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Lot 323
Φ Howard Phipps (b.1954)Thomas Hardy's Study at Max Gate, Dorchester; Interior with Hanging PlantsTwo, the former signed, inscribed and dated AP 'Thomas Hardy's Study at Max Gate, Dorchester' Howard Phipps 1992 (in pencil to margin), the latter signed, numbered and dated 29/40 Howard Phipps 1979 (in pencil to margin)Both wood engraving10 x 12.7cm; 10.1 x 5.1cm (image) (2)
Lot 94
Φ Ivon Hitchens (1893-1979)View from the artist's cottage at SelseyInscribed We are here at Selsey most weeks & home at weekends but probably returning for longer this time for painting in the garden! We look at this view from the main window. Ivon & Mollie. We miss your letters & hope you are painting! (to verso according to label)Pencil on blue paper, 19727.9 x 12.8cmProvenance:Given by the artist to Howard Bliss (1894-1977);John Marshall (1911-1995);By descent to the present owner
Lot 221
Φ John O'Connor (1913-2004)Ariel and MirandaThe complete portfolio of seven wood engravings, two with yellow hand-colouring, and a watercolour titled Ariel FreeEach wood engraving signed and numbered 13/65 John O'Connor (in pencil to margin), the watercolour signed, dated and inscribed John O'Connor 97 'Ariel Free (lower centre), and further signed, dated and numbered 13/John O'Connor '92 (to title)Each mounted and tipped in original yellow cloth box, published by Jonathan Stephenson at The Rocket Press, 1992, together with title and introduction and two further wood engravings, one loose and one mounted to boxLargest 36 x 26.5cm (sheet); Smallest 24.5 x 17.4cm (sheet)
Lot 324
Φ Howard Phipps (b.1954)The Printer's Chapel; Bargeme, ProvenceTwo, the former signed, numbered and dated 6/100 Howard Phipps 1990 (in pencil to margin), the latter signed, numbered, inscribed and dated 25/100 'Bargeme, Provence' Howard Phipps 1992 (in pencil to margin)Both wood engraving12.6 x 10cm; 10.1 x 12cm (image) (2)
Lot 321
WW2 Airborne Pattern Map Case With Arnhem Mapbrown canvas, triple fold map case. Top securing flap and leather side securing strap. Rear with leather A frame and dog lead hook. Interior with pencil and ruler compartments. Paper British map of Arnhem with various pencil annotations. Map dated 2/45.
Lot 376A
AFTER DAVID J LAWRENCE "Salute to Concorde", limited edition colour print, No'd 78/110, signed in pencil by the artist and King Hussein of Jordan, 37 cm x 51.5 cm, mounted with inscription "Present to Carol Sloggett in grateful recognition of .... International Air Tattoo 1989 at RAF Fairford"
Lot 50
A collection of assorted pictures and prints to include AFTER GEOFFREY E LEA "Spitfire, Tally-Ho" colour print, signed in pencil by the artist, a colour photograph (faded) of the Red Arrows signed by the pilots beneath, AFTER GILLIAN MCDONALD "Coastal Light 1" limited edition coloured print, titled and signed in pencil 15/195 together with a collection of books and DVDs to include BBC Classic Comedy "Open all Hours", a basket containing various decorative boxes etc
Lot 350
J TROTTER "Musee D'orsay", interior scene with figures in foreground, watercolour sketch, signed lower right, bears inscription verso, 17.5 cm x 12.5 cm, AFTER GEOFFREY SPARROW "Shrew mouse", coloured engraving, signed and titled in pencil, 17.5 cm x 11.5 cm, DANIEL PETTIWARD "Cliffs at Seaton", watercolour study, signed lower left, bears "At The Mall Galleries" label verso, 25 cm x 36 cm, together with another by the same hand and a further watercolour study (5)
Lot 362
AFTER NEL WHATMORE "Purple primula", lithograph, limited edition No'd. 63/500, signed in pencil lower right, bears certificate of authenticity verso, 22.5 cm x 21.5 cm, togehter with a companion pair "Yellow primula", AFTER JAILLETHEOY "Study of poppies in a vase", limited edition print No'd. 203/300, indistinctly signed and dated '77 lower right, 68 cm x 44 cm , together with various other floral studies, etc (9)
Lot 344
SARAH BEFFIN (1784-1850) "Peach, grapes, hazelnut and walnut", a still life study, watercolour, inscribed, signed and dated to base "Drawn by Mifs S Beffin Feby 5th 1806", framed and glazed with glazed panel verso with printed article inscribed "At the Talbot Inn, the wonderful woman who is without exception the greatest curiosity exhibited since the creation of the world, Mifs Beffin - a young woman 21 years of age who was born without arms or legs who never was exhibited before last March. She is only 37" high and a very comely appearance; she is by no means deficient in good sense and has an exceeding good temper; she displays a great genius and is a lover of the fine arts but what makes her so worthy of the public notice is the industrious means she has invented and practiced to obtain the use of her scissars, knife, needle, pen, pencil & c. She cuts and makes great parts of her own cloaths, sews well and writes well. She has of late taken to drawing; in which art she is extremely delighted and likely to be equally successful, all of which she performs principally with her mouth.However strange this may appear, yet every person who honours her with their presence will be pleasingly astonished with her extraordinary gifts: in short she is considered by all who have seen her to be worthy of encouragement as any production of nature ever exhibited. The reader may easily think it impossible she should be able to do what is inserted in this bill, but if not true, the proprietor will forfeit one hundred guineas", together with a further newspaper clip from "John O' London's Weekly Nov 8 1924 - An Artist Without Arms - The Miniatures of Sarah Beffin.....", 11.5 cm x 15 cm CONDITION REPORTS Paper is discoloured throughout. Some signs of foxing. There are insect / thunder bugs between the glass and picture. There is a white mark to the right hand side corner of the picture - unsure what this is. Paper appears to be slightly wrinkled. There is a small hole / pin head mark near the shell of the hazelnut. The glass itself is very dirty. Frame has losses throughout. Has clearly been re-sealed, etc. at some point. General wear and tear conducive with age and use. See images for further detail.
Lot 406
AFTER ROBERT MORDEN "Herefordshire" black and white map 37.5 cm x 43 cm, AFTER ROBERT MORDEN "Herefordshire" coloured engraving map 37 cm x 43 cm, AFTER J RUSSELL "Map of the country surrounding London to the extent of 30 miles" coloured engraving 39.5 cm x 45 cm together with AFTER MADELINE SELFE "The Duke of Beaufort with his hounds in Badminton Park 1973" limited edition colour print No'd 277/350 and signed in pencil bottom right, a watercolour botanical study and a further botanical study (6)
Lot 415
The Illustrated Exhibition, Tribute to the World's Industrial Jubilee Comprising sketches by pen and pencil of the principal objects in the Great Exhibition of the Industry of All Nations 1851, Printed by John Cassell, London. 556 pages, plus index of 44 pages. This book contains a number of large, opening illustrations of the exhibitions and a huge number of illustrations throughout the volume. The definitive work on this exhibition. 1st edition 1851. Publisher's quarter leather binding, titled in gilt. From single vendor Book and Magazine collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 619
BASIL EDE; a collection of limited pencil signed and gallery stamped prints from the Game Birds Wildfowl collection, no.92/500 (5), Birds of Britain, no.88/350 (8), all signed with gallery stamps, in the portfolio folders, together with approximately twenty unsigned coloured prints by the artist, mostly depicting birds.
Lot 699
FELICITY WREN (-2019); pen drawing of a hand over a printed montage of portraits, documents, etc, signed in pencil lower right, approx. 19 x 27cm, framed and glazed, and a pencil drawing, partial nude study 'Life Drawing c.1971', signed lower right, titled and dated lower left, approx. 26 x 16.3cm, framed and glazed (2).
Lot 224
Various vintage pens, mostly Parker gold plated examples, to include a fountain pen, ballpoint pens, a rolled gold propelling pencil, hallmarked silver propelling pencil with engine turned body and initialled 'BRJ', a silver plated propelling pencil and a Watermans USA gold plated Ideal fountain pen (lacking pocket clip), in presentation box (8).
Lot 631
Six artworks comprising John E. Bishop (active 1970s); two watercolours and pencil on paper, fishing sailboats moored at harbour, signed in white lower right, dated 1972, both 23.5 x 23.5 cm, framed and glazed, T. R. Jones (British, 20th century); watercolour and pencil, Saxon 1863 Union Line steamer on choppy waters, 30 x 42cm, framed and glazed, watercolour and pencil, RMS Saxon 1900 Union Line, 30 x 43cm, unframed, and watercolour and pencil, HMS Cossack, all signed lower right and a 19th century British school oil on board of sailboats on coastline, unsigned, 24 x 44cm, framed (6).
Lot 142
Group of assorted prints and furnishing pictures to include: etching of a ballet dancer signed by Graham Clilverd, folio of modern Heath Robinson prints, portrait of Nijinsky after John Singer Sargent, print of 'My Friend Maier', by Rick Bower coloured print, signed in pencil by the artist together with a study of Cilgerran Castle in watercolours. Framed and glazed. (6) (B.P. 21% + VAT)
Lot 260
Phil Coles (contemporary)'Death Down Under', Stone Fish;'Flesh Ripper', Longfin Eel, Shortfin Eel and Speckled Eel;'Amazon Apocalypse', Piracatinga;'Congo Killer', Kamba Catfisha set of four, pencil, coloured crayons, watercolour and gouache, each signed by Jeremy Wade, presenter of 'River Monsters', on an Icon Films label verso28.5 x 40.5cm and similar (4)Provenance: Commissioned by Icon Films, makers of 'River Monsters'.Phil Coles did a combined biology and art degree, originally intending to pursue a career in natural history illustration, but instead found his place in the wildlife film-making industry as a producer/director. As such, he has worked with many broadcasters, especially ITV, National Geographic, Curiosity Stream, Animal Planet and the Smithsonian Channel. Through both his work and recreation, he’s had the privilege to visit many parts of the globe and has seen a spectacular diversity of wildlife - it's these memories he carries home and tries to share through his artwork, which remains a true passion. He continues to push into fine art, but has also produced a large volume of work as an illustrator, including three field guides to whales and dolphins and another on sharks, graphics in television shows including ‘Wild Britain with Ray Mears’ and ‘River Monsters’, and many magazines and science journals. He continues to be active in both television and art, with wildlife the true passion at the core of both.Condition Reportoverall: 42 x 52cmIn good overall condition. Well presented and ready to hang.
Lot 264
Phil Coles (contemporary)'Jungle Terminator', Electric Eel;'Mekong Mutilator', Fresh Water Pufferfish';'Jungle Killer', Wolf Fish;'Killer Snakehead', Northern Snakeheada set of four, pencil, coloured crayons, and watercolour, each signed by Jeremy Wade, presenter of 'River Monsters', on an Icon Films label verso28 x 38.5cm and similar (4)Provenance: Commissioned by Icon Films, makers of 'River Monsters'.Phil Coles did a combined biology and art degree, originally intending to pursue a career in natural history illustration, but instead found his place in the wildlife film-making industry as a producer/director. As such, he has worked with many broadcasters, especially ITV, National Geographic, Curiosity Stream, Animal Planet and the Smithsonian Channel. Through both his work and recreation, he’s had the privilege to visit many parts of the globe and has seen a spectacular diversity of wildlife - it's these memories he carries home and tries to share through his artwork, which remains a true passion. He continues to push into fine art, but has also produced a large volume of work as an illustrator, including three field guides to whales and dolphins and another on sharks, graphics in television shows including ‘Wild Britain with Ray Mears’ and ‘River Monsters’, and many magazines and science journals. He continues to be active in both television and art, with wildlife the true passion at the core of both.Condition Reportoverall: 42 x 52cm.In good overall condition. The glazing of one frame is cracked.
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295609 item(s)/page