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Lot 8
A 1980s 18ct gold and diamond heart brooch by Paloma Picasso for Tiffany & Co., the openwork asymmetric heart with vari cut diamond accent, signed Tiffany & Co., Paloma Picasso, stamped 750 and 1983, length 3.1cm, gross weight 6.1g. With maker's box.Condition report: Overall condition good to fairScratches and discolouration in keeping with occasional wearMarks clear and legiblePin in working orderDiamonds bright and well matchedBox slightly faded, some tears to edges
Lot 119
Make & Model: Citroen C4 Picasso VTR+ HDIDate of Reg: AF12 URCColour: Bluecc: 1560MoT: 11-11-2021Fuel Type: DIESELMileage: 159kTransmission: MANUALSummary: Two registered keepers with the last keeper since Nov 2014. Five service stamps with the last entry October 2020 at 149,016 miles, Two keys (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149095
Lot 54
A RARE AND COLLECTIBLE GOLD 'PETITE TÊTE CARÉE' PENDANT, BY ANDRÉ DERAIN (1880-1954)A rare 23K gold pendant, conceived circa 1965, stamped with the artist's signature, incised 'Exemplaire d'auteur 1/2', with the Francois and Pierre Hugo reference numbered '1702' and '2915', stamped with Francois Hugo's hallmark, published by Ateliers Hugo in 2012, within its original wooden fitted case, length 7.9cm, width 5.9cmFor a comparable piece by Andre Derain, see see Hugo, P. and Siaud, C. (2001) Bijoux d'artistes. Artist’s Jewels, Hommage à Francois Hugo, p. 89Long-time friend of François Hugo, Parisian artist and sculptor André Derain (1880-1954) was one of the many creatives who set out to create jewellery pieces at the workshop in the South of France. Alongside Henri Matisse, Derain was founder of the Fauvist movement at the beginning of the 20th century. Derain was initially friends with Francois’ older brother Jean, but later developed an even closer relationship with the younger of the Hugo brothers. Hugo and Derain influenced each other in both their personal and artistic lives. Derain was best man at Hugo’s wedding to his wife Monique and remained close to the couple throughout his life. Having devoted himself to painting in the 1920s, Derain turned increasingly to sculpture during the 1930s. Following World War II, he modelled some medallions in terracotta which were later cast in bronze. Although Derain continued to pursue his passion for sculptural works, his interest in jewellery design and casting emerged from his sculptural practices and was undoubtably propelled to new heights by his friendship with Francois Hugo.In the early days of their friendship, Derain had tried his hand at ceramics with the guide of Hugo, but the collaboration didn’t amount to much and the pieces do not survive. In the late 1940s, Derain once more turned to Hugo to draw upon his knowledge and skill in the creation of 10 sculptural jewels for his wife Alice Prense. Derain’s initial designs were crafted from the lead he had reused from empty paint-tubes from his studio. Six of these jewels were intended to be made in editions of 23 carat gold by Hugo, but Derain tragically died in a road accident in 1954 before the project could come to fruition. Hugo paid homage to the legacy of his friend and legendary artist by eventually making editions in 1966 and 1967.Jewellery made by artists is a rarity. This is not simply down to the fact that there have been only a select number of painters and sculptors who have managed to master the skill involved with making jewellery, but more so because the fruits of their work remain largely buried in private collections. Artist’s jewellery may be given as a gift to a lover, passed down as a family heirloom, or simply kept by the artist themselves. Jewellery of this kind is therefore imbued with a deeply personal nature which is integral to the creative process. The term ‘art jewellery’ itself signifies that the work is handmade and unique. Never mass produced, such jewellery is rather the result of a collaboration between the artist and a jeweller who is trained in the field, or the sole efforts of the artist to step outside his or her own métier to embrace an entirely different world. As with any creative endeavour, the jewellery becomes an extension of the artist’s wider body of work and offers an insight into a realm of design aside from painting or sculpture. The pieces in this sale offer just that and provide us with a glimpse into the intricate workings and personal motivations of three prolific early 20th century artists – Jean Cocteau, André Derain and Pablo Picasso. All three worked under the helm of goldsmith and master-craftsman François Hugo, who provided them with the tools to enable their artistic vision to flourish in the world of jewellery-making.The great-grandson of the eminent writer Victor Hugo and son of painter Georges Hugo, François Hugo’s well-established lineage boasts a host of widely celebrated French cultural figures. François was born in Rovezzano, Italy, in 1899, and trained as an engineer in his early years before entering the creative field by trying his hand at sculpture and painting. He then opened his own workshop in Paris in 1934, where he worked as a silver and goldsmith from 1936 onwards. Throughout the Second World War and following into the late 40s and 50s, François Hugo designed and created buttons from non-precious metals and enamel for fashion houses including Dior, Chanel, Givenchy and Lanvin. His first attempt at creating jewellery had in fact come before the War, in the form of a brief and experimental collaboration with his close friend Andre Derain, but it wasn’t until later that he fully dedicated himself to perfecting the craft of silver and goldsmithing.Francois Hugo was responsible for some of the most important collaborations in precious metals of the twentieth century. Since the 1950s, Ateliers Hugo have famously collaborated with some of the world’s greatest artists and sparked a movement of ‘Bijoux d’Artistes’. Initially, all the artists who Hugo worked with were long-time friends, and included the likes of Max Ernst, Jean Arp, Jean Cocteau, Andre Derain, Dorothea Tanning and Pablo Picasso amongst others. Hugo ingeniously proposed to them to make reduced versions of their works which would be crafted in his workshop and could serve as wearable jewellery. Over sixty-five years later, François’ 32-year-old grandson Nicolas now runs the family business, following in his father and grandfather’s footsteps as the third generation of Ateliers Hugo to create intricate treasures and develop new collections with contemporary artists at their goldsmith workshop in the South of France. The 65th anniversary of Ateliers Hugo was celebrated in 2020 and marked by new collaborations, including one with American artist Josh Sperling, released in April of this year.Condition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 60.80gplease note that this pendant was authenticated verbally by the workshop HUGO and a certificate of authenticity would be made by the workshop if purchased.
Lot 299
BOOKS:D'ORS (EUGENIO) Pablo Picasso, number 1231 of 1250 copies, 4 colour pochoir plates, numerous monochrome plates and illustrations, Paris and London, Chroniques Du Jour and A. Zwemmer, [1930]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 518
* DONALD MORRISON BUYERS RSW (SCOTTISH 1903 - 2003), BEECH TREE GROVE oil on board, signed and dated '72 image size 74cm x 97cm, overall size 89cm x 112cm Framed. Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating, he was employed as an art therapist with tuberculosis patients in the Aberdeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen, he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.
Lot 981
Full title: Pablo Picasso (1881-1973): 'Arlequin au miroir', print, (1971)Description: Work: ca. 68 x 50,5 cm Frame: 100,4 x 83,4 cm This offset print based on the poster, designed by Henri Deschamps and printed by Mourlot, for the Picasso exhibition at Knoedler (26 October - 30 November 1971, Paris). The original painting nowadays part of the Museo Nacional Thyssen-Bornemisza (Madrid, inv. no. 709 (1979.87)) (link).
Lot 51DK
Make & Model: Citroen C4 Grand Picasso VTR+Date of Reg: DK59 XNFColour: Purplecc: 1997MoT: 26-08-2021Fuel Type: DIESELMileage: 86kTransmission: AUTOSummary: Two registered keepers with the last keeper since December 2014.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149135
Lot 66DK
Make & Model: Citroen C3 Picasso Excl HDIDate of Reg: WT14 JXPColour: Redcc: 1560MoT: 24-06-2022Fuel Type: DIESELMileage: 44kTransmission: MANUALSummary: Three registered keepers. Five service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149114
Lot 599
Art Reference. A large collection of Tate publication art reference, including Quentin Blake, Beyond the Page, 2012, Edvard Munch, The Modern Eye, 2012, Picasso, Peace and Freedom, 2010, The Art of the Pre-Raphaelites, by Elizabeth Prettejohn, 2012, Gerhard Richter, Panorama, a retrospective, 2011, some original cloth in dust jackets, mostly paperbacks, some 'as new' in original plastic wrap, some duplicate copies, G/VG, 8vo/4toQty: (6 shelves )
Lot 132
Original vintage advertising poster for Picasso exhibition held at Galerie Louise Leiris in Paris, held from 1st December 1972 until 13th January 1973 displaying 172 recent drawings from the artist, featuring an illustration by Pablo Picasso (1881-1973) of a female and male silhouettes set over brown and blue background. Good condition, pinholes, staining, creasing. Country of issue: France, designer: Picasso, size (cm): 72x48, year of printing: 1972
Lot 89
Vintage reproduction of the 1893 advertising poster created by Henri de Toulouse-Lautrec to promote Divan Japonais, a café-chantant / theatre in Pigalle, Paris. The striking image shows two figures - writer Edouard Dujardin and dancer Jane Avril – in a crowd of people watching a performance by the French cabaret singer and Belle Epoque actress Yvette Guilbert. The Divan Japonais was founded in 1873 – the space was previously occupied by a ballroom patronized by Edgar Degas and Charles Baudelaire. Decorated in Japanese style, the Divan Japonais was frequented by many of Montmartre’s most notable celebrities, including Toulouse-Lautrec, Adolphe Leon Willette and Pablo Picasso. Printed in the Netherlands, Edition Stedeljik Museum, Amsterdam. Excellent condition. Country of issue: Netherlands, designer: Henri de Toulouse-Lautrec, size (cm): 79x60, year of printing: 1960s
Lot 101
AN ART POTTERY PLATE decorated with a mandolin and ewer in the manner of Picasso and dated '1948', signed verso 'G Belletti', 35cm diameter Condition Report : good conditon, no damage, jsut overall crazing Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 338
Brown 12? envelope written on front Dear George Track 2 side one is 2db too loud on this cut, slight distortion. Contains two reel to reel tapes Tape 1 Side 1/ Mamunia 5.09 2/Band on the Run 5.38 3/Helen Wheels 4.54 4/Mrs Vandebilt 4.28 5/No Words (Instrumental) 4.23 6/Let Me Roll It (Instrumental) 6.00 Tape 2 Picasso?s Last Words 6.23 followed by section of tape featuring Marc Bolan vocal rehearsal of Plateau Skull this has been recorded backwards onto the tape 20.23 mins
Lot 246
NO RESERVE Richardson (John) A Life of Picasso, 3 vol., first edition, 1991 § Figura (Starr) Lucian Freud: The Painter's Etchings, 2007 § Frèches-Thory (Claire) and others, editors. Toulouse Lautrec, New Haven, 1991 § Fornasetti (Barnaba) Fornasetti: The Complete Universe, slip-case, 2009, illustrations, original boards or cloth, all but the last with dust-jackets; and a large quantity of others, modern and 20th century art reference, v.s. (6 boxes)
Lot 3951
Jean Cocteau, Nackter Jüngling mit Kelchstehender, nackter junger Mann, mit Weinglas in seiner erhobenen Hand, Farblithographie, um 1950, im Stein signiert "Jean Cocteau", gegilbt, unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 43 x 31 cm. Künstlerinfo: eigentlich Jean Maurice Eugène Clément Cocteau, frz. Schriftsteller, Regisseur, Schauspieler, Librettist, Kostüm- und Bühnenbildner, Maler, Zeichner und Graphiker (1889 Maisons-Laffitte bei Paris bis 1963 Milly-la-Forêt bei Paris), zunächst schriftstellerisch und als Librettist und Bühnenautor tätig, arbeitete ab den 1930er Jahren als Filmregisseur, künstlerisch beeinflusst von Pablo Picasso und Arno Breker, tätig in Paris, ab 1947 Landhaus in Milly-la-Forêt, 1954 zum Mitglied der Akademie der Bildenden Künste Frankreichs und Belgiens ernannt. Quelle: AKL, Saur "Bio-Bibliographisches Künstlerlexikon", Vollmer, Bénézit und Wikipedia.
Lot 3953
Salvador Dali, Plakat "Hommage an Albrecht Dürer"originalgraphisches Plakat der Galerie Louis Moufflet zur Ausstellung "Hommage a Albrecht Dürer" aus dem Jahre 1971, Lithographie, unter der Darstellung in Blei rechts signiert "Dali" und links nummeriert "35/300", leicht gebräunt und minimal fleckig, unter Passepartout und hinter Glas gerahmt. Passepartoutausschnitt ca. 74 x 55 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkriegs in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol. Quelle: Vollmer und Internet.
Lot 3999
nach Henri Matisse, "Tänzerin"tanzende nackte Frau mit erhobenem Arm, Lithographie, links unten im Stein signiert und datiert "H. Matisse (19)49", rückseitig typographischer Text und in Blei bezeichnet "Henri Matisse (1869-1954) s/w Litho "danseuse" (n. e. Kohlezeichnung) Maeght Editeur, Paris 1952, i. d. Dst. signiert + dat.", etwas fleckig und Spuren von Klebeetiketten, Darstellungsmaße ca. 36,5 x 17 cm, Blattmaße ca. 38 x 28 cm. Künstlerinfo: frz. Maler, Graphiker und Bildhauer (1869 Le Cateau-Cambrésis bis 1954 Ciemiez bei Nizza), 1887-89 Jurastudium in Paris, 1891 Aufgabe seiner Juristenkarriere und ging nach Paris, hier Studium an der École des Arts Décoratifes, 1893 Wechsel an die École des Beaux-Arts zu Gustave Moreau, 1900 erste, jedoch erfolglose Ausstellungen, schloss sich den „Les Fauves“ an und wurde so zum Begründer des Fauvismus, Bekanntschaft mit Pablo Picasso, Beschäftigung mit dem Holzschnitt und der Lithographie, ab 1941 schwere Erkrankung, von der er sich nicht mehr erholte, im Krankenlager entstanden großformatige Papiercollagen. Quelle: Wikipedia und Internet.
Lot 4000
nach Henry Matisse, "Danseuse Créole"farbenfrohe, an Blumen erinnernde Komposition, Farblithographie, im Stein signiert und datiert "Matisse Juni (19)50", erschienen bei Mourlot Paris im Jahr 1958, rückseitig typographisch betitelt "Danseuse Créole", minimal fleckig, Darstellungsmaße ca. 31,8 x 19,2 cm, Blattmaße ca. 35,7 x 26,3 cm. Künstlerinfo: frz. Maler, Graphiker und Bildhauer (1869 Le Cateau-Cambrésis bis 1954 Ciemiez bei Nizza), 1887-89 Jurastudium in Paris, 1891 Aufgabe seiner Juristenkarriere und ging nach Paris, hier Studium an der École des Arts Décoratifes, 1893 Wechsel an die École des Beaux-Arts zu Gustave Moreau, 1900 erste, jedoch erfolglose Ausstellungen, schloss sich den „Les Fauves“ an und wurde so zum Begründer des Fauvismus, Bekanntschaft mit Pablo Picasso, Beschäftigung mit dem Holzschnitt und der Lithographie, ab 1941 schwere Erkrankung, von der er sich nicht mehr erholte, im Krankenlager entstanden großformatige Papiercollagen. Quelle: Wikipedia und Internet.
Lot 4003
Joan Miro, Plakat "Unesco human rights"abstrahierte Formen in Rot, Blau, Gelb und Schwarz, hierauf Schriftzug "Unesco Miró human rights", Farblithographie, um 1970, unten mittig bezeichnet "Arte Paris", leicht gebräunt, rückseitige Klebespuren leicht durchschlagend, Blattmaße ca. 74 x 54 cm. Künstlerinfo: eigentlich Joan Miró i Ferrà, bedeutender spanischer Maler, Graphiker, Entwerfer und Plastiker (1893 Barcelona bis 1983 Palma de Mallorca), zunächst kaufmännische Ausbildung und Arbeit als Buchhalter, parallel Kunstunterricht, zeitweise in Mont-roig del Camp, studierte ab 1912 an der Akademie Barcelona, ab 1919 in Paris, hier Begegnung mit Picasso, 1920 an der Pariser Académie de la Grande Chaumière, 1926 zusammen mit Max Ernst Bühnenbild für „Romeo und Julia“, ab 1928 in Holland, erste Begegnung und lebenslange Freundschaft zu Alexander Calder, 1933 Zusammentreffen mit Wassily Kandinsky, ab 1939 in den USA, beschickte unter anderem mehrere Ausstellungen der documenta in Kassel, ab 1956 auf Mallorca tätig, erhielt zahlreiche Auszeichnungen, unter anderem die Ehrendoktorwürde der Harvard Universität, Quelle: Thieme-Becker, Vollmer, Wikipedia und Internet.
Lot 4005
Joan Miro, Abstrakte Kompositionverschiedenfarbige Pinselstriche auf gesprühtem Grund, Farblithographie, 1972, mittig Faltlinie, hinter Glas gerahmt, Blattmaße ca. 31,5 x 49,5 cm. Künstlerinfo: eigentlich Joan Miró i Ferrà, bedeutender spanischer Maler, Graphiker, Entwerfer und Plastiker (1893 Barcelona bis 1983 Palma de Mallorca), zunächst kaufmännische Ausbildung und Arbeit als Buchhalter, parallel Kunstunterricht, zeitweise in Mont-roig del Camp, studierte ab 1912 an der Akademie Barcelona, ab 1919 in Paris, hier Begegnung mit Picasso, 1920 an der Pariser Académie de la Grande Chaumière, 1926 zusammen mit Max Ernst Bühnenbild für „Romeo und Julia“, ab 1928 in Holland, erste Begegnung und lebenslange Freundschaft zu Alexander Calder, 1933 Zusammentreffen mit Wassily Kandinsky, ab 1939 in den USA, beschickte unter anderem mehrere Ausstellungen der documenta in Kassel, ab 1956 auf Mallorca tätig, erhielt zahlreiche Auszeichnungen, unter anderem die Ehrendoktorwürde der Harvard Universität. Quelle: Thieme-Becker, Vollmer, Wikipedia und Internet.
Lot 4018
nach Pablo Picasso, Beim VorlesenJüngling, einer auf einer Liege ruhenden Frau vorlesend, Offsetlithographie nach einer Zeichnung, im Medium datiert "23.1. (19)54. I", leicht wellig und gebräunt, unter Passepartout und hinter Glas in ca. 12 cm breiter Goldstuckleiste gerahmt, Passepartoutausschnitt ca. 24 x 32 cm, Falzmaße ca. 39,5 x 50 cm. Künstlerinfo: spanischer Maler, Graphiker und Bildhauer (1881 Malaga bis 1973 Mougins), studierte 1895 an der Kunsthochschule Barcelona, 1897 kurzzeitig an der Akademie San Fernando in Madrid, 1900 erster Parisaufenthalt, 1903 Übersiedlung nach Paris, tätig auch in Vallauris, Antibes, Aix-en-Provence und Mougins. Quelle: unter anderem Thieme-Becker, Vollmer und Wikipedia.
Lot 4019
nach Pablo Picasso, Das MaskenspielMann und Frau beim Spiel mit Masken, Offsetlithographie nach einer Zeichnung, im Medium datiert "24.1. (19)54. VIII", leicht wellig, unter Passepartout und hinter Glas in ca. 12 cm breiter Goldstuckleiste gerahmt, Passepartoutausschnitt ca. 24 x 32 cm, Falzmaße ca. 39,5 x 50 cm. Künstlerinfo: spanischer Maler, Graphiker und Bildhauer (1881 Malaga bis 1973 Mougins), studierte 1895 an der Kunsthochschule Barcelona, 1897 kurzzeitig an der Akademie San Fernando in Madrid, 1900 erster Parisaufenthalt, 1903 Übersiedlung nach Paris, tätig auch in Vallauris, Antibes, Aix-en-Provence und Mougins. Quelle: unter anderem Thieme-Becker, Vollmer und Wikipedia.
Lot 4020
Pablo Picasso, Plakat der Galerie Louise LeizigPortrait eines bunt gekleideten Harlekins, links oben bezeichnet "Galerie Louise Leizig 47 Rue de Monceau Paris ..." sowie unten mittig Angaben zur Dauer der Ausstellung, siehe Catalogue Czwiklitzer: 390, im oberen Bereich etwas knitterspurig, unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 71,5 x 47,5 cm. Künstlerinfo: spanischer Maler, Graphiker und Bildhauer (1881 Malaga bis 1973 Mougins), studierte 1895 an der Kunsthochschule Barcelona, 1897 kurzzeitig an der Akademie San Fernando in Madrid, 1900 erster Parisaufenthalt, 1903 Übersiedlung nach Paris, tätig auch in Vallauris, Antibes, Aix-en-Provence und Mougins. Quelle: unter anderem Thieme-Becker, Vollmer und Wikipedia.
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