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AR * Ardizzone (Edward, 1900-1979). Original drawing for 'The Man Who Pretended to Eat' by Eleanor Farjeon, black ink on thi

Dominic Winter Auctions

Lot 649

AR * Ardizzone (Edward, 1900-1979). Original drawing for 'The Man Who Pretended to Eat' by Eleanor Farjeon, black ink on thick wove paper, depicting a craftsman wearing an apron, one arm resting on a workbench, gazing down on a small boy looking up at him, publisher's notes, including title, in pencil to margin, sheet size 196 x 294 mm, mountedQTY: (1)NOTE:This illustration appears on p.37 of Kaleidoscope, a collection of short stories written by Eleanor Farjeon and illustrated by Edward Ardizzone, published in 1963.

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Finley (Anthony). A New General Atlas, Comprising a Complete set of Maps, Representing the Grand Divisions of the Globe, toge

Dominic Winter Auctions

Lot 100

Finley (Anthony). A New General Atlas, Comprising a Complete set of Maps, Representing the Grand Divisions of the Globe, together with the several Empires, Kingdoms and States in the World; compiled from the best authorities and corrected by the most recent discoveries, Philadelphia, 1828, calligraphic title page, index and table, all with some staining, 57 engraved maps with contemporary wash colouring (of 58, lacking South America) and two comparison plates, slight dust soiling, occasional ink and pencil marginalia, later endpapers, old library stamp to verso of the title page, some adhesion scaring to the front endpaper and pastedown where old labels have been removed, modern quarter morocco with gilt title to the spine, large 4to, binding size 355 x 280 mmQTY: (1)NOTE:Sold as a collection of maps, not subject to return.

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* Dogs. Two Portraits of Dogs, 1892, pencil heightened with bodycolour, the first depicting the head of a wolf hound type dog

Dominic Winter Auctions

Lot 165

* Dogs. Two Portraits of Dogs, 1892, pencil heightened with bodycolour, the first depicting the head of a wolf hound type dog, wearing a leather collar, initialled 'B.S.C.S '92' in pencil to lower right, the other depicting a heavier set dog wearing a collar, initialled and dated 'B.S.C.S '92' in pencil below dog's collar, sheet sizes 23 x 34 cm, both framed and glazed in matching frames (42 x 52 cm)QTY: (2)

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St. Dominic's Press. In Petra, being a Sequel to 'Nisi Dominus,' together with a Preface and Notes by Eric Gill and Hilary Pe

Dominic Winter Auctions

Lot 770

St. Dominic's Press. In Petra, being a Sequel to 'Nisi Dominus,' together with a Preface and Notes by Eric Gill and Hilary Pepler, 1st edition, Ditchling: St Dominic's Press, 1923, text with 3 wood-engravings by David Jones and 6 by Eric Gill (including title-page vignette printed in red), original buckram with printed paper label to upper cover, small 4to, together with:Concerning Dragons, A Rhyme by H.D.C.P. [Hilary Douglas Pepler], Engravings by A.E.R.G. [Eric Gill], reprint, Ditchling: St Dominic's Press, 1924, 8 pp. including wrappers, uncut, sewn as issued, a few spots, 16mo, plusWood Engraving by R. John Beedham with Introduction and Appendix by Eric Gill, 3rd edition, Ditchling: St Dominic's Press, 1929, engraved illustrations, old pencil ownership name of M.A. Barker to front free endpaper, original cloth-backed printed boards, rubbed and soiled, 8vo, plusPepler (Hilary Douglas Clark, 1878-1951), Autograph Letter Signed, St Dominic's Press, Ditchling, Sussex, 13 November 1926, on Press letterhead, a short note thanking Mr Porter and wishing him a happy Christmas, 'Yes, Gill went in 1924 - escaped to the Black Mountains', two nicks to upper margin and slight browning to lower fold, well away from text, 1 page, 8vo, plus 2 one-page printed leaflets for new books from the Press in 1926QTY: (6)

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* Matthews (Rodney, 1945-). The Tea-Party, original illustration for Alice in Wonderland, 1989, pencil on tracing paper, titl

Dominic Winter Auctions

Lot 677

* Matthews (Rodney, 1945-). The Tea-Party, original illustration for Alice in Wonderland, 1989, pencil on tracing paper, title, copyright, and date to lower margin in pencil, some overall toning and spotting, mount aperture 33.5 x 46 cm, framed and glazed (53.5 x 65 cm), together with a letter of authenticity signed by the artist and dated 2012QTY: (1)NOTE:These illustrations were produced for Lewis Carroll's Alice in Wonderland, illustrated by Rodney Matthews and published by Templar Books in 2008. The illustration appears on pp.48/49.Matthews applied for a place on a commercial design course at the West of England College of Art after a stint working with his father, an engineer. At Bristol he was taught by Anthony Rossiter, a painter of English landscapes. Matthews worked in advertising agencies before going freelance in 1970. His illlustrations have been used in various forms including in greetings cards, calendars, fantasy novels and album covers.

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* Payne (Charles Johnson, pseud. Snaffles). Happy are they who Hunt for their own Pleasure and not to Astonish others, Richar

Dominic Winter Auctions

Lot 181

* Payne (Charles Johnson, pseud. Snaffles). Happy are they who Hunt for their own Pleasure and not to Astonish others, Richard Wyman & Co. Ltd. circa 1926, colour photolithograph with a coloured remarque of a huntsman taking a crashing fall at a five bar gate, signed in pencil by the artist to the lower left, blind stamp of the Fine Art Trade Guild, some spotting to the backing paper, overall size 545 x 770 mm, framed and glazedQTY: (1)

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* Jones (Harold, 1904-1992). Woman in Landscape, watercolour and pencil on buff paper, depicting a nude woman sitting by a la

Dominic Winter Auctions

Lot 644

* Jones (Harold, 1904-1992). Woman in Landscape, watercolour and pencil on buff paper, depicting a nude woman sitting by a lake, signed lower right, with additional pencil sketches to verso, in pencil, mount aperture 27.5 x 23 cm, framed and double-glazed (47.5 x 39 cm), together withField of Wheat, watercolour and gouache on card, signed lower right in pencil, sheet size 32 x 39 cm, mounted (45.5 x 52 cm), and two further studies by the same artist comprising: pen, ink and brown wash landscape, signed to lower left and a pencil sketch of a Staffordshire figurineQTY: (4)NOTE:Jones was a London born artist, illustrator and writer of children’s books who studied illustration at Goldsmith's College (under Edmund Sullivan, a former teacher of Arthur Rackham), Camberwell School of Arts and Crafts and then studied at the Royal College of Art on a scholarship. Children's book critic Brian Alderson called Jones 'perhaps the most original children’s book illustrator of the period'.

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AR * Wood (Lawson, 1878-1957). Getting the Drill, watercolour and gouache on artist's board, depicting Gran'pop leaning out

Dominic Winter Auctions

Lot 690

AR * Wood (Lawson, 1878-1957). Getting the Drill, watercolour and gouache on artist's board, depicting Gran'pop leaning out of a window, a rudimentary dentists' drill in one hand, and a scared monkey clinging onto his window shutter in the other, a blue board resting against the wall advertising 'Gran 'Pop's Dental Fees', pencil title to paper guard on verso (crossed through), image size 40.7 x 32.7 cm, mountedQTY: (1)NOTE:This illustration was used in an American Gran'pop calendar and titled Out-Patient for its April 1974 slot. The calendar was sponsored by Schmidt Brothers Produce Co. (a wholesale fruit and vegetable company), East Peoria, Illinois.

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* Mezzotint Portraits. Seven Portraits, 19th century, including [Ward (George Raphael). Sir James Brooke, the First White Raj

Dominic Winter Auctions

Lot 174

* Mezzotint Portraits. Seven Portraits, 19th century, including [Ward (George Raphael). Sir James Brooke, the First White Rajah of Sarawak, circa 1847], uncoloured mezzotint after Sir Francis Grant on India wove, signed by the engraver in pencil to the lower right, some staining, slight creasing and marginal dust soiling, 515 x 385 mm, together with another copy similar, with Cousins (Samuel). Elizabeth, Duchess of Rutland..., circa 1826, uncoloured mezzotint after G. Sanders, remarque of a ducal coronet to the upper margin, some staining and spotting, 700 x 440 mm, with another copy similar, plus another three uncoloured mezzotints of Robert Speccott Barker and Philip Pleydell Bouverie (2 copies), various sizes and conditionQTY: (7)

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Nesbit (Edith). The Enchanted Castle, 1st edition, London: T Fisher Unwin, 1907, monochrome illustrations by H. R. Millar, pe

Dominic Winter Auctions

Lot 801

Nesbit (Edith). The Enchanted Castle, 1st edition, London: T Fisher Unwin, 1907, monochrome illustrations by H. R. Millar, pencil inscriptions to the front endpapers, some toning, wear & light marks throughout, top edge gilt, original gilt decorated red cloth, boards & spine rubbed, spine faded with loss to the head & foot, 8voThe Story of The Amulet, 1st edition, 1906, some minor spotting & toning, top edge gilt, original gilt decorated red cloth, spine lightly faded & rubbed to head & foot, 8voThe Story of The Treasure Seekers, 1st edition, 1899, monochrome illustrations by Gordon Brown & Lewis Baumer, some light marginal toning & spotting, top edge gilt, original gilt decorated blue cloth, boards & spine lightly rubbed to head & foot, 8voThe Phoenix and The Carpet, 1st edition, London: George Newnes, 1904, colour frontispiece & monochrome illustrations by H. R. Millar, some spotting & light toning, lacking rear endpapers, top edge gilt, original gilt decorated blue cloth, spine lightly rubbed to head & foot, 8vo, together with 6 further works by Edith Nesbit, including Hardings' Luck, 1909, New Treasure Seekers, 1907, Nine Unlikely Tales, 1901, Wet Magic, circa 1913 The House of Arden, 1908, The Wonderful Garden, 1912, all original gilt decorated red cloth, 8voQTY: (10)

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Greenwood (Jeremy). Ravilious Engravings, with an Introduction by John Craig, 1st edition, Woodbridge: Wood Lea Press, 2008,

Dominic Winter Auctions

Lot 736

Greenwood (Jeremy). Ravilious Engravings, with an Introduction by John Craig, 1st edition, Woodbridge: Wood Lea Press, 2008, colour and black & white illustrations throughout, original cloth in card slipcase, folio, (one of 800 standard copies from a total edition of 855), together with:Mackley (George), Monica Poole, Wood Engraver, Edited with an Introduction by Graham Williams, 1st edition, Biddenden: The Florin Press, 1984, black & white illustrations, original cloth-backed boards, slim folio, (limited edition 103/300 copies, signed in pencil by Poole and Williams), plusPoole (Monica), The Wood Engravings of John Farleigh, Gresham Books, 1985, black & white illustrations including 2 printed in red and black, proof in sleeve at rear as issued, original morocco-backed cloth gilt in cloth slipcase, folio, (limited edition, 13/110 copies, signed by Monica Poole), plus 4 related on Edward Wadsworth, John Farleigh, Gertrude Hermes and Omega Cuts by Wood Lea Press, all folioQTY: (7)

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Jones (Harold, 1904-1992). The Artist and his Wife, watercolour and pencil, depicting a fantastical garden scene with deer, r

Dominic Winter Auctions

Lot 669

Jones (Harold, 1904-1992). The Artist and his Wife, watercolour and pencil, depicting a fantastical garden scene with deer, rabbit and an owl surrounding the artist and his wife holding hands, encircled by butterflies, signed lower right in pencil, sheet size 40 x 60.5 cm, framed (52.5 x 71 cm)QTY: (1)NOTE:Jones was a London born artist, illustrator and writer of children’s books who studied illustration at Goldsmith's College (under Edmund Sullivan, a former teacher of Arthur Rackham), Camberwell School of Arts and Crafts and then studied at the Royal College of Art on a scholarship. Children's book critic Brian Alderson called Jones 'perhaps the most original children’s book illustrator of the period'.

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Middleton (Christopher). Poems, 1st edition, London: The Fortune Press, 1944, original red cloth in pale blue dustwrapper, 8v

Dominic Winter Auctions

Lot 844

Middleton (Christopher). Poems, 1st edition, London: The Fortune Press, 1944, original red cloth in pale blue dustwrapper, 8vo, authors presentation copy inscribed to front endpaper 'K. J. F. Bickersteth under whose auspices the seed of this book took to earth. In gratitude, Christopher Middleton, July 1944', together withWoodcock (George). The White Island, 1st edition, Fortune Press [1940], original black cloth in grey dustwrapper, spine darkened, lightly rubbed to extremities, 8vo, authors presentation copy, inscribed 'to Derek Savage in friendship, from George Woodcock. Sept. 1940', plusRodgers (W. R.). Awake! and other Poems, reprinted, Secker & Warburg, 1941, some light spotting, original cloth, rubbed and some spotting, spine discoloured, 8vo, with pencil ownership inscription to front endpaper 'from W. S. Graham, Cornwall August 1944', and Corman (Cid). A Table in Provence, poems by Cid Corman, drawings by Barnet Rubinstein, 1st edition, Origin Press, 1959, monochrome collotype reproductions after Rubinstein, original cloth-backed card covers, rubbed and somewhat toned, oblong folio, limited edition 168/200, signed by the author, and other modern poetry, including Robert Kelly, Songs I-XXX, Cambridge, Massachusetts: Pym-Randall Press 1968, limited signed edition 42/90 from a total edition of 1000, Stuart Montgomery, Circe & Shabby Sunshine 1st editions 1969/73 respectively, each inscribed by the author, Les A, Murray, The Boys who Stole the Funeral, 1st edition, 1980, Lorine Niedecker, My Life by Water, Collected Poems 1936-1968, 1st edition, Fulcrum Press, 1970, limited signed editon 80/100, Robert Garioch, Chuckies on the Cairn, 1ste ediiton, Chalmers Press, circa 1940, signed, Anne Stevenson, William Corbett, Laura Riding, FT Prince, Bernard Kops (Poems 1955, limited signed edition of 100 copies), Alan Halsey, Geraldine Monk, and others, many signed, original cloth, and many in original printed wrappers, 8vo or slim 8voQTY: (approx. 90)

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* Phiz (Hablot Knight Browne, 1815-1882). Take it Easy, it's soft falling, watercolour and pencil on paper, laid onto paper,

Dominic Winter Auctions

Lot 680

* Phiz (Hablot Knight Browne, 1815-1882). Take it Easy, it's soft falling, watercolour and pencil on paper, laid onto paper, then laid onto thick paper, signed lower right, title in pencil to lower left, overall toning, stain to upper left sky, sheet size 27.5 x 38 cm, cream card mount (39 x 49.5 cm) QTY: (1)

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Ashbery (John). Some Trees, with a foreword by W. H. Auden (Yale Series of Younger Poets, 52), 1st edition, New Haven: Yale U

Dominic Winter Auctions

Lot 851

Ashbery (John). Some Trees, with a foreword by W. H. Auden (Yale Series of Younger Poets, 52), 1st edition, New Haven: Yale University Press, 1956, original publisher's black cloth, spine titled in gilt, with unclipped dust-wrapper, a few minor marks and spine somewhat tanned, 8vo, generally G/VG, with an original typescript poem by John Ashbery loosely inserted at front of volume, in French on two sheets of paper, titled 'Poemes Francaises' (in blue ink), and signed twice to foot of each sheet in blue ink by John Ashbery (the first signature inked over), marked in pencil to upper corner of first sheet 'Tel Quel 27', together withMoore (Marianne). The Pangolin and Other Verse, 1st edition, London: Brendin Publishing Company, 1936, monochrome illustrations by George Plank, printed at the Curwen Press, original patterned boards, a little rubbed and spine somewhat darkened, 8vo, plus two others: John Berryman, Poems (Poet of the Month series), 1st edition, Norfolk, Connecticut: New Directions, 1942, original light blue printed wrappers, minor discolouration to edges, and Robert Creeley, The Finger, poems 1966-1969, 1st edition, London: Calder & Boyars, 1970, original green cloth in dustwrapper, with some light spotting, inscribed by the author 'for Lee-with our love-in his country. Bob, London 7/18/70', all 8voQTY: (4)NOTE:'Poemes Francais' was written in 1966, and published in Tel Quel, Autumn 1966 (in French) and Art and Literature, Spring 1967 (in English), before appearing in The Double Dream of Spring (1970). In a note appended to the English text, Ashbery said: “I wrote the group of ‘French poems’ in French and translated them myself into English, with the idea of avoiding customary word-patterns and associations.”Abbott A5 for Marianne Moore's The Pangolin. Printed in an edition of 120 copies only.

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Kingsley (Rev. Charles). The Water-Babies a Fairy Tale for a Land Baby, 1st edition, 1st issue, London & Cambridge: Macmi

Dominic Winter Auctions

Lot 559

Kingsley (Rev. Charles). The Water-Babies a Fairy Tale for a Land Baby, 1st edition, 1st issue, London & Cambridge: Macmillan and Co, 1863, with L'Envoi at leaf b, frontispiece, advertisement leaf at front, half-title with contemporary ownership inscription to upper, some minor spotting, original green cloth, stamped in gilt and blind, rebacked, covers worn, corners bumped, 8vo, together with a duplicate 2nd issue, plusDean & Son (T. publishers). The Colored Nursery Picture Everyday Book, Series the First, The Home First Book, edited by Mrs. Charles Butler, circa 1852, hand-coloured lithographed frontispiece and general title, 2 full-page woodcut part-titles and woodcut illustrations throughout, all hand-coloured, previous owner's notes in pencil to free front endpaper, closed tear to b6, Marjorie Moon bookplate to verso of free front endpaper, C Wiley booklabel to front pastedown, inner front hinge partly split, original blind-tooled cloth with gilt-lettering, portion of spine torn but still present, small 4to, and Farrar (Frederick W.). Eric, or Little by Little by Farrar, 1st edition, Edinburgh: Adam and Charles Black, 1858, including 'sadistic' passage that was removed in later editions (p. 365), spotting mainly to preliminaries, final leaves and endpapers, previous ownership inscription to free front leaf, part of a signed letter from the author tipped onto free front leaf, Edward Philips Thompson bookplate to front pastedown, quarter calf boards, upper cover detached, 1894, and a duplicate copy, 1894, with a letter from the author, both 8voQTY: (5)

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* Matthews (Rodney, 1945-). The Palace of Hearts, original illustration for Alice in Wonderland, 2007, pencil on tracing pape

Dominic Winter Auctions

Lot 676

* Matthews (Rodney, 1945-). The Palace of Hearts, original illustration for Alice in Wonderland, 2007, pencil on tracing paper, on two conjoined sheets laid down onto thin paper, laid onto thin Fabriano card, title, copyright, and date to margin in pencil, publisher's notes to margins, artist's horizontal and vertical pencil line through the middle of the image, sheet size 29.5 x 50 cm, framed and glazed (51.5 x 46 cm), together with a letter of authenticity signed by the artist and dated 2012, plus a signed copy of the book for which the illustrations were produced, 4toQTY: (2)NOTE:These illustrations were produced for Lewis Carroll's Alice in Wonderland, illustrated by Rodney Matthews and published by Templar Books in 2008. The illustrations appear on the book boards and pp.4/5.Matthews applied for a place on a commercial design course at the West of England College of Art after a stint working with his father, an engineer. At Bristol he was taught by Anthony Rossiter, a painter of English landscapes. Matthews worked in advertising agencies before going freelance in 1970. His illlustrations have been used in various forms including in greetings cards, calendars, fantasy novels and album covers.

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* Hughes (Edward James, 1930-1998). English poet, translator and children's writer. Autograph Letter Signed, 'Ted', Court Gre

Dominic Winter Auctions

Lot 929

* Hughes (Edward James, 1930-1998). English poet, translator and children's writer. Autograph Letter Signed, 'Ted', Court Green, North Tawton, Devon, 21 January 1985, to Charles [Monteith], thanking him for the salutations and continuing, 'Whatever drawbacks there may be to this new job there seem to be lots of small pleasures to begin with. It seems to be about the nicest thing I've given to my old friends - or could have given. And that's a pleasure. And we've kept it in the firm. When I accepted I still assumed that Philip [Larkin] had refused. Must have refused. One vote in my decision was "If he's refused and I refuse - it will leave the firm". (I don't know how many votes there were in all - secret ballot). I hope we shall indeed be able to share a glass of sack... ', 1 page, 4to, together with a second Autograph Letter Signed, Court Green, North Tawton, Devon, 29 September 1990, to Rosemary [Goad] thanking her for the fly box and saying that he only has plastic makeshifts that fall apart, 'Now I can select a new fly in the most fastidious company, or offer a change of fly to the noblest', telling that the rain is pounding down and is the first he's seen since the season started, saying that he loved the Faber evening which they 'really did it awfully well, bless them' and saying that if she is ever out west to visit them, 2 pp., 8vo, together with an Autograph Letter Signed from Hughes's widow Carol, Court Green, 7 February 1999, to Rosemary, 'Thank you for writing so generously about Ted. He was, is, such a large and unique being, who seemed to be able to make everyone else feel special. The public acclaim for Birthday Letters is a fitting tribute and yet makes it quite difficult to mourn - and even to come to terms with his death, no doubt one reaches a quietness in one's soul about that eventually. His illness, death and posthumous life are all too overwhelming - bleak times as you say, but the sun will shine again, 1 page, 4to, both with paperclip impression to upper margin from previous filing, plus 2 uncorrected proof copies of Seneca's Oedipus adapted by Ted Hughes, Faber & Faber, 1969, one with pencil ownership signature of 'Miss Goad' to upper wrapper, slim 8voQTY: (5)NOTE:Provenance: from the library of Rosemary Goad, the first female director of Faber and Faber.The first letter to Charles Monteith, director at Faber, concerns Hughes's appointment as Poet Laureate in December 1984. The sherry references in the closing paragraph refer to the long-standing tradition whereby the sherry producers of Jerez in Spain giving the newly-appointed Poet Laureates a barrel (butt) of sherry. It was first given to Ben Jonson in 1630, the last being given in 1790 when Henry James Pye relinquished his cask for a payment of £27.

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Burroughs (William). Minutes to Go, Sinclair Beiles, William Beiles, Gregory Corso, Brion Gysin, 1st edition, Paris, Two Citi

Dominic Winter Auctions

Lot 857

Burroughs (William). Minutes to Go, Sinclair Beiles, William Beiles, Gregory Corso, Brion Gysin, 1st edition, Paris, Two Cities Editions, 1960, small red blot to verso of title page, signed to verso of title page by Brion Gysin and Sinclair Beiles (in ink and pencil respectively), original printed blue wrappers, rubbed and a little fraying to spine and edges, spine and upper wrapper somewhat faded, slim 8voQTY: (1)

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AR * Shepard (Ernest Howard, 1879-1976). Not Out 25, original illustration for Punch, pencil drawing on sketchbook page, dep

Dominic Winter Auctions

Lot 684

AR * Shepard (Ernest Howard, 1879-1976). Not Out 25, original illustration for Punch, pencil drawing on sketchbook page, depicting a springbok in cricket attire ready to bat, an umpire standing behind, sheet size 37 x 25 cm, Sally Hunter Fine Art label to verso, mounted, framed and glazed (51 x 39 cm) QTY: (1)NOTE:According to the Sally Hunt Fine Art label to verso the artwork was exhibited in the Drawings and Illustrations by E. H. Shepard at Medici Gallery, November 2011, no 183. Provenance: Estate of the artist.

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* Oxford. A collection of approximately 190 topographical views, mostly 19th-century, engraved and lithographic views of Oxfo

Dominic Winter Auctions

Lot 179

* Oxford. A collection of approximately 190 topographical views, mostly 19th-century, engraved and lithographic views of Oxford colleges, costumes and portraits relating the various colleges and topographical views of the county, with examples by or after Ackermann, Bluck, Cousen, Le Keux, Hill, Hollis, Radclyffe, Wickes and Buck, occasional duplicates, various sizes and condition, together with Knapp-Fisher (A. B.). Magdalen Tower 1924, pencil and watercolour view, signed and dated in pencil by the artist to the lower right, laid on near-contemporary card, 250 x 160 mm, mountedQTY: (approx. 190)

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AR * Ardizzone (Edward, 1900-1979). The Fight on the Bridge, circa 1965, pen and black ink on ivory wove paper, inscribed wi

Dominic Winter Auctions

Lot 650

AR * Ardizzone (Edward, 1900-1979). The Fight on the Bridge, circa 1965, pen and black ink on ivory wove paper, inscribed with the title by the artist in pencil to lower left, 152 x 190 mm (6 x 7 1/2 ins) mount aperture, framed and glazed, with Chris Beetles gallery label to versoQTY: (1)NOTE:Original illustration by Ardizzone for The Milldale Riot by Freda Nichols, published by Ginn & Co. Ltd. in 1965 (chapter XIV, page 11).

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* Beek (Harmsen van der, 1897-1953). Noddy and the Magig Goldfish, gouache with watercolour and pencil, on thin card, an orig

Dominic Winter Auctions

Lot 653

* Beek (Harmsen van der, 1897-1953). Noddy and the Magig Goldfish, gouache with watercolour and pencil, on thin card, an original illustration depicting the cover design for Noddy and the Magic Goldfish, (the word magic erroneously spelt 'magig' on this design), published by Sampson Low, 1953, together with four other similar cover designs for the following books in the same series: Noddy in the Land of King Ho-Ho, Noddy and Mr Roundy in Clown Town, Noddy Visits the Land of Tops, and Noddy and Mr Cheery, sheet size 34 x 11.6 cm, all mountedQTY: (5)NOTE:Summerfield, Part 3, p. 42. These books are all from the Noddy Castle Book Series.The cover design with the incorrect spelling was used in the first printing and then later corrected.

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Lewis (William, publisher). Lewis's New Traveller's Guide, or a Pocket Edition of the English Counties, containing all the Di

Dominic Winter Auctions

Lot 49

Lewis (William, publisher). Lewis's New Traveller's Guide, or a Pocket Edition of the English Counties, containing all the Direct & Cross Roads in England and Wales, with the Distance of each Principal Place from London, [1819], hand coloured engraved frontispiece of a map of England & Wales, calligraphic title page with a black & white engraved vignette of a coach and postillions, preface (dated 1819), contents list, list of mail coaches and cost of postage, forty-two (complete as list) engraved maps with contemporary hand colouring, including one folding (Yorkshire), each map with a page of descriptive text, some dust soiling and slight staining throughout, a few text pages with long closed tears, text block cracked an weak, several ownership inscriptions to pastedowns and front and rear endpapers, contemporary quarter morocco with morocco gilt title label to the upper siding, heavily worn and frayed, 8vo, together with Cary (John). Cary's Traveller's Companion, or a Delineation of the Turnpike Roads of England and Wales..., 1791, calligraphic title, advertisement and contents, 43 engraved maps including one folding (Yorkshire), all with contemporary outline colouring, index bound at rear, later endpapers, modern half calf gilt, small 8vo, with Leigh (Samuel). Leigh's New Pocket Road Book of England and Wales and part of Scotland..., 1826, frontispiece of the price of posting, additional decorative half-title and preface, 55 uncoloured engraved maps by Sidney Hall, additional half-title and a folding map of England & Wales (this map with contemporary hand-colouring, index and publisher's advertisement bound at rear, later pencil annotations to rear first blank, contemporary morocco gilt, re-backed, bumped with some wear to the extremities,12mo, plus Reynolds (James). Reynolds's Travelling Atlas of England: With all the Railways and Stations..., [1848], title page and 30 engraved maps with contemporary outline colouring, some spotting and dust soiling throughout, text block detached, broken and split, publisher's decorative gilt cloth, worn and rubbed, 8voQTY: (4)

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* Matthews (Rodney, 1945-). Painting the Roses, original illustration for Alice in Wonderland, 1989, pencil on tracing paper,

Dominic Winter Auctions

Lot 673

* Matthews (Rodney, 1945-). Painting the Roses, original illustration for Alice in Wonderland, 1989, pencil on tracing paper, adherred to board with tape, title, copyright, and date to margin in pencil, some spotting, sheet size 37 x 52 cm, framed and glazed (53 x 75 cm), together with a letter of authenticity signed by the artist and dated 2012QTY: (1)NOTE:This illustration was produced for Lewis Carroll's Alice in Wonderland, illustrated by Rodney Matthews and published by Templar Books in 2008. The illustration appears in colour on pp.56/57.Matthews applied for a place on a commercial design course at the West of England College of Art after a stint working with his father, an engineer. At Bristol he was taught by Anthony Rossiter, a painter of English landscapes. Matthews worked in advertising agencies before going freelance in 1970. His illlustrations have been used in various forms including in greetings cards, calendars, fantasy novels and album covers.

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* Searle (Ronald, 1920-2011). Self Portrait, 199(5)?, pen on thin card, depicting a caricature style self portrait of just th

Dominic Winter Auctions

Lot 683

* Searle (Ronald, 1920-2011). Self Portrait, 199(5)?, pen on thin card, depicting a caricature style self portrait of just the artist's face, signed and dated 199(5)?, sheet size 11.6 x 12.5 cm, mounted, together with McKee (David, 1935-2022). Mr Benn, 2001, pen and ink on card, depicting a gentleman dressed in a suit and bowler hat, his left arm raised in a wave, 'for Dan David McKee 2001' signed to lower margin, small scuff to paper with no loss mainly to 'f and D' of inscription, sheet size 19.8 x 9.9 cm, mounted, plusGarden (Graeme, 1943 -). The Goodies, pen on thin card, depicting three men riding a triple tandem bicycle, one waving, titled to upper left, signed lower right, sheet size 21 x 29.6 cm, mounted, andBiro (Val, 1921-2014). Gumdrop, 2008, pencil on thick card, depicting a man driving an old fashioned car, a dog sitting in the back, titled, signed and dated '08', sheet size 21 x 28.9 cm, mountedQTY: (4)

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Nonesuch Press. The Writings of William Blake, edited by Geoffrey Keynes, 3 volumes, & The Life of William Blake by Mona

Dominic Winter Auctions

Lot 311

Nonesuch Press. The Writings of William Blake, edited by Geoffrey Keynes, 3 volumes, & The Life of William Blake by Mona Wilson, London: Nonesuch Press, 1925 & 1927, original quarter vellum over marbled boards, spines and outer edges discoloured, limited numbered edition of 1500 copies, this copy numbered 500, 4to, together with: Pencil Drawings by William Blake, edited by Geoffrey Keynes & Blake's Pencil Drawings, Second Series, edited by Geoffrey Keynes, London: Nonesuch Press, 1927 & 1956 respectively, original quarter cloth and original rust-brown cloth respectively, 4to, plus others including: A Note on the discovery of a new page of poetry in William Blake's Milton, by S. Foster Damon, Boston: The Merrymount Press, 1925, limited edition of 150 copies, and On the Morning of Christ's Nativity, Milton's Hymn, with illustrations by William Blake, and a note on the illustrations by Martin Butlin, Gloucestershire: Whittington Press, 1981, colour plates, top edge gilt, remainder untrimmed, green marbled endpapers, original quarter vellum and green cloth, in green slip cover (faded to edges), limited edition 145/350, 4to,QTY: (8)

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* Foxwell, (Herbert Sydney, 1890-1943). Tiger Tim's Annual, original cover artwork, 1926, watercolour on Whatman board, depic

Dominic Winter Auctions

Lot 666

* Foxwell, (Herbert Sydney, 1890-1943). Tiger Tim's Annual, original cover artwork, 1926, watercolour on Whatman board, depicting a tiger sitting on a throne holding an apple in one hand and a bell on a stick in another, various animals staring at him, a dog offering him a toffee, signed lower right, publisher's notes to marging, sheet size 37.5 x 26.8 cm, together with a copy of the annual for which the artwork was produced, plusWakefield (George William, 1887-1942). The Good Deed Gang, original illustration, 1935, pen and blue pencil on thin card, depicting Laurel, Hardy and three other members of the gang, all with rolled up sleeves pointing to a skull tattoo, publishers notes and date stamp '9 Nov 1935' to verso, some small pin holes to upper margin, cartoon first appeared in Film Fun Comic in 1935, plus a copy of the Film Fun Annual, 1952, in which the artwork was reprinted andPayne (Austin Bowen, 1876-1956). Pip, Squeak and Wilfred, original illustration, 1936, pen and ink on thin card, depicting a storyboard showing Squeak reading a story to reluctant listener Squeak, signed and dated lower right, cartoon published in the Daily Mirror, 29th January 1936QTY: (5)

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Dulac (Edmund, illustrator). Princess Badoura A Tale from the Arabian Nights retold by Laurence Housman, [London]: Hodder and

Dominic Winter Auctions

Lot 549

Dulac (Edmund, illustrator). Princess Badoura A Tale from the Arabian Nights retold by Laurence Housman, [London]: Hodder and Stoughton, [1913], 10 colour tipped-in plates, captioned tissue guards, half-title, signed by Laurence Housman, previous owner's pencil notes to front free endpaper, decorative endpapers, Jas. Golder bookseller label to front pastedown, original gilt decorated pale turquoise and cream cloth, generally in good condition (few small spots to margins of upper cover), presented in a modern bookslip, 4to, together withDulac (Edmund, illustrator). Stories from The Arabian Nights retold by Laurence Housman, London: Hodder and Stoughton, 1911, 24 colour plates, captioned tissue guards, half-title, decorative endpapers (lightly toned), top edge gilt, original gilt and black decorated limp blue calf, yapp edges, presented in a modern blue case, 4to QTY: (2)

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* Hearsey (Hyder Young, 1782-1840). View of Almora, Uttar Pradesh, Northern India, circa 1815, watercolour with pencil, and p

Dominic Winter Auctions

Lot 20

* Hearsey (Hyder Young, 1782-1840). View of Almora, Uttar Pradesh, Northern India, circa 1815, watercolour with pencil, and pen and brown ink on Whatman laid paper (watermarked J Whatman 1804), inscribed (presumably by the artist) to lower blank margin: ALMORAH No.4, left blank margin with contemporary paper restrengthening to verso, 33.5 x 53.5 cm (13 1/4 x 21 ins), hinged to upper margin in modern window mount, with modern pencil note to backing card, 'English School, very early 19th century, view in Northern India, inscribed below the drawing, paper watermarked Whatman 1804, note in book from which these were taken stated that they were drawn during Col. Moercheson's survey', framed and glazedQTY: (1)NOTE:Provenance: Private Collection, Gloucestershire, UK.Almora, the capital of Kumaon, sits on a saddle-ridge of the Himalayas, 5494 feet above sea level. The town was captured by the Gurkhas in 1790, who constructed a fort on the eastern extremity of the ridge. Almora was the scene of a British victory which terminated the war with Nepal in April 1815, and which resulted in the evacuation of Kumaon by the Gurkhas and the annexation of the province by the British. The British Library holds a number of watercolour views by Hyder Hearsey of the lower reaches of the Himalayas, including two which are captioned Almorah No.1 and Almorah No.5, as in the present work. Two similar views of Almora, also on the same scale, were offered at Christie's, London, Exploration and Travel with Visions of India, 21 September 2000, lot 283.Hyder Young Hearsey was the son of Captain Harry Hearsey, an English officer in the Maratha service who fell at the head of his cavalry regiment in the battle of Merta, in 1790. Hyder was educated in England, and at an early age followed in his father's footsteps, being appointed a cadet in the Maratha service before his seventeenth birthday, and receiving promotion a few months later to the rank of ensign, for good service in the field. He was kindly treated by General Perron, the French commander-in-chief of the Maratha army, but, like other Englishmen in that service, soon found his position uncomfortable, and entered the army of the celebrated George Thomas, Raja of Hansi. With the outbreak of the Nepal War in 1814, Lord Moira, Governor General, decided to attack Kumaon as a diversion from a number of unsuccessful advances towards Kathmandu. Hearsey was in command of a small body of irregulars and advanced in February 1815 from Pilibhit up the Kali into the hills, capturing Champavat in March 1815. Underestimating the fighting power of the Gurkhas, he was wounded, captured and imprisoned at Almora until its surrender at the end of April 1815. Hearsey accompanied two expeditions, through the hill country and in to Tibet, to discover the source of the Ganges. The first was in 1808 with Lieutenant Webb and Captain Raper. During the second, in 1812, he and William Moorcroft became the first Europeans to reach the sacred lake of Manasarowar.

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Kauffer (Edward McKnight, illustrator). Elsie and the Child [by] Arnold Bennett, imprinted at the Curwen Press for Cassell an

Dominic Winter Auctions

Lot 741

Kauffer (Edward McKnight, illustrator). Elsie and the Child [by] Arnold Bennett, imprinted at the Curwen Press for Cassell and Company, 1929, colour lithographic plates and illustrations, original cloth, minor spotting and dust-soiling, 4to, (limited edition, 285/750 copies), together with: Benito Cereno by Herman Melville with Pictures by E. McKnight Kauffer, Nonesuch Press, 1926, colour lithographic plates and title vignette, uncut, original red buckram, a little rubbed and faded, folio, (limited edition, 1413/1650 copies), plusMueller (Hans Alexander), Woodcuts of New York, Pages from a Diary, New York, J.J. Augustin, 1938, woodcuts including some in blue and black, inscribed in pencil by the author for Robert Leslie on half-title, original cloth in dust jacket, some damp staining and browning, 8vo, plus White Owl Press, Blood Oranges [by] Francis Brett Young, 1932, woodcut frontispiece and tailpiece, top edge gilt, remainder uncut, original cream buckram gilt, 8vo, (limited edition, 100/230 copies, signed by the author), plus other mostly smaller format cloth-bound mid 20th-century private press interest and relatedQTY: (28)

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Craig (Edward Gordon, 1872-1966). Santa Tecla, [Genoa, 1925], sepia woodcut on japan tissue, titled in pencil and signed with

Dominic Winter Auctions

Lot 892

Craig (Edward Gordon, 1872-1966). Santa Tecla, [Genoa, 1925], sepia woodcut on japan tissue, titled in pencil and signed with initials for Rosemary Goad by the artist in 1952, additionally inscribed to lower margin, 'hores seriee. 6th state. proof - not clean enough, EGC', sheet size 160 x 215 mm, together with another untitled black woodcut, possibly a stage design, image 72 x 72 mm, dated in pencil by the artist '1907' beneath and initialled and dated 1908 to right of image, additionally inscribed in pencil to lower mount for Rosemary Goad and signed by the artist in 1952, no. 28 to lower right corner, a few spots, sheet size 210 x 165 mm, both tipped on to thick paper mounts, plus A Living Theatre. The Gordon Craig School. The Arena Goldoni. The Mask, Florence, 1913, wood-engraved illustrations throughout including frontispiece and folding plate, signed with initials by Edward Gordon Craig for Rosemary at Vence, 1952, uncut and partly unopened, original printed wrappers, 8voQTY: (3)NOTE:Provenance: from the library of Rosemary Goad, the first female director of Faber and Faber.

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AR * Attwell (Mabel Lucie, 1879-1964). Five original illustrations for Troublesome Topsy and Her Friends by May Baldin, Tabi

Dominic Winter Auctions

Lot 652

AR * Attwell (Mabel Lucie, 1879-1964). Five original illustrations for Troublesome Topsy and Her Friends by May Baldin, Tabitha Smallways Schoolgirl by Raymond Jacberns and That Troublesome Dog by Arthur Raymond Jacberns, watercolour and pencil, depicting various scenes including: I am monitor for cloak-rooms this week and I have to see that rules are kept and they suprised Mrs Brown by coming in at the kitchen door, etc., four signed, image size from 23.5 x 15.5 cm to 27 x 17 cm, all in matching mounts and frames, largest 46 x 37 cm, together with copies of Tabitha Smallways Schoolgirl by Raymond Jacberns, London: W. & R. Chambers Ltd, 1922 and Troublesome Topsy and her Friends by May Baldwin, London: W. & R. Chambers Ltd, 1913, both 8voQTY: (5)

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Shaw (Vero). The Illustrated Book of the Dog, London: Cassell & Company, 1890, half-title, 27 colour plates (of 28, lacki

Dominic Winter Auctions

Lot 67

Shaw (Vero). The Illustrated Book of the Dog, London: Cassell & Company, 1890, half-title, 27 colour plates (of 28, lacking Poodle and Fox Terrier however with additional Gordon Terrier), smaller wood-engraved illustrations to text, pencil ownership inscription to half-title, lightly toned and spotted, text block detached from backstrip, contemporary black half morocco gilt, some wear, marked, 4toQTY: (1)

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Ewart (J. M.). Story of the North West Frontier Province, Peshawar: Government Printing and Stationery Office, North West Fro

Dominic Winter Auctions

Lot 13

Ewart (J. M.). Story of the North West Frontier Province, Peshawar: Government Printing and Stationery Office, North West Frontier Province, 1930, ten plates after photographs, single folding plan (not listed in the list of illustrations), a few minor spots, original green cloth, spine and upper cover lettered in white, lightly rubbed, together withSkeen (General Sir Andrew). Passing It On, short talks on tribal fighting on the north-west frontier of India, 2nd edition, Aldershot: Gale & Polden, [1932], 136 pp, original light brown cloth, some minor marks, 8vo, plusGovernment of India Press. Frontier Warfare-India (Army and Royal Air Force), Delhi: Government of India Press, 1939, eight folding military diagrams at rear, original khaki cloth, rubbed and some marks, small 8vo, andHyde Baker (Major L. S.). The Sowars' Pocket Book. A Manual of Cavalry Drill in an easy for native ranks by Major Hyde Baker, 3rd Punjab Cavalry, Ludhiana: Ludhiana Mission Press, 1898, title, preface leaf, 115pp., with list of contents to verso of final leaf, some near-contemporary annotations in ink and pencil, inner margin between title and preface leaf restrengthened with brown paper, ownership signature of Lieut. R. Scott 3rd Punjab Cavalry to front pastedown, original yellow cloth lettered in black to upper cover, some marks and soiling, plusThring (Lt.-Col. R. H. D.). Standing Orders for the 27th Light Cavalry, Jubbulpore: Edward Press, 1910, title and 34 pp., interleaved with blanks, contemporary black cloth with printed paper label to upper cover with ownership signature of Captain W. F. S. Casson in red ink, small 8voQTY: (5)

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* Aldin (Cecil, 1870 - 1935). A Warwickshire Thruster, colour photolithograph, boldly signed by the artist in pencil to the l

Dominic Winter Auctions

Lot 151

* Aldin (Cecil, 1870 - 1935). A Warwickshire Thruster, colour photolithograph, boldly signed by the artist in pencil to the lower left, with an original pencil and crayon remarque of a fox below the image, 320 x 385 mm, mounted, framed and glazedQTY: (1)

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Quarles (Francis). The Shepheards Oracles: Delivered in certain Eglogues, 1st edition, London: printed by M. F. for John Marr

Dominic Winter Auctions

Lot 331

Quarles (Francis). The Shepheards Oracles: Delivered in certain Eglogues, 1st edition, London: printed by M. F. for John Marriot and Richar Marriot, 1646, period inscription to the reverse of the title page detailing the authors son, 'John born in Essex... a good poet and great royalist' who 'at length he dyed of the plague in London in 1665', loss to the foot of the title page and to the margin of A3, lacks the last page of text [pp.143], some toning & light spotting throughout, later endpapers, modern quarter calf to cloth boards, 4to, together with:Pennant (Thomas), Some Account of London, 2nd edition, London: printed for Robert Faulder, 1791, engraved frontispiece, title page & 11 plates including 2 folding plates, front gutter split, some water damage to the frontispiece & title page, some light toning, spotting & offsetting, contemporary full calf, hinges cracked, boards & spine rubbed with some minor loss, 4to, plusSkrine (Henry),, A General Account of all the Rivers of Note in Great Britain:..., 1st edition, London: printed by T. Bensley, 1801, monochrome maps, lacking half-title & folding frontispiece, some light spotting & toning, some margin annotations in pencil, contemporary full calf, hinges cracked, boards & spine slightly rubbed with some minor loss, 8vo, and other 17th-19th-century literature & reference, mostly leather bindings, some odd & defective volumes, overall condition is fair/good, 8vo/4toQTY: (6 shelves)

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Heaney (Seamus). Eleven Poems, 1st edition, 1st issue, Belfast: Festival Publications, Queen's University Belfast, [1965], or

Dominic Winter Auctions

Lot 902

Heaney (Seamus). Eleven Poems, 1st edition, 1st issue, Belfast: Festival Publications, Queen's University Belfast, [1965], original printed wrappers, with first issue designed to the upper wrapper of a nine-pointed sun in purple, stapled as issued, minimal browning to spine, pencil ownership to head of upper cover 'Miss Joad', slim 8voQTY: (1)NOTE:Brandes & Durkan A1a. The scarce first issue of the poet's first separately printed collection of poems. This copy belonged to Rosemary Goad (1928-2021), editor and later director at the publishers Faber & Faber.

Live Auction

* Matthews (Rodney, 1945-). The Lobster-Quadrille, original illustration for Alice in Wonderland, 2007, pencil on tracing pap

Dominic Winter Auctions

Lot 675

* Matthews (Rodney, 1945-). The Lobster-Quadrille, original illustration for Alice in Wonderland, 2007, pencil on tracing paper, laid down onto thin paper, laid onto thin Fabriano card, title, copyright, and chapter number to margin in pencil, some overall toning, sheet size 40 x 30 cm, framed and glazed (51.5 x 46 cm), together with a letter of authenticity signed by the artist and dated 2012QTY: (1)NOTE:This illustration was produced for Lewis Carroll's Alice in Wonderland, illustrated by Rodney Matthews and published by Templar Books in 2008. The illustration appears in colour on p.75.Matthews applied for a place on a commercial design course at the West of England College of Art after a stint working with his father, an engineer. At Bristol he was taught by Anthony Rossiter, a painter of English landscapes. Matthews worked in advertising agencies before going freelance in 1970. His illlustrations have been used in various forms including in greetings cards, calendars, fantasy novels and album covers.

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Johns (W.E). Spitfire Parade, Biggles At War, 1st edition, London: Oxford University Press, 1941, colour frontispiece, 6 blac

Dominic Winter Auctions

Lot 622

Johns (W.E). Spitfire Parade, Biggles At War, 1st edition, London: Oxford University Press, 1941, colour frontispiece, 6 black and white illustrations, blue pencil mark to half-title lower margin, neat ownership inscription in pencil to front free endpaper upper margin, original blue pictorial cloth, dust jacket, priced 4/- to front flap, lightly marked to rear panel, spine extremities rubbed with small loss, 8voQTY: (1)

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* Lawrence (John, 1933-). Of Birds and Beasts, 1989, wood engraving, signed, titled, dated and numbered '19/50' in pencil to

Dominic Winter Auctions

Lot 694

* Lawrence (John, 1933-). Of Birds and Beasts, 1989, wood engraving, signed, titled, dated and numbered '19/50' in pencil to lower margin, engraved for The New Treasury of Poetry published by Blackie, 1990, image size 20.3 x 15.2 cm (8 x 6 ins), sheet size 35.6 x 24 cm (14 x 9 1/2 ins), mounted, together withThe Four Seasons, four wood engravings, all signed, titled, dated and numbered '46/120', printed from the original blocks cut for The Magic Apple Tree by Susan Hill, 1982, reissued by The Fleece Press, 1997, image size 20.3 x 14.4 cm (8 x 5 5/8 ins), sheet size 31.4 x 22 cm (12 3/8 x 8 5/8 ins), plus John Clare's England, three vignettes, wood engraving, signed and numbered '409/500', published by Merrivale Editions, each vignette 6 x 9 cm, sheet size 29.3 x 20.6 cm (11 1/2 x 8 1/8 ins), and two other similar engravings produced for The Shepherd's Calendar published by the Whittington Press, 1978, all but one signedQTY: (5)

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Craig (Edward Gordon). Nothing or the Bookplate, with a Handlist by E. Carrick, London: Chatto & Windus, 1924, 50 tipped-

Dominic Winter Auctions

Lot 705

Craig (Edward Gordon). Nothing or the Bookplate, with a Handlist by E. Carrick, London: Chatto & Windus, 1924, 50 tipped-in bookplate specimens, the first signed in pencil by Craig, partly uncut, original red buckram gilt, spine slightly faded, small folio, (limited edition of 280 copies, this copy 118/250 copies for sale), together with:Gordon Craig's Paris Diary 1932-1933, Edited with a Prologue by Colin Franklin, North Hills, PA: Bird & Bull Press, 1982, 8 coloured facsimile pages, partly uncut, original morocco-backed Japanese-paper covered boards, gilt-titled leather spine label, 8vo, (limited edition, 251/325 copies), plusIndex to the Story of My Days, Some Memoirs of Edward Gordon Craig, 1872-1907, 1st edition, London: Hulton Press, 1957, black & white plates, author's signed presentation inscription to half-title, dated at Vence, 1958, for Madame Sadie Ginsberg, original cloth in dust jacket, a little rubbed, 4to, plus Edward Gordon Craig: The Last Eight Years, 1958-1966... , Whittington Press, 1983, tipped-in frontispiece, original cloth-backed marbled boards with printed paper label to spine, 8vo, (limited edition, 105/345 copies)QTY: (4)

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AR * Ardizzone (Edward, 1900-1979). A Taxi for Mr Bish, black ink on thick wove paper, depicting a well-dressed man on a bus

Dominic Winter Auctions

Lot 647

AR * Ardizzone (Edward, 1900-1979). A Taxi for Mr Bish, black ink on thick wove paper, depicting a well-dressed man on a busy dockside being greeted by two young children and a dog, the children pulling a small cart, publisher's notes and title in pencil to margin, sheet size 201 x 291 mm, mountedQTY: (1)NOTE:This illustration was produced for Pinky Pye written by Eleanor Estes, illustrated by Edward Ardizzone and published in 1958.

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Sharp-Ayres (H. M. E., Mrs.), Mirror Painting in the Italian style, a practical manual of instruction for amateurs, London: L

Dominic Winter Auctions

Lot 284

Sharp-Ayres (H. M. E., Mrs.), Mirror Painting in the Italian style, a practical manual of instruction for amateurs, London: L. Upcott Gill, 1886, decorative head & tailpieces, illustrated advertisements at rear, original printed wrappers, spine torn with loss, some spotting to covers, 8vo, together with:Fielding (Newton Smith). What to sketch with; or, hints on the use of water colours, oil colours, coloured crayons, black and white chalks, and black lead pencil, London: J. Barnard & Son, [1856], colour frontispiece, illustrated advertisements at rear, toning and spotting, sewing weak, D1 loose and with few short closed tears to gutter margin, original printed wrappers, lacking spine, 8vo (only two UK institutional locations found),Page (James), Guide for Drawing the Acanthus, and every description of Ornamental Foliage, London: Atchley and Co., 1850, engraved frontispiece, plates and illustrations, some toning, original cloth, 12mo,Martel (Charles), On the Materials used in Painting, with a few remarks on varnishing and cleaning pictures, London: George Rowney and Company, 1859, original printed wrappers, lacking spine, covers lightly rubbed, 8vo,Enfield (William), [The] Young Artist's Assistan[t] or elements of the Fine Arts, 5th edition, London: Simpkin and Marshall [& others], 1822, engraved frontispiece, title torn with some text loss, sewing weak and contents loose, few marks, original printed boards, lacking spine, worn, 8vo, and Delamotte (F.), The Book of Ornamental Alphabets Ancient and Mediaeval..., 4th edition, London: E. & F. N. Spon, 1862, scattered spotting, original cloth, extremities rubbed, oblong 8vo, with Nathan (Maude), The Decoration of Leather, from the French of Georges de Recy, London: Archibald Constable & Co Ltd., 1905, photogravure frontispiece and plates, old library bookplates and labels to endpapers, top edge gilt, original cloth, rebacked, 8vo, plus other painting and artist related practical guides and reference, mostly mid-late 19th-century publications, many in original printed wrappersQTY: (17)

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* Matthews (Rodney, 1945-). The Knave on Trial, original illustration for Alice in Wonderland, 1990, pencil on tracing paper,

Dominic Winter Auctions

Lot 674

* Matthews (Rodney, 1945-). The Knave on Trial, original illustration for Alice in Wonderland, 1990, pencil on tracing paper, title, copyright, and date to margin in pencil, some overall toning and spotting, mount aperture 38 x 58 cm, framed and glazed (58 x 77 cm), together with a letter of authenticity signed by the artist and dated 2012, together withThe Knave on Trial, Bristol: Carouche Fine Art, 1990, giclée print, publisher's embossed blind stamp to lower left, limited edition 483/750 copies signed and numbered in pencil by artist to lower margin, some minor surface abrasions, sheet size 45 x 64 cm, framed (54 x 73 cm)QTY: (2)NOTE:This illustration was produced for Lewis Carroll's Alice in Wonderland, illustrated by Rodney Matthews and published by Templar Books in 2008. The illustration appears in colour on pp.82/83.Matthews applied for a place on a commercial design course at the West of England College of Art after a stint working with his father, an engineer. At Bristol he was taught by Anthony Rossiter, a painter of English landscapes. Matthews worked in advertising agencies before going freelance in 1970. His illlustrations have been used in various forms including greetings cards, calendars, fantasy novels and album covers.

Live Auction

* Niekerk (Sarah van, 1934-2018). Wick Court, Arlingham, Gloucestershire, 1990, wood engraving of a farmhouse and animals, si

Dominic Winter Auctions

Lot 177

* Niekerk (Sarah van, 1934-2018). Wick Court, Arlingham, Gloucestershire, 1990, wood engraving of a farmhouse and animals, signed and dated in pencil to lower margin, and numbered 54/120, mount aperture 21.5 x 26.7 cm (8 1/2 x 10 1/2 ins), framed and glazed (41 x 44 cm), together with Mortimer (Roger, 20th/21st century). Coast Path Study, 1995, etching, signed, titled and dated by the artist to lower margin, numbered 1/10, plate size 24.5 x 17.2 cm (9 5/8 x 6 3/4 ins), framed and glazed (40 x 32 cm), plus Sidoli (Dawn, 1933-). Redland, 1979, screenprint, an artist's proof, signed, titled and dated lower margin, mount aperture 30.5 x 21.7 cm (12 x 8 1/2 ins), framed and glazed (50.3 x 40.4 cm)QTY: (3)

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* Matthews (Rodney, 1945-). A Caucus Race, original illustration for Alice in Wonderland, 1993, pencil on tracing paper, titl

Dominic Winter Auctions

Lot 672

* Matthews (Rodney, 1945-). A Caucus Race, original illustration for Alice in Wonderland, 1993, pencil on tracing paper, title, copyright, and date to margin in pencil, some overall toning, closed tear with adhesive repair (25 mm) to lower edge, small ink blot to lower right, sheet size 38 x 58 cm, framed and glazed (58 x 76 cm), together with a letter of authenticity signed by the artist and dated 2012, together withA Caucus Race, published by Rodney Matthews Studios, 2011, giclée colour print, limited edition 10/750 copies signed and numbered by the artist, sheet size 45 x 64 cm, framed and glazed (61 x 76 cm)QTY: (2)NOTE:This illustration was produced for Lewis Carroll's Alice in Wonderland, illustrated by Rodney Matthews and published by Templar Books in 2008. The illustration appears in colour on pp.24/25.Matthews applied for a place on a commercial design course at the West of England College of Art after a stint working with his father, an engineer. At Bristol he was taught by Anthony Rossiter, a painter of English landscapes. Matthews worked in advertising agencies before going freelance in 1970. His illlustrations have been used in various forms including greetings cards, calendars, fantasy novels and album covers.

Live Auction

AR * Craig (Edward Henry Gordon, 1872-1966). Robinson Crusoe, wood engraving, dated, signed and numbered 8/50 in pencil to l

Dominic Winter Auctions

Lot 691

AR * Craig (Edward Henry Gordon, 1872-1966). Robinson Crusoe, wood engraving, dated, signed and numbered 8/50 in pencil to lower margin, slightly toned, two small insect holes to lower right margin, image size 11.3 x 9.2 cm (4 1/2 x 3 5/8 ins), sheet size 18.1 x 12.7 cm (7 1/8 x 5 ins), mounted QTY: (1)

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* Bewick (Thomas, 1753-1828). Three Dogs (The Bulldog, The Small Water Spaniel and A Terrier), 3 wood engravings printed on o

Dominic Winter Auctions

Lot 657

* Bewick (Thomas, 1753-1828). Three Dogs (The Bulldog, The Small Water Spaniel and A Terrier), 3 wood engravings printed on one sheet of Barcham Green hand-made paper from the original blocks, printed by Iain Bain on an Albion handpress, published by Merivale Editions in an edition of 500, and numbered 223/500 in pencil, sheet size 29 x 20.2 cm (11.4 x 8 ins), together withThe Lesser Redpole (from the History of British Birds, Vol 1, 1797), wood engraving printed on one sheet of 145gsm Zerkall mould-made paper from the original blocks, printed by Iain Bain on an Albion handpress, published by Merivale Editions in an edition of 500, and numbered 456/500 in pencil, sheet size 29 x 20.7 cm (11 3/8 x 8 1/4 ins)QTY: (2)

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John Allin: three pencil signed limited edition lithographs of East London street scenes, largest 54 x 72cm.

Chalkwell Auctions

Lot 249

John Allin: three pencil signed limited edition lithographs of East London street scenes, largest 54 x 72cm.

Live Auction

The Supremes Signed in pencil by all 3 mounted with picture and with polybag.

Hansons Auctioneers and Valuers

Lot 161

The Supremes Signed in pencil by all 3 mounted with picture and with polybag.

Live Auction

Ray Leaning original pencil drawing, signed and dated 1999, black framed and glazed. Frame size approx. 53cm x 44cm.

Beeston Auctions

Lot 229

Ray Leaning original pencil drawing, signed and dated 1999, black framed and glazed. Frame size approx. 53cm x 44cm.

Live Auction

A small collection of silver and collectors' items, including a silver and blue enamelled miniature hand mirror, Birmingham 1

Toovey's

Lot 377

A small collection of silver and collectors' items, including a silver and blue enamelled miniature hand mirror, Birmingham 1912 by Crisford & Norris, length 7.6cm, silver handled glove stretchers, Birmingham 1890, a silver feather quill holder and a Samson Mordan & Co propelling pencil.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Limited edition signed print by Steven Gayford titled charm, signed in pencil with coa

Bolton Auction Rooms

Lot 16

Limited edition signed print by Steven Gayford titled charm, signed in pencil with coa

Timed Auction

Limited edition signed print by Steven Gayford titled Mysterious, signed in pencil with coa

Bolton Auction Rooms

Lot 21

Limited edition signed print by Steven Gayford titled Mysterious, signed in pencil with coa

Timed Auction

Limited edition signed print by Steven Gayford titled riverside siesta, signed in pencil with coa

Bolton Auction Rooms

Lot 12

Limited edition signed print by Steven Gayford titled riverside siesta, signed in pencil with coa

Timed Auction

Limited edition signed print by Steven Gayford titled innocence signed in pencil with coa

Bolton Auction Rooms

Lot 15

Limited edition signed print by Steven Gayford titled innocence signed in pencil with coa

Timed Auction

Limited edition signed print by Steven Gayford titled Majestic prince, signed in pencil with coa

Bolton Auction Rooms

Lot 4

Limited edition signed print by Steven Gayford titled Majestic prince, signed in pencil with coa

Timed Auction

Limited edition signed print by Steven Gayford titled Another stretch, signed in pencil with coa

Bolton Auction Rooms

Lot 1

Limited edition signed print by Steven Gayford titled Another stretch, signed in pencil with coa

Timed Auction

Limited edition signed print by Steven Gayford titled Watchfull, signed in pencil with coa

Bolton Auction Rooms

Lot 3

Limited edition signed print by Steven Gayford titled Watchfull, signed in pencil with coa

Timed Auction

295620 item(s)

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