Yardley (b.1933) - Vieux Bassin, Honfleur, watercolour with traces of pencil, signed lower left, with 'Alexander Gallery, Bristol' labels verso, 25 x 34.5cm

Lot 165

John Piper (1903-1992) - Llangloffan, colour 'Fine Art Trade Guild' print, signed in pencil lower right, visible sheet dimensions 42.5 x 60cmFramed, mounted and glazed.In excellent condition with no apparent faults.

Lot 191

Attributed to William Patrick Roberts (1895-1980) - Possible Study for a Mural with Nude Figures, pencil and watercolour, with typical grid tracery, bears signature lower left, full sheet dimensions 30 x 24cmUnframed and mounted on a card backing.Small areas of curling to paper at top edge.Surface colours appear general bold and original.Single pin holes to the top corners.Rippling to the surface of the paper.

Lot 164

Karolina Larusdottir (1944-2019) - The Only Mirror, etching, signed, titled and numbered '16/100' in pencil to the lower margin, visible sheet dimensions 17 x 21.5cm

Lot 247

§ John Yardley (b.1933) - Swans at Mistley, watercolour with traces of pencil, signed lower right, with 'Alexander Gallery, Bristol' labels verso, 34 x 48cm

Lot 195

Yvonne Skargon (b.1931) - Cat, limited edition woodcut, signed and numbered '34/50' in pencil to lower margin, visible sheet dimensions 15 x 14.5cm; together with two other naturalistic woodcuts by the artist, each signed in pencil, one numbered '30/50' and the other '40/50' to lower margins, 17.5 x 13.5cm and 14 x 17cm; also with Sue Scullard - Rooster and the Fox, signed, titled and numbered '31/50' in pencil to the lower margin, 12 x 14cm; and one other limited edition woodcut titled The Animals Fled, '8/50' and dated '1989', 18.5 x 14cm (5)

Lot 162

Karolina Larusdottir (1944-2019) - Intimate Conversation, etching, signed, titled and numbered '20/100' in pencil to the lower margin, visible sheet dimensions 10 x 11.5cm

Lot 280

Joseph Richard Bagshawe (Staithes Group 1870-1909): 'Fishing Boat in the Lower Harbour Whitby', pencil unsigned 14cm x 19cm Provenance: with Walker Galleries Harrogate, label verso Condition Report:Good condition, well presented - ready to hang

Lot 88

Charles Frederick Tunnicliffe (British 1901-1979): Barn Owl, watercolour gouache charcoal and pencil signed, a preparatory sketch for a larger painting 43cm x 66cmProvenance: private collection; with Park Lane Galleries, Poynton, CheshireCondition Report:Excellent condition, ready to hang

Lot 240

Lionel Townsend Crawshaw (Staithes Group 1864-1949): 'Piano Corsica', watercolour and pencil signed and dated 1923, titled on label verso 17cm x 24cmCondition Report:Good condition and strong original colour, some staining to the mount.

Lot 69

Sir Cecil Beaton CBE (British 1904-1980): 'Stevie Smith' (1902-1971) and a Flautist, pencil sketch inscribed, with a further portrait sketch verso 35cm x 22cm (mounted) Provenance: from the collection of Miss E Hose, Beaton's secretary, stamped l.l.

Lot 68

Stanley Cursiter CBE RSA (Scottish 1887-1976): 'A Nude', monochrome lithograph on Japan paper signed and titled in pencil pub. 1915, 24cm x 17cmCondition Report:Good condition, slight brown mark to the subject's neck and three small isolated fox marks.

Lot 271

Fred Lawson (British 1888-1968): 'Wizard on the Wall' - Bland's Cliff Scarborough, watercolour and pencil signed and dated 1930, 37cm x 31cmCondition Report:Good condition with strong original colour - ready to hang.

Lot 86

Ernest Howard Shepard OBE MC (British 1879-1976): 'Uncle John - what do you do in the morning when you feel too well?', pen and ink cartoon signed, titled in pencil 24cm x 28cm Provenance: private collection, purchased David Duggleby Ltd 4th December 2000 Lot 394

Lot 70

Sir Cecil Beaton CBE (British 1904-1980): 'Mrs Danny Kaye' - Sylvia Fine (1913-1991), pencil sketch titled, with a further portrait sketch indistinctly inscribed verso 32cm x 20cm (mounted) Provenance: from the collection of Miss E Hose, Beaton's secretary, stamped l.l.

Lot 89

Charles Frederick Tunnicliffe (British 1901-1979): Four Swans, watercolour gouache charcoal and pencil signed, a preparatory sketch for a larger painting 66cm x 42cmProvenance: private collection; with Park Lane Galleries, Poynton, CheshireCondition Report:Excellent condition, ready to hang

Lot 72

Sir Cecil Beaton CBE (British 1904-1980): Portrait of a Man and Woman, two pencil sketches, the former indistinctly titled 23cm x 17cm and 20cm x 15cm (2) (mounted) Provenance: from the collection of Miss E Hose, Beaton's secretary, stamped l.l.

Lot 198

Allen Jones (British 1937-): Shoe Box, the complete portfolio, comprising seven lithographs on BFK Rives, one screenprint in colours printed on the interior of the box lid and an aluminium multiple, 1968, each signed and dated in pencil, the multiple with incised signature, number 161/200, contained within the original shoebox with printed title on the lid, published by Petersburg Press, London 33cm x 40cm

Lot 71

Sir Cecil Beaton CBE (British 1904-1980): Norman 'Mailer' (1923-2007) and Charles Laughton (1899-1962), two pencil sketches, the former titled, each with a further portrait sketch verso 27cm x 17cm and 30cm x 21cm (2) (mounted) Provenance: from the collection of Miss E Hose, Beaton's secretary, stamped l.l.

Lot 165

William Lionel Wyllie RA RBA RI RE NEAC (British 1851-1931): Tynemouth, drypoint etching signed in pencil 18cm x 39cmCondition Report:Good condition

Lot 117

Attributed to James Guthrie PPRSA (Scottish, 1859-1930), sketchbook containing predominantly preparatory pencil studies, inscribed 'J.J.Guthrie Album' to front inner board,7x10ins, plus an ink and graphite illustration depicting two seated figures, indistinctly monogrammed to lower right, framed and glazed, 5x7ins. Plus an etching depicting a view over the coast with moored boats in the foreground, 6x7ins, framed and glazed (3)

Lot 65

Ernest Alfred Sallis Benney (1894-1966), portrait of Anthony Van Dyck (1599-1961), etching, signed in pencil to margin, 6x7ins, unframed.

Lot 98

Attributed to Francis Wheatley RA (1747-1801), rural scene with a group of figures and hound, pencil sketch, signed, 9x10.5ins framed, unglazed.

Lot 127

William Lionel Wyllie (British, 1851-1931), a view across the Thames to South Bank Bridge, drypoint etching, signed in pencil, 22x35cm (plate size), framed and glazed.

Lot 189

Robert Gibbings (Irish,1889-1958), Magpie, wood engraving, signed in pencil, 3x2ins, framed and glazed

Lot 46

Leonard Russell Squirrell RWS RI RE (British,1893-1979), mezzotint, signed in pencil to plate margin, 7x12ins, framed and glazed.

Lot 17

Leonard Russell Squirell RWS RI RE (British,1893-1979), 'Bourne Mill, Colchester', pencil on paper, signed and dated 1946,6x8ins, framed and glazed.

Lot 142

Leonard Squirell RWS (1893-1970), 'Urquart Castle', etching, signed in pencil, framed and glazed.

Lot 16

Leonard Russell Squirell RWS RI RE (British,1893 -1979), 'Lansdown Road, Bath', pencil on paper, signed and dated 1.6.49, 6x5ins, framed and glazed.

Lot 77

Gerry HILLMAN (British b. 1948) Autumn Sheep Pastures, Gicleé print, Signed and number 6/95 in pencil lower edge, 13.5 x 20" (34cm x 51cm)

Lot 107

John A. Watson (British, b.1939), 'Matchless Silver Hawk', pencil on paper, signed and dated 2016, 10.5x14ins, framed and glazed.

Lot 151

David Gentleman RDI (British, b.1930), Kings College, Cambridge, chromolithograph, numbered 122/200 and signed in pencil,16x20ins, framed and glazed.

Lot 19

Brian Lewis (British, 20th century), 'Christmas Shopping, Holt', limited edition giclee print, signed and numbered 16/500 in pencil, dated 2002, 9.5x16ins, framed and glazed.

Lot 21

Leonard Russell Squirell RWS RI RE (British, 1893-1979), a coastal scene, pencil on paper, signed, 4.5x8.5ins, framed and glazed.

Lot 66

H.J Jackson (British, b.1938), 'Cockerel', limited edition linocut, numbered 3/150 and signed in pencil, 7.5x11ins, framed and glazed.

Lot 132

Gary Cartwright (British, b.1953), "The Doncaster Rovers", chromolithograph, signed and numbered 223/350 in pencil,18x24ins, framed and glazed.

Lot 20

Brian Lewis (British, 20th century), 'Letheringsett Ford', limited edition giclee print, signed and numbered 30/500 in pencil , framed and glazed.

Lot 42

Leonard Russell Squirrell RWS RI RE (British,1893-1979) 'Notre Dame, Paris, 1925', mezzotint on cream paper, signed in pencil to plate margin, 28x41cm, framed and glazed.

Lot 101

PAUL JACOULET (1902-1960), CHAGRIN D'AMOUR: KUSAI, EST CAROLINESBy Paul Jacoulet (1902-1960), signed Paul Jacoulet along with the red Butterfly seal Japan, dated 1940Color woodblock print on paper. Vertical Oban. Signed Paul Jacoulet in pencil, along with the red Butterfly seal (bottom-right), carver and printer seal: Maeda/Uchikawa; printed title in French at the bottom. Entitled Chagrin d'Amour, Kusale, Est Carolines (Sorrows of Love, Kusale, Caroline Islands). Stamped no. 67/350 in red on the verso.Maeda, Jacoulet's carver, considered the delicate claws of the scarlet parrot circling the lovestruck young woman's finger to be one of his best carvings. The vivid blues, green and red contrast with the flowers and the tattered leaves in a way that is peculiarly Jacoulet's.SIZE of the sheet 44.6 x 34.4 cmCondition: Good, detailed impression and great colors with slightly trimmed margins; very minor material loss along the bottom margin.Paul Jacoulet (1902-1960) was a French artist who gained worldwide recognition for his woodblock prints created in Japan during the 20th century. Born in Paris, Jacoulet spent most of his life in Japan, where he developed a deep appreciation for the country's culture and people. He studied traditional Japanese woodblock printmaking techniques and fused them with his own artistic style to create exquisite prints that captured the beauty and grace of Japanese life. Jacoulet's works often featured portraits of women, and were known for their meticulous attention to detail, delicate color palette, and subtle use of shading.

Lot 84

LEONARD TSUGUHARU FOUJITA (1886-1968), FILLETTE AU CHAT, FROM LES ENFANTSJapan, c. 1929Fillette au Chat, from Les EnfantsCatalog Raisonné Buisson I.29.66 Etching and aquatint printed in colors, circa 1929, chine appliqué to japan support, signed in pencil on the bottom right corner, edition numbering mostly erased but last 0 still visible, this etching is most certainly part of the 100 editions, apart from the artist prints, published by Les Editions Artistiques Apollo, Paris, with full margins. SIZE of the sheet 40.5 x 31.7 cmCondition: Well-preserved with detailed impression and great colors. Slightly browned commensurate with age. Evident glue residue and markings where frame was attached to the margin. Sheet is trimmed.Provenance: From the collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985) and thence by descent within the same family.Leonard Tsuguharu Foujita (1886-1968) was a celebrated Japanese-French painter known for his unique blend of traditional Japanese art and Western modernism. His works featured bold outlines, flat colors, and strong design, often depicting portraits of women, cats, and scenes from everyday life. Foujita was an active member of the School of Paris, a group of international artists who converged in Paris in the early 20th century. His close friendships with prominent artists, including Modigliani and Picasso, contributed to the development of modern art movements in France and beyond.Auction comparison:Compare with another edition (52/100) of this etching sold at Mainichi Auction, Paintings, Prints and Sculpture, 20 April 2019, Tokyo, Lot 13 (sold for 18,750 EUR).

Lot 85

LEONARD TSUGUHARU FOUJITA (1886-1968), TWISTING CAT, FROM LES CHATSJapan, c. 1930Chat couché, from Les Chats Catalog Raisonné Buisson 29.200.1Etching and aquatint printed in colors, circa 1930, chine appliqué to japan support, signed and numbered 78/100 in pencil, published by Les Editions Artistiques Apollo, Paris, with full margins.Foujita had a great fondness for cats and often included them in his paintings. In fact, he is sometimes referred to as the "Cat Painter" and is credited with popularizing the idea of the "artist and cat" archetype. This edition of "Les Chats" is a testament to Foujita's love of felines and features his unique style that blends elements of traditional Japanese art with Western modernism.SIZE of the sheet 44.8 x 51.9 cmCondition: Well-preserved with detailed impression and great colors. Slight signs of wear commensurate with age, minor browning, and few small holes at the margin.Provenance: From the collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985) and thence by descent within the same family.Leonard Tsuguharu Foujita (1886-1968) was a celebrated Japanese-French painter known for his unique blend of traditional Japanese art and Western modernism. His works featured bold outlines, flat colors, and strong design, often depicting portraits of women, cats, and scenes from everyday life. Foujita was an active member of the School of Paris, a group of international artists who converged in Paris in the early 20th century. His close friendships with prominent artists, including Modigliani and Picasso, contributed to the development of modern art movements in France and beyond.Auction comparison:Compare with another edition (81/100) of this etching sold at Bonhams, Prints & Multiples, 16 November 2016, London, Lot 21AR (sold for 16,250 GBP).

Lot 86

LEONARD TSUGUHARU FOUJITA (1886-1968), SEATED CAT, FROM LES CHATSJapan, c. 1930Chat assis, from Les Chats Catalog Raisonné Buisson 29.06Etching and aquatint printed in colors, circa 1930, chine appliqué to japan support, signed and numbered 37/100 in pencil, published by Les Editions Artistiques Apollo, Paris, with full margins.Foujita had a great fondness for cats and often included them in his paintings. In fact, he is sometimes referred to as the "Cat Painter" and is credited with popularizing the idea of the "artist and cat" archetype. This edition of "Les Chats" is a testament to Foujita's love of felines and features his unique style that blends elements of traditional Japanese art with Western modernism.SIZE of the sheet 52.8 x 43.8 cmCondition: Well-preserved with detailed impression and great colors. Slight signs of wear commensurate with age, and minor browning. Provenance: From the collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985) and thence by descent within the same family.Leonard Tsuguharu Foujita (1886-1968) was a celebrated Japanese-French painter known for his unique blend of traditional Japanese art and Western modernism. His works featured bold outlines, flat colors, and strong design, often depicting portraits of women, cats, and scenes from everyday life. Foujita was an active member of the School of Paris, a group of international artists who converged in Paris in the early 20th century. His close friendships with prominent artists, including Modigliani and Picasso, contributed to the development of modern art movements in France and beyond.Auction comparison:Compare with another edition of this etching sold at Ader, Estampes Anciennes et Modernes, 19 November 2015, Paris, Lot 235 (sold for 7,200 EUR).

Lot 96

A WWI Princess Mary tin pencil bullet

Lot 30

YELLOW METAL ENGRAVED PROPELLING PENCIL, overall engraved, sardonyx shield seal terminalProvenance: private collection Ceredigion

Lot 475E

A pencil and watercolour framed Glasgow tram scene signed bottom left-hand corner B. STIRLING (1915-1985) frame size 12"x10". Approx 1 pieces

Lot 272

A great collection of VINTAGE 1970s and 1980s MUNCH BUNCH CEREAL PENCIL TOPPERS AND RUBBERS. To include various well-known Disney characters and Sci-Fi figures.Approx 27 pieces

Lot 25

Derbyshire History, Risley School.  A Victorian scrapbook of 26 pencil sketches, 1877-1906, some signed with initials, 'C.W.G.' (C.W. Groves, schoolmaster at Risley), including an album print photographic group portrait of the pupils at Risley School, March 1883, with a M.S. Key providing names, together with three oak framed photographs, two being C. W. Groves.  The pencil sketches include arch / topo views in Risley, Matlock, Repton, Brighton, Coniston Water, Isle of Man

Lot 244

HRH Prince Philip, Duke of Edinburgh (1921-2021). A photograph of the 'Instructional Staff at the Royal Naval Petty Officers School, Kingsmoor, Corsham, Wiltshire, May 1947'. A group portrait showing all of the staff members with Prince Philip included on the second row, signed in pencil by the photographer, 'W. Hardcastle, Corsham', mounted on captioned card listing sitters & ranks, 6" by 8" (photograph), 10" by 12" (mount)Provenance: By descent of Henry Ramsay Maule (1915-1981), author and journalist who for 21 years was a British Correspondent for New York Daily News specialising in stories relating to the Royal Family. Maule collected and formed a personal archive during the 1950s to 1970s 

Lot 197

A collection of prints & drawings comprising: John Samuel Templeton (Irish, fl. 1830-1857), a detailed 19th-century pencil drawing of Dublin Castle, showing Bedford Tower & Gate of the Upper Court (inscribed & signed in ink verso), 21cm by 28.5cm, toning and two small holes at l.r.; a 19th-century ink drawing of a cavalry soldier mounting a horse, unsigned, 24cm by 33cm, wove paper bearing watermark (Prince of Wales's Feathers), tears to edges; nine aquatint etchings of Alpine views (five hand-coloured), Zurich: Leuthold & Dikenmann, c.1800-1850; six soft-ground etchings by Henry Alken (one hand-coloured), depicting horses & hounds, London: Thomas McLean, 1824; two engraved botanical plates, London: J. Wilkes & G. Jones, 1807 & 1813 (19)

Lot 261

Buckingham Palace. Two original manuscript menus for dinners at Buckingham Palace, 2 August to 18 December 1959, the courses handwritten in French with pencil corrections, bound in oxblood straight-grain morocco lettered in gilt, 'Menu Royal' & 'Menu Household', marbled edges. Unique (2)Provenance: By descent of Henry Ramsay Maule (1915-1981), author and journalist who for 21 years was a British Correspondent for New York Daily News specialising in stories relating to the Royal Family. Maule collected and formed a personal archive during the 1950s to 1970s 

Lot 265

HM King Charles III. An original illustration of birds [carmine bee-eaters] produced by a very young Charles, c. 1953-55 [approximately six years of age], probably for his father, Prince Philip, in colour crayon & pencil, signed 'Charles' l.r., with a first attempt in pencil verso. A vibrant and competent drawing displaying a sure hand. 30cm by 32cmProvenance: By descent of Henry Ramsay Maule (1915-1981), author and journalist who for 21 years was a British Correspondent for New York Daily News specialising in stories relating to the Royal Family. Maule collected and formed a personal archive during the 1950s to 1970s

Lot 282

King George VI (1895-1952) & Queen Elizabeth The Queen Mother (1900-2002). An original manuscript menu diary for Buckingham Palace, March to December 1937. The handwritten courses with pencil corrections and notes recording the guests, for instance 'King and Queen of Denmark', an 'Indian Banquet', a 'Derby Dinner'. The royal chef at this time was Monsieur Renee Roussin. Octavo, maroon crushed morocco lettered in gilt, 'Menu Buckingham Palace', marbled edges. UniqueProvenance: By descent of Henry Ramsay Maule (1915-1981), author and journalist who for 21 years was a British Correspondent for New York Daily News specialising in stories relating to the Royal Family. Maule collected and formed a personal archive during the 1950s to 1970s 

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